Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1307291 By Ruth Ettig, Anette Hanshaw. By Words and music by B.G. DeSylva, Lew Brown and Ray Henderson. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #896566. Published by DAVID LEE GINGRAS (A0.1307291). It All Depends on You is a 1926 popular song with music by Ray Henderson and lyrics by Buddy G. DeSylva and Lew Brown. The song, written for the musical Big Boy, was published in 1926. It was featured in the hit 1928 Warner Bros. film The Singing Fool, starring Al Jolson, Betty Bronson and Josephine Dunn, and directed by Lloyd Bacon. This version features a root-based chord blocking that John and I have used in a number of our arrangements and was developed from the original 1926 sheet music. We hope you like what we've done with this grand old tune!

Piano - Digital Download SKU: A0.1066587 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 234. THEMIS KOUTRAS #4775163. Published by THEMIS KOUTRAS (A0.1066587). THIS IS A IN--TER--SEED--ING SONG OF PRAY praying singing to reach GOD so he helps all addicts on drugs and OR  alcohol stop there addictions it is also a prophesy that the way the world is going it is getting worst and if something is not done for this problem the world all people can become Addicts in drugs or and alcohol that is if we do not do something about this as early as possible so i sing that perhaps we can do something about this problem that all people in the future will be drug and alcohol free from addictions.

Solo Guitar - Digital Download SKU: A0.980802 Composed by Mark Greer. Christian,Praise & Worship,Sacred. Individual part. 4 pages. The CHOSEN Company, LLC #5022591. Published by The CHOSEN Company, LLC (A0.980802). Song about how if we were in the Garden of Eden, we would not have done better than our parents, Adam and Eve.

Electric guitar, 2 violas and cello - Digital Download SKU: S9.Q47101 For electric guitar, 2 violas and cello. Composed by Gavin Bryars. This edition: score. Downloadable, score. Duration 16 minutes. Schott Music - Digital #Q47101. Published by Schott Music - Digital (S9.Q47101). I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply and, pending a recording of this piece, Manfred Eicher asked if I might like to develop an instrumental work from this, using the same instrumentation for accompaniment and retaining the same opening bars as part of a new ECM album. The piece is after the Requiem therefore in the musical sense of being based on it, in the chronological sense of following on from it, and in the spiritual sense of representing that state which remains after mourning is (technically) over. I wrote the piece in Venice in September 1990 and finished it in Oslo on the day of the recording, where I added the electric guitar of Bill Frisell. This, I felt, blended particularly well with low strings (2 violas and cello). Coincidentally, having used certain distortion effects on the guitar, we found that we were recording on the twentieth anniversary of the death of Jimi Hendrix. Within the music I use one or two modified extracts from the Cadman Requiem itself, and from its common source Invention of Tradition, for which Bill Cadman had done the sound design.The piece is dedicated to the two Bills (Cadman and Frisell).

Piano Solo - Level 3 - Digital Download SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 pages. Scott Camp #3909193. Published by Scott Camp (A0.553098). Possibly the most beautiful piece of music ever.This edition presents Debussy's masterpiece with as close to 100% clarity as possible:  no arrangement, no simplification, no abridgement, only solutions to the challenges of how to play this amazing masterpiece.  In my experience, I would guess that Clair de lune has been the final, unfulfilled and unattained goal of piano students more than any other piece in music history.If you recognize the truth in this statement, you owe it to yourself to investigate this edition, in which for the first time, all of the technical challenges are clearly identified with their solutions.  Playing a piece of music is not the same as mastering it.  Surviving a performance is not the same as playing with confidence.  There is no joy in being vulnerable to embarrassing mistakes.  It is no way to live.  You deserve a set of instructions (this edition) that enables you to master your performance, play with confidence and beauty, not an edition which blocks your access.Clair de Lune is so familiar that it is hard to appreciate just how revolutionary it (and Debussy) are.  The word revolutionary is overused, so we fail to realize that Clair de Lune is difficult to play largely because it was difficult to notate.  If the faculty of the Paris Conservatory didn't understand or appreciate Debussy, why would we expect the staff of a publishing company (as competent as they were) to understand the demands of his music.  Debussy broke the boundaries of conventional piano notation.  That means contradictions and ambiguity, which must be addressed.A note about fingering:  where and why it is or is not presented.  I've done my best to prepare an edition of this music that will enable the Intermediate Classical pianist to prepare and perform this masterpiece.  My goal is to include information that the pianist needs, but does not already know.  For Claire de Lune, some passages are dependent upon specific hand/fingering solutions, while other passages are either (1) equally playable with different fingering, or (2) only playable by what essentially becomes known as a self-evident solution.  For example, m9-24, and m61-62, fall into this category.  Octaves can only practically be played with fingers 1 and 5.  I provide a lot of finger numbers, but that is not the same as  creating an edition that can be played without significant staff reading.  The premise is that an intermediate musician should have access to advanced material--that is a musician is motivated to play pieces one level more advanced.  Attempting to bridge more than one level is not my goal.

Piano Solo - Level 3 - Digital Download SKU: A0.1344916 By Various. By Jerome Kern and Otto Harbach. Arranged by Phyllis Love. Jazz,Standards. Score. 4 pages. Phyllis Love #929894. Published by Phyllis Love (A0.1344916). Yesterdays for intermediate pianoA well known standard, done here with an exciting Latin beat. It has an improvised section helpful for intermediate students of jazz, plus a rich bass line, and an exciting bolero rhythm.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1357760 By Jerry Butler. By Lorenz Hart and Richard Rodgers. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #942263. Published by DAVID LEE GINGRAS (A0.1357760). I Could Write a Book, is a show tune from the 1940 Rodgers and Hart musical Pal Joey, where it was introduced by Gene Kelly and Leila Ernst. It is considered a standard. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We hope you like what we've done with this grand old tune!

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1406090 By Zane Kuchera. By Music by Zane Kuchera and Words by Paul Norman Tapp. Contemporary,Folk,Jazz,Pop,Singer/Songwriter. Score. 6 pages. Zane Kuchera Music #989181. Published by Zane Kuchera Music (A0.1406090). Https://album.link/cgddc8zcfgxhx3/21/24 Zane Kuchera Music released “Life Is Good� (Pop/AC/Jazz). When all is said and done, enduring hardships, reflecting back, looking forward, choosing to look at the bright side, together, we are stronger and better. “We still have neighbors in our neighborhood, when you need a hand, it's understood, times are hard but life is good�. Words: Paul Tapp , music & performance: Zane Kuchera.

Choir,Piano,Voice - Digital Download SKU: A0.1065655 Composed by Carol Troutman Wiggins. Children,Holiday,Love,Standards. Accompaniment. Duration 77. Carol Troutman Wiggins #4275547. Published by Carol Troutman Wiggins (A0.1065655). AN OLD-FASHIONED VALENTINE (Piano Track)Unison w/Optional Triangles or Other PercussionRemember the old-fashioned valentines we used to do when we were kids - the handmade kind with lace and ribbons and flowers and cut out of construction paper? This song brings back those memories for some of us and explains how they used to be done for the younger generation.Excellent for any age elementary and as a fun song for younger middle school studentsEasy lyrics and melodyAdd optional triangles or any other non-tuned percussion you have on handInstrument cues included in scoreChords included for additional instruments (ukulele would be great!).

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.899789 Composed by Traditional Scottish Ballad. Arranged by Brad Reid. Celtic,Contemporary,Renaissance,World. Score and parts. 15 pages. Brad Reid #4841445. Published by Brad Reid (A0.899789). A nice setting of a beautiful old song. The melody is shared among the parts, with interesting counter melodies as well. About 4min in duration. Key of D and G major.Reviews:We are thrilled with it...beautifully done, and just that challenging that we all have work to do. J. W.Brad Reid can be reached at www.bradreid.ca with inquiries about custom arrangements. 

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1291981 Composed by George Gershwin and Ira Gershwin. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #882618. Published by DAVID LEE GINGRAS (A0.1291981). Love Walked In is a song composed by George Gershwin, with lyrics by Ira Gershwin. The tune was composed in 1930, but the lyric was not written until 1937, for the movie musical The Goldwyn Follies (1938), where it was sung by Kenny Baker. Hit versions include Sammy Kaye (1938), The Hilltoppers (1953), Ella Fitzgerald (1959), The Flamingos (1959) and Dinah Washington (1960). Artie Shaw recorded the song in the early 1940s. This version was developed from the original sheet music from 1937 and features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this grand old tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794147 By Ray Charles. By Jimmie Davis. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 2 pages. DAVID LEE GINGRAS #6687455. Published by DAVID LEE GINGRAS (A0.794147). You Are My Sunshine is a song copyrighted and published by Jimmie Davis and Charles Mitchell in 1940. According to BMI, it has been recorded by more than 350 artists, and translated into 30 languages. In 1977, the Louisiana State Legislature decreed that You Are My Sunshine would be a state song, to honor two-time governor Jimmie Davis. This version features a root-based chord-blocking that John and I have used in many of our arrangements. This one sounds pretty cool when played with a lively, country-western rhythm. We hope you like what we've done with the song!

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.770865 Composed by Byron Foxx, Glenn & Jan Christianson, and Lydia Stewart. Christmas,Sacred. 73 pages. Bible Truth Music #3543907. Published by Bible Truth Music (A0.770865). Preview the entire program here: https://www.youtube.com/watch?v=_0Xol62r23UAfter the Fire is a Christmas musical written by Glenn & Jan Christianson along with Byron Foxx. The musical is written for SATB choirs. During a time of year when most people are celebrating the birth of Christ, we join a family who survived a house fire but lost everything. Mike & Sharon, along with their teenage on, Jacob, each respond differently to the tragedy. We see that, even though things look bleak from an earthly standpoint, God is still in control, and He uses even these difficulties to bring glory to Himself. This program has eleven songs for choir. Two of the songs have a female solo who can also be the same person who plays Sharon in the program. With a simple cast of four characters, the program can be done as a complete drama or in reader’s theater format. The program length is approximately 45 minutes.

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1339986 Composed by Kevin G. Pace (ASCAP), Krista Mason Pace. Christian,Christmas,Easter,Praise & Worship,Sacred. 11 pages. Kevin G. Pace #925650. Published by Kevin G. Pace (A0.1339986). A glorious choral arrangement for Christmas or Easter.  Music by Kevin G. Pace.  Text by Krista Mason Pace.Text:Great are the words of prophets of oldWho spoke of a King to come as foretold;A Savior, Redeemer, to rule and to reign;Taking our sorrow, grief, loss, and pain.Angels came singing, sent from aboveRevealing as promised, our Father’s love;Teaching the world of His plan for all menThat through God’s own Son, we’d come home again.Chosen of God, a virgin so fairWas blessed from on high, a Son she would bear,And call His name Jesus, for He was the One;His life to offer, Thy will be done.Angels came singing, sent from aboveDeclaring glad tidings, our Father’s love;Shepherds and wise men would reverently bendFor Jesus was born, the Savior of men. Women did come, their spices prepared;Still grieving the loss of life thus not spared.Then, finding the tomb with the stone rolled awayVoid of His body, cried in dismay.Angles came singing, sent from aboveWhy seek ye the living? Our Father’s LoveRising, thus breaking the death bands to giveA promise of life to all who would live.Seeking for truth, he knelt down to pray;Disturbed by the strife of men in his day.A pillar of light shone around this young boy;Christ and His Father answered in joy.Angels came singing, sent from above;Proclaiming the good news, our Father’s love;Full restoration of truth to the Earth;That all may rejoice, His gift of great worth.This Christmas (Easter) day, I ponder anewHis birth, life, and death; my covenants true,And His resurrection that leads to my own;Prophets still leading, guiding me home.Angels are singing, sent from our homeProtecting our children, loved ones who roam.One day we'll join them to sing in His light.He’s coming again in glory and might.