Brass Quartet Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1459207 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Instructional,Medieval,Traditional,Wedding. 6 pages. Glauco Fernandes #1038064. Published by Glauco Fernandes (A0.1459207). Chamber Music Arrangement of Scarborough Fair - Easy/Intermediate LevelWe are excited to present to you a chamber music arrangement of the iconic song Scarborough Fair, adapted for easy to intermediate levels. This arrangement has been meticulously crafted to provide a rich and accessible musical experience, ideal for small ensembles, including students and chamber music enthusiasts.Arrangement Features:- Professional Edition: Every note has been meticulously reviewed to ensure the highest quality of execution and readability.- Beauty and Simplicity: An arrangement that maintains the original beauty of the song while remaining accessible to developing musicians.- High-Quality Teaching Material: Music teachers can use this sheet music as a valuable resource for their lessons, enriching students' repertoire with a classic and culturally significant piece.This arrangement of Scarborough Fair is more than just sheet music; it is an opportunity to connect with a timeless melody through an arrangement that balances simplicity and elegance. It is perfect for recital performances, chamber music classes, and even weddings.Get your sheet music now and bring this beautiful song to your practice sessions and performances!Tags: Easy/Intermediate Chamber Music, Scarborough Fair, Professional Sheet Music, Music Arrangement, Beginner Piano, Intermediate Piano, Educational Material, Music Lessons, Classical Music, Chamber Music Repertoire, Wedding Music.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1459213 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Instructional,Medieval,Traditional,Wedding. 7 pages. Glauco Fernandes #1038070. Published by Glauco Fernandes (A0.1459213). Chamber Music Arrangement of Scarborough Fair - Easy/Intermediate LevelWe are excited to present to you a chamber music arrangement of the iconic song Scarborough Fair, adapted for easy to intermediate levels. This arrangement has been meticulously crafted to provide a rich and accessible musical experience, ideal for small ensembles, including students and chamber music enthusiasts.Arrangement Features:- Professional Edition: Every note has been meticulously reviewed to ensure the highest quality of execution and readability.- Beauty and Simplicity: An arrangement that maintains the original beauty of the song while remaining accessible to developing musicians.- High-Quality Teaching Material: Music teachers can use this sheet music as a valuable resource for their lessons, enriching students' repertoire with a classic and culturally significant piece.This arrangement of Scarborough Fair is more than just sheet music; it is an opportunity to connect with a timeless melody through an arrangement that balances simplicity and elegance. It is perfect for recital performances, chamber music classes, and even weddings.Get your sheet music now and bring this beautiful song to your practice sessions and performances!Tags: Easy/Intermediate Chamber Music, Scarborough Fair, Professional Sheet Music, Music Arrangement, Beginner Piano, Intermediate Piano, Educational Material, Music Lessons, Classical Music, Chamber Music Repertoire, Wedding Music.

String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1459194 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Instructional,Medieval,Traditional,Wedding. 7 pages. Glauco Fernandes #1038051. Published by Glauco Fernandes (A0.1459194). Chamber Music Arrangement of Scarborough Fair - Easy/Intermediate LevelWe are excited to present to you a chamber music arrangement of the iconic song Scarborough Fair, adapted for easy to intermediate levels. This arrangement has been meticulously crafted to provide a rich and accessible musical experience, ideal for small ensembles, including students and chamber music enthusiasts.Arrangement Features:- Professional Edition: Every note has been meticulously reviewed to ensure the highest quality of execution and readability.- Beauty and Simplicity: An arrangement that maintains the original beauty of the song while remaining accessible to developing musicians.- High-Quality Teaching Material: Music teachers can use this sheet music as a valuable resource for their lessons, enriching students' repertoire with a classic and culturally significant piece.This arrangement of Scarborough Fair is more than just sheet music; it is an opportunity to connect with a timeless melody through an arrangement that balances simplicity and elegance. It is perfect for recital performances, chamber music classes, and even weddings.Get your sheet music now and bring this beautiful song to your practice sessions and performances!Tags: Easy/Intermediate Chamber Music, Scarborough Fair, Professional Sheet Music, Music Arrangement, Beginner Piano, Intermediate Piano, Educational Material, Music Lessons, Classical Music, Chamber Music Repertoire, Wedding Music.

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1459219 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Instructional,Medieval,Traditional,Wedding. 7 pages. Glauco Fernandes #1038078. Published by Glauco Fernandes (A0.1459219). Chamber Music Arrangement of Scarborough Fair - Easy/Intermediate LevelWe are excited to present to you a chamber music arrangement of the iconic song Scarborough Fair, adapted for easy to intermediate levels. This arrangement has been meticulously crafted to provide a rich and accessible musical experience, ideal for small ensembles, including students and chamber music enthusiasts.Arrangement Features:- Professional Edition: Every note has been meticulously reviewed to ensure the highest quality of execution and readability.- Beauty and Simplicity: An arrangement that maintains the original beauty of the song while remaining accessible to developing musicians.- High-Quality Teaching Material: Music teachers can use this sheet music as a valuable resource for their lessons, enriching students' repertoire with a classic and culturally significant piece.This arrangement of Scarborough Fair is more than just sheet music; it is an opportunity to connect with a timeless melody through an arrangement that balances simplicity and elegance. It is perfect for recital performances, chamber music classes, and even weddings.Get your sheet music now and bring this beautiful song to your practice sessions and performances!Tags: Easy/Intermediate Chamber Music, Scarborough Fair, Professional Sheet Music, Music Arrangement, Beginner Piano, Intermediate Piano, Educational Material, Music Lessons, Classical Music, Chamber Music Repertoire, Wedding Music.

Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1461383 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1040136. Published by Con Spirito Music (A0.1461383). “Holy Spirit, Ever Dwelling” are the opening words to a text written by the Welsh Anglican bishop Timothy Rees (1874-1939). Throughout, Rees employs the adverb “ever” to point to both the immanence and transcendence of the Holy Spirit in its timeless and perpetual activities:Holy Spirit, ever dwelling in the holiest realms of light,Holy Spirit, ever brooding o'er a world of gloom and night,Holy Spirit, ever raising those of earth to thrones on high,living, life-imparting Spirit, you we praise and magnify.Holy Spirit, ever living as the Church's very life,Holy Spirit, ever striving through us in a ceaseless strife,Holy Spirit, ever forming in the Church the mind of Christ,you we praise with endless worship for your gracious gifts unpriced.Holy Spirit, ever working through the Church's ministry,teaching, strength'ning, and absolving, setting captive sinners free,Holy Spirit, ever binding age to age and soul to soulin communion never ending, you we worship and extol.Mostly unison, with limited SAB voicing in verses 2 and 3, “Holy Spirit, Ever Dwelling” is quick to rehearse, easy to sing, and a meaningful declaration of praise to the third Person of the Holy Trinity.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1215082 Composed by Edward Fitzhugh. Arranged by Todd Marchand. Christian,Lent,Sacred. Octavo. 4 pages. Con Spirito Music #811946. Published by Con Spirito Music (A0.1215082). O dulcis Virgo Mater (O sweet Virgin mother) is a petition to Mary, the mother of Jesus, that we might know her pain as witness to the passion of her son and thereby understand his pain, his sacrifice, and his love for us. Especially fitting for Holy Week, the text by Rev. Fr. Edward Fitzhugh, an Anglican priest in the Episcopal Diocese of Fort Worth, Texas (ACNA) pleads:O dulcis Virgo Mater, Maria sanctissima: Adiuva nos ad dolorem tuum sentire. (O sweet Virgin Mother, Mary most holy: help us to feel your pain.) Through your tears we will know his pain; through your woe we will know his love. Adiuva! Adiuva! Adiuva nos sciamus. (Help us know.)O dulcis Virgo Mater, Maria sanctissima: Adiuva nos ad dolorem tuum sentire. For a mother to see her son betrayed, scourged, and hung— Adiuva! Adiuva! Adiuva! Adiuva nos sciamus.O dulcis Virgo Mater, Maria sanctissima: Adiuva nos ad dolorem tuum sentire. To know your boundless sorrow is to truly know our Savior. Adiuva! Adiuva! Adiuva nos sciamus. Adiuva! Adiuva! Adiuva nos sciamus. Amen.The tune, also by Fitzhugh, is arranged for unaccompanied SATB voices by Todd Marchand.Text and tune ©2023 Edward Fitzhugh. This arrangement ©2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved by the respective copyright holders. For more original, sacred, patriotic, and folk music for instruments and voices, visit www.conspiritomusic.com

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1461385 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1040138. Published by Con Spirito Music (A0.1461385). “Holy Spirit, Ever Dwelling” are the opening words to a text written by the Welsh Anglican bishop Timothy Rees (1874-1939). Throughout, Rees employs the adverb “ever” to point to both the immanence and transcendence of the Holy Spirit in its timeless and perpetual activities:Holy Spirit, ever dwelling in the holiest realms of light,Holy Spirit, ever brooding o'er a world of gloom and night,Holy Spirit, ever raising those of earth to thrones on high,living, life-imparting Spirit, you we praise and magnify.Holy Spirit, ever living as the Church's very life,Holy Spirit, ever striving through us in a ceaseless strife,Holy Spirit, ever forming in the Church the mind of Christ,you we praise with endless worship for your gracious gifts unpriced.Holy Spirit, ever working through the Church's ministry,teaching, strength'ning, and absolving, setting captive sinners free,Holy Spirit, ever binding age to age and soul to soulin communion never ending, you we worship and extol.Mostly unison, with limited SATB voicing in verses 2 and 3, “Holy Spirit, Ever Dwelling” is quick to rehearse, easy to sing, and a meaningful declaration of praise to the third Person of the Holy Trinity.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com

Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1426922 Composed by W.H. Monk/ JeanetteThrelfall. Arranged by Richard K. Austin. 19th Century,Christian,Easter,Lent,Sacred. 1 pages. Richard K. Austin #1007629. Published by Richard K. Austin (A0.1426922). This version of Hosanna, Loud Hosanna is part of my series of arrangements for small church choir. I am the director of a church choir which usually consists of eight to ten singers. We often do not have the personnel to be able to perform SATB hymns from the hymnal, due to lack of numbers and the difficulty of the parts. In this arrangement I have lowered the key to make the ranges more comfortable, simplified the parts, and converted the hymn from SATB to SAB. We recently performed it as part of our cantata for Palm Sunday. I hope you can make use of it for your church choir!

Small Ensemble Bass Guitar,Cello,Double Bass,Drums,Viola,Violin - Level 3 - Digital Download SKU: A0.832775 By Switchfoot. By Jonathan Foreman. Arranged by Keith McCauley. Rock. Score and parts. 36 pages. Cantus Youth Choirs Publishing #4792761. Published by Cantus Youth Choirs Publishing (A0.832775). From the Cantus Youth Choirs Pop Series, comes an arrangement of SWITCHFOOT'S anthem, Dare You To Move. This arrangement is for male lead and three-part mens ensemble, TBB. This download includes Director's Score, Violin 1 and 2, Viola, Cello, Double Bass, Electric Guitar, Electric Bass, and Drum Set. Please see H0.622693-SC001256082 for the VOCALS & PIANO score. The ranges for basses and baritone are very comfortable for the most part. There are several opportunities where basses and baritones are written to reinforce the tenor melody. This is a great opportunity to work on a unified bass/baritone falsetto sound and getting lower voices to pop over into a falsetto on the high stuff in a we're all going for it sort of way.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.832776 By Switchfoot. By Jonathan Foreman. Arranged by Keith McCauley. Rock. Octavo. 8 pages. Cantus Youth Choirs Publishing #4792769. Published by Cantus Youth Choirs Publishing (A0.832776). From the Cantus Youth Choirs Pop Series, comes an arrangement of SWITCHFOOT'S anthem, Dare You To Move. This arrangement is for male lead and three-part mens ensemble, TBB. This download includes all vocals and piano. Please see H0.622685-SC001256082 for the INSTRUMENTAL PACK which includes: Director's Score, Violin 1 and 2, Viola, Cello, Double Bass, Electric Guitar, Electric Bass, and Drum Set. The ranges for basses and baritone are very comfortable for the most part. There are several opportunities where basses and baritones are written to reinforce the tenor melody. This is a great opportunity to work on a unified bass/baritone falsetto sound and getting lower voices to pop over into a falsetto on the high stuff in a we're all going for it sort of way.

Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.835422 Composed by Stuart Brown. Contemporary,Sacred. 8 pages. Stuart Brown Music #9697. Published by Stuart Brown Music (A0.835422). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.

Small Ensemble - Level 3 - Digital Download SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. Published by Stuart Brown Music (A0.835423). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …� and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.�It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …� and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.�It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..