Small Ensemble Clarinet,Piano,Tuba - Level 4 - Digital Download SKU: A0.775974 Composed by Cason Cooman. Contemporary,Standards. Score and parts. 48 pages. Musik Fabrik Music Publishing #2034873. Published by Musik Fabrik Music Publishing (A0.775974). Shadowbook (Three Songs in the Night) (2013) for clarinet, tuba, and piano was commissioned by and is dedicated to Kevin and Susan Wass. As the title implies, it is music that possesses a certain dark energy. It evokes not so much a night of tranquility, but rather one of great intensity. The titles of the movements are poetic, not programmatic-each intends to give a sense of the mood that pervades the music. The Bearer of Bad News begins obsessively with re-iterations of a unison pitch. The movement unfolds lyrically outwards from this texture, finally reaching a climax in an intense return of the re-iterations, before a coda brings the energy back down. A Desperate Peace draws from the spirit of fierce lament. It evokes a line from Tecumseh of the Shawnee American Indian tribe: When your time comes to die, be not like those whose hearts are filled with fear of death, so that when their time comes they weep and pray for a little more time to live their lives over again in a different way. Sing your death song, and die like a hero going home. In Towards Morning an obsessive rhythmic pulse pushes the music forwards towards the coming day. The night’s dark energy, however, is not soon forgotten. The set includes a piano score and parts for Bb clarinet and tuba.

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015862 By Gloria Estefan. By Diane Warren, Emilio Estefan Jr., and Gloria Estefan. Pop/Rock. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0015862. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015862). ISBN 9781470620028. UPC: 038081497860.This enormous collection of over 40 songs highlights the biggest hits from the start of the 1990s. Piano accompaniment, vocal melodies, lyrics, and guitar chord diagrams are included. Titles: All I Wanna Do (Sheryl Crow) * All the Pretty Little Ponies (Kenny Loggins) * Because You Loved Me (Theme from Up Close and Personal) (Celine Dion) * Better Days (Bruce Springsteen) * Bitter Sweet Symphony (The Verve) * Blame It on the Rain (Milli Vanilli) * A Change Would Do You Good (Sheryl Crow) * Coming Out of the Dark (Gloria Estefan) * Copperline (James Taylor) * The Dance (Garth Brooks) * Every Road Leads Back to You (Bette Midler) * (Everything I Do) I Do It for You (Bryan Adams) * Feels Like Home (Randy Newman) * Go Rest High on That Mountain (Vince Gill) * Gonna Make You Sweat (Everybody Dance Now) (C+C Music Factory) * How Can We Be Lovers? (Michael Bolton) * How Do I Live? (LeAnn Rimes) * Human Touch (Bruce Springsteen) * I Don't Want to Miss a Thing (from Armageddon) (Aerosmith) * I Have Nothing (Whitney Houston) * I Love to See You Smile (Randy Newman) * I Swear (John Michael Montgomery) * I Turn to You (Christina Aguilera) * If I Could Turn Back Time (Cher) * If It Makes You Happy (Sheryl Crow) * If You Asked Me To (Celine Dion) * I'll Stand by You (The Pretenders) * I'm Too Sexy (Right Said Fred) * Just to Hear You Say That You Love Me (Faith Hill and Tim McGraw) * Leaving Las Vegas (Sheryl Crow) * Live for Loving You (Gloria Estefan) * Love Can Move Mountains (Celine Dion) * Love Will Lead You Back (Taylor Dayne) * Maria Maria (Carlos Santana) * My Favorite Mistake (Sheryl Crow) * One (Creed) * Reach (Gloria Estefan) * Streets of Philadelphia (Bruce Springsteen) * Time, Love and Tenderness (Michael Bolton) * Torn (Creed) * Un-Break My Heart (Toni Braxton) * When I See You Smile (Bad English) * When the Night Comes (Bryan Adams) * You've Got a Friend in Me (from Toy Story) (Randy Newman).

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801626 Composed by Ada R Habershon and Charles H Gabriel. Arranged by Connie Boss. Christian,Contemporary,Country,Folk,Sacred. Score. 4 pages. Connie Boss #6322263. Published by Connie Boss (A0.801626). This arrangement is for solo and piano. It has a different piano accompaniment and the melody is changed just a touch. It is a song for a funeral or for bluegrass piece. cdboss@cvalley.netWill the Circle Be Unbroken Ada R Habershon and Charles H Gabriel Arranged by Connie Boss   Refrain: Will the circle be unbroken By and by Oh by and by Is a better home awaiting In the sky Oh in the sky   Verses: There are loved ones in the glory Whose dear forms you often miss When you close your earthly story Will you join them in their bliss?   In the joyous days of childhood Oh they told us of His Love Pointed to the dying Saviour Now they dwell with Him above   you can picture happy gath’rings round the fireside long ago and you think of tearful partings when they left you here below   one by one their seats were emptied one by one they went away now the family is parted will it be complete one day?

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.800441 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 11 pages. Novel Soundtrax #6357745. Published by Novel Soundtrax (A0.800441). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 18 pages. Https://gildedmusicpress.com/ #758679. Published by https://gildedmusicpress.com/ (A0.1158398). Composed to commemorate the 20th year of the 9-11 terrorist attacks. This somber, gorgeous piece of music draws tears when presented correctly, and is an extraordinarily important contribution to the brass quintet repertoire. The Jewish “feast� (or “appointed time�) of trumpets, as outlined in Leviticus 23:24-25, prescribes the observance: “Speak unto the children of Israel, saying, In the seventh month, in the first day of the month, shall ye have a sabbath, a memorial of blowing of trumpets, an holy convocation. Ye shall do no servile work therein: but ye shall offer an offering made by fire unto the Lord.� According to the Jewish calendar, the feast of trumpets in 2001 coincided exactly with the 9-11 attacks, which could indeed be thought of as “an offering made by fire.� Effectively no servile work was done on that day throughout the attacked nation, and it has indeed become a somber type of “sabbath� to observe every year. It seemed extraordinarily appropriate—perhaps even requisite—that a somber composition with trumpets be composed for the 20th annual observance of the horrific attacks on American soil, as a “Memorial� to those lost that day, and those who since perished in the Global War on Terror. “Where were you when you first heard about the 9-11 attacks?� This common question is posed to those who were of age to comprehend what had happened in 2001. Personally, I had just listened to an emotional rendition of Maurice Ravel’s “Pavane to a Dead Princess.� Elements of that musical memory influenced this present work “Memorial.� Other sources of inspiration—whether intended or subconscious—include Samuel Barber’s heart-wrenching “Adagio for Strings,� Michael Kamen’s “Quintet� for brass, and John Williams’ “Hymn to the Fallen.� The harmonies are thick and often dissonant, including many suspensions. The players get little rest, symbolic of the constant state of alertness of a shocked nation after being so brutally attacked. Perhaps of greatest symbolic import is the fact that there are exactly 911 notes in this composition. Because of this, it is crucial that the percussion part be performed, and that great care be taken by all performers to refrain from altering the notes or rhythms in any way. A comment on the interpretation of notation: all long notes that are tied to a staccato note on the downbeat are to be held to the downbeat and gently released, not held over.

Piano Solo - Level 3 - Digital Download SKU: A0.1355304 Composed by Powerless. Arranged by Fernando Ramos. 21st Century,Classical,Video Game. Score. 5 pages. Fernando Ramos #940008. Published by Fernando Ramos (A0.1355304). Other Arrangements Available: https://www.sheetmusicplus.com/en/category/arrangeme/426/fernando-ramos/?isPLP=1I make piano solo arrangements for my students of songs that they love! My goal is to create something that sounds beautiful as a standalone piece of music and, most importantly, that it also makes pianistic sense. Each of my arrangements is made for a specific student, so the results will vary in terms of playing level. Most decisions are based on their current skills and abilities, or where I would like for them to be when they complete the piece.This arrangement was made for a late intermediate student currently working on Federation class Moderately Difficult 1. It has a lot of tricky moments, but one of the most important challenges is the pedaling, which should be kept minimal. The tempo can be flexible, but a good rule of thumb is that the faster it is played, the less pedal should be used. Voicing should also be stressed when the texture is thicker. My student had a blast playing this piece.Pedaling and fingering suggestions are included.

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1247408 Composed by R. Amiruddin Tjitraprawira. Arranged by Otniel Simangunsong. 19th Century,A Cappella,Contest,Festival,Folk,Traditional. 14 pages. Otniel Simangunsong #842045. Published by Otniel Simangunsong (A0.1247408). Tondu' Majâng is a Madurese song composed by R. Amiruddin Tjitraprawira. R. Amiruddin Tjitraprawira, a figure who hails from Bangkalan Madura, is not widely known in his current condition. He was born on May 18, 1920 and died on December 17, 1975. A number of songs created by R. Amiruddin Tjitraprawira, circulated a lot like the song; Pangèran Trunodjojo, Madhurâ O Madhurâ, Asta Aermata, Kerrabhân Sape, Djoko Tole, Tera' Bulân, È Pasèsèr, Kè' Lèsap, Kembhângnga Naghârâ, Tondu' Majâng, Aèng Tantja 'Torowan, Orèng Matrol and others. This song is a regional Madurese song because it really describes the lives of the coastal communities of Madura who work as fishermen. The song Tondu' Majâng tells the life of a Madurese fisherman. Their life is described as very hard because they have to deal with many dangers at sea (atemmo bhâbhâjâ). They also have to risk their lives (abhândhâ nyabâ) to support their families who are left at home. Sometimes to catch a lot of fish they have to stay for days on the boat so they become used to the sea and rely on the waves as a pillow and the wind as their blanket (abhântal ombâ' sapo' angèn salanjhânga). Many write this song from Madura with Tanduk Majeng, even though the word tanduk or tandu' means horn in Indonesian. Meanwhile, when paired with the context and lyrics of this song, it is true that there is tondu' which means arrived. So it is appropriate to use tondu' instead of horns because what is told in this song is the arrival of the fishermen when they are looking for fish. Otniel Simangunsong is a conductor and composer from Indonesia. He was born in Tanjungbalai, North Sumatra on August 19, 1996. Currently he is a conductor of Benedicamus Chante Choir - Darma Cendika Catholic University Student Choir, Surabaya. He has also got some supports from another professional conductors and composers. Tondu' Majâng is arranged a capella with soprano, alto, tenor, baritone and bass voices. This arrangement shows the accompaniment of acoustic musical instruments such as guitar, bass and drums.

Mixed choir (SSSAAATTTBBB) - difficult - Digital Download SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 23 minutes. Schott Music - Digital #Q19671. Published by Schott Music - Digital (S9.Q19671). English.Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with the earlier piece, Martland made use of to the library of the English Folk Song and Dance Society at Cecil Sharp House in north London. I wanted specifically to find texts that were not just the usual nautical heave-ho sort of thing, but instead explored the dangers and hardships still being experienced by sailors as recently as the early 19th century. I was also very happy to see in these texts the sense of camaraderie and mutual support that existed between the sailors. (Steve Martland) Dance to your Daddy sets the scene of a sailor's wife at home, dandling her baby son and singing to him about his daddy away fishing, and about the future. Both the tune and the words come from the Northumberland area around Newcastle. This song is very well known in the UK and gave the title to a famous television series When the boat comes in. Fire Down Below is about the effects of fire - a constant danger on board wooden ships. At the end of this song the words take on an extended meaning: Fire in our hearts for the friends that we love. The Dead Horse is about the initial month of work without pay in which all seamen had to take part. They referred to it as the dead horse - hence the expression to flog a dead horse when something is a waste of time. The seamen resented this unpaid time, and the text expresses their frustrations metaphorically by listing what they would do to the horse! The music's frantic gallop alludes to the horse's desperation. Although The Sea Martyrs presents itself as a ballad, this text has a more literary feel, and unlike the other songs it doesn't include a chorus refrain. It concerns the sailors' lack of pay, the consequences of asking for pay (being hanged!), and the poverty of their families at home. The poem portrays the sailors' deaths as an almost religious sacrifice to help future seamen. At the end of the work, the opening of Dance to your Daddy returns as a kind of descant, sung by an angel calling to the hanged men. © Paul Hillier, 2012.

Guitar - Digital Download SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by John Murphy (A0.841180). You Can Close Your Eyes     James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :) Contact me at info@guitarlessonsdundrum.com

Guitar - Level 3 - Digital Download SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Published by John Murphy (A0.841181). You can close your eyes     James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics  For GuitarTab Chords Lyrics  For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.com

Concert Band - Level 5 - Digital Download SKU: A0.1441681 Composed by Caiden Christensen. Classical,Contest,Festival,Instructional,Romantic Period. 57 pages. Caiden Christensen #1021705. Published by Caiden Christensen (A0.1441681). I came up with this song by answering one simple question: “What do I really want to do with my music?” The answer came very quickly: “I want people to feel strong emotions of happiness when they listen to my music!” Soon after, I started composing a very simple outline of the piece.My biggest hope when you listen to this song is that it brings you much joy and happiness! I believe Optimism is a truly important view to have on life. Sometimes, you just have to look on the bright side! Unfortunately, there cannot always be happiness. If there was no sadness, you would not recognize or appreciate the happiness. There has to be opposition in order to feel anything. Without sadness and pain there would be no joy and happiness. That's why I wrote this song the way I did. In the beginning, it starts fairly happy and exciting! But then, sadness enters and even a bit of anger. It adds great contrast to the end which feels even more exciting and elated! I hope this song helps you feel optimistic, excited, and happy!

Piano Solo - Level 3 - Digital Download SKU: A0.1411180 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 5 pages. Damien Gauci #993515. Published by Damien Gauci (A0.1411180). This piece definitely has a more sinister feel to it compared to the other pieces from the album, I think that’s just how it started out when I was writing this piece - the title came later. When writing this piece, I wanted to write something mysterious with more of a focus on the ambient side of things rather than the melody. Of course, this piece still has a melody but I don’t think that is the focus of this piece, it’s all about the mood and atmosphere. The beginning of the piece does have a melodic motif which is used throughout the composition and there is also the left hand ostinato that is given to the right hand toward the end of the piece too. Harmonically, this piece doesn’t stick to functional harmony which is another reason why this piece tends to feel more mysterious and ambient.

Small Ensemble Clarinet,Flute,Trombone,Trumpet - Level 3 - Interactive Download SKU: A0.1498189 Composed by Elijah A. Rahman. This edition: Interactive Download. Classical. 17 pages. Duration 108. EAR #2JpBN3AYyXXU2eSK3eXkg2. Published by EAR (A0.1498189). Key: Bb major.You are going through a sensor-less drone, crashing everywhere and breaking bit by bit, will you survive making it out? CONDUCTOR NOTE: When starting, when you are bring your hands up to bring instruments up, do it fast and very sudden, as it is a fast and furious song.

Piano - Level 3 - Digital Download SKU: A0.1412962 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Full Performance. Duration 214. Damien Gauci #994969. Published by Damien Gauci (A0.1412962). This piece definitely has a more sinister feel to it compared to the other pieces from the album, I think that’s just how it started out when I was writing this piece - the title came later. When writing this piece, I wanted to write something mysterious with more of a focus on the ambient side of things rather than the melody. Of course, this piece still has a melody but I don’t think that is the focus of this piece, it’s all about the mood and atmosphere. The beginning of the piece does have a melodic motif which is used throughout the composition and there is also the left hand ostinato that is given to the right hand toward the end of the piece too. Harmonically, this piece doesn’t stick to functional harmony which is another reason why this piece tends to feel more mysterious and ambient.

Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period. Score and parts. 19 pages. Bl_music #6643225. Published by bl_music (A0.842571). Theme and Variations by G. Rossini, arr. Brennan for Solo Euphonium/Baritone with Piano accompaniment This edition is the theme and variations from Rossini's Introduction, Theme and Variations originally for clarinet and orchestra.                This version has been performed and recorded by a number of internationally renowned Euphonium soloists. We first published the complete Introduction, Theme and Variations for Euphonium in 1991 and performed it on a 1830s ophicleide and a 1840s square piano in 1993. This edition comes with a shortened introduction,theme and variations. Duration around 8 ½ min. Solo part in treble and bass clef.Message from Sean Brennan:This arrangement, or more correctly transcription, was first published by us in 1991, although its origins go back much further than that. I do remember being transfixed in the 1970s by Richard Stoltzman’s recording of the original form of the work for clarinet and orchestra. I was convinced it would work for Euphonium and that one day there would be players with the technique, and above all musicality, to bring it off. For me, this vision came true in 1994 when we first performed the piece in Birmingham in 2004, and then again 10 years later when David Thornton and the Black Dyke Band recorded the Theme and Variations. Rossini composed the Introduction, Theme and Variations for clarinet and orchestra in 1810 at the request of a fellow student at the Conservatorio di Bologna. Although the autograph score has been lost, and some musicologists have questioned the authenticity of the work, I find no reason for doubt since Rossini recycled some of the material in later works, and apart from that his evervascent musical personality is abundant from beginning to end.