Full Orchestra - Level 3 - Digital Download SKU: A0.978333 Composed by Jim Ailor & Daniel Iverson, P.D. Arranged by ResurrectionSong. Christian,Sacred. Score and parts. 58 pages. ResurrectionSong #6324861. Published by ResurrectionSong (A0.978333). INSTRUMENTAL PARTS Based on 2 Cor. 2. Incorporates Spirit of the Living God. Many in search of truth have eyes, but cannot see. They have ears, but cannot hear. Guided by the Holy Spirit we can know truth. We can have the mind of Christ.

Large Ensemble Piano,Voice - Level 3 - Digital Download SKU: A0.978330 Composed by Jim Ailor & Daniel Iverson, P.D. Arranged by ResurrectionSong. Christian,Sacred. Score and parts. 12 pages. ResurrectionSong #6324855. Published by ResurrectionSong (A0.978330). Based on 2 Cor. 2. Incorporates Spirit of the Living God. Many in search of truth have eyes, but cannot see. They have ears, but cannot hear. Guided by the Holy Spirit we can know truth. We can have the mind of Christ.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.978331 Composed by Jim Ailor & Daniel Iverson, P.D. Arranged by ResurrectionSong. Christian,Sacred. Octavo. 12 pages. ResurrectionSong #6324857. Published by ResurrectionSong (A0.978331). Based on 2 Cor. 2. Incorporates Spirit of the Living God. Many in search of truth have eyes, but cannot see. They have ears, but cannot hear. Guided by the Holy Spirit we can know truth. We can have the mind of Christ.

Easy Piano - Level 1 - Digital Download SKU: A0.1438310 By Amazing Grace Popular Christian Hymns for Beginner Piano. By Traditional Hymns. Arranged by SilverTonalities. Christian,Instructional,Praise & Worship,Sacred. Score. 33 pages. SilverTonalities #1018335. Published by SilverTonalities (A0.1438310). Christians SeriesPopular Hymns for Beginner Pianists by SilverTonalities!Letter Names Embedded in Noteheads to Enable Quick and Accurate Reading!PREVIEW, pages 1-2THOU WHO ONCE ON MOTHER’S KNEE, originating from an old German Folk Song, pages 3-4JESUS TENDER SHEPHERD HEAR ME, an Evening Prayer written in 1839 by Mary Lundie Duncan, pages 5-7 LORD THIS DAY THE CHILDREN MEET, by the Anglican Bishop, William Walshman How, pages 8-9FATHER BLESS OUR SCHOOL TODAY, a 1912 Sunday School Hymn with German origins, pages 10-12 I THINK WHEN I READ THAT SWEET STORY OF OLD, a popular Children’s Hymn by William B. Bradbury, written in 1859, pages 13-15JACOB’S LADDER is and African American Spiritual, also known as “We Are Climbing Jacob’s Ladder, pages 16-19OUR BEAUTIFUL EARTH, is a Traditional Hymn which was translated from German, pages 20-21AMAZING GRACE, is the popular Anglican Hymn, originally published in 1779, pages 22-23TEACH US TO PRAY, published by Lowell Mason, who was known as “The Father of American Church Music, pages 24-26TWO LITTLE HANDS, written in 1878 by the American Teacher and Composer, William Augustine Ogden, pages 27-31.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.818377 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 35 pages. Stephen R Dalrymple #6753169. Published by Stephen R Dalrymple (A0.818377). Infinite, Eternal, Invisible, Undetectable God ♫ original song by Stephen R Dalrymple ♫ based on 2 Chronicles 2:6, John 1:18, John 4:24 ♫ CCLI song # 7193328 ♫ Does God, the Creator of the Universe, have a face, eyes, ears, hands, arms, and feet? (Eze 39:29, Ps 34:15, Isa 59:1, Ps 98:1) Does He have wings like a chicken that He uses to comfort us? (Ps 91:4) Does He travel on the back of a cherub? (Psalm 18:10) Are the clouds a hiding place for God? (Job 22:14) Is His residence a place called heaven? Is the earth the footstool of His throne? (Isaiah 66:1) Does God change His mind? (Ex 32:14) ♫ The poetry of the Bible, (like other ancient literature) is full of figures of speech. Figures of speech explain things in words and ideas we can understand. The Bible abounds in figures of speech such as simile (comparison using like or as), metaphor (comparison not using like or as), synecdoche (using a part for the whole), deliberate hyperbole [obvious exaggeration], verbal irony (the tone of voice tells that the speaker means the opposite of the words he or she is using), personification (attributing human features or feelings to animals or inanimate objects), anthropomorphism / anthropopathism (gives human attributes, feelings to God.) [or animals, inanimate objects, cartoon characters.] ♫ God is spirit. (John 1:18, John 4:24) He is infinite, eternal, invisible, undetectable. The humanlike descriptions of God are actually figures of speech that help us understand and identify with Him. Descriptions of God’s eyes, arms, feet, wings, etc. are all figures of speech that tell us God is present everywhere, sees everything, hears everything, and cares about every part of his creation. (God is imminent). ♫ The heavens, even the highest heavens cannot contain Him. (2 Chronicles 2:6, 6:18) God is separate from the universe. (God is transcendent.) Scientific measurements cannot detect Him because He is not in the universe, the universe is in Him. ♫ Just as you can feel your fingers and your toes at the same time, God knows what is happening in every atom of the universe simultaneously. Back to the original question. ♫ After swimming laps in our local pool, I like to float on my back a bit. It reminds me that as the water surrounds me and supports me, so I am constantly encircled and upheld by God’s actual presence ♫ music © 2022 Stephen R Dalrymploe♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).

Brass Ensemble - Level 3 - Digital Download SKU: A0.767270 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 13 pages. Lyons Music Services #3218673. Published by Lyons Music Services (A0.767270). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The first of these is Lasciatemi morire which translates as Let me die or, perhaps, Leave me to die. There is almost a conversation between two groups of voices, with the tenor leading one group and the Cantus leading the other. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.

Piano and voice - Digital Download SKU: LV.12864 Composed by Helen B. Chamberlin. William Jennings Bryan, Presidential elections, Poor persons, Economic & social conditions, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12864). On To Victory. Words and music By Helen B. Chamberlin [composer's autograph on cover]. Published 1900 by in n.p. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include William Jennings Bryan, Presidential elections, Poor persons, Economic & social conditions, Patriotism. First line reads We hear our children crying For the bread we cannot win.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

SATB choir, Narration, Solo - Intermediate - Digital Download SKU: LX.55-1021L An Easter Cantata for SATB Voices. Arranged by Lani Smith. Choral Cantatas. Easter. 68 pages. Lorenz Publishing - Digital Sheet Music #e55/1021L. Published by Lorenz Publishing - Digital Sheet Music (LX.55-1021L). UPC: 000308034530.This item is for Digital Download.

Composed by Various. Arranged by Music Canaan Studio. Praise & Worship. Lead Sheet / Fake Book. 203 pages. Brenda Kong #682256. Published by Brenda Kong

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842058 Composed by Andrew Mc Donald. Christian,Gospel,Jazz. Score. 8 pages. Andrew Mc Donald (Macka Records) #3626879. Published by Andrew Mc Donald (Macka Records) (A0.842058). Walkin' In The Light is a song about dark and light. When we walk in the light it eluminates our path and we can see clearly the way ahead. If we walk in darkness we cannot see and we are blind to where we are going. Walking in the light is obedience to God and we can find His will if we do. This song has a walking bass line.

Descant recorder - intermediate - Digital Download SKU: S9.Q54875 Method for descant recorder. This edition: performance book. Fun and games with the recorder. Downloadable, Tune book. Op Tune Book 2. Schott Music - Digital #Q54875. Published by Schott Music - Digital (S9.Q54875). English.A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman. three Volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons. • Discover the adventure of learning the recorder • Make real progress through games: breathing • A mixture of lively new and traditional tunes • Three supplementery tune books each with a sheet of stickers • Teacher's commentary • Join Dotty-do-a-lot and her friends in the exciting orld of music Fun and Games with the Recorder is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of preofessional instruction for budding performers. Although the recorder is often the instrument with wich children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing. The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security. In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessable to both the parent/teacher and the child. Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, g, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, F2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced. Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompainment. In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons. It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. Dotty's Note Book (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures. We wish users of this tutor every success and happiness with their recorder playing.

Brass Ensemble - Level 3 - Digital Download SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons Music Services #3218659. Published by Lyons Music Services (A0.767268). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. A Sestina is a complex poem made up of 6 stanzas each of 6 verses with rules regarding hoe the last line of the first verse is repeated. Obviously, we are not using the lyrics, but we need to be aware of the structure so that when the music reappears we can treat it appropriately. As with all things madrigalian, the lyrics are rife with double entendres, despite the fact that all of the lyrics deal with loss of one kind or another. Monteverdi uses some very close dissonances to describe death and release. Often with wrenching results for the harmony.Please note, there are two extra parts for No.13, which is for 7 voices. Part 6 is an Alto voice (Horn/Alto Sax/Clarinet) and part 7 is a tenor voice (Trombone/Baritone/Tenor Sax/Euphonium).

Recorder Solo,Soprano Recorder - Level 2 - Digital Download SKU: A0.1347183 Composed by Arthur Freed and Nacio Herb Brown. Arranged by songbooks.info. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Individual part. 4 pages. Songbooks.info #931979. Published by songbooks.info (A0.1347183). Singin' in the Rain is a hit film written in 1929 by Arthur Freed (lyrics) and Nacio Herb Brown (music). Gene Kellys dances and sings in the 1952 sound film of the same name.Already after the Second World War, the song became a jazz standard and was performed by artists such as Dave Brubeck, Oscar Peterson, John Serry Sr., Sammy Davis Jr. and Doris Day, just to name a few artists. In 2004, the American Film Institute ranked the song third in its list of the 100 best American film songs.The song was adapted for the Soprano or Tenor Recorder and provided with fingering images. These images are briefly explained in the appendix. The classic musical notation and/or the lyrics help to develop the song, so that even those unfamiliar with music notes can learn to play the song with this arrangement.The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!Singin’ in the Rain ist ein 1929 geschriebener Filmschlager von Arthur Freed (Text) und Nacio Herb Brown (Musik). Gene Kellys tanzut und singt im gleichnamigen Tonfilm von 1952.Bereits nach dem zweiten Weltkrieg wurde der Song zum Jazzstandard und wurde von Interpreten wie Dave Brubeck, Oscar Peterson, John Serry senior, Sammy Davis jr. und Doris Day interpretiert, nur um einige Künstler zu nennen. Vom American Film Institute wurde das Lied 2004 auf Platz 3 in die Liste der 100 besten US-amerikanischen Filmsongs gewählt.Das Lied wurde für die Sopran- oder Tenor- Blockflöte adaptiert und mit Griffbildern versehen. Diese Griffbilder werden im Anhang kurz erklärt. Die klassische Notenschrift und/oder der Liedtext helfen beim Erarbeiten des Liedes, sodaß auch Noten-Unkundige mit diesem Arrangement das Lied spielen lernen können.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!

Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1354521 By Traditional Song. By Traditional Song. Arranged by Bacco Baccanels. A Cappella,Folk,Multicultural,Traditional,World. 7 pages. Bacco Baccanels #939239. Published by Bacco Baccanels (A0.1354521). Italiano--------La versione originale di questa canzone di emigranti è abbastanza semplice: la stessa melodia si ripete per tutta la canzone e gli arrangiamenti vocali esistenti che mi è capitato di ascoltare sono abbastanza privi di ritmo.Ho cercato di aggiungere movimento. C'è un'introduzione musicale, con poco testo e poi si passa al tema principale, in cui il basso da' ritmo alla melodia principale. Poco dopo, con una variazione ispirata ai Queen di Bohemian Rapsody si modula in tonalità vicina, per sottolineare il cantato dei fratelli della triste protagonista e subito dopo il tema si addolcisce per lasciare spazio alla madre triste che preannuncia la tragedia. Tragedia che si canta subito dopo in minore per poi tornare sulla melodia principale fino al finale, dove dopo una frase corale si torna al ritmo e al tema principale.English--------The original version of this emigrant song is quite simple: same melody repeats throughout the song. More, the existing vocal arrangements I've heard are quite steady and not so rhythmic.So I tried to add some movement: there is a musical introduction with little lyrics and then we move on to the main theme, where the bass gives rhythm to the main melody.Shortly after, with a Queen-inspired variation coming from Bohemian Rhapsody the score modulates in a close key, to underline the singing of the brothers of the song's sad heroin and immediately after the theme softens to leave room to the sad mother heralding the coming tragedy.A tragedy that is sung immediately afterwards, in minor, and then returns to the main melody until the finale, where after a choral phrase we return to the main theme.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.940059 Composed by Jacob Evans. A Cappella,Christian,Sacred. Octavo. 4 pages. JDE FORCHRISTMUSIC #3000409. Published by JDE FORCHRISTMUSIC (A0.940059). It's so easy in our lives to fall into sin - sin that, at first, seems so harmless. The bondage of sin is worse than slavery because no matter how hard we try, we cannot free ourselves from its grip. Coming to Jesus Christ is the only way that we can be saved - Saved by the death of the King.This is an a cappella song can be used in church and worship services and is written for TTBB, but can be transposed up for an SATB group.