Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.1241295 Composed by Todd Marchand. Christian,Holiday,Patriotic,Sacred. Octavo. 4 pages. Con Spirito Music #836674. Published by Con Spirito Music (A0.1241295). Lord, Hear Us for Our Native Land (also known by its incipit, Lord while for all mankind we pray) was writ­ten by the Rev. John Reynell Wreford (1800-1881), an English Unitarian minister, in hon­or of the ac­cess­ion of Bri­tain’s Queen Vic­tor­ia to the throne in 1837. It was published that same year in his Lays of Loyalty, a collection of poetry commemorating both the passing of King William the Fourth and the accession of the then-18-year-old Victoria. Fitting for national celebrations and remembrances, Wreford's text speaks of a nation's humility before God and reliance on His providence and blessing. This new tune and arrangement for unison voices and organ is reminiscent of O God, Our Help in Ages Past (being in the same 8.6.8.6 meter), with triplet fanfares that echo the American national hymn, God of Our Fathers. Lord, while for all mankind we prayOf every clime and coast,O hear us for our native land,The land we love the most.O guard our shores from every foe;With peace our borders bless;With prosperous times our cities crown,Our fields with plenteousness.Unite us in the sacred loveOf knowledge, truth, and thee;And let our hills and valleys shoutThe songs of liberty.Lord of the nations, thus to theeOur country we commend;Be thou her refuge and her trust,Her everlasting friend.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Choral 2-Part Chorus,Choir,Choral - Level 3 - Digital Download SKU: A0.1506115 Composed by Carol Troutman Wiggins. Children,Comedy,Halloween,Holiday,Rock. 6 pages. Carol Troutman Wiggins #1081487. Published by Carol Troutman Wiggins (A0.1506115). THE BOO BASH! (SA/2-Part Mixed Voices)(w/Optional Tambourine, Triangle, Tongue Clicks, Rhythm Sticks, Howls, Maracas, Kazoos & Hand Claps)Come to the Halloween Party of the Year where the music never ends! Hand claps and a band of instruments (add more if you like!)rock & roll all night! A super fun crowd pleaser!SA/2-Part Mixed voicesGreat for upper elementary through middle schoolBody percussion & untuned instruments or drumsRock & Roll styleIntermediate level piano accompanimentChords included for guitar & other instruments

SATB choir divisi, a cappella - Moderately easy - Digital Download SKU: LX.15-1335R Music When Soft voices Die and Love's Philosophy. Composed by John V. Mochnick. Prima Cantate Series. Educational. Octavo. 16 pages. Roger Dean Publishing #e15/1335R. Published by Roger Dean Publishing (LX.15-1335R). UPC: 000308036534. Text: Percy B Shelly.These contemporary madrigals are set to texts by P.B. Shelly. Hymn of Pancreates a pastoral landscape through it's alternating melodic and densely-harmonic contrasts. Music, When Soft Voices Die is a hypnotic setting of this familiar poem. Love's Philosophy provides a delightful closing to this trilogy.

Choral Choir (2-Part) - Level 3 - Digital Download SKU: A0.1112804 Composed by Alan Bullard. Children,Christian,Praise & Worship,Religious,Sacred. Octavo. 11 pages. Colne Edition / BullardMusic #714769. Published by Colne Edition / BullardMusic (A0.1112804). Alan Bullard's choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Essex Service (Magnificat and Nunc Dimittis) is a rich and colourful setting of the traditional text, suitable for Evensong. This is the version for voices in two parts (SA or TB) and organ – a version for voices in four parts (SATB) and organ is also available. The recording here is of the four-part version, though the music in the scrolling score is of this two-part version. The Colne Choral Series contains a range of Bullard's pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.

Unison voices or 2-part treble voices, keyboard - Easy - Digital Download SKU: MQ.50-6101-E Composed by Michael Burkhardt. 9 pages. MorningStar Music Publishers - Digital Sheet Music #50-6101-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6101-E). AR HYD Y NOS is matched with the texts All Through the Night and Go, My Children, with My Blessing. Let All Things Now Living and The Ash Grove are the texts for THE ASH GROVE. These delightful settings work well for children and adults.

Small Ensemble Alto Saxophone,Cello,Clarinet,Flute,Piano,Tenor Saxophone,Trumpet,Violin,Voice - Level 3 - Digital Download SKU: A0.843101 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 26 pages. Dico #6606927. Published by Dico (A0.843101). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.AVE MARIA - in Bb (Gounod) for 2 soloist and quintet - in the 1st time, the voice 1 sings the traditional part of the solo. In the 2nd time, the voice 2 sings the solo part and the voice 1 sings the vocalise part. Obviously, roles can be switched. The vocalise part can be singed with any consonant phoneme or bocca chiusa. Provided in many keys in my catalogue for various voice ranges.INSTRUMENTATION - Voices- Part 1: Flute (Ob/Cl/Ssax)- Part 2: Trumpet (Flugel/Fl/Ob/Cl/Ssax/Asax/Tsax)- Piano- Violin- Cello.

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1107023 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #709859. Published by Con Spirito Music (A0.1107023). Bread of the World, Bread of Heaven combines texts on the eucharist, or holy communion, by the Anglican bishop Reginald Heber (1783-1826) and the English Congregationalist author, editor, and hymn-writer Josiah Conder (1789-1855). The first stanza of Heber's Bread of the world in mercy broken focuses on the forgiveness of sin and sinners by Christ's grace as they gather at the Lord's table, while Conder's Bread of heav'n, on thee we feed emphasizes the restoration to health and wholeness of those who eat and drink of Christ's Body and Blood. Both texts refer to the sacramental bread and wine as the gifts by which our souls are fed. In this original setting for SAB choir and organ, Heber's text is set to a chant-like tune for unison SA voices in D minor, which transitions to a chorale-like setting of Conder's text for full SAB in D major. ©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Christmas,Folk,Sacred,Traditional. 5 pages. Con Spirito Music #1067324. Published by Con Spirito Music (A0.1490482). “The Christ Child's Lullaby” is an English translation of the Scots Gaelic “Tàladh Chrìosda,” a Christmas carol adapted and popularized in the 20th century from a longer work written in 1855 by Catholic priest Ranald Rankin for his parishioners at Fort William in the Scottish Highlands.Rankin’s hymn, representing a lullaby for the Christ Child by the Virgin mother Mary, was intended for performance at Midnight Mass (the first mass of Christmas) and is still sung then at churches in the Outer Hebrides of Scotland today. Titled “Tàladh ar Slànaigheir” (“The Lullaby of our Savior”) and containing 29 verses, it is altogether a lullaby, a retelling of elements of the Nativity story, and an explication of the nature and work of Christ. The English text of “The Christ Child’s Lullaby” (containing three verses and alleluias) is one of many translations, adaptations, and variants of the original Scots Gaelic text. The tune, too, is one of many variants of a traditional Hebridean folk melody. It has been further adapted and newly harmonized in this medium-easy arrangement for SATB choir and organ, featuring solo soprano on verse 1, sopranos-altos in open harmonies on verse 2, and full SATB in rich harmonies on verse 3 and the concluding “Alleluias.”Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com

Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1488768 Composed by Teresa O'Connell (BMI). Arranged by Teresa O'Connell (BMI). Contemporary,Contest,Festival,Instructional. 23 pages. Teresa O'Connell (BMI) #1065617. Published by Teresa O'Connell (BMI) (A0.1488768). Believe There is Good (SSA or 3-pt Treble Voices). Also available for 3-pt Mixed Voices. A beautifully orchestrated backing track is available (sold separately.Your singers will love this piece! These inspirational, optimistic lyrics encourage your singers and audience to Believe There Is Good in everyone. Looking for the positive in others, rather than their flaws and showing empathy to people who may be struggling...this is the message of Believe There is Good. This piece is in a jazzy 3/4 and is very fun to sing for all voice parts.  Don't miss this one, and be sure to use the spectacular backing track (sold separately).Believe there is good, in the midst of the darkness. This is good, beneath the hate and the pain. See the light, see the spark, see the good in every heart. Believe there is good in everyone.Part One range is C4-E5.  Part Two range is C3-Bb4. Part Three range is B3-Bb4.

Ukulele Ensemble Ukulele - Level 1 - Digital Download SKU: A0.513123 Composed by W. Sandys' Christmas Carols. Arranged by Yuri Noronha. Children,Christmas,Holiday,Instructional,Traditional. Score and parts. 3 pages. Yuri Noronha #123932. Published by Yuri Noronha (A0.513123). The First Noel is a Christmas Carols. This arrangement is written in two Ukulele voices, contains two melodies and chords. Level is very easy! 1 Page. #christmas #carols #ukulele #easy #uke #voices #ensemble #ukuleleensemble #howtoplayukulele.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.513364 By Various. By GIACCOMO PUCCINI. Arranged by Dico. Opera,Romantic Period,Wedding. Score and parts. 26 pages. Dico Ferreira #124131. Published by Dico Ferreira (A0.513364). WEDDING SERIES - A set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.INSTRUMENTATION:Voices | Fl | Ob | Hr 1, 2 | Tpt 1, 2 | Tbn 1, 2 | Perc | Str (-Vla)

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.945401 Composed by Traditional Old Time Songs. Arranged by Peggy Carter. Children,Country,Folk,Traditional. Octavo. 11 pages. Peggy Carter #5888657. Published by Peggy Carter (A0.945401). Three old-time songs are woven together as a quodlibet with an interesting piano accompaniment that sounds like an old-time string band. Just a little over 2 minutes, its a great upbeat performance piece to be enjoyed by audiences of any age group. Can be sung with all treble voices divided into three equal groups, or with three groups of mixed treble and changed or changing voices. Each part would stand on its own, alone, or with all 3 parts sung all together in ensemble. Follow Choral Music by Peggy Carter on FaceBook.

Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.878838 Composed by David Banney. Christian,Contemporary,Sacred. Octavo. 24 pages. David Banney #6257969. Published by David Banney (A0.878838). The Mass for Christ the King was composed to provide music for small forces during a period of restrictions on choral singing in Australia. It is composed for treble voices and strings, but is also available for treble voices and organ. The vocal parts are available separately.

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.575822 Composed by David Warin Solomons. 20th Century,Contemporary. Octavo. 8 pages. David Warin Solomons #2028477. Published by David Warin Solomons (A0.575822). Setting for four equal voices in close harmony of a black humour poem by Gavin Ewart describing the distress of the brain as the cells die out under the influence of alcohol. The pdf file contains 4 versions: - the original in treble clef for low altos, - the original in tenor clef for high tenors - a version up a fifth for high voices (tenors or sopranos) - a version up a second for altos/mezzos or baritones The sound sample is the composer's own performance of the low alto version.

Piano Solo - Level 3 - Digital Download SKU: A0.1141386 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional. Score. 2 pages. Padgett Music Llc #741710. Published by Padgett Music Llc (A0.1141386). I composed my Invention No. 3 in C minor for two voices during the Spring of 2012. The motive is intriguing as the first twelve notes are immediately followed by their inversion after a drop of a seventh to form a contrapuntal palindrome. This inversion is followed by an octave leap upwards to D that circles back to the starting note C. In bar 3, the lower voice introduces the motive a fourth lower at the dominant as the upper voice states the countermotive which concludes in bar 4 with an augmented tonal version of the descending scale run from the original motive. The ensuing episode in bars 5-8 is constructed from fragments of the motive in the upper voice accompanied by an embellished form of the countermotive in the lower voice. A series of ascending broken thirds accompanied by a rising scale run cadences in the tonic key of C minor in bar 10 before abruptly redirecting to G minor in bar 11. At this juncture, the motive and countermotive are restated in their inversions. The episodic sequence from bars 5-9 is also stated in an inverted form in bars 13-17. In bar 18, the motive is stated by the upper voice in G minor with the countermotive now in the lower voice. This formula is repeated a whole step lower in F minor in bars 20-21 followed by the modulation sequence from bars 5-8 reprised with the voices exchanging places. In bar 27, a cadence in F minor redirects back to C major in bar 28 followed by a modulation sequence culminating in C minor in bar 30 that cadences to a final Picardy Third in bar 32.