Choral Choir,Choral,SA Chorus - Level 2 - Digital Download SKU: A0.1471289 Composed by Kovasciar Myvette, Lyrica Anderson, and Toby Gad. Arranged by Tanna Ward and Jan Ward. Film/TV,Pop,Rock. 11 pages. Ward Family Enterprises #1048948. Published by Ward Family Enterprises (A0.1471289). This show choir version of It's On from Disney's Camp Rock 2 is fun for both singers and audience! It has been shortened to fit the show choir format by omitting the first verse and chorus. The two-parts are simple, but it does include a solo scat or descant over the top. Instrumental parts may be requested and customized by emailing us at janward12@hotmail.com.

Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1518351 By Adam Lambert. By Claude Kelly and Lukasz Gottwald. Arranged by Tanna Ward and Jan Ward. Pop,Rock. 13 pages. Ward Family Enterprises #1092455. Published by Ward Family Enterprises (A0.1518351). This particular arrangement was designed for use with SATB Show Choir, however, it is easily adapted for use by an unchoreographed choir. A customized instrument pack may be ordered by contacting janward12@hotmail.com . The instrument parts and score will then be published on Sheet Music Plus or Sheet Music Direct to ensure copyrights are respected.

Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1118481 By Amy Winehouse. By Amy Winehouse. Arranged by Johan Verhey. Jazz,Pop,Singer/Songwriter. 70 pages. DaimlerMusic #720003. Published by DaimlerMusic (A0.1118481). Love Is A Losing Game is the story of a woman who is disillusioned with love. She has fallen head over heels for the man of her dreams. But what seemed like a beautiful promise turned out to be just an illusion. Outwardly self-confident and convinced of himself, but inwardly not up to the challenges of a relationship, he cowardly flees out of fear. Leaving her in loneliness and pain. This arrangement is for music fans and inspired Big Bands interested in telling an incredible story with authentic instrumentation. Johan Verhey is a professional musician and composer, as well as arranger. He knows how it feels to play a piece “in the pocket� with the intention of the original composer always in mind. His arrangements honour the Artist who wrote the original piece to express their soul. Each measure is created with precise attention to the intention of the lyrics. The instrumentation carries forward the story with dynamic harmonies. Johan Verhey understands the nuances of this piece and creates a dynamic and engaging arrangement. He also understands the power of the moment when the musician feels equally inspired and free to soar within the structure. The ability to play this arrangement does not require a specific skill level; only the heart , soul and intention is mandatory.More music from Johan Verhey, see: www.bestarrangementsforbands.com.

Soprano voice solo and SATB choir unaccompanied - Medium - Digital Download SKU: MQ.1.3680-E Composed by Karen Marrolli. 8 pages. Galaxy Music Corporation - Digital #1.3680-E. Published by Galaxy Music Corporation - Digital (MQ.1.3680-E). English.A great new work for an Earth Day celebration or a program about the stewardship of our planet. It provides good challenges and rewards to choirs who enjoy a cappella singing.

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1463440 Composed by John Ross. 21st Century,Celtic,Classical,Irish. 8 pages. John Ross #1042136. Published by John Ross (A0.1463440). A setting for SSAA Choir and Piano of lyrics collected on the Isle of Eigg by the Scottish folklorist Kenneth MacLeod. The words express the yearning of a wild Whooper Swan for the Isle of Jura (off the west coast of Scotland). On night of stars, Far might I fly, Westward fly toward Jura..

Piano Solo - Level 2 - Digital Download SKU: A0.764443 Composed by Steve Edwards. Contemporary,Instructional. Score. 4 pages. Stephen Edwards #3380679. Published by Stephen Edwards (A0.764443). Rhapsody is a chance to practice left hand broken chords with added incidental notes between the chord notes.Key of C major with the relative minor, A minor, middle section.Duration 1:46 mins - 3 pages of music.https://www.facebook.com/SteveEdwardsPiano

Small Ensemble Harp,Oboe,Organ,Voice - Level 4 - Digital Download SKU: A0.898555 Composed by Matthew Alan Edwards. Christian,Contemporary,Jewish,Sacred. Score and parts. 13 pages. Matthew Alan Edwards #4985415. Published by Matthew Alan Edwards (A0.898555). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-6 !This setting of the 23rd Psalm drew its initial inspiration from the John Rutter setting. Taking a cue from Psalm 23, this piece features an ABA form and subtle text painting throughout. In the A sections, the voice and right hand or oboe follow each other in canon while the left hand or harp undulate gently underneath as a meadow in the breeze. The B section starts out dissonantly apprehensive but soon rises to a place of comfort and confidence before bubbling out in joy. The instrumental coda echoes the phrase The Lord is my shepherd from the beginning as a final affirmation.While originally scored for tenor, this piece may be sung by a bass, baritone, alto/mezzo, or soprano. Three different ranges are available for purchase to accommodate different vocal ranges. This piece will present a good challenge for vocalists of all abilities since it has a low tessitura but a high range on brief passages.

Organ - Level 4 - Digital Download SKU: A0.898547 Composed by Matthew Alan Edwards. Concert,Halloween,Romantic Period,Sacred. Score. 9 pages. Matthew Alan Edwards #3561067. Published by Matthew Alan Edwards (A0.898547). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-1 !This piece inspired by the German Romantic style is perfect for organ recitals or as a postlude. It is the perfect selection to demonstrate a variety of registrations and the dynamic range of any pipe organ. As an organist, it will challenge your pedal technique. It will also show off the fun side of your performance personality.Duration: 8:15.

Small Ensemble Harp,Oboe,Organ,Voice - Level 4 - Digital Download SKU: A0.898556 Composed by Matthew Alan Edwards. Christian,Contemporary,Jewish,Sacred. Score and parts. 13 pages. Matthew Alan Edwards #4985417. Published by Matthew Alan Edwards (A0.898556). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-6 !This setting of the 23rd Psalm drew its initial inspiration from the John Rutter setting. Taking a cue from Psalm 23, this piece features an ABA form and subtle text painting throughout. In the A sections, the voice and right hand or oboe follow each other in canon while the left hand or harp undulate gently underneath as a meadow in the breeze. The B section starts out dissonantly apprehensive but soon rises to a place of comfort and confidence before bubbling out in joy. The instrumental coda echoes the phrase The Lord is my shepherd from the beginning as a final affirmation.While originally scored for tenor, this piece may be sung by a bass, baritone, alto/mezzo, or soprano. Three different ranges are available for purchase to accommodate different vocal ranges. This piece will present a good challenge for vocalists of all abilities since it has a low tessitura but a high range on brief passages.

Small Ensemble Harp,Oboe,Organ,Voice - Level 4 - Digital Download SKU: A0.898553 Composed by Matthew Alan Edwards. Christian,Contemporary,Jewish,Sacred. Score and parts. 13 pages. Matthew Alan Edwards #4985413. Published by Matthew Alan Edwards (A0.898553). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-6 !This setting of the 23rd Psalm drew its initial inspiration from the John Rutter setting. Taking a cue from Psalm 23, this piece features an ABA form and subtle text painting throughout. In the A sections, the voice and right hand or oboe follow each other in canon while the left hand or harp undulate gently underneath as a meadow in the breeze. The B section starts out dissonantly apprehensive but soon rises to a place of comfort and confidence before bubbling out in joy. The instrumental coda echoes the phrase The Lord is my shepherd from the beginning as a final affirmation.While originally scored for tenor, this piece may be sung by a bass, baritone, alto/mezzo, or soprano. Three different ranges are available for purchase to accommodate different vocal ranges. This piece will present a good challenge for vocalists of all abilities since it has a low tessitura but a high range on brief passages.

Piano Solo - Level 3 - Digital Download SKU: A0.764442 Composed by Steve Edwards. Contemporary. Score. 5 pages. Stephen Edwards #3380675. Published by Stephen Edwards (A0.764442). Inspired by Beethoven's Moonlight Sonata, Starlight Sonata was originally written as a study for the right hand pinky. The piece is faster than Beethoven's sonata and in the major key.Duration 1:23 mins - 4 pages of music.https://www.facebook.com/SteveEdwardsPiano

B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

English Horn,Piano - Level 4 - Digital Download SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.