Choral Choir - Level 2 - Digital Download SKU: A0.498226 By Elvis Presley, Michael Buble, The Pet Shop Boys, and Willie Nelson. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Hazel Hannam. 20th Century,A Cappella,Contemporary,Country,Pop. Octavo. 6 pages. Hazel Hannam #111888. Published by Hazel Hannam (A0.498226). This is such a beautiful which resonates with most of us! It's a real crowd-pleaser too when it comes to choral performance as well as the choir, who will love singing this. The melody is shared between the Sop1's and Sop2's for the verses and the men (Tenors or Basses) have the melody for the middle section. It is perfect for all kinds of choirs from community choirs to choral societies as well as ensembles and workplace choirs. The sheet music is also available in SSAT and for ladies choirs SSAA. Click on the YouTube link to hear how it sounds...

Concert Band - Level 2 - Digital Download SKU: A0.872438 Composed by James K. Taylor. Folk,Instructional,Standards,World. Score and parts. 48 pages. James K. Taylor #238411. Published by James K. Taylor (A0.872438). This is a unique young band march. You may perform it at quarter = 120 OR in cut time -half=96. It works either way. The score instrumentation is for beginning band--flute, clarinet, alto sax, tenor sax, trumpet, horn, trombone, baritone, tuba, xylophone, snare/bass drum and cymbals. For bands playing it in cut time, there are parts (but not on score) in the PDF file for oboe (flute double) and bassoon-bass clarinet--bari sax (all trombone double). You will have to listen to the MP3 recording to believe your ears. NOTICE: THE SAMPLE STARTS WITH THE 4/4 VERSION AND WHEN IT IS OVER, THE 2/2 VERSION WILL BE PLAYED. Very few parts exceed one octave in the key of Bb. The flute/oboe part has one C above the high Bb. The rhythms are fairly easy, but in cut time, they sound challenging. There is lots of dynamic contrast, and your students will learn about lip slurs and march style. The clarinet and bass clarinet parts do not go across the break. The biggest challenge will be endurance for your brass players, but since there are no first and second parts, the lead players might can get a little rest time in the big tutti sections. The horn is kept in the middle range with tenor sax doubling.There are a few solos towards the beginning, but the soloists are getting to play the fun melody of this little two in one young band composition. I hope you enjoy this two marches for the price of one.

Ukulele - Level 1 - Digital Download SKU: A0.1202252 Composed by Wolfgang Amadeus Mozart. Arranged by Andre D Tuffo. Children,Classical,Instructional,Standards,Traditional. Score. 1 pages. Andre D. Tuffo #800932. Published by Andre D. Tuffo (A0.1202252). Twinkle, Twinkle Little Star UKULELE SOLO. ( Mozart ) BEGINNERhttps://linktr.ee/andredtuffoTwinkle, Twinkle Little Star in English, is a popular children's song that has been enjoyed by generations of young learners all over the world. The song's simple melody and catchy lyrics have made it a staple of early childhood education, as it is often used to teach children basic concepts such as counting, letters, and colors.The song's origins can be traced back to the early 19th century, when it was first published as a poem in a collection called Rhymes for the Nursery. The poem's melody was based on a French tune called Ah! vous dirai-je, Maman, which was also used for several other nursery rhymes and songs.The lyrics of Twinkle, Twinkle Little Star are simple and easy to remember, making it an ideal song for young children. The song tells the story of a little star that shines brightly in the night sky, inviting children to join in and sing along.Over the years, Twinkle, Twinkle Little Star has been adapted and performed in many different musical styles, from classical to jazz to rock. The song's popularity has also led to countless parodies and adaptations, as well as a variety of educational materials such as books, videos, and apps.Despite its simple structure and melody, Twinkle, Twinkle Little Star has become a beloved classic of children's music, and its enduring popularity is a testament to the power of music to connect us to our earliest memories and to each other. Whether sung by a child at home or performed by a professional musician on stage, the song remains a cherished part of childhood and a beloved symbol of the joys of learning and growing up.

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1313805 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #902523. Published by Colin Kirkpatrick Publications (A0.1313805). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-sees�. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto� in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...�Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for clarinet in B flat and piano is in E flat major. The lowest note in the clarinet part is written C just below the treble staff and the highest note is written F on the top line. The piano part has been kept as simple as possible.

Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1297452 Composed by Felix Bartholdy Mendelssohn. Arranged by Shinya Ishida. 19th Century,Classical,Wedding. Score and Parts. 31 pages. BitNotes.jp #887509. Published by BitNotes.jp (A0.1297452). The Wedding March is a delightful composition by the German composer Felix Mendelssohn, originally conceived as part of the incidental music for William Shakespeare's play A Midsummer Night's Dream. This enchanting piece comes to life during the wedding scene, set on a magical night where fairies revel and four young lovers, along with the Fairy King and Queen, find themselves entangled in the mischief of a love potion, ultimately celebrating two joyous unions.Composed in 1842, this piece gained widespread recognition when it was performed alongside Wagner's Bridal Chorus at the wedding of Prince Friedrich of Prussia and Princess Victoria of the United Kingdom in 1858. Since then, it has remained a timeless classic and a staple in weddings and joyous celebrations worldwide.We have meticulously transcribed this iconic wedding composition for a brass ensemble featuring ten musicians (3 trumpets, 3 horns, 3 trombones, and 1 tuba). For those seeking to add an extra layer of grandeur to their performance, optional percussion instruments (cymbals and triangle) can be seamlessly incorporated.It's worth noting that the Bass Trombone part can be played on the Euphonium as well, offering flexibility to the ensemble. Given the piece's length and multiple repetitions, individual performers can consider omitting repeats or making cuts to suit the performance scene and endurance levels.Elevate your special occasion with this timeless masterpiece, the Wedding March, expertly arranged for brass ensemble. It's the perfect choice to add a touch of elegance and magic to your wedding or celebratory event.

Bassoon,Piano - Level 3 - Digital Download SKU: A0.1311222 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 8 pages. Colin Kirkpatrick Publications #900214. Published by Colin Kirkpatrick Publications (A0.1311222). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-sees�. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto� in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...�Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for bassoon is in E flat major. In the solo part, the lowest note is the B flat on the second line of the bass clef and the highest note is the E flat just above the bass staff. The piano part has been kept as simple as possible. Being so well-known, this piece would make a suitable encore.  

String Orchestra - Level 1 - Digital Download SKU: A0.1153136 Composed by Ron Flintjer. Folk,Historic,Traditional. Score and Parts. 10 pages. Ron Flintjer #753377. Published by Ron Flintjer (A0.1153136). It's the end of a long day in the Old West. The cowboys have unsaddled their horses, lit the campfire, and can't wait for grub to be served! After chow, they lay on their bedrolls, reminiscing about their hometowns, their adventures, and maybe the gal they left behind. When it's time to settle in for the night, they watch the clear skies above and maybe point out a shooting star or two. Then it's time for sleep, before another hard day on the trail arrives too soon. Written it 3/4 time, The Cowboy Waltz is a relaxing, comfortable piece for Beginning String Orchestra. Watch out! You might just catch some of your audience snoozing - along with the cowboys - afterwards! This chart has three part harmony, as the second violin and viola play the same part as do the cello and string bass. Your first violin is on his or her own!

Brass Quintet Baritone Horn TC,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1460483 By Chicago. By Oscar Hammerstein and Richard Rodgers. Arranged by Will Corbin. Broadway,Christmas,Musical/Show. 19 pages. Will Corbin #1039408. Published by Will Corbin (A0.1460483). It began life as Maria's song to the Von Trapp children to ease teir fear of lightning when it was first performed in the 1959 debut of The Sound Of Music. But because her favorite things include sleighbells and silver white winters and packages tied up with string, it has become identified mostly as a Christmas song. Jack Jones was the first to put it on a Christmas album in 1964, followed by many others.This arrangement is for two trumpets, horn, baritone and tuba, with a trombone part thrown in for the baritone line. If you need other instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.

Small Ensemble Cello,Clarinet,Harp,Viola,Violin - Level 5 - Digital Download SKU: A0.898932 Composed by Gilad Cohen. Contemporary. Score and parts. 148 pages. Gilad Cohen #4286339. Published by Gilad Cohen (A0.898932). Firefly Elegy uses a 12-note melodic theme, which through the course of the piece undergoes a series of transformations - mirroring the metamorphosis that takes place over a firefly's brief life span. The piece comprises four sections that reflect the four life stages of the firefly. During the motionless egg stage, some types of fireflies glow dimly; the opening section of the piece (following a short fanfare of flashing-light) is likewise static and calm, while at the same time features an internal motion hinting at subdued energy. The following groovy section is at times aggressive, not unlike the firefly during its larva stage, when it is hunting and digesting insects using special enzymes.  The firefly hibernates through the pupa stage - reflected in the third section of the piece by seemingly everlasting sustained chords in the strings. Like a flash of light, each new phrase begins with an ascending scale, while the harp provides groups of repeated notes, recalling the synchronized flashes that are found in groups of tropical fireflies. Firefly Elegy ends with an elegy in which the now mature firefly looks back at its life. It has gone through such an extensive journey but only long enough to mate and lay eggs, sometimes without feeding during its adult stage. In the summertime, I often watch the firefly in his lonely flutter, flashing about and looking for a mate so he can complete the sole purpose of his short life before dying away. He must sometimes look back and wonder: was it all worth it?

Choral Choir (SATB) - Digital Download SKU: A0.999078 By Queen. By Brian May, Elizabeth Lamers, and Frank Musker. Arranged by Katherine Brookes. Rock. Octavo. 13 pages. Katherine Brookes #6039357. Published by Katherine Brookes (A0.999078). 'Too Much Love Will Kill You' has been released twice as a single. It was recorded by Queen in 1989, but wasn't released by the band until 1995 when it appeared on the 'Made In Heaven' album. In 1992 it was released by Brian May (lead guitarist in Queen) as a solo single, which reached number 5 in the UK singles chart. The Queen version did not chart as high in the UK, but did chart in North America in 1996. The song was written about the breakdown of Brian May's first marriage and his attraction to Anita Dobson, who would become his second wife.The song won Best Song Musically and Lyrically at the 1996 Novello AwardsThis arrangement of the song is for SATB and piano accompaniment with optional solo's. It is based on the original Brian May recording. Duration ca. 4.10Katherine Brookes is a Guinness World Record holding flute player. To contact Katherine please email katherine@katherinebrookes.com and for more information about her please visit her website www.katherinebrookes.com 

Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.1279926 By Ed Sheeran. By Benjamin Levin and Ed Sheeran. Arranged by Julian Hay. 21st Century,A Cappella,Contemporary,Pop,Rock. Octavo. 8 pages. Julian Hay #871338. Published by Julian Hay (A0.1279926). This arrangement was commissioned for, and premiered by, Voices Co. Pop A Cappella Academy. It is versatile and catchy, and has been performed by our Vocal Bands as well as our larger ensembles. This arrangement has the drive and momentum of the original song but with delicate moments, and some 5-part harmony as the song progresses. VOCAL LAYOUT:The melody, or lead line, is divided amongst the vocal parts to give variety. The B.G (background) parts replicate the instrumental accompaniment of the original track, filling out the arrangement and creating the contemporary texture that is at the heart of Pop A Cappella. When it's performed, it should be heavy on the rhythm and bass! The Rhythm (Beatbox) and Bass should be a feature, and they provide the arrangement with the groove and vibe it needs.The dynamics give an indication which vocal parts should be strongest at any given moment, but changes may need to be made depending on the number / balance of singers, and the strengths of each vocal section. As a general rule, the melody or lead should be strongest, followed by any harmony parts (those with lyrics), followed by any background parts (Oos / Ahs / Dms, etc).The full arrangement is scored for SSAB and Vocal Percussion (beatboxing). The song also works as SATB and could be transposed into lower key to help with some of the higher passages.RHYTHM and BASS:This Beatboxing part is suitable for moderate to advanced performers, and is scored used drum notation. Specific Beatboxing notes are included in their own section.If your ensemble is without a bass or a beatboxer you could consider the following options:- Use electric bass guitar playing the bass part- Use a drum kit or drum box (Cajon)- Use a piano to provide some simple background accompanimentPERSONAL ASSISTANCE:If you need any assistance please don't hesitate to get in touch with us directly, we'd be happy to reply to any questions via email, or you can also book in a 1:1 consultation between your M.D and Julian Hay, or a Zoom workshop with your ensemble for specific feedback:E.  hello@voicesco.nzW.  www.voicesco.nz.

Large Ensemble,Mixed Percussion,Strings Bass Voice,Clarinet,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn,Marimba,Oboe,Percussion,Piano and Keyboard,Piccolo,Recorder,Rhythm Instrument,String Synthesizer,Treble Clef Instrument,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1159705 By Capital Cities. By Ryan Merchant and Sebouh Simonian. Arranged by Frank Bernaerts. 20th Century,Broadway,Disco,Musical/Show,New Age,Pop. Score and parts. 6 pages. Amphibia Cultural Legacy #759964. Published by Amphibia Cultural Legacy (A0.1159705). Amphibia Cultural Legacy has created a masterpiece with its remix of Safe and Sound, originally by Capital Cities. This rocking-disco dancing instrumental duet cover is taken to another level with extra instruments. The result is an electrifying, upbeat version that will get anyone on the dance floor.The remix starts with a catchy beat that hooks the listener. As it progresses, more instruments, such as saxophone, trumpet, and guitar, add depth and complexity to the magnificent piece. Combining electronic and live instrumentals creates a unique, contemporary, and classic sound. Safe and Sound was already a hit when it first came out, but Amphibia Cultural Legacy's remixed version takes it to new heights. Thanks to its infectious rhythm and energetic vibe, it has become a fan favorite at clubs and parties worldwide.

Level 2 - Digital Download SKU: A0.1129914 By Wajdi Abou Diab. By Traditional Arabic music, Sayed Darwich, Egyptian , Algerian, Palestinian. Arranged by Wajdi Abou Diab. Chamber,Classical,Folk,Multicultural,Traditional,World. 215 pages. W. Abou Diab #730323. Published by W. Abou Diab (A0.1129914). Arabic folk tunes – flexible quartet is a collection of four (4) Arabic famous folk tunes arranged for a flexible quartet, that can be performed by any type of ensemble (quartet, or bigger ensemble by doubling parts) include scores and parts for the arrangement of these four famous Arabic songs: Mahla Nourha – Sayed Darwich A very popular song by the great Egyptian songwriter/singer Sayyed Darwich, in the Egyptian countryside language, describes the simple life in the Egyptian countryside, that’s starts with the shining sun and continues by bringing the milk from the cows and working in the field. Then meet the loved one near the river and flirt together Rozana – Palestinian Folk The ship called “Rosanna� is an Italian ship that Italy sent to Lebanon and Syria at the time of the great famine in 1914, loaded with wheat. But when it arrived, it turned out that it was loaded with grapes and apples, which disappointed the Lebanese and the Syrians. Despite this, the people of Aleppo secured the necessary wheat for the Lebanese, to save them from starvation. Zourouni – Egyptian Folk An old Egyptian folk tune, with a very catchy melody. Almost every Arabic singer since Sayed Darwich till now made his cover for this song! Starts with an invitation to visit the singer, even once every year, which speaks of how difficult for him to be forgotten, then expresses his fear about feeling the longing. Yal Rayeh – Algerian Folk A world-famous Algerian folk song was written and sung by the Algerian popular singer Dahmane El Harrachi. The song tells about the suffering of immigrants in estranging homes from marginalization, exclusion, and longing to return to the homeland, and it contains advice for the immigrant to invite him to return to the motherland as migration to foreign homes is not considered a healthy or natural solution for Arab immigrants.

Piano Solo - Level 3 - Digital Download SKU: A0.525181 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Classical,Contemporary,Instructional,New Age. Score. 4 pages. James M Stevens Music ASCAP #135714. Published by James M Stevens Music ASCAP (A0.525181). Written January 8, 2022, this is a an original piano composition in the ancient mode of F Lydian. Lydian is similar to the major scale except that it has raised 4th. We are so used to hearing music in Major and Minor that when it is a mode at moments it can feel a little unsettling because the notes and chords don’t go exactly where we are expecting, yet if you allow for that it can be very beautiful. This is the first in a new collection where I will be writing compositions in all of the modes except for Ionian (Major). James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1155234 By Queen. By Freddie Mercury. Arranged by Charles Beale]. Rock. Octavo. 16 pages. Charliebmusic #755516. Published by charliebmusic (A0.1155234). This compositionally ground-breaking Queen song established the super group as commercial for the first time, and was a superhit as a 6 minute long pop single. It sounds as fresh today as it did when it came out, and this TTBB arrangement sticks to the original style, combining prog. rock and opera. This arrangement is intended tour de force and crowd pleaser for any TTBB group, and is not as hard as it sounds! Band parts are also available from the arranger.