C Instrument - Digital Download SKU: A0.1117394 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Mark W. Huxhold. Film/TV,Jazz,Pop. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #718946. Published by Mark Wayne Music, LLC (A0.1117394). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC is ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys are included with each title, each key having its own page.

C Instrument - Digital Download SKU: A0.808175 Composed by Porter Steele. Arranged by Mark W. Huxhold. Jazz,Ragtime. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #3009365. Published by Mark Wayne Music, LLC (A0.808175). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1462422 Composed by Brian Douglas Wilson, Charles Edward Berry, Fred Fassert, Mike E. Love, and Roger Christian. Arranged by Dominic Barlow. 20th Century,Pop. Score. 13 pages. SongsForTheThrongs Music #1041168. Published by SongsForTheThrongs Music (A0.1462422). An instant Summer lift whenever you need one. Compromising Fun, Fun, Fun, California Girls, Wouldn't It Be Nice, I Get Around and Surfin' U.S.A. , you will have a blast playing these iconic 60's pop classics. This is set out in a score format. A traditional primo/secondo layout is also available.

C Instrument - Level 1 - Digital Download SKU: A0.808093 Composed by Handy/Williams. Arranged by Mark Huxhold. Jazz. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, LLC #2331511. Published by Mark Wayne Music, LLC (A0.808093). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left barlines that infer the song form (AABA-heavy barline at B and last A,   ABAC-heavy barline at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

C Instrument - Digital Download SKU: A0.808518 Composed by De Sylva, GREEN, and Henderson. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #6211411. Published by Mark Wayne Music, LLC (A0.808518). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC is ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.

C Instrument - Digital Download SKU: A0.808516 Composed by Henderson, Lewis, and YOUNG. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #6211393. Published by Mark Wayne Music, LLC (A0.808516). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC is ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.

Organ - Level 2 - Digital Download SKU: A0.1416505 Composed by Vidas Pinkevicius. Christian,Classical,Contemporary,Easter,Sacred. Score. 4 pages. Secrets of Organ Playing #998185. Published by Secrets of Organ Playing (A0.1416505). This meditation is based on the Gregorian chant Introit Cantate Domino for Easter time. The tune is heard in the right hand part on the solo registration while the left hand and pedals play colourful ostinato patterns around it. This composition will be very effective in liturgical organ playing and concert programs whenever gentle and calm music is appropriate. Dedicated to Philippe Le Gargean.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.647087 Composed by Richard Wagner. Arranged by Nick Lacanski. Romantic Period. Score and parts. 34 pages. Theupperstaff #4059. Published by theupperstaff (A0.647087). This is a stately piece arranged for solo clarinet and string orchestra. The performer should feel free to execute an octave higher whenever he/she chooses. It has been written lower to facilitate playing for advancing students.

C Instrument - Digital Download SKU: A0.808277 By John Denver. By Mel Torme, Melvin H Torme, and Robert Wells. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #3626765. Published by Mark Wayne Music, LLC (A0.808277). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

C Instrument - Digital Download SKU: A0.808147 Composed by Smith/Medina. Arranged by Mark Huxhold. Jazz. Lead Sheet / Fake Book. 1 pages. Mark Wayne Music, LLC #2343157. Published by Mark Wayne Music, LLC (A0.808147). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

C Instrument - Digital Download SKU: A0.808480 Composed by George Gershwin. Arranged by Mark W. Huxhold. Broadway,Jazz,Musical/Show. Lead Sheet / Fake Book. 5 pages. Mark Wayne Music, LLC #5023159. Published by Mark Wayne Music, LLC (A0.808480). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.

C Instrument - Digital Download SKU: A0.808261 Composed by Al Von Tilzer. Arranged by Mark W. Huxhold. Blues,Jazz,Ragtime. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #3578769. Published by Mark Wayne Music, LLC (A0.808261). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.

C Instrument - Digital Download SKU: A0.808176 Composed by Harry Von Tilzer. Arranged by Mark W. Huxhold. Jazz,Traditional. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, LLC #3048315. Published by Mark Wayne Music, LLC (A0.808176). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

C Instrument - Digital Download SKU: A0.808434 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 6 pages. Mark Wayne Music, LLC #3686457. Published by Mark Wayne Music, LLC (A0.808434). 2018 Holiday Contest EntryGig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1240133 Composed by Debbie Allen. Children,Contemporary,Contest,Festival,Folk,Historic. Octavo. 14 pages. Nottingham Scores #835514. Published by Nottingham Scores (A0.1240133). Mystery of the Hills is an S.A.T.B. choral work describing the wonder of the Flint Hills, a region in East Central Kansas.  I’m not a native Kansan, but whenever I drive through this area, I am enthralled by the infinite sense of expanse and gently rolling terrain. Geologists believe there was an inland seaway that covered central North America starting 290 million years ago. Over time, alternating layers of hard limestone and softer shale rocks formed. It is believed erosion caused the varied elevations of terrain, unique to the slopes of the Flint Hills. These surface layers of limestone and chert prevented the settler’s ability to farm, which in turn preserved the integrity of the soil. Today, the prairie grasses can reach 10 feet tall if not managed.  The rich grasses are prime for feeding livestock. This music attempts to provide images of traveling through the Flint Hills today, while imagining changes over eons of time, due to weather and eventually, human interaction.  Generally, the upper voices provide the imagery and some history, while the lower voices describe a bedrock foundation.  Describing the rock foundation found in the Flint Hills is also a metaphor for human strife and struggle as man, among living flora and fauna, interact with the area. The vocal ranges and harmonies are accessible for young ensembles, whether in development or with years of experience.