Composed by Traditional. Arranged by Edward J. Bettega. Folk. Individual Part. 4 pages. Published by Edward John Bettega (S0.81803). - Individual Part - Folk - Edward John Bettega

Composed by Tom Edward Clark. 21st Century, Contemporary Classical, Repertoire. Sheet Music Single. 8 pages. Published by Tom Edward Clark (S0.224351). - Sheet Music Single - 21st Century,Contemporary Classical,Repertoire - Tom Edward Clark

Composed by Edward J Hahnenberg MA, MA, Ed.S. Sacred, General Worship, Swing, Lent, Thanksgiving. Lead Sheet. 1 pages. Published by Edward J Hahnenberg (S0.109801). - Lead Sheet - Sacred,General Worship,Swing,Lent,Thanksgiving - Edward J Hahnenberg

Composed by Tom Edward Clark. 21st Century, Contemporary Classical, Post-Romantic, Repertoire. Sheet Music Single. 4 pages. Published by Tom Edward Clark (S0.220779). - Sheet Music Single - 21st Century,Contemporary Classical,Post-Romantic,Repertoire - Tom Edward Clark

Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.

Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764956 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956). For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).You may print multiple parts as needed for your ensemble.The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.Also available for concert band (S0.708971)

Composed by Chris Howard. 21st Century. Score. 19 pages. Published by Chris Howard (S0.48265). - Score - 21st Century - Chris Howard

Composed by Traditional Carol. Arranged by Jeff Howard. Christian, General Worship, Jazz, Smooth Jazz, Christmas. 19 pages. Published by Jeff Howard (S0.273497). - - Christian,General Worship,Jazz,Smooth Jazz,Christmas - Jeff Howard

Composed by Wayne Howard Christensen III. Classical Period, Method. Sheet Music Single. 4 pages. Published by Wayne Howard Christensen III (S0.70957). - Sheet Music Single - Classical Period,Method - Wayne Howard Christensen III

By The Chainsmokers feat. Daya. Arranged by Jason Howard. Individual Part. 5 pages. Published by Jason Howard (H0.307953-276144). - Individual Part - - Jason Howard

Choral Choir (SATB divisi) - Level 4 - Digital Download Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. Octavo. 25 pages. Diamond S Music #3534575. Published by Diamond S Music

Arranged by Dennis Alexander. Gospel/Sacred. 24 pages. Alfred Music - Digital Sheet Music #00-PB-0000848. Published by Alfred Music - Digital Sheet Music

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.675723 Composed by Johannes Brahms. Arranged by Open Cloud. Classical,Romantic Period. Score. 20 pages. Open Cloud #6679879. Published by Open Cloud (A0.675723). This product is a digital sheet music in PDF format. The music was composed by Brahms (Johannes Brahms), 1833-1897, for Voices and Piano, published by More Sheet Music Press.

Violin Solo - Level 3 - Digital Download SKU: A0.1306659 By Will Smith. By Alan Menken and Howard Ashman. Arranged by Dan Edwards. Broadway,Classical,Film/TV,Musical/Show,Pop. 1 pages. Arr. Dan Edwards #895988. Published by arr. Dan Edwards (A0.1306659). Arabian Nights from Aladdin by Alan Menken & Howard Ashman, arranged for violin solo by Dan Edwards. This part is taken from my string quintet/orchestra arrangement.This imaginative arrangement is a challenge to play and makes for a dramatic, evocative & rewarding performance.Duration: 2 minutes 27 (including repeat)Dan Edwards is a prize-winning composer, arranger, producer and multi-instrumentalist, and for years was the Staff Arranger for the orchestra at Buckingham Palace. He studied the cello with Richard Markson at Trinity College of Music, London. Please contact me through my website or social media if you would like any changes made to any of my arrangements. For example: errors, keys, clefs, difficulty, instrumentation, etc.

Concert Band - Level 4 - Digital Download SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 187 pages. Graham Boag #685889. Published by Graham Boag (A0.1081763). Back to the Future is a 1985 American science fiction film directed by Robert Zemeckis, and written by Zemeckis and Bob Gale. It stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. Set in 1985, the story follows Marty McFly (Fox), a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Doctor Emmett Doc Brown (Lloyd). Trapped in the past, Marty inadvertently prevents his future parents' meeting-threatening his existence-and is forced to reconcile the pair and somehow get back to the future. Back to the Future was conceived of in 1980 by Gale and Zemeckis. They were desperate for a successful film after numerous collaborative failures, but their idea was rejected over 40 times by studios because it was not considered raunchy enough to compete with the successful comedies of the era. A development deal was secured following Zemeckis' success directing Romancing the Stone (1984). Fox was the first choice to portray Marty, but he was unavailable; Eric Stoltz was cast instead. Shortly after principal photography began in November 1984, Zemeckis determined Stoltz was not right for the part and made the concessions necessary to hire Fox. This included re-filming scenes already shot with Stoltz and adding $4 million to the budget. Back to the Future was filmed in and around California and on sets at Universal Studios. Filming concluded the following April. Replacing Stoltz delayed production and the film's release date but, following highly successful test screenings, the date was brought forward to July 3, 1985, to give Back to the Future more time in theaters. This resulted in a rushed post-production schedule, and some incomplete special effects. Back to the Future was a critical and commercial success, earning $381.1 million to become the highest-grossing film of 1985 worldwide. Critics praised the story, comedy, and the cast-particularly Fox, Lloyd, Thompson, and Glover. It received multiple award nominations and won an Academy Award, Saturn Awards, and a Hugo Award. Its theme song, The Power of Love by Huey Lewis and the News, was a significant success globally. In the years since its release, Back to the Future has grown in esteem and is now considered to be among the greatest films of the 1980s, one of the best science-fiction films ever made, and one of the greatest films of all time. In 2007, the United States Library of Congress selected the film for preservation in the National Film Registry. The film was followed by two sequels, Back to the Future Part II (1989) and Back to the Future Part III (1990). With its effect on popular culture and a dedicated fan following, Back to the Future launched a multimedia franchise. This includes an animated television series, video games, comic books, board games, clothing, music, books, food, toys, collectibles, and theme park rides. Its enduring popularity has led to numerous books about its production, documentaries, and commercials. Back to the Future has been adapted into a 2020 stage musical.