Small Ensemble - Level 1 - Digital Download SKU: A0.676826 Composed by George Frideric Handel. Arranged by Gert Th. Walter. Baroque. Score and parts. 46 pages. Gert Th. Walter #2965181. Published by Gert Th. Walter (A0.676826). From Harpsichord Suite D-Minor, HWV 437 (1703/06). Score and 35 voices. 38 pages; ISMN 9790700299538.

Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€�Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpackâ€� themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts.  The score plus solo part are for sale as another item.  Individual parts are also for sale.

Piano Solo - Level 5 - Digital Download SKU: A0.1112683 Composed by Modest Mussorgsky/Nikolai Rimsky-Korsakov. Arranged by Adam Walter Carlsen. 19th Century,Romantic Period. Score. 36 pages. Adam Walter Carlsen #714698. Published by Adam Walter Carlsen (A0.1112683). I created a solo piano version of this work. This piece can be played in any concert setting. I added some notes in the certain spots to help give more movement and sustain the sound to reflect the overall atmosphere of the original orchestra version. I also simplified some of the accompaniment so that the piece isn't too difficult to perform. I used most of the Rimsky-Korsakov version with my own version of the final soft D Major section. Facebook: https://www.facebook.com/adam.carlsen.35 Twitter: https://twitter.com/AdamCarlsen2Website: AdamCarlsenMusic.com.

Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1473498 Composed by Walter Torres (BMI) and Adrienne Inglis (ASCAP). 21st Century,Multicultural,Wedding,World. 3 pages. Adrienne Inglis (ASCAP) #1051284. Published by Adrienne Inglis (ASCAP) (A0.1473498). Gorgeous flute and guitar piece for a special occasion, worship prelude, or recital piece!P. S. I Love You (2024) by Walter Torres (BMI) and Adrienne Inglis (ASCAP)for flute and guitarComposed as a wedding celebration gift for Patrick and Sam, this duet weaves rich harmonies with sassy melodic lines.Duration 1:44Difficulty: intermediateWorld premiere:11 May 2024Flutist Adrienne Inglis and guitarist Walter Torres perform the world premiere of P. S. I Love You, a duet by Inglis and Torres for a private event in Castell d'Empordà, Girona, Catalunya, Spain.https://adrienneinglis.com/.

Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.� Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack� the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part.  The complete parts and seperate parts are available for sale on this site.

Small Ensemble - Level 2 - Digital Download SKU: A0.676865 Composed by Georg Mathias Monn. Arranged by Gert Th. Walter. Classical. Score and parts. 46 pages. Gert Th. Walter #2965281. Published by Gert Th. Walter (A0.676865). From Symphonie D-Major (1740). Score and 36 voices. 38 pages; ISMN 9790502620110.

Choral Choir,Choral (Unison) - Level 1 - Digital Download SKU: A0.1305781 Composed by Luther Vandross and Quincy D Jones. Arranged by W. Jack. Broadway,Disco,Film/TV,Musical/Show. 12 pages. Walter Jack #895227. Published by Walter Jack (A0.1305781). The ultimate celebration song from the '70s disco musical The Wiz! Here's an uplifting arrangement specifically for elementary voices featuring optional solos. It works equally well as an opener or a closer and is a guaranteed crowd pleaser!  Aligns with tracks, videos, and materials on Musicplay Online (www.musicplay.ca). Purchase includes teacher score and vocals only score with choreography notes from John Jacobson.

Instrumental Duet Instrumental Duet,Ukulele,Voice - Level 2 - Digital Download SKU: A0.826834 By John Hicks. By Walter Donaldson. Arranged by Ryan D. Neaveill. Contemporary. Score and parts. 5 pages. Ryan Neaveill #5337597. Published by Ryan Neaveill (A0.826834). This is a ukulele leadsheet for the song Makin’ Whoopee (lyrics by Gus Kahn and music by Walter Donaldson) from the 1928 broadway musical Whoopee! This leadsheet contains both the original 1928 lyrics as well as the revised lyrics used in the 1930 film version of the musical.

Piano - Digital Download SKU: LV.7817 Composed by Walter Owen. Portraits, Waterfronts, Moonlight, Gazebos. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7817). Carline. Schottische. by Walter Owen. Published 1867 by D.P. Faulds, No. 70 Main Street in Louisville. Composition of sectional with piano instrumentation. Subject headings for this piece include Portraits, Waterfronts, Moonlight, Gazebos. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano - Digital Download SKU: LV.9791 Composed by Walter L. LaMont. Carriages & coaches, Buses, Hotels & taverns. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9791). Grande Marche. Composed by Walter L. LaMont. Published [n.d.] by A. A. Rosenberg, 139 Kearny St. in San Francisco. Composition of da capo with piano instrumentation. Subject headings for this piece include Carriages & coaches, Buses, Hotels & taverns. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1494902 Composed by Walter Donaldson. Arranged by Glen Poehlmann. 20th Century,Standards. 13 pages. Arrangements by GPoehlmann #1071461. Published by arrangements by GPoehlmann (A0.1494902). CAROLINA IN THE MORNING for unaccompanied STRING QUARTETLight-hearted and fun! The popular standard is given a new treatment. Every instrument shares the melody.Composed by Walter DonaldsonMedium in Difficulty (Grade 3+)78 measures.  Performance Time approx 2:55Key: C - D.  Meter: 4/4Instrument Ranges (C4=middle C):Violin 1 B3 - E6Violin 2 A3 - B5Viola Eb3 - F#5Cello D2 - G4Parts included (PDF):Score, Violin 1, Violin 2, Viola, Cello.#STR645.

Choral Choir (SATB) - Digital Download SKU: A0.989244 Composed by Mary Ann Joyce. 20th Century,Christian,Concert,Jewish. Octavo. 20 pages. Mary Ann Joyce-Walter #6244647. Published by Mary Ann Joyce-Walter (A0.989244). This psalm setting is about one's yearning for G-d.  It is a polyphonic, modal piece about four minutes long.

Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.989219 Composed by Mary Ann Joyce. 20th Century,Contemporary. 6 pages. Mary Ann Joyce-Walter #6203609. Published by Mary Ann Joyce-Walter (A0.989219). The Little Vagabond is from Blake's Songs of Innocence and of Experience. However, this poem was considered to be to subversive of authority and was omitted.  The vagabond child tells his mother that he'd rather be in a warm ale-house, not a cold church.  He suggests that ale be served in church:  The Parson might drink & preach & sing, and the parishoners would be warm and happy as birds in the spring. The music is as playful as the poem!

Piano - Digital Download SKU: LV.15990 Composed by Walter Owen. Symbols, Skulls. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15990). The Ku-Klux Walt. Composed by Walter Owe. Published 1868 by D.P. Faulds, No.70, Main St. in Louisville, KY. Composition of waltz; sectional with piano instrumentation. Subject headings for this piece include Symbols, Skulls. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.