Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1008493 By Doris Day. By Jay Livingston and Raymond B. Evans. Arranged by Arranger Nils Wallnäs. Pop. Octavo. 6 pages. Ynde Music #4803477. Published by Ynde Music (A0.1008493). This is i very famous song, performed by Doris Day.

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).       Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,� published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.� One announced, “You can’t play in our yard.� The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.       The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.� But “in sweet dreams of childhood� we still remember the controversy of the yard.       This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary� then transitions to ¾ for the remainder of the piece.       Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.       Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1050808 Composed by Edward Kleban and Marvin Hamlisch. Arranged by Aaron Lee. Broadway,Chamber,Contemporary,Film/TV,Musical/Show. 36 pages. J. Aaron Lee #655130. Published by J. Aaron Lee (A0.1050808). I Hope I Get It serves as the opening number in A Chorus Line and introduces the characters that will take part in the rest of the show. This arrangement for string quartet is somewhat difficult and is a bit over 4 minutes in duration. For more music by Aaron Lee, you can visit www.MusicOfLee.com.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1027799 Composed by Heather Gilligan. Contemporary. Octavo. 6 pages. World Projects Corporation #2989151. Published by World Projects Corporation (A0.1027799). From the composer...The text for I'll See You in the Morning was taken from a children's book of the same name. The book, by Mike Jolley, evokes a calm, reassuring atmosphere with its warm illustrations of the moon and stars, snuggling animals, and sleeping children. I wanted to capture the same aura through the use of lush, comforting harmonies and a relaxed tempo. I also wanted to highlight the sense of deep love that a parent feels for a child, as this text does. The mother of a two-year-old myself, these feelings are somewhat self-referential.

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1006442 Composed by David Jaedyn Conley. 20th Century,Classical,Contemporary,Film/TV,Romantic Period. Score and parts. 113 pages. Mydnyte Publishing #2016293. Published by Mydnyte Publishing (A0.1006442). This is a programmatic piece about nightfall, night, and the dawn. Having worked primarily nightshift for the past few years, my life began a somewhat alternative nature – my day time was illuminated by the moon, and I watched the sun rise every day for three and a half years…I saw the city through different eyes, and watched as various denizens of the night would emerge and cavort beneath The Midnight Sun. I was exposed to an entirely different culture and learned that the city really didn’t sleep after all. The piece starts with the decline of the sun as the shadows grow longer and the creatures of the night begin to emerge beneath the stars. Secondly, we observe the midnight moon which acts as our illumination in the dark of night. Continuing on, the piece begins its celestial dance among the stars of the Northern hemisphere and finally ends with the emergence of dawn – the night slipping away like fragile tendrils of fog, or the vague ether of a dream. David Jaedyn Conley, 2005 Composer David Jaedyn Conley moves easily between the stridency of the Moderns and the sweetness of the Romantics. He is equally adept at writing polyrhythmic ensemble percussion and lyrical contrapuntal melodies. The result is both lush and austere, always evocative. CNET.COM.

Piano Solo - Level 4 - Digital Download SKU: A0.851106 By Whitney Houston. By George Merrill and Shannon Rubicam. Arranged by Whimsically Macabre Music (ASCAP). Contemporary,Pop. Score. 4 pages. Stacy Fahrion #5031225. Published by Stacy Fahrion (A0.851106). A somewhat melancholy solo piano arrangement of Whitney Houston's hit from 1987. Please note that although the rhythm is the same, the melody and harmonies in the verses of this arrangement have been altered from the original to make the overall mood of the piece more ambiguous and melancholy. Other harmonies have been altered as well.In Rubicam's words: I pictured somebody single wishing that they could find that special person for themselves. It wasn't, 'I wanna go down the disco and dance,' really. It was, 'I wanna do that dance of life with somebody.' That was the thought behind the song.You can find more Whimsically Macabre Music in the following places:Facebook page: https://www.facebook.com/WhimsicallyMacabreMusicrecordings: https://whimsicallymacabre.bandcamp.com/YouTube: https://www.youtube.com/user/WhimsicallyMacabreother Whimsically Macabre sheet music: https://pianopronto.com/composers-community/stacy-fahrion/

Piano Solo - Level 3 - Digital Download SKU: A0.885808 Composed by JamesMcDonald. 20th Century,Children,Christmas,Standards. Score. 3 pages. James McDonald #3381963. Published by James McDonald (A0.885808). You're everything I want for Xmas can mean different things: Santa Claus, a special gift, or a love of yours...etc. But it is mainly a piece for children or the children at heart. It sounds a little Vaudeville for a Xmas piece but I think it is fun. It for intermediate pianists whatever you age... It is part of my Xmas album. Enjoy!

Solo Guitar - Digital Download SKU: A0.1025538 Composed by Alejandro Goldenberg. 20th Century,Contemporary,Standards. Individual part. 5 pages. Alejandro Goldenberg #4832485. Published by Alejandro Goldenberg (A0.1025538). The main idea was to write a music material with a study structure that allowed it to be performed by two players, but also by only one. This characteristic inspired the name of the studies, as I imagined each part of the duet as a dimension, and the whole of it, the union of both, as the third dimension. This score include the two guitars version and the one guitar version.Moreover with the Three-Dimensional, I searched for a diversity of composition styles, starting by the music of our American Continent and reflecting some of its traces.Thus sometimes in an explicit way, others only suggesting, River Plate, Brazilian, Caribbean and North American atmospheres are present. It is basically an integrating music, and because of its construction it asks the performer to improvise, compose and do whatever he likes with it.

Small Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.954534 Composed by Johnathan Couch, Op. 3. 20th Century,Children,Contemporary. Score and parts. 29 pages. Johnathan Couch #3448263. Published by Johnathan Couch (A0.954534). One of the most unique works of Johnathan Couch's Opus 3, Animal Sketches, Volume I combines musical depictions of four diverse organisms into one entertaining program piece for piano quintet.1.) Blue Whale -  Hear the yearning song of the earth's largest animal, portrayed beautifully by the cello, as the upper strings and piano provide a soft, leisurely, ocean-like background.2.) Penguins - Everyone loves penguins. This cute and cheerful movement captures the playful fun side of penguins which we all know and love. Beginning with a good-natured swing and transitioning into a marshal little march, audiences will go crazy for this happy little piece.                                                                                                                                      3.) Venus Fly Trap (and an Unfortunate Insect) - The title says it all! With Violin I representing the doomed insect, the rest of the instruments take on the role of Venus Fly Trap, creating a calm, peaceful atmosphere which lures the bug into the plants life-ending jaws. The final seconds of this movement are a climactic escalation of harmony and rhythm which depict the last fleeting moments of the insect's life as the Venus Fly Trap consumes it.4.) Spiders - Not just one spider: lots of them! The music of this movement (composed in a somewhat-classical style) is sure to leave the audience with the sensation of thousands of little spiders crawling all over! This is a great movement, using lots of chromatic themes and spider-sounding trills.   

Choral Choir (SSA) - Level 1 - Digital Download SKU: A0.774753 Composed by Peter Allen. Arranged by Sandra Milliken. Contemporary. Octavo. 12 pages. Sandra Milliken #5302929. Published by Sandra Milliken (A0.774753). I Still Call Australia Home was written, first performed and recorded by Peter Allen in 1980. In that year the song peaked on the Australian Singles Chart at number 72. But whilst its initial impact was somewhat less than stellar, it has gone on to become one of those songs that is part of the national psyche and is well-known by most Australians.In I still Call Australia Home Peter Allen wrote of his longing, no matter where in the World he might travel, to always return home to Australia, where he could be near his family and friends once again. The song is now regarded as a heart-warming expression of  Australian patriotism and nostalgia for home.Its adoption by Qantas in the mid 1990s as the centrepiece of a long-running advertising campaign exposed a new generation of Australians to the song and greatly boosted its popularity. The Qantas campaign became one of the top Australian television campaigns of all time. It has linked together Australians living at home with those travelling or living overseas. Beginning with a number of well-known Australian musicians, the campaign went on to become associated with the Australian Girls Choir, the National Boys Choir and the Gondwana National Indigenous Children’s Choir.The song has featured in television programs, benefit concerts, sporting event ceremonies, and was included in the musical, The Boy From Oz, which starred Todd McKenney as Peter Allen in the Australian production and Hugh Jackman in the title role when the musical transferred to Broadway.This arrangement, with piano accompaniment, is available in SATB, SSA, SAB and 2-Part voicings.

Full Orchestra - Level 3 - Digital Download SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoonjee Kim (A0.1022807). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.I. Wind BellThe first movement expresses the general images of the cemetery; calm atmosphere, blowing wind, clean air, and a wide green field. The place is so quiet that the only the wind-bell ringing as the wind blows can be heard. In order to depict the wind-bell sound along with other optic and aural images, I create various tone colors by using various instrumental combinations in different transpositions and registrations.

1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.727876 Composed by John Jacob Niles. Arranged by Emily Gray. Folk. Score. 4 pages. Emily Gray #3255953. Published by Emily Gray (A0.727876). 2017 Holiday Contest Entry. This arrangement is for piano four-hands. It is somewhat easy to play.

String Orchestra - Level 1 - Digital Download SKU: A0.563591 Composed by Austin Ralphson. Blues,Concert,Instructional,Standards. Score and parts. 39 pages. Austin Ralphson #4317691. Published by Austin Ralphson (A0.563591). Children (and adults) who learn a musical instrument will always progress at different rates. Students also develop some of the many skills involved in instrumental playing faster than other skills.The Mixed Abilities School Ensemble Series for Easy String Orchestra has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts).Each piece has a total of 5 different parts which are fully interchangeable between violins, violas and cellos (double basses can double the cello parts). So whether you have 15 violins and a viola, or 3 violins, or 4 cellos or whatever, the pieces will still work well together. All parts are provided for all instruments.Part 5 uses long notes on open strings. The other parts gradually increase in difficulty up to Part 1, which uses first and second positions. The teacher should select appropriate parts for the players in the group.I GOT THE BLUES is the second piece in this series, and uses typical Blues characteristics such as syncopation and swung quavers. It also includes a section in which any player can improvise; suggested notes to use in the solo are provided along with backing figures.Please listen to the mp3 file, which is an electronic example of the piece being played with 4 violin parts and a cello on Part 5.The purchaser of this product may print as many copies of the parts as required in order for the piece to work successfully with the ensemble. They must not copy, print or distribute the score or parts for others who have not purchased the product independently.Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com 

C Instrument - Level 3 - Digital Download SKU: A0.1238248 By Etta James. By Irving Kahal and Sammy Fain. Arranged by Johannes H. Hindriks. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 4 pages. Johannes H. Hindriks #833722. Published by Johannes H. Hindriks (A0.1238248). This Comfort Covers setting of the refrain of “I’ll Be Seeing You�, known from Frank Sinatra’s singing, is primarily intended to provide bedside support to patients and their loved ones in the hospital, nursing home or hospice. The mezzo-soprano lead voice gently blends with the mostly open guitar chords while the male voice modestly winds its way between the song and the bass line of the guitar, thereby creating a warm and welcoming blend. The 4-page document contains a large-print score with the two voices plus spelled-out guitar chords. Mezzo range: A3–C5; Baritone range: B2–C4. Skill Level: Intermediate, with somewhat simplified rhythms. Capo as preferred. Click here for a full listing of Comfort Covers titles.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.909893 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 4 pages. Christopher Benfield #6202231. Published by Christopher Benfield (A0.909893). Using five poems about words by Bo Burnham from his book Egghead, this collection of somewhat satirical songs is in the 12-tone serial aesthetic. Each song has a unique matrix, each of which is also included in this collection. In the words of the composer, each song is meant to focus more on the individual words that make up the poem that is supported by the music. This oddly fun collection is perfect for any recital or performance that has a contemporary or modern theme.Can I Have a Word is about a relationship between two people, the singer looking for compromise by talking about the use of different words.