Piano Solo - Level 3 - Digital Download SKU: A0.1248632 By Herb Alpert. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 3 pages. Timothy Stapay #843127. Published by Timothy Stapay (A0.1248632). This is an arrangement of This Guys In Love With You for intermediate piano solo.This Guy's in Love with You is a song written by Burt Bacharach and Hal David, and recorded by Herb Alpert. Although known primarily for his trumpet playing as the leader of the Tijuana Brass, Alpert sang lead vocals on this solo recording, arranged by Bacharach. An earlier recording of the song was by British singer Danny Williams titled That Guy's in Love, which appears on his 1968 self-titled album.As documented in an A&E Biography episode featuring Bacharach, the recording originated when Alpert, while visiting at Bacharach's office, asked, Say, Burt, do you happen to have any old compositions lying around that you and Hal never recorded; maybe one I might be able to use? Alpert said he made it his practice to ask songwriters that particular question: often a lost pearl was revealed. As it happened, Bacharach recalled one, found the lyrics and score sheet in his office filing cabinet, and offered it to Alpert: Here, Herb ... you might like this one.Lyrics:You see this guyThis guy's in love with youYes, I'm in loveWho looks at you the way I doWhen you smile I can tellWe know each other very wellHow can I show youI'm glad I got to know you, 'causeI've heard some talkThey say you think I'm fineYeah, I'm in loveAnd what I'd do to make you mineTell me now, is it so?Don't let me be the last to knowMy hands are shakingDon't let my heart keep breaking, 'causeI need your loveI want your loveSay you're in loveIn love with this guyIf not, I'll just dieTell me now, is it so?Don't let me be the last to knowMy hands are shakingDon't let my heart keep breaking, 'cause I need your loveI want your loveSay you're in loveIn love with this guyIf not, I'll just die.

Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1048233 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #652658. Published by Kevin G. Pace (A0.1048233). A sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Come thirsting. Come thirsting to my well. Let me fill your waterpot; come to where I’m sought. Come boldly. Come boldly to my side. Trust that I will meet you there; I will give you care. Come yearning. Come yearning . . . hungering. I will give you bread and drink. I will be your King. Come empty. Come empty; let me fill. I invite your famished soul; I will make you whole. Come longing. Come longing for my gifts. I have given all I can. This is Father’s plan. Come wanting. Come wanting what I give. Mine will be your greatest gifts; I will let you live. Come thirsting, hungering for fill. I will lend my righteousness; I cannot do less. Drink deeply. Drink deeply at my well. Through the Holy Spirit’s seal, I will grant your fill.

Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling.  It is named in honor of Franzl Lang, the Yodelking.

String Ensemble Viola,Violin - Level 4 - Digital Download SKU: A0.1423336 By Alicia Keys. By Alicia Augello Cook. Arranged by Alison Gillies. Contemporary,Film/TV,Pop,R & B,Wedding. 10 pages. Quartetpad.com #1004651. Published by quartetpad.com (A0.1423336). If I Ain't Got You by Alicia Keys arranged for 2 Violins and Viola by Alison Gillies. Featured on the soundtrack to Queen Charlotte: A Bridgerton Story. This is a song inspired by the death of the singer Aaliyah, which talks about what's really important in life. It is said to be one of Keys' favourite songs and won her the 2005 Grammy for Best Female R&B Vocal Performance.Other Bridgerton arrangements by Alison Gillies:- Wildest Dreams (Taylor Swift) - Halo (Beyoncé)- Wrecking Ball (Miley Cyrus) - Sign of the Times (Harry Styles)- What About Us (P!nk) - Dancing On My Own (Robyn) - Material Girl (Madonna) - Thank U, Next (Ariana Grande)- Girls Like You (Maroon 5)- In My Blood (Shawn Mendes) - Bridgerton Theme (Kris Bowers) See the complete catalogue of arrangements by Alison Gillies at quartetpad.comInstagramFacebookTikTok

Choral Choir (SATB) - Digital Download SKU: A0.724429 Composed by Renato Tagliabue. Christian,Contemporary,Sacred,Spiritual. Octavo. 6 pages. Renato Tagliabue #3883343. Published by Renato Tagliabue (A0.724429). I HAVE RIDDEN THE WINGS OF THE DAWNI have ridden the wings of the dawn looking for a place to lie my heart to rest, flying over seas and hills I found your splendid home. How could I explain what I felt when I saw your light, when I heard you calling my poor self. I feel your spirit looking after my lonely soul, I know your head is placed on my troubled head; I hear your voice: it's as sweet as a dream. Please don't let me lose my way hold me within your light. How could I close my heart to your blessed charity? Stars and skies tell me of your loving harmony. I see your love in the brightness of the moon; darkness will fade away the sun will shine over me.

Piano Solo - Level 4 - Digital Download SKU: A0.1120562 By Kathleen Ryan. By Adolphe-Charles Adam. Arranged by Kathleen Ryan. Christmas,Classical,Holiday,Sacred. Score. 3 pages. Indigo Mesa Music LLC #721807. Published by Indigo Mesa Music LLC (A0.1120562). “He appeared and the soul felt its worth.� Kathleen Ryan's arrangement of the French religious song by Adolphe Adam, performed on her Christmas album, The Rebirth of Light. Kathleen's notes: Again, preferring silence to constant motion. I’ll confess that I was not inclined to record this piece. My husband really wanted it included on The Rebirth of Light, but I resisted because I had first heard it sung by a soprano with super-warbly vibrato. I thought the song was sort of tacky, although I did recognize that the tackiness came from the singing and not from the music itself. When I explained all this to him, he pointed out that any arrangement I created would never be “tacky� and that it wouldn’t have warbly vibrato either! I promised to play with it and just hear what I could create. I started with a sort of American Methodist hymnal 4–part chordal arrangement. And then the rolled chords appeared and away I went! Lyrical, spacious, spiritual. Suitable for use in church.

Guitar - Level 2 - Digital Download SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.

Piano - Digital Download SKU: A0.1069953 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 150. Boothe Publishing #4633641. Published by Boothe Publishing (A0.1069953). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.

Guitar - Level 3 - Digital Download SKU: A0.983991 Composed by Steven H. Boothe. Christian,Pop. Guitar Tab. 10 pages. Boothe Publishing #4360821. Published by Boothe Publishing (A0.983991). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular one picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them... do you? It's never too late to start the tradition of reading and talking together.

Harp - Level 2 - Digital Download SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665. Published by Luis Anjos Teixeira (A0.889438). The piece is thou very simple and easy to perform. It is appropriate for the harp and it sounds great on any kind of harp.  When using a little lap harp, one can easily transpose the bass voice an octave higher. It is a flexible piece, you can play it slower or a little faster and even the arpeggio in the end that becomes quite easy after some practice could be replaced by a simple glissando. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Your Soul. It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great  feedback from the public, you will always want to have it in your repertoire. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira „Now comes the Little Story The Volcano`s Lake was composed on a volcano called Pico that stands out about 2000 meters above see level right in the middle of the Atlantic ocean. From the bottom of the ocean to its pick it is higher than mount Everest. I like to know that there are an enormous amount of different species of whales that live in this area and many others that go there strictly for romance. I went there to perform with the harp but was at the same time deeply morning the death of my Dear Cat Mary Jane that tragically passed away the day before the flight.  In this isle I was having at night strange dreams of epic battles and fights between flying Angels and Demons. In one of these dreams „Time and Matter were a byproduct of „Music itself.   The wind was blowing, the volcano was dancing and the water on the lake was whispering enchanting melodies.  As soon as I woke up I wrote some notes before they vanished away, just a fragment of an idea of what I was listening in the dream.  I named it „The Volcano`s Lake, because the „Lake was comforting me with its  melodies, I realized that my tears were also becoming the lake itself and in this lake I was becoming one with Mary Jane and all the rest of the Universe. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.

Guitar - Level 2 - Digital Download SKU: A0.1213599 By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Kyle Pudenz. Christian,Praise & Worship,Religious,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #810792. Published by ViolinVagabond Music (A0.1213599). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. Indeed, I got called in to sub on a solo violin wedding gig on less than 24 hours' notice, and found this song right at the top of the list. Having not played or listened to it in... a while, I decided to display some semblance of due dilligence and write out a version that would work in the range of a solo instrumental violin. Then, and don't ask me where this sudden magnanimous streak came from, I decided to spin up the same chart with lyrics and chord diagrams just in case I ever needed to play it with a vocalist.Out of the goodness of my heart, ALL of the above is available to you for the low low price of (insert current minimum price for SMP chart). While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a church service I have questions.It's nothing spectacular, but here's what I can promise you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to worship songs wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.

Piano,Voice - Digital Download SKU: A0.1069971 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 150. Boothe Publishing #4633709. Published by Boothe Publishing (A0.1069971). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.

Guitar - Level 3 - Digital Download SKU: A0.1320143 By Ian Munsick. By Dave Villa, Ian Munsick, Jamie Kenney, and Niko Moon. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908674. Published by ViolinVagabond Music (A0.1320143). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. Indeed, I got called in to sub on a wedding gig on less than a week's notice, and found this song right at the top of the list. Having not played or listened to it... ever, I decided to display some semblance of due dilligence and write out a version that would work in the range of a solo instrumental violin. Then, and don't ask me where this sudden magnanimous streak came from, I decided to spin up the same chart with lyrics and chord diagrams just in case I ever needed to play it with a vocalist.Out of the goodness of my heart, ALL of the above is available to you for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.It's nothing spectacular, but here's what I can promise you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.

Piano Solo - Level 4 - Digital Download SKU: A0.1426084 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 6 pages. Damien Gauci #1006898. Published by Damien Gauci (A0.1426084). I wrote this piece for Halloween this since I wanted to try writing something that is a little bit spooky and eerie. Initially, I used one of my old ideas from a while ago to be used as the main motif/idea for the piece but it wasn’t really what I was going for. Instead of just creating something entirely different, I decided to incorporate this old idea with a motif that I would make now for the piece.I first created the chord progression that is heard at the beginning and then I created the melody that is heard later. This is then when the old motif comes in. It is very different from the new idea and so it creates a good contrast and keeps the piece interesting. It was good playing around with bring the 2 different motifs in and out and the combining them later in the piece to create a new motif. I took some inspiration from ‘Every 27 years’ or the ‘IT Theme’ with the light hearted melody and the darker overtones. One of my favourite things to do in compositions is begin really simple but then build up the tension and excitement as I have done in this piece.