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Violin Solo - Level 4 - Digital Download SKU: A0.1102483 By Lee Johnson. By Lee Johnson. 20th Century,Contemporary,Contest,Festival. 4 pages. Lee Johnson Music #705893. Published by Lee Johnson Music (A0.1102483). CIRCULAR PHENOMENON is a work for Solo Violin that will help the inventive performer stand out from those that are stuck playing the same repertoire and can’t find a way to stand out from the rest of the violin world. Performing something that helps you get remembered and admired is vital to your success as a soloist and an artist. New music that can showcase your talent and also communicate with your audience will make a huge difference. This work is one that you will truly enjoy performing and one that will expand your capacity to wow your audience with the surprising power and beauty of new music. The YouTube link provided for you here is a recorded performance of this work when it was titled, Circle. It was originally a movement from the oratorio, Every Matter Under Heaven, by composer Lee Johnson. Please note that the brief moment in the recording where you'll hear percussionists has been removed from this version of the published work. For more information on the composer please visit: www.leejohnsonmusic.com as well as the Kings Bishop Productions YouTube Channel which features the music of Lee Johnson: https://www.youtube.com/channel/UCfneDsBFCvtyc8CSOa85qag.
Circular Phenomenon
Violon
Lee Johnson
$12.00 10.34 € Violon PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.589783 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks. Arranged by David McKeown. Children,Christmas,Country,Holiday,Rock. Score and parts. 4 pages. David McKeown #6096107. Published by David McKeown (A0.589783). This version of Rudolph the Red-Nosed Reindeer is arranged by David McKeown as a duet for one Clarinet and one Alto Saxophone. The song, Rudolph the Red-Nosed Reindeer, was written in 1949 by Johhny Marks. The Rudolph story was written by Marks’ brother-in-law, Robert L May, a decade earlier. The success of the song was guaranteed when it was recorded by Gene Autry, a huge star at the time. Initially Gene Autry didn’t like the song and was only persuaded to record it by his wife. She obviously knew best as Rudolph went on to become the second best-selling Christmas record of all time after White Christmas, with versions by everyone from the Jackson Five to Alvin and the Chipmunks. This duet version of Rudolph the Red-Nosed Reindeer is based on the Gene Autry version, with a short introduction, and three choruses of the melody, with a key change and varied accompaniment throughout. Rhythms are simple in a swing style and the range is conservative, so this arrangement is ideal for players at an intermediate level. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse, (including many Christmas carols and songs), at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
Rudolph The Red-nosed Reindeer
Saxophone, Clarinette (duo)
John Denver
$5.99 5.16 € Saxophone, Clarinette (duo) PDF SheetMusicPlus

Oboe Solo - Level 3 - Digital Download SKU: A0.1322513 By Leonard Cohen. By Leonard Cohen. Arranged by Benzaiten Editions. 20th Century,Film/TV,Pop,Singer/Songwriter,Spiritual. Individual part. 2 pages. Benzaiten Editions #910814. Published by Benzaiten Editions (A0.1322513). Hey! Do you want to learn how to play Leonard Cohen's Hallelujah for oboe solo? It's your lucky day! 🎵Leonard Cohen • Hallelujah | oboe sheet music Benzaiten Editions' edition | What are you going to find? By purchasing our edition, You'll be able to download: Leonard Cohen's Hallelujah for oboe solo sheet music About the song Hallelujah, Leonard Cohen's enduring anthem, initially faced rejection by his record company. Its fortune shifted dramatically when it found a place in the 2001 film Shrek, becoming a global sensation.
Hallelujah
Hautbois (partie séparée)
Leonard Cohen
$4.99 4.3 € Hautbois (partie séparée) PDF SheetMusicPlus

Cello Solo - Level 4 - Digital Download SKU: A0.1004753 Composed by Rocco Di Pietro. Contemporary. Individual part. 5 pages. Rocco Di Pietro #4355235. Published by Rocco Di Pietro (A0.1004753). Melodia Assoluta, (absolute melody) A solo cello piece created for the cellist Fances Marie Uiitti,living at that time in Rome. She played the work in Naples, Italy and Holland and elsewhere and gave the US premiere in Buffalo, NY. The idea of an endless melody going on forever was behind the illusion of this work,as if you came into a room, and it was always already there.A certain solitary melodic melancholy was observed by some when it was first played,as an antidote to the then 'New Music',which created a senasation in Naples in 1980.The times being what they were.
'Melodia Assoluta' (Absolute Melody)
Violoncelle

$12.00 10.34 € Violoncelle PDF SheetMusicPlus

C Instrument - Level 1 - Digital Download SKU: A0.844216 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Zachary Seckman. Pop. Lead Sheet / Fake Book. 5 pages. ZS Music Publishing #6169689. Published by ZS Music Publishing (A0.844216). Do you have Bad Blood? Do you have this arrangement yet? In this new style of lead sheet, we add each and every chord, when it is played, on the word or syllable to play it on! The song is condensed to 2 pages for easy playability. On the back page are the chords you'll need on Guitar, Ukulele, and Piano! Coming soon is a video tutorial to play this arrangement on our YouTube Channel.ZSMP is the composing and publishing arm of Seckman Music Studio in Wichita, KS. ZSMP specializes in Piano, Percussion, Vocal and Choral music. From ZSMP, you may find solo and ensemble music, method series for Piano, Percussion, and Drums, along with teaching aids and manipulatives for the studio.
Bad Blood
Instruments en Do
Taylor Swift
$5.99 5.16 € Instruments en Do PDF SheetMusicPlus

French Horn Solo - Level 5 - Digital Download SKU: A0.1018970 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086617. Published by Benjamin Sajo (A0.1018970). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers.   Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
Fanfare: "Grit" - Horn 1 in F
Cor

$3.50 3.02 € Cor PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856205 By The Pointer Sisters. By Anita Pointer, June Pointer, Ruth Pointer, and Trevor Lawrence. Arranged by Liz Garnett. Contemporary,Dance. Octavo. 6 pages. Liz Garnett #4293523. Published by Liz Garnett (A0.856205). This is one of those songs that wasn't a huge hit when it was first released, but has persisted in popular culture since. It has appeared in at least four movies, and was associated for years in the UK with commercials for Cadbury's Crunchie bars.Like the several cover versions of the song that have appeared this millenium, this arrangement takes a strong lead from the details of the original version, particularly in the use of vocalised embellishments that break out at phrase ends.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F4 - F5Lead: A flat 3 - C 5Bari: A flat 3 - B flat 5Bass: D flat 3 - F4www.HelpingYouHarmonise.com
I'm So Excited
Chorale SSAA
The Pointer Sisters
$2.99 2.58 € Chorale SSAA PDF SheetMusicPlus

Baritone Saxophone,Clarinet,Electronic Keyboard,Euphonium,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1339644 Composed by H. Ashworth-Hope. Arranged by Trevor Wharton. 20th Century,Film/TV,Folk. 31 pages. Bumpmusic Editions #925346. Published by Bumpmusic Editions (A0.1339644). Barnacle Bill by H Ashworth-Hope is an instantly recognised melody for generations of people in the UK. It has been used as the signature tune to Blue Peter, the longest-running children's TV show in the world. The programme, first broadcast in 1958 follows a magazine/entertainment format, features viewer and presenter challenges, competitions, celebrity interviews, popular culture, and sections on making arts and crafts items from household items. The original recording of the theme by Sidney Torch  and the New Century Orchestra was used until 1979 when it was replaced by an arrangement by Mike Oldfield of 'Tubular Bells' fame. Since then there have been several versions.This arrangement for Clarinet, Tenor Sax, Baritone Sax, Euphonium and Keyboard (Strings) sees the main theme passed around the instruments and the contrasting middle section given to the Baritone Sax and Euphonium before the recapitulation of the main theme.
Barnacle Bill

$19.75 17.02 € PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.784724 Composed by Charles Francois Gounod. Arranged by P. F. Tillen. Concert,Halloween,Instructional,Romantic Period,Standards. Score. 3 pages. PFTMusic #6495623. Published by PFTMusic (A0.784724). Funeral March of a Marionette, familiar as the theme music from Alfred Hitchcock Presents, although it was already almost 80 years old when it was used as the theme song, will always be associated with gleefully creepy storytelling. A wonderful piece for your young piano student for Halloween time! Ranges are small and reachable for young hands, and moves are minimal. Very accessible for an ambitious beginner or early intermediate student. Suitable for recital or Halloween enjoyment. Please check for more piano music, sacred and secular choral and vocal selections, and arrangements for instrumental ensembles. 
Funeral March of a Marionette
Piano seul

$6.99 6.02 € Piano seul PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.589804 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks. Arranged by David McKeown. Children,Christmas,Country,Holiday,Rock. Score and parts. 4 pages. David McKeown #6096161. Published by David McKeown (A0.589804). This version of Rudolph the Red-Nosed Reindeer is arranged by David McKeown as a duet for one Soprano and one Alto Saxophone. The song, Rudolph the Red-Nosed Reindeer, was written in 1949 by Johhny Marks. The Rudolph story was written by Marks’ brother-in-law, Robert L May, a decade earlier. The success of the song was guaranteed when it was recorded by Gene Autry, a huge star at the time. Initially Gene Autry didn’t like the song and was only persuaded to record it by his wife. She obviously knew best as Rudolph went on to become the second best-selling Christmas record of all time after White Christmas, with versions by everyone from the Jackson Five to Alvin and the Chipmunks. This duet version of Rudolph the Red-Nosed Reindeer is based on the Gene Autry version, with a short introduction, and three choruses of the melody, with a key change and varied accompaniment throughout. Rhythms are simple in a swing style and the range is conservative, so this arrangement is ideal for players at an intermediate level. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse, (including many Christmas carols and songs), at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
Rudolph The Red-nosed Reindeer
2 Saxophones (duo)
John Denver
$5.99 5.16 € 2 Saxophones (duo) PDF SheetMusicPlus

Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reed… or something like that. The show itself is a one-man performance, so that’s why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combs’ monologue. But I didn’t want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bach’s cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.
Nevermore
Saxophone

$17.99 15.5 € Saxophone PDF SheetMusicPlus






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