Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1297038 Composed by Words: William W. How / Music: Samuel Howard. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #887161. Published by Leatherman Music Services (A0.1297038). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.This hymn serves both as a stewardship hymn (an ideal lead-in to the presentation of tithes and offerings) as well as a call to social concern/justice. Definitely worth consideration in today's challenging times!If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809437 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Academia Unimusica. Film/TV. Score. 3 pages. Unimusic Academy (Academia Unimusica) #6265693. Published by Unimusic Academy (Academia Unimusica) (A0.809437). The Scientist is a song by British rock band Coldplay. The song was written collaboratively by all the band members for their second album, A Rush of Blood to the Head. It is built around a piano ballad, with lyrics telling the story about a man's desire to love and an apology. The song was released in the United Kingdom on 4 November 2002 as the second single from A Rush of Blood to the Head and reached number 10 in the UK Charts. It was released in the United States on 15 April 2003 as the third single and reached number 18 on the US Billboard Modern Rock Tracks chart and number 34 on the Adult Top 40 chart. Critics were highly positive towards The Scientist and praised the song's piano ballad and falsetto. Several remixes of the track exist, and its riff has been widely sampled. The single's music video won three MTV Music Video Awards, for the video's use of reverse narrative. The song was also featured on the band's 2003 live album Live 2003 and has been a permanent fixture in the band's live set lists since 2002.

By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Dan Edwards. Broadway, Children, Classical, Film/TV, Musical/Show, Pop. Score and parts. 10 pages. Dan Edwards #791000. Published by Dan Edwards

By Will Smith. By Alan Menken and Howard Ashman. Arranged by Dan Edwards. Broadway,Children,Classical,Fi lm/TV,Musical/Show,Pop. 7 pages. Arr. Dan Edwards #849423. Published by arr. Dan Edwards

Percussion Ensemble Mallet Percussion - Level 3 - Digital Download By War. By Charles W. Miller, Harold R. Brown, Howard Scott, Jerry Goldstein, Lee Oskar, Leroy Jordan, Morris Dickerson, and Sylvester Allen. Arranged by Doug Edwards. Contemporary. Score and parts. 9 pages. Doug Edwards #6026489. Published by Doug Edwards

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_G Guitar. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_G). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_SB String Bass. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_SB). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_BTX E-flat Baritone Saxophone. Composed by Benny Carter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_BTX). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_TX1 B-flat Tenor Saxophone. Composed by Benny Carter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_TX1). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_T3 3rd B-flat Trumpet. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_T3). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_T4 4th B-flat Trumpet. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_T4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_T4). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_TN2 2nd Trombone. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_TN2). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_K Piano Accompaniment. Composed by Benny Carter. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_K). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_AX2 2nd E-flat Alto Saxophone. Composed by Benny Carter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_AX2). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_TX2 2nd B-flat Tenor Saxophone. Composed by Benny Carter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_TX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_TX2). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.