Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.1508733 Composed by Traditional. Arranged by Eddie Lewis. Chamber,Christian,Classical,Praise & Worship,Traditional. Score. 165 pages. Tiger Music #1084000. Published by Tiger Music (A0.1508733). Worship our Heavenly Father with these Unadorned Hymn Duets, 133 traditional church hymns in their simplest form arranged for two trumpets. The key word here is “unadorned”. In contrast to Eddie Lewis’ popular Trumpet Hymn Duets book, the duets in this book have no introductions, no modulations, no embellishments, and no clever compositional treatments. The Unadorned Hymn Duets utilize only the melody and a working harmony part, nothing else!By “working harmony part” we mean that the harmony parts work with most hymnal versions of the hymns. Unless the keys are different, you can use these duets with your congregational singing. This is one of the reasons people love these arrangements so much. The harmonies remain true to the original hymns.Another nice feature of these Unadorned Hymn Duets is that they are ready to be used by trumpet players of most skill levels. A quick scan of all the hymns in the book reveals only eight written G’s above the staff. All the rest of the hymns remain inside the staff in the first part. The second part can be tricky sometimes, but the combined sound is beautiful.

Instrumental Duet,Piano C Trumpet,Instrumental Duet,Piano,Trombone - Level 5 - Digital Download SKU: A0.1206435 Composed by Elizabeth Raum. Chamber,Contemporary. 36 pages. Gordon Cherry #804638. Published by Gordon Cherry (A0.1206435). Below are the program notes for Illusion for Trumpet, Bass Trombone & Piano by Elizabeth Raum.Illusion, is a general commentary to the fact that life is mysterious and generally, uncertain, constantly shifting. We try to influence what happens but usually, outside forces determine the direction of our lives. Sometimes it’s hard to distinguish between illusion and reality, and, in fact, often people much prefer illusion to reality. Mv. 1 - Illusion starts out with an obscure time signature and is constantly shifting tonalities so for a while, you aren’t quite sure where you are. Life is full of such deceptions.Mv. 2 - Fill the Wine Cup is a series of drinking songs with a lot of gayety and rollocking humour as the party gets more raucous, but eventually things get a little blurry and bombastic and the party winds down. The trombone, due to its ability to imitate drunken reeling with glissandos, is often cast in this role. M. 3 - Destiny seems to march on and on, with mankind hoping to control their future, but the implication is that fate is more powerful than one can control.M. 4 - The ultimate illusion: a Political Debate. The trombone starts out as the first candidate, and the saxophone is the other. The music is circus-like as befits many heated debates.Illusion was commissioned by Lucas Kaspar and JD Little. The original version was written for Alto Sax and Bass TromboneThe work of about 10 minutes in length is appropriate for advanced performers and may also be performed on a Trombone with an f-attachment.This work can be performed on a Trombone with an f-attachment and is appropriate for advanced performers.

Small Ensemble Cello,Medium Voice,Piano - Level 3 - Digital Download SKU: A0.1143142 Composed by Emma Theresa. Christmas,Classical,Contemporary,Holiday,Sacred. Score and parts. 8 pages. Emma Theresa #743501. Published by Emma Theresa (A0.1143142). This score includes the full score and cello part for My Love Went Home on Christmas Morning LYRICS: My love went home on Christmas morning Amid the evergreen. The candles wept, The day drew nigh As my love did close her eyes. My love did say to me last night, ‘An angel came to me. He smiled and said, “Fear not my child, Perfect peace does wait for you.�’ For on this day was born, A child meek and lowly. Bitter shame, bitter scorn Was born on that cross That we might live. My love sings now in sweetest glory With angel choirs in heav’n No tear is shed, No burden born For they joy in perfect love. For on this day was born, A child meek and lowly. Bitter shame, bitter scorn Was born on that cross That we might live.

Choral Choir (SSA) - Digital Download SKU: A0.916654 Composed by Airom Cruz Camua. Christian,Sacred,Spiritual,World. Octavo. 6 pages. Airom Camua #3515685. Published by Airom Camua (A0.916654). This is a Tagalog Catholic Mass song specifically composed for the Advent season. This is part of a 5-song composition project I did for the treble (SSA) chorus. Melody is notated and chords are written as well. As we wait for the birth of Christ during the Advent season, candles are lit every week to symbolize Hope, Faith, Joy, and Peace. Tanglaw Ko’y Panginoon is inspired by Psalm 27, which reminds us that the Lord is the Light and Salvation that we are waiting for.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1142453 Composed by Emma Theresa. Christian,Christmas,Classical,Holiday,Sacred. Score. 4 pages. Emma Theresa #742821. Published by Emma Theresa (A0.1142453). LYRICS: My love went home on Christmas morning Amid the evergreen. The candles wept, The day drew nigh As my love did close her eyes. My love did say to me last night, ‘An angel came to me. He smiled and said, “Fear not my child, Perfect peace does wait for you.�’ For on this day was born, A child meek and lowly. Bitter shame, bitter scorn Was born on that cross That we might live. My love sings now in sweetest glory With angel choirs in heav’n No tear is shed, No burden born For they joy in perfect love. For on this day was born, A child meek and lowly. Bitter shame, bitter scorn Was born on that cross That we might live.

Guitar (jazz and contemporary) - Intermediate - Digital Download SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #93721EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93721EB). ISBN 9781619119710. 8.75x11.75 inches.An interval is the distance between two notes measured in whole and half steps.  When we stack intervals one on top of another, we produce chords. If we play the intervals in the chord one after another, we produce an arpeggio. But since all intervals, chords, and arpeggios are generated by scales, it follows that scales are the basis of all music from these scales we will find our JAZZ LINES, which is what this book is about. The following is a list of most of the jazz scales the student will encounter as he becomes involved in the study of improvising.  When we improvise, we use as our weapons the scale, harmony and melody.  The two dimensions in music are the harmony (vertical) and melody (horizontal). It is highly recommended that every student of improvising, know his scales in all positions and a variety of chords that the scales generate. All scales should be played in at least four positions especially the 1st position forces one to learn the theory. All other position pattern scales must be transposed throughout the guitar. The author has written a few pages in the beginning of the book serving as a prerequisite for the jazz lines to follow.  It is essential that the student know the scales, key signatures, intervals, and chord constructions that will be used throughout the book. In order to benefit fully from this approach to jazz, the student must understand the full meaning of the words practice and analysis. Most students confuse practice with playing or reading through the exercise. To really improve and absorb the material, every phase must be practiced. This means the fingering must be committed to memory, slowly at first and then as fast as technique allows. The idea must be so ingrained in the mind that it flows from any part of the fingerboard that the performer desires. This is the way great players approach an idea – from any fret, string or position! If there is no harmonic or melodic analysis of the material being studied, then the learning skill becomes superfluous and there is no comprehension and absorption, and without this proper digestion the performer cannot use it as his taste dictates. All of the great players, have had a great technique and this is the first goal of the young student – “great chops.� As the student matures, musicianship will grow but technique is at the grasp of all who seek it.  Start today to acquire it!

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1233598 By Ost (original Soundtrack). By Michael Giacchino. Arranged by Alessandro Macrì. Broadway,Classical,Contest,Festival,Film/TV,March,Musical/Show. 20 pages. Music Macri Editions #829185. Published by Music Macri Editions (A0.1233598). Jurassic World: Original Motion Picture Soundtrack is the film score to Jurassic World composed by Michael Giacchino. The album was released digitally and physically on June 9, 2015 by Back Lot Music.Giacchino previously scored the video games Warpath: Jurassic Park and The Lost World: Jurassic Park. The score also includes the Jurassic Park theme by John Williams. Giacchino stated: It was a really targeted approach, as to where to [include Williams' themes] and where would make the most sense and where would we most appreciate it, as fans ourselves.All music is composed by Michael Giacchino, except where noted. There are various instances throughout the score that contain hints to previous themes composed by Williams. These include the end of Gyrosphere of Influence which references the theme from Jurassic Park, as well as both Costa Rican Standoff and Our Rex is Bigger Than Yours that reference motifs used in Jurassic Park's sequel, The Lost World: Jurassic Park. The track Raptor Your Heart Out also briefly features a cue composed by Giacchino for the video game adaptation of The Lost World: Jurassic Park. Tim Simonec orchestrated and conducted the score, with Jeff Kryka, Susie Bench, Peter Boyer, Brad Dechter, Mark Gasbarro, Norman Ludwin, Cameron Patrick and Chris Tilton serving as additional orchestrators. There are many tracks that were not included in the official soundtrack, such as the music played during the scene at the Jurassic Park Visitors Center, which features a piano rendition of the original Jurassic Park theme. These tracks are included in the film's complete score, which was unofficially released on December 31, 2016.

Unison chorus - Digital Download SKU: C7.CGA708 Composed by Wayne L Wold. Lent, Easter, General/Ordinary. Sacred Anthem. Octavo. 4 pages. Chorister's Guild - Digital #CGA708. Published by Chorister's Guild - Digital (C7.CGA708). UPC: 749193003367.General. WE SING THE WORLD 'ROUND Series. A delightful arrangement of a traditional Puerto Rican tune paired with a thought-provoking text by Fred Kaan. Excellent anthem to teach acceptance of others.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1232150 By Ost (original Soundtrack). By Michael Giacchino. Arranged by Alessandro Macrì. Broadway,Classical,Contest,Festival,Film/TV,Musical/Show,Video Game. 13 pages. Music Macri Editions #827831. Published by Music Macri Editions (A0.1232150). Jurassic World: Original Motion Picture Soundtrack is the film score to Jurassic World composed by Michael Giacchino. The album was released digitally and physically on June 9, 2015 by Back Lot Music.Giacchino previously scored the video games Warpath: Jurassic Park and The Lost World: Jurassic Park. The score also includes the Jurassic Park theme by John Williams. Giacchino stated: It was a really targeted approach, as to where to [include Williams' themes] and where would make the most sense and where would we most appreciate it, as fans ourselves.All music is composed by Michael Giacchino, except where noted. There are various instances throughout the score that contain hints to previous themes composed by Williams. These include the end of Gyrosphere of Influence which references the theme from Jurassic Park, as well as both Costa Rican Standoff and Our Rex is Bigger Than Yours that reference motifs used in Jurassic Park's sequel, The Lost World: Jurassic Park. The track Raptor Your Heart Out also briefly features a cue composed by Giacchino for the video game adaptation of The Lost World: Jurassic Park. Tim Simonec orchestrated and conducted the score, with Jeff Kryka, Susie Bench, Peter Boyer, Brad Dechter, Mark Gasbarro, Norman Ludwin, Cameron Patrick and Chris Tilton serving as additional orchestrators. There are many tracks that were not included in the official soundtrack, such as the music played during the scene at the Jurassic Park Visitors Center, which features a piano rendition of the original Jurassic Park theme. These tracks are included in the film's complete score, which was unofficially released on December 31, 2016.

Easy Piano - Level 1 - Digital Download SKU: A0.904467 Composed by Mary M. Misiak. Contemporary,Folk. Score. 35 pages. Mary Molenda Misiak #6318461. Published by Mary Molenda Misiak (A0.904467). When a hurricane struck our coast, our class wrote about the things we love about our town that were still standing.We love our Emerald Coast, and we proudly share the inside scoop of where the locals hang out.

B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894419 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 4 pages. Zack Richards #6426687. Published by Zack Richards (A0.894419). Taps has always been near and dear to me for almost as long as I've played the Trumpet. I have played it more times than I can count. I was the Bugler for our local Boy Scout troop, playing Taps at many campouts and events to signal the end of the day. I also played it with our High School Marching Band for Memorial Day services, including an incredibly special one at my grandfather's gravesite shortly after his passing. He had served in the Army during World War II. I also played it for several funerals, including my Uncle's, who had served in the Marines. For some time, I had volunteered for our local VFW to play for Veteran's funerals. My High School Trumpet teacher and numerous other people in my life are Veterans and have made a huge impact on me. I decided to write this arrangement to give tribute to all Veterans and Service Members and to help the Echo Taps Worldwide cause. Echo Taps Worldwide was first done on May 19, 2007, in recognition of Armed Forces Day at National Cemeteries, State Veterans Cemeteries and American Battle Monuments Cemeteries overseas. The idea is that at gatherings across the world on Armed Forces Day, Buglers play Taps in succession, with one beginning as the previous ends, to honor those who have sacrificed so much. The intention is also to bring attention to the dire need for buglers to play for Veteran's funerals across the world. If you can, please look into volunteering for your local organizations to play Taps. From Thomas Day, a Marine veteran who founded Bugles Across America in 2000, A live bugler performing Taps is an expression of the Nation’s appreciation for the service of each veteran...With more than 600,000 veterans dying each year, we are always looking for new volunteers to perform this valuable service. Performance and Rehearsal mp3 Tracks available!S0.1059653 Echo Taps Rehearsal TrackS0.1059683 Echo Taps Performance Track All of these works are available individually or all together in my United We Stand Collection. S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble.S0.792173 Echo Taps for Trumpet EnsembleS0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpet Intermediate- Advanced Intermediate Approx. 2:30   Visit zackrichards.com for more from this composer!

Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.894407 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score and parts. 17 pages. Zack Richards #5754059. Published by Zack Richards (A0.894407). Taps has always been near and dear to me for almost as long as I've played the Trumpet. I have played it more times than I can count. I was the Bugler for our local Boy Scout troop, playing Taps at many campouts and events to signal the end of the day. I also played it with our High School Marching Band for Memorial Day services, including an incredibly special one at my grandfather's gravesite shortly after his passing. He had served in the Army during World War II. I also played it for several funerals, including my Uncle's, who had served in the Marines. For some time, I had volunteered for our local VFW to play for Veteran's funerals. My High School Trumpet teacher and numerous other people in my life are Veterans and have made a huge impact on me. I decided to write this arrangement to give tribute to those and all Veterans and Service Members. It is also a way of helping the Echo Taps Worldwide cause. Echo Taps Worldwide was first done on May 19, 2007, in recognition of Armed Forces Day at National Cemeteries, State Veterans Cemeteries and American Battle Monuments Cemeteries overseas. The idea is that at gatherings across the world on Armed Forces Day, Buglers play Taps in succession, with one beginning as the previous ends, to honor those who have sacrificed so much. I was fortunate to play as a part of this during Armed Forces Day celebrations in Ashtabula for several years. The intention is also to bring attention to the dire need for buglers to play for Veteran's funerals across the world. If you can, please look into volunteering for your local organizations to play Taps. From Thomas Day, a Marine veteran who founded Bugles Across America in 2000, A live bugler performing Taps is an expression of the Nation’s appreciation for the service of each veteran...With more than 600,000 veterans dying each year, we are always looking for new volunteers to perform this valuable service.All of these works are available individually or all together in my United We Stand Collection at a considerable discount.S0.1059689 United We Stand Collection Zack Richards Music Minus One SeriesEach of these works for Trumpet Ensemble also have a corresponding arrangement for Solo Trumpet with an mp3 accompaniment track in my Zack Richards Music Minus One Series.S0.1059735 Echo Taps for Solo TrumpetS0.1059689 United We Stand Collection Zack Richards Music Minus One SeriesTrumpet Ensemble5-10 B-flat TrumpetsIntermediateApprox. 2:30Visit zackrichards.com for more from this composer!

Choir - Digital Download SKU: A0.1059288 Composed by David Warin Solomons. 20th Century,Christian,Christmas,Praise & Worship. Full Performance. Duration 155. David Warin Solomons #32941. Published by David Warin Solomons (A0.1059288). Score:https://www.sheetmusicplus.com/title/19982639?aff_id=175705Christmas Song for mixed choir (SATBB) performed by the Composer's Choir under Dan Shaw.  A jaunty melody with countermelodies with words telling of children playing their games in the dusty streets (ie of Bethlehem) unaware that a miracle has happened and asking them to look up to the angels and join their singing: See the children playing in the dusty alleyways all the buildings round them give no hint of the miracle which happened in a tiny stable just close by Sing Nowell The time has come The time is here For God has come To visit us in the form of a baby called Jesus See the children playing in the dusty alleyways They don't know the miracle happened in their very midst They don't see the angels hovering overhead They don't hear the angels singing singing praises They are playing their own games of mirth so carefree. [Soprano descant] The angels hover unseen over the stable singing their praises They are just like everyone engrossed in their own lives Never looking up to the sky where angels sing [Soprano descant] Sing Alleluia... and the children do not hear oh children you do not hear and the children do not know oh children you do not know the great and mighty wonder the full and blessèd cure Jesus is God incarnate Children hear! Rise now from the dusty streets and noisy alleyways Come and see the wonder which is come to you Leave your games and join the great celestial choir of angels Sing Nowell The time is here the Word has come to visit us in the form of a baby called Jesus We were children playing in the dusty alleyways Now we know the miracle which happened in our very midst [Soprano descant] the angels hover unseen over the stable singing their praises Sing Alleluia... O Children sing!.

Guitar,Piano - Level 3 - Digital Download SKU: A0.969096 By Kai Winding. By Nino Oliviero and Riz Ortolani. Arranged by Dan Gabel. Contemporary. Score and part. 24 pages. Daniel Clayton Gabel #6050263. Published by Daniel Clayton Gabel (A0.969096). The extremely popular theme from the film Mondo Cane, More has become a standard for jazz musicians, dance bands, wedding bands, and more. Arranger and bandleader Dan Gabel has expertly prepared this arrangement in the style of the Frank Sinatra/Count Basie recording from It Might as Well Be Swing. In this version for 'Little Big Band' the tenor player has the solo melody honors, with some solo space for the pianist. Taken at an easy, relaxed 120 BPM, this chart swings along and is a great addition to your set list.The chart has been arranged with flexible instrumentation for jazz combo or what we at Gabel Music call Little Big Band. Tenor sax plays the melody with chord symbols included for individual interpretation. LEVEL: Medium Easy/Grade 2.5 (of 5). Good for student ensembles (High School or College), or performing groups.INSTRUMENTATION:Reed I: Tenor SaxReed II: Bari SaxTrumpet in BbTrombone (optional)Guitar (optional)PianoBassDrumsConductor's ScoreRANGE:Key of G major. Trumpet: high note: concert A (trumpet B).

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125371. Published by Kevin G. Pace (A0.701457). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/w68JlvntMjcI did not see the vision, Nor dream a prophet’s dream, I only saw the barren desert Stretch forth upon the scene.   I was not there when Brigham’s cane Touched the virgin ground Naming the spot the Lord had shown Where a temple would be found.   I did not hear the Lord’s own voice As over ocean waves I tossed, Nor spared the death of loved ones dear As the vast plains I crossed.   I only felt the Holy Spirit Telling me the work was true, So I obeyed the prophetic words Until my trek was through.   I helped dig the rocky soil Before the foundation was laid Then with shovel filled the gaping hole Before Johnston’s army stayed.   I did not see the temple’s spires I only saw the walls, I only shaped the granite stones With hammer, chisel, maul.   I coaxed oxen through the mud To move stones down a mountain side, I watched our leaders grow old in years, No temple finished before they died.   Now soon I too will join them Though I’ve labored oh so long, I’ll not see the rising spires Or sing praises in Hosanna song.   I’m just a common earthly man, A laborer in a cause so great, To generations yet unborn, I’m not one you’ll appreciate.   Through the years I’ve toiled and sweat, Shared blood and grief and tears, Obeyed the prophet’s call to serve Listened in faith, not fear.   Please do not take for granted As you walk through these carved doors, Or hear the echo of carpenters From stairs or roof or floors   The love and work that went into Many years of toil and prayer, Feel our spirits in the halls As you enter there.   Though the structure’s end I’ll not see, To others who this path may trod, Go forth with diligence and faith Till we finish the work of God.