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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1205900 By The Beatles. By John Lennon and Paul McCartney. Arranged by John Fries. 20th Century,Pop,Rock,Standards. Score. 2 pages. John Fries #804091. Published by John Fries (A0.1205900). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.Ā  Can't Buy Me Love is a song by the English rock band the Beatles that was released in March 1964 as the A-side of their sixth single. Ā It was written by Paul McCartney and credited to the Lennon–McCartney partnership. Ā The song was included on the group's album A Hard Day's Night and was featured in a scene in Richard Lester's film of the same title. The single topped charts in the United Kingdom, the United States, Australia, Ireland, New Zealand and Sweden. Ā In the UK, it was the fourth highest selling single of the 1960s. Ā The song's verse is a twelve-bar blues in structure, a formula that the Beatles seldom applied to their own material. Ā When pressed by American journalists in 1966 to reveal the song's true meaning, McCartney stated: I think you can put any interpretation you want on anything, but when someone suggests that 'Can't Buy Me Love' is about a prostitute, I draw the line. Ā He went on to say: The idea behind it was that all these material possessions are all very well, but they won't buy me what I really want. Ā However, he was to comment later: It should have been 'Can Buy Me Love' when reflecting on the perks that money and fame had brought him.
Can't Buy Me Love
Piano, Voix et Guitare
The Beatles
$4.99 4.29 € Piano, Voix et Guitare PDF SheetMusicPlus

Cello,Piano Accompaniment,Viola,Violin - Level 3 - Digital Download SKU: A0.1343621 Composed by Connie Boss. Arranged by Connie Boss. Easter,Holiday,Lent,Religious,Sacred. 45 pages. Connie Boss #929144. Published by Connie Boss (A0.1343621). This song can be used for Lent or on Good Friday. Jesus was persecuted, then crucified to save us from our sins.This arrangement is in the key of G and is for strings quintet - three violins, a viola and a cello and piano.Ā  Parts are included for easier playing since the piece is a lot of pages long.questions or requests, email cdboss@cvalley.netLyrics are included on the violin parts to make it easier to follow along. Ā They are below as well.Persecuted then CrucifiedRefrain:Persecuted, then crucifiedUp to the moment when he diedVerse 1:They stripped him of all His clothesThen they gave Him a scarlet robeĀ A crown of thorns placed on His headBlood ran down His face until His deathRefrain:Verse 2:He Carried the cross to CalvaryWhere it was His destinyThey nailed His feet and then His handsAmong two thieves the cross would standRefrain:Bridge 1:He saved others but he can’t save himself!Ā He says He is the king of Israel!Ā Let him come down from the cross,Ā Then, we will believe in him.Refrain:Verse 3:They put sour wine to His mouthHe did not drink it but spat it outThey divided up all His clothesWith the dice that they had rolledRefrain 2:Persecuted, then crucifiedUp to the moment when he diedThen He gave His final cryā€œFather please forgive Ā  Ā  themā€Bridge 2:Then he hung his head to dieThen the sky grew dark and dimTerrified, the people then realizedHe truly was the son of GodĀ Final ending:Persecuted, then crucifiedUp to the moment when he died.
Persecuted Then Crucified Strings quintet with piano

$7.99 6.88 € PDF SheetMusicPlus

Alto Voice,Piano Accompaniment,Soprano voice - Level 3 - Digital Download SKU: A0.1340300 Composed by Connie Boss. Arranged by Connie Boss. Easter,Lent,Religious,Sacred. 12 pages. Connie Boss #925973. Published by Connie Boss (A0.1340300). This song can be used for Lent or on Good Friday. Jesus was persecuted, then crucified to save us from our sins.This arrangement is in the key of G and is for a solo voice with a harmony voice and piano. Ā I have it in a lower range in key of C for mezzon soprano and alto or alot and tenor as well.questions or requests, email cdboss@cvalley.netLyrics:Persecuted then CrucifiedRefrain:Persecuted, then crucifiedUp to the moment when he diedVerse 1:They stripped him of all His clothesThen they gave Him a scarlet robeĀ A crown of thorns placed on His headBlood ran down His face until His deathRefrain:Verse 2:He Carried the cross to CalvaryWhere it was His destinyThey nailed His feet and then His handsAmong two thieves the cross would standRefrain:Bridge 1:He saved others but he can’t save himself!Ā He says He is the king of Israel!Ā Let him come down from the cross,Ā Then, we will believe in him.Refrain:Verse 3:They put sour wine to His mouthHe did not drink it but spat it outThey divided up all His clothesWith the dice that they had rolledRefrain 2:Persecuted, then crucifiedUp to the moment when he diedThen He gave His final cryā€œFather please forgive Ā  Ā  themā€Bridge 2:Then he hung his head to dieThen the sky grew dark and dimTerrified, the people then realizedHe truly was the son of GodĀ Final ending:Persecuted, then crucifiedUp to the moment when he died.
Persecuted Then Crucified solo and some harmony with piano key of G

$5.99 5.16 € PDF SheetMusicPlus

Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Digital Download SKU: A0.1343035 Composed by Connie Boss. Arranged by Connie Boss. Easter,Holiday,Lent,Religious,Sacred. 34 pages. Connie Boss #928546. Published by Connie Boss (A0.1343035). This song can be used for Lent or on Good Friday. Jesus was persecuted, then crucified to save us from our sins.This arrangement is in the key of G and is for SATB, flute or violin or cello and piano. Parts are included with purchase. I will have it in a lower range in key of C for mezzon soprano and alto or alot and tenor as well.questions or requests, email cdboss@cvalley.netLyrics:Persecuted then CrucifiedRefrain:Persecuted, then crucifiedUp to the moment when he diedVerse 1:They stripped him of all His clothesThen they gave Him a scarlet robeĀ A crown of thorns placed on His headBlood ran down His face until His deathRefrain:Verse 2:He Carried the cross to CalvaryWhere it was His destinyThey nailed His feet and then His handsAmong two thieves the cross would standRefrain:Bridge 1:He saved others but he can’t save himself!Ā He says He is the king of Israel!Ā Let him come down from the cross,Ā Then, we will believe in him.Refrain:Verse 3:They put sour wine to His mouthHe did not drink it but spat it outThey divided up all His clothesWith the dice that they had rolledRefrain 2:Persecuted, then crucifiedUp to the moment when he diedThen He gave His final cryā€œFather please forgive Ā  Ā  themā€Bridge 2:Then he hung his head to dieThen the sky grew dark and dimTerrified, the people then realizedHe truly was the son of GodĀ Final ending:Persecuted, then crucifiedUp to the moment when he died.
Persecuted Then Crucified SATB flute or violin or cello with piano

$7.99 6.88 € PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1311047 By Carmen Consoli. By Allan Roberts and Doris Fisher. Arranged by Timothy Stapay. Film/TV,Latin,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #900025. Published by Timothy Stapay (A0.1311047). An arrangement of Amado Mio from the film-noir masterpiece Gilda, starring Rita Hayworth in the title role.Ā  In the film, she dances and sings this song in a famous performance.The song has been covered by many bands; including the group Pink Martini.This arrangement is written in a rhumba rhythm.Lyrics:Amado MioAmado mioLove me foreverAnd let forever begin tonightAmado mioWhen we're togetherI'm in a dream worldOf sweet delightMany times I've whisperedAmado mioIt was just a phraseThat I heard in playsI was acting a partBut now when I whisperAmado mioCan't you tell I careBy the feeling there'Cause it comes from my heartI want you everI love my darlingWanting to hold youAnd hold you tightAmado mioLove me foreverAnd let foreverBegin tonightMany times I've whisperedAmado mioIt was just a phraseThat I heard in playsI was acting a partBut now when I whisperAmado mioCan't you tell I careBy the feeling there'Cause it comes from my heartI want you everI love my darlingWanting to hold youAnd hold you tightAmado mioLove me foreverAnd let foreverBegin tonightAnd let foreverBegin tonightAnd let foreverBegin tonight.
Amado Mio
Piano seul
Carmen Consoli
$7.99 6.88 € Piano seul PDF SheetMusicPlus

C Instrument - Level 4 - Digital Download SKU: A0.1191999 By The Beatles. By John Lennon and Paul McCartney. Arranged by John Fries. 20th Century,Film/TV,Pop,Rock,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #791503. Published by John Fries (A0.1191999). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Ā You can also type John Fries in the searchbar to see all I have to offer.Ā  Ā Can't Buy Me Love is a song by the English rock band the Beatles that was released in March 1964 as the A-side of their sixth single.Ā  It was written by Paul McCartney and credited to the Lennon–McCartney partnership.Ā  The song was included on the group's album A Hard Day's Night and was featured in a scene in Richard Lester's film of the same title. The single topped charts in the United Kingdom, the United States, Australia, Ireland, New Zealand and Sweden.Ā  In the UK, it was the fourth highest selling single of the 1960s.Ā  The song's verse is a twelve-bar blues in structure, a formula that the Beatles seldom applied to their own material.Ā  When pressed by American journalists in 1966 to reveal the song's true meaning, McCartney stated: I think you can put any interpretation you want on anything, but when someone suggests that 'Can't Buy Me Love' is about a prostitute, I draw the line.Ā  He went on to say: The idea behind it was that all these material possessions are all very well, but they won't buy me what I really want.Ā  However, he was to comment later: It should have been 'Can Buy Me Love' when reflecting on the perks that money and fame had brought him.
Can't Buy Me Love
Instruments en Do
The Beatles
$3.99 3.43 € Instruments en Do PDF SheetMusicPlus

Trumpet Solo - Level 1 - Digital Download SKU: A0.1011071 Composed by Jennifer Watts. Instructional. Individual part. 18 pages. Jennifer Watts #3011919. Published by Jennifer Watts (A0.1011071). The purpose of this book, this book has been designed for beginner trumpet students who want to study the trumpet. The student will find it challenging but will achieved the goal of learning base note names, what valves to push along with notation, like the different rest, basic time signature along with basic breathing tips. These materials should be helpful for any beginner trumpet player who would like to start studying the trumpet. Breathing is one of the most natural things we do; when we apply it to trumpet playing we frequently distort certain aspects. With good breathing habits all aspects of playing improve. This not only includes tone quality, range, and endurance, but also tonguing, slurring, and even fingering. Proper breathing is inhaling and exhaling large amounts of air, it is more important to breath from the diaphragm. Remember it’s important to feel relaxed when you breath, this well help your air flow and to breath better. When we breathe, we store all our air in the lungs, and then we start to breath from the diaphragm.  o Empty the lungs entirely.   o Slowly lower the diaphragm allowing air to enter the lungs while filling the bottom of the lungs with air. o Expand the ribs without straining. o Allow the lungs to completely fill.
Trumpet 101
Trompette

$5.99 5.16 € Trompette PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.909938 Composed by Johnny Cash and Josef Anderson. Arranged by Marina Makarova. Contemporary. Score. 4 pages. Marina Makarova #4979435. Published by Marina Makarova (A0.909938). Written by Josef Anderson and Johnny Cash. Arranged by Marina Makarova. 4 pagesThanksgiving Prayer song comes from the 1990’s TV series Dr. Quinn Medicine Woman, starring Jane Seymour and Joe Lando. Titled simply Thanksgiving, this holiday episode included legendary singer Johnny Cash and his real-life musician wife June Carter Cash. This heartfelt song is as much a love song as it is a Thanksgiving song.Thanksgiving Prayer – LyricsWe’ve come to the time in the seasonWhen family and friends gather nearTo offer a prayer of ThanksgivingFor blessings we’ve known through the yearTo join hands and thank the creatorAnd now when Thanksgiving is dueThis year when I count my blessingsIĀ“m thanking the Lord He made youIĀ“m grateful for the laughter of childrenThe sun and the wind and the rainThe color of blue in your sweet eyesThe sight of a high ball and trainThe moon rise over a prairieAnd old love that you’ve made newThis year when I count my blessingsI’m thanking the lord He made youAnd when the time comes to be goingIt won’t be in sorrow and tearsI’ll kiss you goodbye and I’ll go on my wayGrateful for all of the yearsI thank for all that you gave meFor teaching me what love can doThanksgiving day for the rest of my lifeI’m thanking the Lord He made youThanksgiving day for the rest of my lifeI’m thanking the Lord He made you
Thanksgiving Prayer
Piano, Voix et Guitare

$4.99 4.29 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.909936 Composed by Johnny Cash and Josef Anderson. Arranged by Marina Makarova. Contemporary. Score. 4 pages. Marina Makarova #4978993. Published by Marina Makarova (A0.909936). Written by Josef Anderson and Johnny Cash. Arranged by Marina Makarova. 4 pagesThanksgiving Prayer song comes from the 1990’s TV series Dr. Quinn Medicine Woman, starring Jane Seymour and Joe Lando. Titled simply Thanksgiving, this holiday episode included legendary singer Johnny Cash and his real-life musician wife June Carter Cash. This heartfelt song is as much a love song as it is a Thanksgiving song.Thanksgiving Prayer – LyricsWe’ve come to the time in the seasonWhen family and friends gather nearTo offer a prayer of ThanksgivingFor blessings we’ve known through the yearTo join hands and thank the creatorAnd now when Thanksgiving is dueThis year when I count my blessingsIĀ“m thanking the Lord He made youIĀ“m grateful for the laughter of childrenThe sun and the wind and the rainThe color of blue in your sweet eyesThe sight of a high ball and trainThe moon rise over a prairieAnd old love that you’ve made newThis year when I count my blessingsI’m thanking the lord He made youAnd when the time comes to be goingIt won’t be in sorrow and tearsI’ll kiss you goodbye and I’ll go on my wayGrateful for all of the yearsI thank for all that you gave meFor teaching me what love can doThanksgiving day for the rest of my lifeI’m thanking the Lord He made youThanksgiving day for the rest of my lifeI’m thanking the Lord He made you
Thanksgiving Prayer
Piano, Voix et Guitare

$4.99 4.29 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.942058 Composed by Apostolos Paraskevas. 20th Century,Jazz,Opera,World. Score. 10 pages. Silver Sickle Publications #4729017. Published by Silver Sickle Publications (A0.942058). This witty and extremely fun work to perform by composer Apostolos Paraskevas was conceived after real events. There is a version for Soprano/tenor and Piano and one for guitar as well. Easy to perform and the text was inspired of the following narrative. I Slaughtered an Orange over the Sink... ...and it just sat there…It didn't say a word, not a sound of anguish, not even when my teeth started to tear apart it's flesh little by little... I knew it was a special orange but I couldn't fathom the magnitude of its character…Even when gentle I took it away from its friends there at the top of the kitchen counter, it looked at me almost with a sense of gratitude. Yes, gratitude.! As if it was saying: Thank you! Thank you for helping me to fulfill the purpose of my life…Since I was a little seed I knew I would serve a higher purpose. My sacrifice will help a human to become a healthier mother, doctor, composer, a better scientist. Yes, I think I felt it said…a better composer as well. ...and there I was, sinking my teeth deep inside its flesh and taking all of what it had to offer. It's life, it's substance, it's gratitude for serving a higher purpose. I slaughtered it over the sink, to avoid any evidence of what had happen there. The remaining outer sell, I placed it on the stove top and lighted up with fire, as my mother use to do, to release the heavenly smell and there it was. Evaporated everywhere! I inhale it, It became totally a part of me. Today, I slaughtered an orange over the sink and I didn’t say thank you!   Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece.  He is a voting member of the Recording Academy (Grammys).   After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas.
An Orange for Soprano/Tenor and Piano
Piano, Voix

$8.99 7.74 € Piano, Voix PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & UnderhÄllningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & UnderhÄllningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we“ve got a new idol. It“s astonishing in two different ways: for us who know the accordion world it“s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it“s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30“s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It“s a type of music which is historical but not belonging to the museums, not dead, it“s a typical of music filled with life. Very much so thanks to Lars Ek. It“s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30“s and the 40“s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don“t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That“s not mania. The style asks for such instruments. It“s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he“s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don“t think it“s only those old ones who were around in the 30“s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn“t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you“re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it“s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It“s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it“s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
VALS FRÅN DREFVIKEN

$1.99 1.71 € PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & UnderhÄllningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & UnderhÄllningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we“ve got a new idol. It“s astonishing in two different ways: for us who know the accordion world it“s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it“s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30“s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It“s a type of music which is historical but not belonging to the museums, not dead, it“s a typical of music filled with life. Very much so thanks to Lars Ek. It“s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30“s and the 40“s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don“t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That“s not mania. The style asks for such instruments. It“s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he“s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don“t think it“s only those old ones who were around in the 30“s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn“t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you“re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it“s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It“s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it“s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
LOVELY THOUGHTS

$1.99 1.71 € PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & UnderhÄllningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & UnderhÄllningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we“ve got a new idol. It“s astonishing in two different ways: for us who know the accordion world it“s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it“s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30“s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It“s a type of music which is historical but not belonging to the museums, not dead, it“s a typical of music filled with life. Very much so thanks to Lars Ek. It“s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30“s and the 40“s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don“t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That“s not mania. The style asks for such instruments. It“s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he“s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don“t think it“s only those old ones who were around in the 30“s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn“t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you“re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it“s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It“s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it“s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
SNÖKÄNGAN

$1.99 1.71 € PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & UnderhÄllningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & UnderhÄllningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we“ve got a new idol. It“s astonishing in two different ways: for us who know the accordion world it“s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it“s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30“s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It“s a type of music which is historical but not belonging to the museums, not dead, it“s a typical of music filled with life. Very much so thanks to Lars Ek. It“s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30“s and the 40“s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don“t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That“s not mania. The style asks for such instruments. It“s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he“s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don“t think it“s only those old ones who were around in the 30“s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn“t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you“re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it“s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It“s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it“s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
FORNUDDSVALSEN

$1.99 1.71 € PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & UnderhÄllningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & UnderhÄllningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we“ve got a new idol. It“s astonishing in two different ways: for us who know the accordion world it“s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it“s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30“s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It“s a type of music which is historical but not belonging to the museums, not dead, it“s a typical of music filled with life. Very much so thanks to Lars Ek. It“s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30“s and the 40“s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don“t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That“s not mania. The style asks for such instruments. It“s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he“s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don“t think it“s only those old ones who were around in the 30“s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn“t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you“re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it“s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It“s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it“s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
LÄTTA FINGRAR

$1.99 1.71 € PDF SheetMusicPlus






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