Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1509031 By Ella Fitzgerald. By Irving Berlin. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #1084279. Published by DAVID LEE GINGRAS (A0.1509031). Change Partners is a popular song written by Irving Berlin for the 1938 film Carefree, in which it was introduced by Fred Astaire. The song was nominated for an Academy Award for Best Original Song in 1938, but lost out to Thanks for the Memory. Hit versions in 1938 included those by Astaire, Ozzie Nelson, Jimmy Dorsey and Lawrence Welk. The song reached No. 1 on Billboard's Record Buying Guide. The song has subsequently been recorded by many artists. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1288894 By Andy Kirk & His 12 Clouds Of Joy. By Alberta Nichols, L.E. Freeman, Mann Holiner, Sammy Cahn, and Saul Chaplin. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #879734. Published by DAVID LEE GINGRAS (A0.1288894). In 1931, Alberta Nichols wrote the music and Mann Holiner wrote the words for a song titled Till the Real Thing Comes Along which was featured in a Broadway revue titled Rhapsody in Black. The review, produced by Lew Leslie, was similar to the famous Blackbirds reviews of the late 1920s and 1930s, and featured Ethel Waters, who introduced Till the Real Thing Comes Along. This version features a root-based chord blocking that John and I have used in a number of our arrangements and was developed from the 1936 sheet music. We also added some pretty cool left-hand fills to keep things moving along smoothly. We hope you like what we've done with this grand old tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1505642 By Sophie Tucker. By Eddie Green. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1081031. Published by DAVID LEE GINGRAS (A0.1505642). Eddie Green and Sophie Tucker sang A Good Man Is Hard To Find in 1918. The song includes the lyrics A good man is hard to find / You always get the other kind. This version features a root-based chord blocking and was developed from the original 1918 sheet music published by Music Co., Inc. We added a little left-hand rhythm to keep your toes tappin'! We hope you like what we've done with this grand old tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1230391 By Archie And Edith. By Carolyn Leigh and Cy Coleman. Arranged by Dave Gingras and John E. Dosher. Broadway,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #826105. Published by DAVID LEE GINGRAS (A0.1230391). Hey, Look Me Over is a song from the 1960 Broadway musical Wildcat. In the original musical, the song was sung by comedy actress Lucille Ball, in what was the only Broadway appearance of her career. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done with grand old tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1340881 Composed by Dorothy Fields and Jimmy McHugh. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #926455. Published by DAVID LEE GINGRAS (A0.1340881). Exactly Like You is a popular song with music written by Jimmy McHugh and lyrics by Dorothy Fields and published in 1930. The song was introduced by Harry Richman and Gertrude Lawrence in the 1930 Broadway show Lew Leslie's International Revue which also featured McHugh and Fields's On the Sunny Side of the Street. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We threw in a few left-hand fills for good measure! We hope you like what we've done with this grand old tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1273465 Composed by Arthur Hammerstein and Dudley Wilkinson. Arranged by Dave Gingras and John E. Dosher. Film/TV,Jazz. Score. 2 pages. DAVID LEE GINGRAS #865604. Published by DAVID LEE GINGRAS (A0.1273465). Because of You is a popular song written by Arthur Hammerstein and Dudley Wilkinson in 1940. A 1951 recording by Tony Bennett was his first major hit, reaching number one on the Billboard charts and staying there for 10 weeks. Due to its importance in establishing his fame, he continued to perform the song for the rest of his career, even singing it at his final concert performances 70 years after its release. It was one of the last songs rehearsed at his piano before he died. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this Tony Bennett ballad unique.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1502702 Composed by Harold Arlen and Johnny Mercer. Arranged by Dave Gingras and John E. Dosher. Film/TV,Jazz. Score. 2 pages. DAVID LEE GINGRAS #1078374. Published by DAVID LEE GINGRAS (A0.1502702). My Shining Hour is a song composed by Harold Arlen with lyrics by Johnny Mercer for the film The Sky's the Limit (1943). In the film, the song is sung by Fred Astaire and Sally Sweetland, who dubbed it for actress Joan Leslie. The orchestra was led by Freddie Slack. My Shining Hour was nominated for an Academy Award for Best Song but lost to You'll Never Know. The film was released on July 13, 1943. The song became a hit the following year by Glen Gray's Casa Loma Orchestra with Eugenie Baird as vocalist, reaching No. 4 on the Billboard Best Selling Retail Records chart. The song's title may have been a reference to Winston Churchill's speech to British citizens during World War II: if the British Empire and its Commonwealth last for a thousand years, men will still say, this was their finest hour. This version was developed from a lead sheet and was created so that someone with average ability can play it and sound good doing so. We added root-based chord blocking and a some left-hand fills for rhythm - we hope you like what we've done with this grand old tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1191013 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #790542. Published by DAVID LEE GINGRAS (A0.1191013). Getting to Know You is a show tune from the 1951 Rodgers and Hammerstein musical The King and I. It was first sung by Gertrude Lawrence in the original Broadway production and later by Marni Nixon who dubbed for Deborah Kerr in the 1956 film adaptation. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1253049 Composed by Larry Clinton and Yvette Baruch. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #846795. Published by DAVID LEE GINGRAS (A0.1253049). My Reverie is a 1938 popular song with lyrics by Larry Clinton. Its melody is based on the 1890 piano piece Rêverie by the French classical composer Claude Debussy. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1505664 By John Green. By E.Y. Yip Harburg and Johnny Green. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1081052. Published by DAVID LEE GINGRAS (A0.1505664). I'm Yours is a song written by E.Y. Harburg and Johnny Green in 1930, it was subsequently recorded by Billie Holiday. This version was developed from a lead sheet and was created so that someone with average ability can play it and sound good doing so. We added root-based chord blocking and a some left-hand fills for rhythm - we hope you like what we've done with this pre-WWII tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1148692 By Benny Goodman. By Irving Berlin. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #748825. Published by DAVID LEE GINGRAS (A0.1148692). I've Got My Love to Keep Me Warm is a popular song copyrighted in 1937 by its composer, Irving Berlin, and first recorded by Ray Noble (January 5, 1937), Howard Barrie, vocalist, and Red Norvo (January 8, 1937), Mildred Bailey, vocalist. The song – sung by Dick Powell and Alice Faye – debuted on film February 12, 1937, in the musical, On the Avenue. This version features a root-based chord blocking that John and I have used in a number of our arrangements. For interest and to keep the rhythm going, we added some pretty cool left-hand fills. We hope you like what we've done with the song!

Piano,Vocal,Voice - Digital Download SKU: A0.1256681 Composed by Joe Bushkin and John De Vries. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #850047. Published by DAVID LEE GINGRAS (A0.1256681). Oh! Look at Me Now is a 1941 song composed by Joe Bushkin, with lyrics by John DeVries. It is strongly associated with Frank Sinatra, who first recorded it with Tommy Dorsey and his orchestra, in an arrangement by Sy Oliver. Sinatra re-recorded the song for his 1957 A Swingin' Affair!, this time arranged and conducted by Nelson Riddle. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1142555 Composed by E.Y. Yip Harburg and Vernon Duke. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #742925. Published by DAVID LEE GINGRAS (A0.1142555). What Is There To Say? is a beautiful ballad from the 1934 Ziegfeld Follies. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added a couple of left-hand fills and a few minor chord changes to make it a little more fun to play. We hope you like what we've done with this great tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794138 By Gabby Barrett. By Emily Fox Landis, Emily Landis, Gabby Barrett, James McCormick, Jim McCormick, Jon Nite, and Zachary Kale. Arranged by Dave Gingras and John E. Dosher. Contemporary. Score. 7 pages. DAVID LEE GINGRAS #6622253. Published by DAVID LEE GINGRAS (A0.794138). The Good Ones is a song recorded by American country music singer Gabby Barrett for her debut studio album, Goldmine (2020). Barrett co-wrote the song with Zach Kale, Emily Landis, and Jim McCormick, while Kale produced the track with Ross Copperman. The song reached number one on the US Billboard Hot Country Songs chart and is certified platinum in the US. This contemporary version features a root-based chord-blocking that John and I have used in a number of our arrangements. We added a few left-hand fills for interest - we hope you like what we've done with the song!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1176377 By Jim Croce. By Jim Croce. Arranged by Dave Gingras and John E. Dosher. Country,Rock. Score. 2 pages. DAVID LEE GINGRAS #776504. Published by DAVID LEE GINGRAS (A0.1176377). I'll Have to Say I Love You in a Song is the title of a posthumously released single by the American singer-songwriter Jim Croce. The song was written by Croce and was originally released on his album I Got a Name. It entered the Billboard Hot 100 chart at position No. 73 in March 1974. It peaked at No. 9 in April 1974, becoming his fifth and final Top 10 hit. In addition, the song went to No. 1 on the Billboard adult contemporary chart and reached No. 68 on the Billboard country music chart, Croce's only song to chart there. This version features a root-based chord blocking that John and I have used in a number of our arrangements. For interest and to keep the rhythm moving, we added some pretty cool left-hand fills. We hope you like what we've done with the song!