Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.589625 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6082289. Published by David McKeown (A0.589625). Ale Brider is a Yiddish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Alto and one Tenor Saxophone.The music for Ale Brider is a traditional East European melody of unknown origin. The lyrics were written by Morris Winchevsky, a Lithuanian writer who became a prominent socialist/communist in early twentieth century London and New York. The title Ale Brider, (We Are All Brothers), reflected his socialist beliefs.Ale Brider is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played three times with constant variations in the accompaniment. Ale Brider is suitable for players at an intermediate level and above. With a performance time of three minutes, this version of Ale Brider is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203   

Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.589643 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6082327. Published by David McKeown (A0.589643). Ale Brider is a Yiddish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.The music for Ale Brider is a traditional East European melody of unknown origin. The lyrics were written by Morris Winchevsky, a Lithuanian writer who became a prominent socialist/communist in early twentieth century London and New York. The title Ale Brider, (We Are All Brothers), reflected his socialist beliefs.Ale Brider is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played three times with constant variations in the accompaniment. Ale Brider is suitable for players at an intermediate level and above. With a performance time of three minutes, this version of Ale Brider is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203   

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1221137 Composed by Sir John Goss. Arranged by Hugh Levey. 19th Century,Christian,Easter,Religious. 12 pages. Woodwindly.com #817489. Published by woodwindly.com (A0.1221137). Wind Quartet - Oboe (or Flute), Clarinet, Horn, BassoonO Saviour of the World is a beautiful 19th century hymn, written for SATB choir with optional organ accompaniment, by Sir John Goss (1800-1880). Suitable for religious festivals such as Lent, Easter and Christmas, but also for secular events where some solemn beautiful music is required. Goss was organist at St Paul's Cathedral in London and a Professor of Harmony at the Royal Academy of Music where Sir Arthur Sullivan was among his pupils. Although this is an instrumental transcription, we can still hear the emotion through the musical techniques employed by the composer; such as sequences of overlapping lines, unexpected harmonies, the contrast between smooth legato passages and declamation, and the sudden change to unison for emphasis, all with carefully thought out dynamics.

Piano Solo - Level 3 - Digital Download SKU: A0.596505 Composed by Juan María Solare. 20th Century,Concert,Standards. Score. 9 pages. Juan Maria Solare #3360751. Published by Juan Maria Solare (A0.596505). Pasajera eterna [Eternal passenger] was composed in 2011 in Bremen and Worpswede (Germany). This piano prelude is dedicated to Belén Rouco. Duration: 5 minutes (or slightly less). ISWC: T-803.153.190-6 Video clip: https://www.youtube.com/watch?v=KBeZFFrVE8g Recording on Spotify: https://open.spotify.com/album/4fWhzoB99Se9BrLrZ9f7yd Pasajera eterna is also part of the CD Sombras blancas (White shadows) by Juan María Solare. The title 'Pasajera eterna' is in Spanish an oxymoron, that is, a figure of thought that consists of complementing a word with another word that has a contradictory or opposite meaning. 'Pasajera' (temporary, transient), as an adjective, is a situation that does not last forever, ephemeral, while 'eternal' is just the opposite. Furthermore, if we read 'pasajera' (traveller, passenger) as a noun, the title alludes to a person on a constant journey, on the move. The expression 'Pasajera eterna' was invented by the dedicatee of this work, Belén Rouco, who kindly authorised me to use it to title this music. Under the literary name of 'Pasajera eterna', Belén signs and publishes her writings, poems and reflections.  Keywords: romantic piano music, easy listening, post-romantic, neo-classical, contemporary classical, melodic.   World Premiere: by Juan María Solare on Tue 16/OCT/2012, recital Neue Konsonanz (New Consonance) at the Theater of the University of Bremen. Argentine premiere by Juan María Solare on 25/APR/2014 at the Legislatura Porteña (cycle Música Clásica Argentina), Buenos Aires. British premiere: by Juan María Solare on 23/MAY/2014 at the Bolívar Hall in London (recital Tango Bar).   There is also a second version for quintet (flute, alto saxophone, cello, double bass and piano), recorded in Birmingham (UK) by the ensemble El ultimo tango and a third version for alto saxophone and piano (2016).  

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1309904 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Music: Jon Burr. Arranged by Jon Burr. Country,Folk,Traditional. Score. 17 pages. Cheryl Prazak #899036. Published by Cheryl Prazak (A0.1309904). Cotton-Eyed Texas is a celebration of all good things Texan.Lyrics by Cheryl Prazak, music by Jon Burr Arranging, production and video by Jon Burr (arrangerforhire.com)Lyric:Let me tell you ‘bout a place that’s stood the test of timeOnce it was a country, but now a State of MindTexas is the place I know, it’s special and it’s reallet me share some things it’s got you oughtta see and feelDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,We belt it out with Jennings, echo through the hills,rave with Buddy Holly, “ah-hah� with the great Bob Wills.We croon with Kenny Rogers, George Strait and young Clint Black.We dance the Texas two-step to Galveston and backDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Texas has its mountains and plains, valleys and bayous.We had cottonfields once where legendary pickers grew,Like Lightnin’ Hopkins, T-Bone, Blind Lemon, Stevie Ray played the bluesBuddy Holly, and Willie Nelson sang their stories tooDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Us Texans like to hunt and shoot, and what we shoot, we eat.When you smell the bar-b-cue, bring a dish ‘n grab a seat.Tex-Mex, tacos, fajitas, enchiladas and red wine!Avocado guacamole suits a Texan just fine!Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,We have fought to live our way, and we can fight again.When the need presents itself, we only fight to win.We have fought to live our way, we can live no other.If you feel like coming this way, don’t mess with Texas, brother!Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Texas has its music, Texas has its foodTexas has its history to put you in the moodThe very best way to visit is to travel far and wideone end to the other right through the countrysideDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe

Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985434. Published by ACORDO Sheet Music (A0.1402227). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).

Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985435. Published by ACORDO Sheet Music (A0.1402228). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).

Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages.  Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try?  Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind.  We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness.    The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions.  I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness.  There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition.  I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less.  Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes.  And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time.  Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over.  And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural.  From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own.   This is ...a bridge a-way, exits within.

Piano and voice - Digital Download SKU: LV.17970 Composed by J.P. Knight. Courtship & love, Weddings, Widows, Emotion--pain. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17970). She Wore a Wreath of Roses. Ballad. Written by T.H. Bayly, Esqr.; Composed by J.P. Knight. Published [n.d.] by John Cole in Baltimore. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship & love, Weddings, Widows, Emotion--pain. First line reads She wore a wreath of roses The night that first we met.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.2956 Composed by William R. Dempster. Gates, Hills, Farms, Spires, Families, Death, Love, Spouses, Farewells. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2956). The Lament of the Irish Emigrant. A Ballad. Poetry by The Hon. Mrs. Price Blackwood. The Music Composed by William R. Dempster. Published 1843 by Geo. P. Reed, 17 Tremont Row in Boston. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Gates, Hills, Farms, Spires, Families, Death, Love, Spouses, Farewells. First line reads I'm sitting on the stile Mary, where we sat side by side.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice (SATB chorus) - Digital Download SKU: LV.3930 Composed by W.T. Rogers. Happiness, Symbols, Death, Heaven. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3930). Songs and Quartettes by William T. Rogers. Land of Dreams. Words by Olive C. Ferris. Music by W.T. Rogers. Published 1868 by S. Brainard & Sons, 203 Superior St. in Cleveland. Composition of strophic with chorus with piano and voice (satb chorus) instrumentation. Subject headings for this piece include Happiness, Symbols, Death, Heaven. First line reads There's a beautiful land where we wander oft.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.23601 Composed by Ernest R. Ball. Portraits, Uncle Sam, Patriotism, Caricatures, Germany, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23601). You Can't Beat Us (If It Takes Ten Million More). March Song. Lyric by J. Keirn Brennan. Music by Ernest R. Ball. Published 1918 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Uncle Sam, Patriotism, Caricatures, Germany, World War I. First line reads Say, Fritz, we're goin' to give you fits.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice (solo and chorus) - Digital Download SKU: LV.17568 Religion. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17568). Grateful Notes. n. Published [n.d.] by Carr's Music Store, 36 Baltimore Street in Baltimore. Composition of through-composed with piano and voice (solo and chorus) instrumentation. Subject headings for this piece include Religion. First line reads Grateful notes and numbers bring while the name of God we sing.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4230 Composed by Will S. Hays. Courtship, Love, Farewells, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4230). Good Bye Till I See You Again. A Beautiful Song and Chorus. Written and Composed by Will S. Hays. Published 1870 by John L. Peters, 599 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Courtship, Love, Farewells, Sadness. First line reads Come give me your hand for tonight we must part.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.13664 Composed by J.G. Dunlap. Civil War, Soldiers--Union, Ulysses S. Grant, Campaigns & battles, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13664). Boys in Blue. Song & Chorus. Words by W.V. Lawrence. Music By J.G. Dunlap. Published 1868 by John Church, Jr., 66 West 4th St. in Cincinnati. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War, Soldiers--Union, Ulysses S. Grant, Campaigns & battles, Patriotism. First line reads Our battle songs again we sing, With banners flying o'er us.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.