Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1461546 By Oscar Peterson Trio. By Duke Ellington and Paul Francis Webster. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1040292. Published by DAVID LEE GINGRAS (A0.1461546). I Got It Bad (and That Ain't Good) is a pop and jazz standard with music by Duke Ellington and lyrics by Paul Francis Webster published in 1941. It was introduced in the musical revue Jump for Joy by Ivie Anderson, who also provided the vocals for Duke Ellington and His Orchestra on the single Victor 27531. Recordings to reach the Billboard charts in 1941/42 were by Duke Ellington (#13) and by Benny Goodman (vocal by Peggy Lee) (#25). This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!

Brass Ensemble,Small Ensemble Double Bass,Drum Set,Trombone - Level 4 - Digital Download SKU: A0.734625 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 11 pages. Chicory Music #6702907. Published by Chicory Music (A0.734625). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Trombone Quintet / Choir plus optional Acoustic Bass and Drum Set parts is arranged in a slow ballad style.Performance Time: Approx. 1 minute 40 seconds

Recorder - Level 4 - Digital Download SKU: A0.736659 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Recorder Ensemble. 7 pages. Chicory Music #6679345. Published by Chicory Music (A0.736659). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Descant / Soprano Recorder Quartet remains faithful to the original.Performance Time Approx. 1 minute 25 seconds

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1245933 By Tommy Dorsey & His Orchestra. By Ruth Lowe. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #840763. Published by DAVID LEE GINGRAS (A0.1245933). I'll Never Smile Again is a 1939 song written by Ruth Lowe. It has been recorded by many other artists since, becoming a standard. The most successful and best-known million selling single version of the song was recorded by Tommy Dorsey and His Orchestra, with vocals provided by Frank Sinatra and The Pied Pipers.This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make our arrangement of this beautiful ballad unique!

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1028726 Composed by Logan W. Ford. Contemporary,Romantic Period,Sacred. Octavo. 1 pages. Logantheford #3875589. Published by logantheford (A0.1028726). Works for Chorus, Volume II am excited to publish the first movement of my first collection of choral works! Here is what you can expect:- Variety of musical styles- Variety of languages to sing in (English, German, Latin, and more!)- Many of them will be perfect for church choirs, high school choirs, etc.- Beautiful, original compositions that will captivate your audiences!If you have any questions at all, please feel free to contact me at lwfordmusic@gmail.com. Social media accounts coming soon!

Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - Digital Download SKU: A0.734618 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. 11 pages. Chicory Music #6674191. Published by Chicory Music (A0.734618). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Woodwind Quartet plus Optional Acoustic Bass and Drum Set parts remains faithful to the original.Performance Time Approx. 1 minute 25 seconds

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1242102 By Adair/davidson. By Jacques Demy, Michel Legrand, and Norman Gimbel. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #837459. Published by DAVID LEE GINGRAS (A0.1242102). I Will Wait For You is a song originally used for the 1965 French musical The Umbrellas of Cherbourg. Its music was composed by Michel Legrand and its French lyrics written by Jacques Demy, with English lyrics by Norman Gimbel. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1396939 Composed by Clarence Williams, Graham Prince, and Porter Grainger. Arranged by Dave Gingras and John E. Dosher. Blues,Broadway,Country,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #980283. Published by DAVID LEE GINGRAS (A0.1396939). Ain't Nobody's Business (originally Tain't Nobody's Biz-ness if I Do) is a 1920s blues song that became one of the first blues standards. It was published in 1922 by Porter Grainger and Everett Robbins. The song features a lyrical theme of freedom of choice and a vaudeville jazz–style musical arrangement. This version features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this grand old tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1301441 Composed by Harold Adamson and Jimmy McHugh. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #891068. Published by DAVID LEE GINGRAS (A0.1301441). I Couldn't Sleep a Wink Last Night is a song written by Harold Adamson with composer Jimmy McHugh. The song was popularized by Sinatra for his 1943 performance in Higher and Higher. This version was developed from the original 1943 sheet music and features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this grand old tune!

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.736657 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 11 pages. Chicory Music #6670707. Published by Chicory Music (A0.736657). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster. This arrangement for Brass Quintet plus optional Acoustic Bass and Drum Set parts remains faithful to the original.Performance Time Approx. 1 minute 25 seconds

Solo Guitar - Level 3 - Digital Download SKU: A0.1303867 By The Red Hot Chili Peppers. By Anthony Kiedis, Chad Smith, Flea, and John Frusciante. Arranged by Cleber Correia. Rock. Individual part. 5 pages. Cleber Domingues #893390. Published by Cleber Domingues (A0.1303867). I Could Have Lied was one of the Red Hot Chilli Peppers' biggest hits. It appeared on the same album (Blood Sugar) as other important songs from the band's history, such as Give It Away, Under The Bridge and Breaking in the Girk.In the beginning, the intro lick performed by the guitar, and the guitar solo were what inspired me for the arrangement, but I also found the bass line, another attraction to do the work.A pleasure to have reproduced this musical gem.Contacts:Tel - 55 11 9 5348 3015Instagram - euclebercorreia.

Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.734626 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. 11 pages. Chicory Music #6704253. Published by Chicory Music (A0.734626). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This Intermediate Level arrangement for Saxophone Quintet / Choir plus optional Acoustic Bass and Drum Set parts is arranged in a slow ballad style.Performance Time: Approx. 1 minute 40 seconds

Violin Solo - Level 4 - Digital Download SKU: A0.1018914 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 4 pages. Benjamin Sajo #6064785. Published by Benjamin Sajo (A0.1018914). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Small Ensemble Bass Guitar,Drums - Level 3 - Digital Download SKU: A0.1002511 By The Red Hot Chili Peppers. By Anthony Kiedis, Chad Smith, Flea, and John Frusciante. Arranged by Cleber Domingues. Rock. Score and parts. 11 pages. Cleber Domingues #6517909. Published by Cleber Domingues (A0.1002511). I Could Have Lied was one of the Red Hot Chilli Peppers' greatest hits. It appeared on the same album (Blood Sugar) as other heavyweight songs in the band's history, such as Give It Away, Under The Bridge, and Breaking in the Girk. At first, the intro lick performed by the guitar, and the guitar solo was what inspired me to the arrangement, but I also found the bass line, another attraction to do the job. A pleasure to have reproduced this musical gem. Contacts: Tel - 55 11 9 5348 3015 Instagram - euclebercorreia

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1412255 By Kenneth Martin. By Kenneth Martin. Arranged by Kenneth Martin. 21st Century,Christian,Contest,Festival,Praise & Worship,Sacred. 14 pages. Martin Music Editions #994467. Published by Martin Music Editions (A0.1412255). Introducing a vibrant and festive arrangement of the beloved hymn O Lord, I Am Not Worthy, set to the timeless tune NON DIGNUS. This special rendition, arranged for SATB choir with organ or piano accompaniment, breathes new life into the classic melody while honoring its traditional roots.In this arrangement, each verse is expertly crafted to weave the familiar melody with unique vocal writing in the accompanying voices. The result is a rich tapestry of sound that adds depth and dimension to the hymn, without straying from its original essence.What sets this arrangement apart is the inclusion of optional parts for 2 Bb Trumpets, adding a majestic brilliance to the overall ensemble. These trumpet parts, carefully integrated into the score, elevate the hymn to new heights and infuse it with a sense of grandeur and celebration.Despite its richness and complexity, this arrangement remains accessible for efficient rehearsal, allowing choirs to master it with ease. The balanced vocal lines and thoughtful scoring ensure that each section of the choir has its moment to shine, creating a unified and cohesive performance.With its blend of tradition and innovation, this festive arrangement of O Lord, I Am Not Worthy offers a fresh interpretation of a cherished hymn, perfect for special worship services, concerts, or other occasions of praise. It is a testament to the enduring power of sacred music to inspire and uplift the soul.