C Instrument - Digital Download SKU: A0.482322 By Matthew Rybicki. By Matthew Rybicki. Arranged by Matthew Rybicki. Jazz. Lead Sheet / Fake Book. 1 pages. Published by Matthew Rybicki (A0.482322). Bebop is, in my opinion, the most complex and difficult style of music to master. While I'm far, far from commanding this style, I wanted to write a piece that showcases both my striving towards and affection for bebop. ​ As in many bebop compositions, I created this melody based on the chord changes to I Got Rhythm, a common practice in the period.

C Instrument - Level 4 - Digital Download SKU: A0.499608 Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112900. Published by John Fries (A0.499608). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Over the Rainbow is a ballad composed by Harold Arlen with lyrics by Yip Harburg. It was written for the 1939 film The Wizard of Oz and was sung by actress Judy Garland. Arlen would often carry blank pieces of music manuscript in his pockets to jot down short melodic ideas. He described how the inspiration for the melody to Over the Rainbow came to him suddenly while his wife Anya drove: I said to Mrs. Arlen... 'let's go to Grauman's Chinese ... You drive the car, I don't feel too well right now.' I wasn't thinking of work. I wasn't consciously thinking of work, I just wanted to relax. And as we drove by Schwab's Drug Store on Sunset I said, 'Pull over, please.' ... And we stopped and I really don't know why—bless the muses—and I took out my little bit of manuscript and put down what you know now as 'Over the Rainbow.'.

C Instrument - Level 1 - Digital Download SKU: A0.1431598 By Albert Hammond. By Albert Hammond and Harold Payne. Arranged by Marco Polo C. Ignacio. Pop,Rock. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #1012073. Published by MARCO POLO IGNACIO (A0.1431598). When I'm Gone is a 1981 single by English soft rock musician Albert Hammond, taken from his 1981 album, Your World and My World. It charted in Germany at No. 50,[1] Switzerland at No. 12,[2] and in South Africa at No. 7. The meaning of the song is about when she's gone, will the guy miss her as she misses him. She can't stop thinking of him and wants to reconcile with him. She wanted to be apart at first but hopes love will reunite them. The beat of the song is cheery and uptempo.

C Instrument - Level 2 - Digital Download SKU: A0.1493721 By JP Saxe. By James Ryan Ho, Jonathan Percy S. Saxe, Jonathan Saxe, Jordan K Johnson, Jordan Kendall Johnson, Malay Ho, Michael Pollack, and Stefan Johnson. Arranged by Teresa Young. Contemporary,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 2 pages. Teresa Young #1070384. Published by Teresa Young (A0.1493721). Arranger Teresa Young's transcription of JP Saxe's beautiful Anywhere, from his 2023 album A Grey Area, came about as most do: her adult student wanted to interpret it. This simple lead sheet in the user-friendly key of C major includes just melody, lyrics, and chords. A lead sheet in JP's key of F# major, and one in the more user-friendly key of F, are also available here. And if you're looking to approximate JP's piano sound, see the piano-vocal versions here in F major, F# major, and C major, all loosely following his piano acccompaniment. Just search, Anywhere JP Saxe Teresa Young. Enjoy!

C Instrument - Digital Download SKU: A0.482323 By Matthew Rybicki. By Matthew Rybicki. Arranged by Matthew Rybicki. Jazz. Lead Sheet / Fake Book. 1 pages. Published by Matthew Rybicki (A0.482323). Bebop is, in my opinion, the most complex and difficult style of music to master. While I'm far, far from commanding this style, I wanted to write a piece that showcases both my striving towards and affection for bebop. ​ As in many bebop compositions, I created this melody based on the chord changes to I Got Rhythm, a common practice in the period.

C Instrument - Level 3 - Digital Download SKU: A0.1350321 By Amy Winehouse. By Amy Winehouse and Felix Howard. Arranged by Teresa Young. Jazz,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 3 pages. Teresa Young #935111. Published by Teresa Young (A0.1350321). Teresa Young's lead sheet for Amy Winehouse's confessional You Sent Me Flying came about as most do for her, because someone requested it. A young woman with the right voice and attitude wanted to interpret the song, without working from a clunky piano-based arrangement that was the only one she could find. The resulting lead sheet has everything you need, including guitar chord diagrams, and nothing you don't.

C Instrument - Level 2 - Digital Download SKU: A0.1043949 By Unknown. By Unknown. Arranged by Matthew David. Easter,Praise & Worship,Spiritual. Lead Sheet / Fake Book. 1 pages. Terror of Demons #648650. Published by Terror of Demons (A0.1043949). This is a very popular Praise Song. It's usually learned by rote, but I wanted to write out the melody.

C Instrument - Level 4 - Digital Download SKU: A0.1258035 By James Brown. By Clarence Gaskill, Leo Robin, and Russ Columbo. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #851273. Published by John Fries (A0.1258035). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  Written in 1931, Leo Robin has related how publisher Con Conrad walked into his hotel room with Russ Columbo and asked him to write words within the hour for a tune he had.  Robin, who was on vacation, at first refused, but Conrad explained that he wanted Columbo to demonstrate it to Flo Ziegfeld who needed a song for Helen Morgan in one of his shows.  Robin then wrote the lyric, which he afterwards said he disliked, and the song was duly performed for Ziegfeld, but he did not accept it.  Russ Columbo, however, sang it on his radio show and recorded it on October 9, 1931, for Victor Records, and it was very popular in 1932.  Columbo also sang it in the 1933 short film That Goes Double.  In 1946, the song became a major hit for Billy Eckstine, Perry Como, and the Ink Spots.

C Instrument - Digital Download SKU: A0.482316 By Matthew Rybicki. By Matthew Rybicki. Arranged by Matthew Rybicki. Jazz. Lead Sheet / Fake Book. 2 pages. Published by Matthew Rybicki (A0.482316). Loosely based on the chord changes to Tune Up, I wanted to write a bouncy, fun trio piece for us. The title again references a conversation, this time during the process of moving my piano–at one point is was leaning precariously in one direction. ​ The B section of this tune modulates again to 3/4, in another attempt to add understated interest to the tune.

C Instrument - Level 4 - Digital Download SKU: A0.1420898 Composed by Joe Rizzo. Arranged by John Fries. 20th Century,Historic,Holiday,March,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #1002320. Published by John Fries (A0.1420898). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. You're a Grand Old Flag is an American patriotic march. In addition to obvious references to the flag, it incorporates snippets of other popular songs, including one of his own. Cohan wrote it in 1906 for his stage musical George Washington, Jr. You're a Grand Old Flag quickly became the first song from a musical to sell over a million copies of sheet music. The original lyric for this perennial George M. Cohan favorite came, as Cohan later explained, from an encounter he had with a Civil War veteran who fought at Gettysburg. The two men found themselves next to each other and Cohan noticed the vet held a carefully folded but ragged old flag. The man reportedly then turned to Cohan and said, She's a grand old rag. Cohan thought it was a great line and originally named his tune You're a Grand Old Rag. So many groups and individuals objected to calling the flag a rag, however, that he gave 'em what they wanted and switched words, renaming the song You're a Grand Old Flag.

C Instrument - Level 2 - Digital Download SKU: A0.1368086 By Marian Anderson. By Unknown. Arranged by Teresa Young. 20th Century,Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 2 pages. Teresa Young #952440. Published by Teresa Young (A0.1368086). If He Change My Name was sung by renowned 20th Century African-American contralto Marian Anderson. Arranger/educator Teresa Young's lead sheet transcription came about as most do: an adult student wanted to interpret the song and couldn't find anything on it. So now you can enjoy expressing your version of this poignant piece of the history of Africa-American spirituals sung by a venerable, world-class artist.

Level 2 - Digital Download SKU: A0.1372693 By Alicia Domínguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia Domínguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693). In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang “Mare Nostrum� (Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the Defâhte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into Mediterráneo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.Instrumentation:FluteGuitar 1 (1st voice melody)Guitar 2 (2nd voice melody)Bass (accompaniment and chords)BuzukiSazDarbukaTombakVoice 1st2nd voiceSMATB Voices1st violin2nd violinViolaCellosDouble basses.