Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York.  I told him That is great.  But it’s such an old work.  Why don’t I write something new for you?   He said, How much would a commission cost?  I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15.  I sent Joel the music as a PDF and MIDI file via email.  He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file.  I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand.  A Trio follows which features a lyric melody in the double bass … molto cantabile!   The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand.  The double bass pushes the music forward relentlessly and ferociously … holding no prisoners!  To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time.  The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz.  The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two.  The third movement is a 6/8 romp, very syncopated and jazzy.  The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other.  An adagio Trio follows.  The tune is in the double bass: long descending lines over a languid piano accompaniment.  To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.

Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1022081 Composed by Bill Taylor and Jaye Alison Moscariello, lyrics and Bill Taylor music. Contemporary,Jazz,Sacred. 7 pages. William R Taylor #6475263. Published by William R Taylor (A0.1022081). Nature’s Dream (©2012) – Piano, Vocal, Flute, Soprano Sax, Upright Bass. The first several bars came to me in a 2011 vivid dream in which Paul McCandless was playing soaring soprano sax melodies and Jaye Alison Moscariello was singing lyrics I did not remember from the dream.  It was originally in D with some Dad-related chord progressions.  This version is in A to better fit the alto voice.  After writing 3 verses of rather convoluted lyrics about healing the planet, Jaye helped pare it down to one powerful verse that could be a world anthem.  George and Paul play solos during the instrumental break. We think this would make a great national, or international, anthem. This is our planet, the one that we all share Let us remember that all life breathes the air Our world is sacred, its future in our trust And it continues after bodies turn to dust Shall we continue to think we own the beasts? Or know the truth that all of us share the feast? Grow for each other and for the creatures too Plant life and fungi nourish the whole zoo Lessons we’ve learned from species that have passed Transform our ways or we may not last Take time to learn what ancestors teach us Honor the spirit residing in that which feeds us Act for the future of seven generations And together we can share in this dance of life Act for the future of seven generations Act for the welfare of seven generations

SATB Chorus - Digital Download SKU: H1.C6442DP Piano Accompaniment. Octavo. 12 pages. Hope Publishing - Digital #C6442DP. Published by Hope Publishing - Digital (H1.C6442DP). Pepper Choplin.Communion Ballad Sometimes, the most powerful thing we can remember is that Christ is always with us, even when He seems so far away. This original Communion anthems reminds us of just that as Christ invites us to dine at his table, eat the bread, and drink the cup. This enticing invitation to remember and follow Christ as we partake of the Eucharist comes from Pepper's Lenten cantata, God So Loved (#9161).

Instrumental Parts-Digital Version - Digital Download SKU: H1.C6442PDP Piano Accompaniment. Choral Parts. 60 pages. Hope Publishing - Digital #C6442PDP. Published by Hope Publishing - Digital (H1.C6442PDP). Pepper Choplin.Communion Ballad Sometimes, the most powerful thing we can remember is that Christ is always with us, even when He seems so far away. This original Communion anthems reminds us of just that as Christ invites us to dine at his table, eat the bread, and drink the cup. This enticing invitation to remember and follow Christ as we partake of the Eucharist comes from Pepper's Lenten cantata, God So Loved (#9161).

Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital Download SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 233. David Kai #708518. Published by David Kai (A0.1105258). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! “Take it all to help the plane people, it’s the least that we can do!� Aunt Winnie baked two dozen of her partridgeberry pies She said, “I think those plane people will be in for some surprise!� So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:.

Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Oboe,Percussion,Trombone,Trumpet,Tuba,Viola,Violin - Level 5 - Interactive Download SKU: A0.923239 Composed by Sina Babajani-Feremi. This edition: Interactive Download. Classical. Score and parts. 20 pages. Duration 60. Sina Babajani-Feremi #IogDEcbq8TZJtlcGrObE4. Published by Sina Babajani-Feremi (A0.923239). Key: C major.This work is very abstract, as in the last act of hamlet this work is specifically focused on the last part of the last act where we can see many of the characters dying one by one in a grand amalgamation of death, we can see here that there is no rhyme or reason to the parts being played, they are all independent, remincant of the lack of reason to the deaths in the final act and also a reminder that as they are independent voices with seperate stories journies and goals as with everyone who died in the final act, they slowly fade away and there remains the timpani, drumming out a repetative marching tune as homage to the militaristic tradition that rought the bodies of elsinore cold, followed by at last 3 notes played on a harp as a church bell to the funerary service of those who died in this act.

Violin Solo - Digital Download SKU: A0.922711 Composed by American Children Song. Arranged by YuSheng Orson Yang. Children,Instructional. 3 pages. Orson Yang Violin & Music #6080329. Published by Orson Yang Violin & Music (A0.922711). Hello everyone, this familiar tune comes from the opera of Rousseau, and was later changed to an American nursery rhyme. For teachers who teach violin beginners, in order to enhance their understanding of the diverse techniques of violin and increase their interest in learning, we can use difficult Paganini works to demonstrate, but if we can use familiar nursery rhymes for children, The display of difficult skills like Paganini-Style will definitely arouse students' interest and desire to learn violin well. This is why I arranged this song. For students who have studied violin for some years and have a solid foundation, the difficulty of this piece is also suitable for you. It can be used as an etude to overcome and master related skills. I believe you can play more vividly and brilliantly than me.        At the beginning of the song, the theme is in A major just like in Suzuki Violin Book I, and then: Variation 1: Use ricochet and left-hand chord techniques Variation 2: Left hand pizzicato and left finger tremolo Variation 3. in minor key to show polyphonic violin playing and harmonics. Variation 4: Bariolage technique and rapid notes. In the Final (Coda) section uses chords and a little ricochet. The ending arpeggio directly quotes the end of Paganini's 24th, enjoy playing! 大家好，這個耳熟能詳的旋律來自å��八世紀大音樂家兼教育家斜槓哲學家 - 盧梭的歌劇作å“�，後來改詞æˆ�為美國童謠。美國鋼ç�´å®¶Cramer也曾在å��ä¹�世紀為此曲寫é�Žé‹¼ç�´è®Šå¥�曲。 å°�教導å°�æ��ç�´åˆ�學者的è€�師來說，為了能增進學生å°�æ–¼æ��ç�´å¤šæ¨£æ€§æŠ€è¡“的了解以å�Šå¢žåŠ å­¸ç¿’興趣，我們雖然å�¯ä»¥ç”¨è‰±é›£çš„帕格尼尼作å“�來示範，ä¸�é�Žè‹¥æ˜¯èƒ½ä»¥å…’童熟悉的童謠，變æˆ�具有Paganini-Style般艱難技巧的展ç�¾ï¼Œä¸€å®šèƒ½è®“學生引起興趣和想è¦�把å°�æ��ç�´å­¸å¥½çš„慾望，這是我為何改編此曲的原因。 å°�於學ç�´å¤šå¹´åŸºç¤Žç´®å¯¦çš„學員來說，這首曲å­�的難易度也是é�©å�ˆæ‚¨çš„，å�¯ä»¥ç•¶ä½œä¸€é¦–練習曲來克æœ�並掌æ�¡ç›¸é—œæŠ€å·§ï¼Œç›¸ä¿¡æ‚¨èƒ½æ¼”å¥�得比我更為生動精采。 本曲一開始以Suzuki Violin Book Içš„A大調演å¥�一次主題，接著: 變å¥�1: é�‹ç”¨æ‹‹å¼“ (ricochet) 與左手和弦技巧 變å¥�2: 左手撥弦與左手指顫音 變å¥�3. 轉平行å°�調展ç�¾è¤‡éŸ³éŸ³æ¨‚和泛音 變å¥�4: 快速æ�›å¼¦å’Œè¶…大跳æ�›æŠŠä½�的技巧 最後的尾è�²ç”¨äº†å’Œå¼¦ä»¥å�Šä¸€é»žæ‹‹å¼“，çµ�æ�Ÿçš„ç�¶éŸ³ç›´æŽ¥å¼•ç”¨Paganini第24首綺想曲的çµ�尾，希望你會喜歡更èª�è­˜å°�æ��ç�´!

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1226165 Composed by Traditional. Arranged by Alessandro Macrì. Broadway,Celtic,Classical,Film/TV,Irish,Musical/Show,Traditional. 11 pages. Music Macri Editions #822193. Published by Music Macri Editions (A0.1226165). Drunken Sailor (letteralmente: Marinaio ubriaco) è un canto marinaresco, conosciuto anche come What Shall We Do with a/the Drunken Sailor? (letteralmente: Cosa faremo con un/il marinaio ubriaco?).Questo canto di lavoro nacque per accompagnare certi lavori a bordo di velieri, specialmente quelli che richiedevano un passo svelto e vivace. Si pensa che il canto risalga ai primi del XIX secolo o anche prima, in un periodo nel quale le ciurme delle barche, specialmente quelle dei vascelli militari, erano sufficientemente numerose da poter tirare una corda semplicemente marciando lungo il ponte. Con l'avvento delle navi postali e i clipper e le loro ciurme ridotte, che richiedevano differenti metodi di lavoro, l'uso di questo canto è progressivamente scemato o è passato all'accompagnamento di lavori meno faticosi.Drunken Sailor è poi divenuta una canzone popolare fra i non-marinai nel XX secolo, fino a essere considerata uno dei canti marinareschi più conosciuti dal pubblico. Numerosi artisti ne hanno proposto la loro versione in registrazioni e/o esibizioni e i media hanno contribuito alla sua popolarità. Anche se non esiste una versione univoca del testo, esso contiene costantemente la domanda What shall we do with a drunken sailor, early in the morning? (letteralmente: Cosa faremo con un marinaio ubriaco, la mattina presto?). In alcune versioni, i versi successivi suggeriscono metodi per alleviare la sbornia o punire il marinaio ubriaco. Altre versioni, invece, prevedono il susseguirsi di ulteriori domande e risposte relative ad altri personaggi.

Choir and various instruments - Moderately Easy to Medium - Digital Download SKU: MQ.80-834A-E Composed by Richard Proulx. 8 pages. MorningStar Music Publishers - Digital Sheet Music #80-834A-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-834A-E).

Sixty-one hymns and countermelodies designed for Trombone. Designed to be used with congregational singing.The descants are for Bass Clef instruments

By Henry Fillmore (1881-1958). Arranged by T. Olt and B. Doughty. For tuba quartet (EETT). Quartet music. Score and parts. Published by Cimarron Music Press

Piano Solo - Level 3 - Digital Download SKU: A0.1422745 Composed by Alexander Hoggarth. 21st Century,Classical,New Age,Romantic Period,Spiritual. Score. 4 pages. Alexander Hoggarth #1004094. Published by Alexander Hoggarth (A0.1422745). We cant be alone out here... right?

Piano,Vocal,Voice - Digital Download SKU: A0.973565 Composed by Patrick Wisman. Contemporary,Country,Pop,World. Score. 1 pages. Patrick wisman #5314613. Published by patrick wisman (A0.973565). GOOD NASHVILLE BACKING TRACK WITH GREAT MUSICIANS. THIS TUNE COULD GET A LOT OF GOOD AIR TIME WITH A GOOD SINGER., SO GOOD LUCK WITH THIS ONE. LYRICS ARE PURE COUNTRY OR POP MATERIAL.. BMI AFFILIATION. PW.  WE CANT WAIT TO HEAR THIS ONE ON THE RADIO. SO GO FOR IT. 

Piano Solo - Level 3 - Digital Download SKU: A0.1423333 Composed by Alexander Hoggarth. 21st Century,A Cappella,Classical,New Age,Spiritual. Score. 4 pages. Alexander Hoggarth #1004648. Published by Alexander Hoggarth (A0.1423333). We cant be alone out here... right?

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.522222 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Holiday. Score. 21 pages. Colin Kirkpatrick Publications #3913261. Published by Colin Kirkpatrick Publications (A0.522222). These folk song arrangements are written in the Welsh language. The vocal range is from Middle C to F on the top line of the staff. They are suitable for mezzo soprano and could also be sung by tenor voice an octave lower. They are among some of the most popular folk songs of Wales and sure to be well received at a vocal recital. They would also make excellent encore pieces. For copyright reasons, English translations are not provided, although some are to be found on various web pages. 1. Y Ddau Farch (The Two Mares) The song tells the story of two horses. The older one tells the younger, “In my day I was as good a horse as you�. But when I became too old to work, I was sent away to the mountains. She vows never to return to her cruel owners. This is an example of a macaronic song in which the lyrics use more than one language.  2. Si Hei Lwli, ’Mabi (Sleep, my Lovely Baby) In this pentatonic lullaby, a mother tells her child that their ship is moving away, the captain is on board, the eastern wind is blowing and the seagull is on its nest. 3. Canu Cwnsela (Wassail Song) The singers ask permission to come in and sing for their dinner. But they seem to have chosen the wrong house because the reply is: “I have no dinner or money to spend, to give you a welcome tonight.� The melody is in the Dorian Mode.  4. Robin Ddiog (Lazy Robin) The song, also in the Aeolian mode is about a robin whose little house is always tidy. “Open the door a little bit, so that I can see the sea and the waves� he asks. When the door is opened, the breeze sweeps away all the leaves from the floor. 5. Migildi Magildi “When the smithy’s door is open, we can see the blacksmith working.� The song describes the sights and sounds of the blacksmith’s workshop.You can hear all the songs in the audio demo, though they are played by an oboe rather than sung.