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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robinson, John Wyeth. Arranged by Ginny Saltzman. 19th Century,Christian,Praise & Worship,Religious. 12 pages. Ginny's House of Music #780380. Published by Ginny's House of Music (A0.1180477). These are the 4 hymns in the colorized movie Stars in My Crown.(1) Will There Be Any Stars in My Crown? - An old favorite simplified hymn arrangement on Late Elementary-Early Intermediate Level, in the Key of G, with lyrics and Guitar chords included. From the scriptures Daniel 12:3 And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. 1 Peter 5:4 And when the chief Shepherd shall appear, ye shall receive a crown of glory that fadeth not away. 1 Thessalonians 2:19-20 For what is our hope, or joy, or crown of rejoicing? Are not even ye in the presence of our Lord Jesus Christ at his coming? For ye are our glory and joy.(2) Shall We Gather At The River? - An old favorite hymn with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and Guitar chords. Very special arrangement with duet notation using the Violin and Flute. From the scriptures Revelation 22: 1 And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb. 2 In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.(3) Beulah Land - An old favorite hymn with simplified Late Elementary - Early Intermediate Level Piano Accompaniment, Lyrics, in the Key of G. From the scriptures Deuteronomy 8: 7 For the Lord thy God bringeth thee into a good land, a land of brooks of water, of fountains and depths that spring out of valleys and hills; 8 A land of wheat, and barley, and vines, and fig trees, and pomegranates; a land of oil olive, and honey; 9 A land wherein thou shalt eat bread without scarceness, thou shalt not lack any thing in it; a land whose stones are iron, and out of whose hills thou mayest dig brass. 10 ¶ When thou hast eaten and art full, then thou shalt bless the Lord thy God for the good land which he hath given thee. Isaiah 33:17 Thine eyes shall see the king in his beauty: they shall behold the land that is very far off.(4) Come Thou Fount of Every Blessing - An old favorite hymn in the Key of C, with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and additional melody with the Bb Clarinet. From the scriptures 1 Corinthians 15:10 But by the grace of God I am what I am: and his grace which was bestowed upon me was not in vain; but I laboured more abundantly than they all: yet not I, but the grace of God which was with me.1 Samuel 7 :12 Then Samuel took a stone, and set it between Mizpeh and Shen, and called the name of it Eben-ezer, saying, Hitherto hath the Lord helped us.
Four Favorite Hymns from the Movie - "Stars In My Crown"

$7.99 6.9 € PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.1024252 Composed by Sir Lunch. 20th Century,Instructional. Score and parts. 70 pages. Sir Lunch #2917877. Published by Sir Lunch (A0.1024252). Spring Awakening is a new work for Concert Band that will challenge intermediate players with breath control, particularly the lower brass. My approach to titles is to listen to the piece once it is completed, and to simply meditate on what I hear, trying not to listen as an arranger or composer, but just as though I were an audience member at a concert, and then ask, what is the overall impression or feeling that it gives me. This piece seemed to speak to me of rebirth, hence the title.As with my other works for Concert Band, I have not created a bassoon part, but if you have a player, I would recommend they take the Euphonium part. As always, feedback is encouraged at sirlunch@gmail.comEnjoy!
Spring Awakening
Orchestre d'harmonie

$50.00 43.16 € Orchestre d'harmonie PDF SheetMusicPlus

B-Flat Clarinet Solo - Level 5 - Digital Download SKU: A0.1266397 By Bill Whitley. By Bill Whitley. Arranged by Bill Whitley. 20th Century,Classical,Contemporary. Individual part. 9 pages. Musica Semplice #859152. Published by Musica Semplice (A0.1266397). A tip of the hat to Stravinsky's Three Pieces,  this and my String Trio (also 2001) I see now as my last 20th Century composition.  Not only was the 20th century over, but these two were the last to fit the 20th century, avant-garde ethos.  By 2003, I'd already begun to move away from most of the Western European Art Music tradition.1. Dance2. Verset3. RantMusic for Solo Clarinet was written in the fall of 2001. These were spontaneous, uncommissioned, un-requested works that seemed to come from nowhere. But looking back, I see that they encapsulate a lot of what I was feeling (what everyone was feeling) in the fall of 2001: confusion, sadness, anger, disappointment... Each movement features one of the three primary ‘colors’ produced by the three different registers of the clarinet, and each is a sonata-allegro form, where tiny gestural figures are used as themes.
Music for Solo Clarinet (2001)
Clarinette
Bill Whitley
$10.99 9.49 € Clarinette PDF SheetMusicPlus

Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.1230258 Composed by Jorg Richter. Classical,Instructional. Individual part. 84 pages. Gordon Cherry #825979. Published by Gordon Cherry (A0.1230258). Here is what Jörg Richter, Bass Trombonist of the Elbland Philharmonic Orchestra says about his special Daily Routine and Warm-ups.The Daily Routine and Warm-ups for Bass Trombone: Extended Slurs and Major Scales is part of my complete personal daily routine and reflects some of the most important areas that I need to practice for my own technique. The Extended Slurs and Major Scales are some of the necessary basics every brass player must practice, and it can really help to improve the skills for playing in the low (and high) register. These two areas are only part of my overall routine and warm-up. I would be happy if other bass trombonists could benefit from what I have gathered and written down over the years. At the moment this book is only a snapshot and I plan to continue writing new chapters.This method book is one part of a series of his complete method for Bass Trombone and is appropriate for advanced performers and can even be used by Tenor Trombonists wishing to increase their proficiency in the low register.
Daily Routine and Warm-ups for Bass Trombone - Extended Slurs and Major Scales

$32.50 28.05 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1008251 Composed by Angela Trupiano David. Contemporary. Score. 4 pages. Angela Trupiano David #6198201. Published by Angela Trupiano David (A0.1008251). This piece was written out of a need to reevaluate what I hope to provide for students during the uniqueness of teaching private music lessons in a pandemic. Every day I try to maintain the mindset of what I want to be my overflow - that I would have extra grace for the unique challenges facing students, and that the music of our time together would inspire more peace within them. This soothing 4 page piece reflects my mindset in teaching during this time and my hope for the outcome of my lesson time with each student.
Overflow (Grace and Peace)
Piano seul

$3.00 2.59 € Piano seul PDF SheetMusicPlus

Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
Funny Like a Monkey for piano quartet
Piano Quatuor: piano, violon, alto, violoncelle

$36.00 31.07 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Percussion Ensemble Hand Drum,Marimba,Shaker - Level 3 - Digital Download SKU: A0.1262203 Composed by Traditional Zimbabwe. Arranged by Adam Miller. Folk,Multicultural,Traditional,World. 7 pages. Adam Miller #855243. Published by Adam Miller (A0.1262203). A number of years ago, I had the opportunity to join a team that traveled to Uganda, Africa as part of a mission group.  While there, we had the pleasure of seeing a traditional marimba and percussion ensemble perform.  A longtime marimbist and avid percussionist, I spent some time following the concert visiting with some of the performers.  Although their music is passed down through visual and audial instruction (rather than traditional western notation) the group’s leader was kind enough to teach me one of their traditional songs.  Years later, I came across my (copious) notes from that trip and decided at last to write down what I had learned.What makes Chamtengure such a delight to perform – aside from its energy and joy – is its versatility.  Although notated for two 5-octave marimbas, larger ensembles have the option to double parts in various registers for a fuller sound.  Combined with the encouragement to include shaker and hand drums ad lib throughout the piece (except where noted otherwise) this has the ability to fit nearly any ensemble size.  Fast-paced, repetitive two-measure patterns that build and play off each other makes Chamtengure a guaranteed success with ensembles and audiences alike!
Chamtengure

$19.99 17.25 € PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.1422018 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Leonard Ingrande. Contemporary,Film/TV,Pop,Rock,Singer/Songwriter. 19 pages. Ingrande Music Production #1003338. Published by Ingrande Music Production (A0.1422018). What was I Made For? is a soulful ballad that delves into the universal question of purpose and self-discovery.  With poignant lyrics and a haunting melody, this arrangement for string orchestra and flex instrumental solos, explores the journey of introspection, gappling with one's place in the world, and the search for meaning in life.  A beautiful and touching addition to your next concert!  This arrangement invites listeners to reflect on their own existential inquiries.  Through its introspective and stirring arrangement, What Was I Made For? resonates deeply with anyone who has ever questioned their purpose or felt adrift in the vastness of existence.
What Was I Made For?
Orchestre à Cordes
Billie Eilish
$65.00 56.1 € Orchestre à Cordes PDF SheetMusicPlus

Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1163675 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Tablature. 1 pages. Brian Streckfus #764016. Published by Brian Streckfus (A0.1163675). This study/etude makes modes a much more fun and practical exploration, rather than feeling like abstract theory. Also, since all seven are used in the key of C major, this study/etude allows someone to quickly memorize how modes work. The modes are diffucult to memorize because of their foreign names. This makes this piece have great replay value since it will take a few run throughs to memorize them. Tips:1. Each mode has one special note. It is a great exercise to figure them out. For example, the B natural in D dorian sections is the special note. This B natural should have been a Bb in the key of regular D minor.2. This piece is a good example of what I like to call half step gravity. For example, in measure 12, the B has more gravity to go to C than A because C is closer. B to C would be a half step. B to A would be a whole step.3. This piece is a good example of bass notes setting the tone and vibe. I invite performers to change the bass notes to see what I mean. For example, a constant C bass note would lead to a problem free sound, whereas a constant B bass note leads to a more uncomfortable metal music sound.4. This piece is a good example of how we hear a chord from the bass note on up. For example, an E minor chord with a B in the bass might actually function more like a B7 with suspended notes.5. This piece is a good example of a perfect authentic cadence (PAC) with a final A minor chord tonic (home) chord with an A in the bass and soprano voices.
Study: 7 Modes
Guitare notes et tablatures

$1.99 1.72 € Guitare notes et tablatures PDF SheetMusicPlus






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