Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.589640 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6082321. Published by David McKeown (A0.589640). Ale Brider is a Yiddish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Violin and one Viola.The music for Ale Brider is a traditional East European melody of unknown origin. The lyrics were written by Morris Winchevsky, a Lithuanian writer who became a prominent socialist/communist in early twentieth century London and New York. The title Ale Brider, (We Are All Brothers), reflected his socialist beliefs.Ale Brider is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played three times with constant variations in the accompaniment. Ale Brider is suitable for players at an intermediate level and above. With a performance time of three minutes, this version of Ale Brider is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  

Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.589620 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6082279. Published by David McKeown (A0.589620). Ale Brider is a Yiddish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Bassoon.The music for Ale Brider is a traditional East European melody of unknown origin. The lyrics were written by Morris Winchevsky, a Lithuanian writer who became a prominent socialist/communist in early twentieth century London and New York. The title Ale Brider, (We Are All Brothers), reflected his socialist beliefs.Ale Brider is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played three times with constant variations in the accompaniment. Ale Brider is suitable for players at an intermediate level and above. With a performance time of three minutes, this version of Ale Brider is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  

Flute,Piano - Level 4 - Digital Download SKU: A0.1492428 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. Chamber,Contemporary,Contest,Festival,Instructional,Jazz. Score and part. 131 pages. Barbara Arens #1069102. Published by Barbara Arens (A0.1492428). As a former very keen flute player (I loved playing in the Singapore Youth Symphony Orchestra, and studied flute for several years at the Mozarteum in Salzburg before concentrating on keyboard instruments) I enjoy writing for the Flute. This collection starts off with 8 pieces using titles of René Magritte's surrealist paintings. The titles, which I found really inspiring, were thought up by Magritte's friend, the surrealist poet Louis Scutenaire: La sens de la nuit; La clef des songes; Les signes du soir, etc. There are 3 pieces inspired by Shakespeare characters: Juliet; Hotspur; Beatrice & Benedick; a few jazzy pieces : London Bridge Rag; We gotta Boogie; My favourite Time of day; and some VERY exciting encore pieces: Tango at 2 a.m., Folies d'Espagne, Rondo alla Tarantella...

Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.734426 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Renaissance,Sacred,Standards. Score and parts. 7 pages. Chicory Music #5374719. Published by Chicory Music (A0.734426).  The Boar's Head CarolThe song was first published in English during the 1520’s in a book entitled Christmase Carolles Newly Emprynted at London in the flete street, which was written by Jan van Wynken de Worde. It is also said to be the very 1st Christmas carol to ever be publish in English because it dates back that early.Although the modern versions of the song makes no mention of Christmas, the original verses does so in The boar's head we bring with song, in worship of Him that thus sprung, of a Virgin to redress all wrong; NoelThis Intermediate Level arrangement starts out in Bb Major and modulates to  C Major for the final chorus.Performance time approx. 1 minute 45 seconds.  ..

String quartet - Digital Download SKU: MQ.LMP046-E Composed by Kareem Roustom. 46 pages. MorningStar Music Publishers - Digital Sheet Music #LMP046-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.LMP046-E). These Four Dances from CLORINDA AGONISTES (Clorinda the warrior) are taken from a recently completed dramatic work; a hybrid opera & dance theatre work currently of the same title. The name Clorinda comes from Monteverdi’s opera Il Combattimento di Tancredi e Clorinda , whose libretto is from the epic poem by Tasso titled, Gerusalemme Liberata (Jerusalem Liberated). The dramatic work, which was commissioned by the London based Shobana Jeyasingh Dance company, the Sadler’s Wells Theatre and the Royal Philharmonic Society, was composed as a companion piece to Monteverdi’s Il Combattimento. Contents: I. Transitions II. Pursuit III. Shawq شوق (Yearning) IV. Unity (We dance together)

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1336695 Composed by Thomas Ford. Arranged by Konrad Harley. Jazz,Renaissance. Score. 5 pages. Konrad Harley #922470. Published by Konrad Harley (A0.1336695). Based on the melody and words from Thomas Ford's Musicke of Sundrie Kindes (London, 1607). Arranged in a light, jazzy style by Konrad Harley (1986-), 2023.Lyrics:Since first I saw your face I resolv'dTo honour and renown ye.If now I be disdained I wishMy heart had never known ye.What, I that lov'd and you that lik'd,Shall we begin to wrangle?No, no, no, my heart is fast,And cannot disentangle.If I admire or praise you too much,That fault may you forgive me.Or if my hands had strayed but a touch,Then justly you might leave me.I asked you leave, you bade me love,Is't now a time to chide me?No, no, no, I'll love you still,What fortune e'er betide me.The sun whose beams more glorious areRejecteth no beholder,And your sweet beauty past compareMade my poor eyes the bolder.Where Beauty moves and Wit delightsAnd signs of kindness bind me,There, O there, where'er I go,I leave my heart behind me.

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.734421 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Renaissance,Sacred,Standards. 7 pages. Chicory Music #5333863. Published by Chicory Music (A0.734421). The Boar's Head CarolThis Christmas carol talks about a feast during midwinter in which a wild boar was served as the main dish and its head placed in a situated position to symbolize bravery and abundance. Closely related to the Norse tradition of boar sacrifice to their goddess Freyja during the feast of Winter Solstice, this song originated from an urban legend in Queen's College, Oxford back in the 15th century which tells of how a scholar from Queen’s College managed to kill an attacking boar and offered it at dinner.The song was first published in English during the 1520’s in a book entitled Christmase Carolles Newly Emprynted at London in the flete street, which was written by Jan van Wynken de Worde. It is also said to be the very 1st Christmas carol to ever be publish in English because it dates back that early.Although the modern versions of the song makes no mention of Christmas, the original verses does so in The boar's head we bring with song, in worship of Him that thus sprung, of a Virgin to redress all wrong; NoelThis Intermediate Level arrangement starts out in Ab Major and modulates to  Bb Major for the final chorus. Performance time approx. 1 minute 45 seconds.

Instrumental Duet Clarinet,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.589628 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6082295. Published by David McKeown (A0.589628). Ale Brider is a Yiddish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Soprano Saxophone and one Clarinet.The music for Ale Brider is a traditional East European melody of unknown origin. The lyrics were written by Morris Winchevsky, a Lithuanian writer who became a prominent socialist/communist in early twentieth century London and New York. The title Ale Brider, (We Are All Brothers), reflected his socialist beliefs.Ale Brider is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played three times with constant variations in the accompaniment. Ale Brider is suitable for players at an intermediate level and above. With a performance time of three minutes, this version of Ale Brider is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203   

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.734425 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Renaissance,Sacred,Standards. 10 pages. Chicory Music #5370963. Published by Chicory Music (A0.734425). The Boar's Head CarolThis Christmas carol talks about a feast during midwinter in which a wild boar was served as the main dish and its head placed in a situated position to symbolize bravery and abundance. Closely related to the Norse tradition of boar sacrifice to their goddess Freyja during the feast of Winter Solstice, this song originated from an urban legend in Queen's College, Oxford back in the 15th century which tells of how a scholar from Queen’s College managed to kill an attacking boar and offered it at dinner.The song was first published in English during the 1520’s in a book entitled Christmase Carolles Newly Emprynted at London in the flete street, which was written by Jan van Wynken de Worde. It is also said to be the very 1st Christmas carol to ever be publish in English because it dates back that early.Although the modern versions of the song makes no mention of Christmas, the original verses does so in The boar's head we bring with song, in worship of Him that thus sprung, of a Virgin to redress all wrong; NoelThis Intermediate Level arrangement starts out in Bb Major and modulates to  C Major for the final chorus Performance time approx. 1 minute 45 seconds.

Woodwind Ensemble - Level 3 - Digital Download SKU: A0.842558 Composed by James Hook. Arranged by B. Brennan. Baroque,Instructional,Standards. 28 pages. Bl_music #5794509. Published by bl_music (A0.842558). ScoreThe six duets op. 58 were originally composed for two cellos. They sound amazing on deep recorders. We offer versions for2 Bass Recorders, bass clef2 Great Bass Recorders, bass clef2 Recorders in F, treble clef (2 altos, 2 sopraninos, sopranino/alto, alto/bass, 2 basses if treble clef preferred)2 Recorders in C, treble clef (2sopranos, soprano/tenor,2 tenors, tenor/great bass, 2 great basses if treble clef preferred) James Hook was born in Norwich. He displayed a remarkable musical talent at an early age, playing the harpsichord by the age of four and performing concertos in public at age six. He began performing regularly by the time he was 10 years old, including benefit concerts. He held many jobs to earn money, including teaching, composing, transcribing music and tuning keyboard instruments.In 1763/64 he moved to London where he worked as an organist, teacher and composer, and gained a reputation for composing vocal music. After the death of his first wife, he married Harriet Horncastle James in 1806.  It was at this time that he produced his best work, Tekeli, or the Siege of Montgatz.In 1820 he unexpectedly left his position at Vauxhall, after almost a half century of service, and he died seven years later in Boulogne. 

Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985435. Published by ACORDO Sheet Music (A0.1402228). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1309904 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Music: Jon Burr. Arranged by Jon Burr. Country,Folk,Traditional. Score. 17 pages. Cheryl Prazak #899036. Published by Cheryl Prazak (A0.1309904). Cotton-Eyed Texas is a celebration of all good things Texan.Lyrics by Cheryl Prazak, music by Jon Burr Arranging, production and video by Jon Burr (arrangerforhire.com)Lyric:Let me tell you ‘bout a place that’s stood the test of timeOnce it was a country, but now a State of MindTexas is the place I know, it’s special and it’s reallet me share some things it’s got you oughtta see and feelDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,We belt it out with Jennings, echo through the hills,rave with Buddy Holly, “ah-hah� with the great Bob Wills.We croon with Kenny Rogers, George Strait and young Clint Black.We dance the Texas two-step to Galveston and backDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Texas has its mountains and plains, valleys and bayous.We had cottonfields once where legendary pickers grew,Like Lightnin’ Hopkins, T-Bone, Blind Lemon, Stevie Ray played the bluesBuddy Holly, and Willie Nelson sang their stories tooDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Us Texans like to hunt and shoot, and what we shoot, we eat.When you smell the bar-b-cue, bring a dish ‘n grab a seat.Tex-Mex, tacos, fajitas, enchiladas and red wine!Avocado guacamole suits a Texan just fine!Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,We have fought to live our way, and we can fight again.When the need presents itself, we only fight to win.We have fought to live our way, we can live no other.If you feel like coming this way, don’t mess with Texas, brother!Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Texas has its music, Texas has its foodTexas has its history to put you in the moodThe very best way to visit is to travel far and wideone end to the other right through the countrysideDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe

Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985434. Published by ACORDO Sheet Music (A0.1402227). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).

Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages.  Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try?  Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind.  We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness.    The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions.  I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness.  There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition.  I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less.  Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes.  And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time.  Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over.  And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural.  From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own.   This is ...a bridge a-way, exits within.

Piano and voice - Digital Download SKU: LV.4166 Composed by Tom Turner. Afro-Americans, Caricature, Dialects, Recreation, Leisure, Ballroom dancing, Happiness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4166). Dancing in the Barn. Song. Words by Andy McKee. Music by Tom Turner. Published 1878 by T.B. Harms & Co., 819 Broadway in New York. Composition of strophic with chorus (with dance interlude) with piano and voice instrumentation. Subject headings for this piece include Afro-Americans, Caricature, Dialects, Recreation, Leisure, Ballroom dancing, Happiness. First line reads Oh, we'll meet at de ball in de evening.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.