Woodwind Ensemble - Level 3 - Digital Download

SKU: A0.900409

Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 5 pages. Gustavo Fuentes #3637867. Published by Gustavo Fuentes (A0.900409).

Oisin in Tirnanoge. Celtic music song composed by Gustavo Fuentes, arranged for five voices. Two melody instrument, such as tin-whistle, flute, recorder, low whistle, violin or piano and three voices like violins and cello or bass, with chords for piano or guitar. The audio is from to the Eriskay Group CD Música Celta that you can listen to on Spotify.

Canción de música celta compuesta por Gustavo Fuentes, arreglada para cinco voces. Dos melódicas como tin-whistle, low whistle, flauta traversa, flauta dulce, violín o piano y tres voces de acompañamiento para violines y cello, con cifrado de acordes para piano o guitarra. El audio pertenece al CD del grupo Eriskay Música celta, que se puede escuchar completo en Spotify.

Small Ensemble Flute,Piano Accompaniment,Piccolo,Tin Whistle - Digital Download

SKU: A0.916326

Arranged by Benjamin Ball. Christian,Sacred. Score and parts. 8 pages. Benjamin Ball #6009519. Published by Benjamin Ball (A0.916326).

The beloved tune, Kingsfold (I Heard the Voice of Jesus Say), arranged for Tin Whistle (Irish/Celtic Whistle) or flute or piccolo with a flowing piano accompaniment. The piano and whistle/flute take equal shares of presenting the melody throughout the piece. .

Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download

SKU: A0.900403

Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 5 pages. Gustavo Fuentes #3637513. Published by Gustavo Fuentes (A0.900403).

Ivory Angel. Celtic music song composed by Gustavo Fuentes, arranged for three voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify.
The Celtics strongly believed in the elements of nature. They believed that animals, plants and even rocks had a life and a spirit. And they considered trees to be the most important elements. Trees symbolized life: the roots were in the Underworld, the branches in the Otherworld and the trunk in the Middle Earth. Trees gave the Celtics wood to build homes and weapons and to shelter them from the cold. They also shielded them from the sun with their shadow. Trees gave them fruit to eat and they lodged birds, the messengers of the Gods, in their branches. Trees protected people’s spirits and so each person was assigned a sacred tree according to their date of birth.
Even today we still have spirits and objects that protect us. In the case of artists, their own art is often their protector. The title of this song refers to the ivory angel, the piano, however, this song is dedicated to all the instruments that help us express ourselves and prevent us from being lonely, silent or forgotten.

Canción de música celta compuesta por Gustavo Fuentes, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violín, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify.
Los celtas creían profundamente en los elementos de la naturaleza. Los animales, las plantas y hasta las rocas tenían su propia vida y espíritu. Y entre estos elementos, el más importante eran los árboles. Para los celtas los árboles eran un símbolo de vida, con sus raíces en el Inframundo, las ramas en el Supramundo y el tronco en la Tierra Media. Les entregaban su madera para construir viviendas y armas, los abrigaban del frío con su leña y los protegían del sol al dar su sombra. Les daban sus frutos que servían de sustento y resguardaban a los pájaros, mensajeros de los dioses. Eran protectores del espíritu, y cada persona tenía su árbol protector según el momento del año en que hubiera nacido.
En nuestros tiempos, algunos también tenemos espíritus u objetos protectores. Entre los artistas, es en muchos casos nuestro propio arte, representado en los músicos por nuestro instrumento. Y si bien el ángel de marfil se refiere al piano, esta melodía está dedicada a los instrumentos que nos ayudan a expresarnos, y que nos protegen de la soledad, del silencio y del olvido.

Woodwind Ensemble - Digital Download

SKU: A0.900410

Composed by Traditional. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 3 pages. Gustavo Fuentes #3637565. Published by Gustavo Fuentes (A0.900410).

Flowers of Edinburgh. Scotish music song, arranged for three voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, harmonic or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify.
The hornpipe is a traditional dance in Ireland and Scotland. The legend says that sailors used to dance the hornpipe before setting sail. It makes sense that they would dance atop bar tables until their legs gave out: after all, on each journey they put their lives at risk. Dancing is a way to face one’s fears and find the happiness that lies within. It is a way to find hope amidst uncertainty.
We should dance when we are happy, so we can be happier. We should dance when we are sad, so our sadness can be soothed. We should dance like our sailor ancestors once did, so that we can know that even though the journey might be dangerous, if we are tired from dancing, nothing can go wrong.

Canción tradicional escocesa, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, armónica o violín, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify.
El hornpipe es una danza muy tradicional en Irlanda y Escocia. Cuenta la leyenda que lo bailaban los marineros antes de embarcar. Y suena lógico que zapatearan hasta el cansancio sobre las mesas de los bares porque en cada viaje ellos arriesgaban sus vidas. Bailar es una forma de ponerle el cuerpo al miedo, de ahuyentar los fantasmas, de conectarnos con nuestra alegría más profunda. Bailar es un modo de encontrar esperanza cuando el porvenir nos llena de incertidumbre.
Bailemos cuando estemos felices, porque aumentará nuestra felicidad. Bailemos cuando estemos tristes, porque atenuará nuestra tristeza. Bailemos como lo hacían nuestros ancestros marineros, para tomar conciencia de que aunque el viaje puede ser peligroso, si nuestro cuerpo está cansado de felicidad, nada saldrá mal.

Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download

SKU: A0.900402

Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 5 pages. Gustavo Fuentes #3637495. Published by Gustavo Fuentes (A0.900402).

Pilgrim Lights. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin or piano and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify.
One of the few things that we know for certain in this life is that one day we will begin our journey to eternity. Some of our loved ones will begin their journey before us, and we will be left with memories of them and a sense of loss and absence.
But some of our loved ones do not travel to eternity, they only wander away until we can meet again, and in the meantime all we can do is feel them from a distance.
The old Druids believed distance was not measured in miles but in affection. That is why even when someone has left us and begun their pilgrimage to somewhere far away or to eternity, we can feel them and their light close to us.
May those pilgrim lights shine bright and guide our journey.

Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violín o piano y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify.
Nuestro viaje a la eternidad es una de las pocas certezas que tenemos en este plano de la vida. Y durante esta vida, muchos de nuestros afectos parten a su viaje antes que nosotros, dejándonos con su recuerdo, con su pérdida, con su falta.
Algunos de nuestros seres queridos no viajan a la eternidad, tan sólo se alejan para tal vez reencontrarnos más tarde, y mientras tanto sólo nos queda sentirlos en la distancia.
Según los antiguos druidas, la distancia no es un hecho geográfico sino afectivo. Por eso podemos sentir cerca a alguien que está lejos, a uno de esos seres luminosos que han iluminado nuestra vida para comenzar su peregrinaje, así sea a un lugar lejano o a su morada eterna.
Que esas luces peregrinas nos guíen en nuestro camino, dándonos señales con su brillo.

Small Ensemble Cello,Flute,Soprano Recorder,Violin - Digital Download

SKU: A0.900404

Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3637523. Published by Gustavo Fuentes (A0.900404).

The Sky in Your Eyes. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin or piano and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify.
The eyes are the windows to the soul. They can reflect sadness, happiness, pain, peace, love. The eyes of a mother looking at her child, of a migrant taking one last look at their homeland, the eyes of two lovers getting lost in ecstasy.
So we must let our eyes be. Let them fill up with tears of joy, tears of sadness and tears of excitement. We must truly let our eyes be windows to our souls so those that want to get to know it only need to look inside. Once we let our eyes reflect the skies, reflect smiles, reflect hope and even reflect the world, we might be able to perceive the eyes around us.

Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violín o piano y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify.
La mirada es el lenguaje del alma. En los ojos se traslucen la tristeza, la alegría, el dolor, la paz, el amor. La mirada de una madre hacia su hijo, la mirada de aquel que debe emigrar y observa por última vez su tierra, la mirada de los enamorados que se funden en el éxtasis.
Dejemos ser a nuestros ojos. Que se llenen de lágrimas de emoción, que palidezcan de tristeza o que brillen de deseo. Demos permiso a nuestras miradas y que sean realmente el espejo de nuestra alma para quienes quieran conocerla. Aceptemos que se nos llenen los ojos de cielo, de sonrisas, de esperanza y también de ausencia. Permitamos que nuestro mundo se vea en nuestros ojos, y tal vez entonces podamos ver el universo de miradas que nos rodea.

Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download

SKU: A0.900405

Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3637525. Published by Gustavo Fuentes (A0.900405).

Diamond in the Rough. Celtic music song composed by Gustavo Fuentes, arranged for two voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify.
The most important symbol of Celtic art is the triskelion. It is made up of three curved legs representing the past, the present and the future. It can also symbolize the balance between mind, body and spirit; the beginning and the end; or constant learning versus eternal evolution.
Life is a timeline. Memories from the past can sometimes evoke pleasant images and beautiful experiences in our minds, but they can also fill us with sadness and nostalgia. Thinking of the future can give us hope, but it can also awaken anxiety. The only time when we can truly be, make decisions, and effect change is the present. Today is a gift, a diamond in the rough that we can cut and polish to our liking. Quoting the wise words of Irish author Oscar Wilde in The Picture of Dorian Grey: Life is a moment. There is no hereafter. So make it burn always with the hardest flame.

Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violín, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify.
El símbolo más importante del arte celta es el trisquel. Formado por tres brazos en espiral representan el pasado, el presente y el futuro, y simboliza el equilibrio entre cuerpo, mente y espíritu, el principio y el fin, el aprendizaje perpetuo y la eterna evolución.
Nuestra vida está construida en el tiempo. A veces el pasado nos trae recuerdos gratos y experiencias hermosas; en otros momentos, nos llena de melancolía y añoranza. El futuro puede generarnos esperanza, pero también ansiedad. El único momento donde podemos ser, donde podemos elegir, donde podemos cambiar, es el presente. Deberíamos considerar el ahora como una verdadera joya, como un diamante que podemos tallar y lustrar para que tenga la forma y el brillo que merecemos. Y estaría bien recordar las palabras que el escritor irlandés Oscar Wilde nos dejó en El retrato de Dorian Grey: La vida es el presente, el futuro no existe. Haz que la vida arda siempre con la llama más intensa.

Concert Band - Level 3 - Digital Download

SKU: A0.866219

Composed by Jeffrey Ouper. 20th Century,Children,Contemporary. Score and parts. 30 pages. Jeffrey Ouper #3684883. Published by Jeffrey Ouper (A0.866219).

Note: This download is for the score formatted for legal size paper.  Parts formatted for letter size paper are a separate download.

The Circus Cavalry embodies the style of marches and descriptive light-music similar to Leroy Anderson. The Circus Cavalry follows the form of traditional marches, but ends with a descriptive coda in the original key.  Listeners can imagine the opening parade of performers, clowns, and animals under the big top circus tent.  After the main performance is finished, the coda portrays the clowns’ prolonged merriment, which results in a whip crack from the ringmaster to keep the show on schedule.  The Circus Cavalry is perfect for any circus, carnival, or children’s themed band concert!

Grade 4

Duration: 3:40

Instrumentation:

piccolo, flute 1,2, oboe 1,2, english horn (optional), e-flat clarinet, b-flat clarinet 1,2,3, alto clarinet (optional), bass clarinet, bassoon, alto sax 1,2, tenor sax, bari sax, trumpet 1,2,3, horn 1,2,3,4, trombone 1,2,3, euphonium, baritone TC, tuba, double bass (optional)

percussion: glockenspiel, timpani, ratchet, vibraslap, bird whistle, bass drum, snare drum, slide whistle, wood block, slapstick, whizzer siren whistle, triangle 

If percussionists are limited, important slide whistle cues are given for wind players to help.  Other percussion events may be given to players in the band not playing in the coda.  Other cues for missing instruments are given in strategic areas.  

Piano Solo - Level 2 - Digital Download

SKU: A0.894347

Composed by Scott Joplin. Arranged by Theoria Music. 20th Century. Score. 4 pages. Theoria Music Publishing #4355407. Published by Theoria Music Publishing (A0.894347).

Scott Joplin composed The Great Crush Collision March in 1896 to commemorate the infamous crash in Crush, Texas. The composition was dedicated to the Missouri-Kansas-Texas Railway. The score notably gives direction to the pianist to mimic the sounds of the trains and their whistles right before the collision.

Publisher: Theoria Music Publishing
Website: https://sheetmusicmarket.com 
 

Chorus - Digital Download

SKU: AX.00-PO-0003454

Text Me Merry Christmas - TTBB, a cappella. Composed by Adam Schlesinger and David Javerbaum. Arranged by Alan Billingsley. Choral. 15 pages. Alfred Music - Digital Sheet Music #00-PO-0003454. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003454).

UPC: 038081491431.

Will holidays spent apart ever be the same? Not if we take the advice of Kristen Bell and Straight No Chaser in this hip ode to modern technology. Perform a cappella or use the SoundTrax CD to add all the bells and whistles!
A cappella; Recorded Acc. Available.

Piano and voice (solo and SATB chorus) - Digital Download

SKU: LV.3532

Composed by Alfred Sedgwick. Death, Love, Graves, Grief. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3532).

Poor Bessie's Song. Written and Composed by Alfred Sedgwick. Published 1856 by Sep. Winner, 110 Nth 8th St. in Philadelphia. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Death, Love, Graves, Grief. First line reads Oh the wind fleetly whistles thro' the old Elm Tree and its leaves they have scattered been..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Small Ensemble Clarinet,Piano - Level 3 - Digital Download

SKU: A0.995681

Composed by Jamie K. Auberg. Contemporary. Score and parts. 26 pages. Auberg Instructional Innovations #4611081. Published by Auberg Instructional Innovations (A0.995681).

Fun and goofy, The Noise Maker Concerto involves noise makers (party favors, kazoos, spin whistles... really any noise maker!) interrupting an otherwise serious piece.  The clarinet part is very impressive sounding, but not actually all that difficult.  Great for using kids in your performance: give the kids noise makers (you can get them at a dollar store) and have a leader (someone who can follow the sheet music) cue them as to when to play.  To make it even more interesting, change noise makers between each movement (there are four movements).  Fun composing fact: the piece was originally written for the Noise Makers with just a piano part accompanying.  The clarinet solo was later written on top of the existing music!

Full Orchestra - Level 4 - Digital Download

SKU: A0.1244564

Composed by Ennio Morricone. Arranged by Brandon C Stanley. Film/TV. Score and Parts. 92 pages. Brandon C Stanley #839516. Published by Brandon C Stanley (A0.1244564).

Track #1 from academy award winning Ennio Morricone's Original Motion Picture Soundtrack for the 1966 Italian epic spaghetti Western film The Good, The Bad And The Ugly directed by Sergio Leone. This arrangement gives the orchestra everything it needs to sound like the OST. With guitars, ocarina and harmonica, along with shouts, grunts and whistles from a full choir, this arrangement will sound just as it is heard on the big screen.

Flute 1,2
Bass Flute
Oboe 1,2
Clarinet in Bb 1,2
Bass Clarinet in Bb
Bassoon 1,2
Contrabassoon
Ocarina in C
Horn in F 1-4
Trumpet in Bb 1,2
Piccolo Trumpet
Trombone 1,2
Bass Trombone
Tuba
Timpini
Percussion 1-4
Acoustic Guitar
Electric Guitar
Harmonica
Choir
Violin 1,2
Viola
Violoncello
Contrabass

For the orchestra lacking guitars, ocarinas, and choir, sufficient cues are available to ensure a full sound for this epic cue.

Film orchestrator Brandon C Stanley presents this cue as it would appear on the scoring stage with no key signatures and large time signatures.

Both a C Score and Transposing Score are provided with this download.

Violin Solo - Level 2 - Digital Download

SKU: A0.1427563

Composed by American Fiddle Tune. Arranged by arranged by Sandy McIntire. Contest,Country,Festival,Folk,Traditional. 5 pages. Sandy McIntire #1008298. Published by Sandy McIntire (A0.1427563).

Liberty Off the Corn Liquor Still is a southern old-time fiddle tune. The tune is crooked with an unusual bowing pattern that makes it a ‘foot stomping’ favorite. Explanations for what it means for a tune to be crooked, bowing patterns, chords and music symbols used are provided on the score. This arrangement is an Easy Intermediate Violin Solo. It is suitable for fiddles, mandolins, and penny whistles. Highly recommended for performing in contests and festivals.

Choral Choir (Unison) - Level 1 - Digital Download

SKU: A0.727685

Composed by Carol Troutman Wiggins. Children,Contemporary,Instructional. Octavo. 53 pages. Carol Troutman Wiggins #6699881. Published by Carol Troutman Wiggins (A0.727685).

OVER THE OCEAN, UNDER THE SEA was written to celebrate God’s creation. The music appeals to the imagination of the elementary child who loves going to the beach, looking for seashells, watching playful dolphins jump in and out of the waves, and dreaming that a mermaid will actually appear! This book includes songs about going to the beach, wearing flip flops, seashells, seals, mermaids, mighty sailing ships and a pop-eyed pirate!

 

As a part of the Instant Concert Series, the songs are easy to teach and easy to learn, and most can be learned during one class period. A quick Spring concert can be planned by using any of these songs. Percussion instruments, Wood blocks, two-tone blocks, triangles, slide whistles, and body movements were added to help bring the ocean to life! Most of the work has been done to make the teacher’s job a little easier. I sincerely hope you – the teacher – enjoy teaching these songs and my wish is that the children to have fun singing about the sea!

Piano Accompaniment Track available on this site.