Piano - Digital Download SKU: A0.1066606 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 91. THEMIS KOUTRAS #4782773. Published by THEMIS KOUTRAS (A0.1066606). This is believing that a new born baby child in the lords family gives praise worship to GOD with a googa ga ga sound the song is in parable and it obviously means that when a baby child is born in the family of GOD it GIVES HIM PRAISE AND WORSHIP SO ON JUST BY THE BABY BEEN BORN NOT ABLE TO KNOW OR UNDERSTAND A THING because it is the child of GOD GOD rejoices when he/she makes his her sound of googa ga ga

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1000127 Composed by Denny Dlabal. Christian,Praise & Worship,Sacred,Spiritual. Score. 3 pages. Denny Dlabal #6414003. Published by Denny Dlabal (A0.1000127). I came up with this song idea when I was going to the super market. I was humming the melody in my head and then started to think of lyrics to go with it. This song would be a great praise and worship song and it would also be good for retreats. I think this song could be suited for a church service, but It would also be suited for campfire sessions and any event where people are wanting to give praise to Jesus Christ. The song is 3 minutes and 29 seconds in duration when played a little faster. Feel free to contact me if you have any questions or comments.jamesdlabal@kc.rr.com913-424-3256Thank you and may the Holy Spirit be with you,Denny Dlabal.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327438 By Cheryl Prazak. By Music by Jon Burr, Lyrics by Cheryl Prazak. Arranged by Jon Burr. Country. Score. 15 pages. Cheryl Prazak #915482. Published by Cheryl Prazak (A0.1327438). Part of Cheryl Prazak's Military Trilogy, this is a story of parental advice to a grown child who's become down on their luck.This is a piano/vocal arrangment. Music, arranging and production by Jon Burr The Lyric:Everything was fine, not so very long ago.I had a weekly paycheck, I was rolling in the dough.I had a truck, got me where I needed to go.I didn’t know how much I had, ‘til things began to blow.Everything was fine, then my tire picked up a tack.The rubber was so thin, you see, it really set me back.“What’s the problem now?� was all my boss would say,Gave me my last paycheck, and sent me on my way…So, here I am remembering, not so long ago,I had a weekly paycheck, I was rolling in the dough.I had my pick-up truck back then, had a shirt. and had a wife.I didn’t know how little I had because, well, that was life.Sleeping in my pick-up truck, the light began to dawn.I would go back home, before my last chance was blown.I would tell my loving folks, at last I saw the light, My prospects didn’t look so good, my future, none too bright.Could they start me off again, with tuition and the such, andhelp me get a-brand new tire, for my raggedy ol’ truck?If they could be so kind, as to set me on my way, I would do my very best, their kindness to repayConsider the military, said my folks, sounding wisethey told me I need extra time, didn’t mean to criticizeMaybe they were onto something, maybe that could helpWhy, oh, why didn’t I think of that myself?Military life’s not easy, as I learned from the start, but I came out much the better, and learned to have some heart.Well, I’m that better man now, after going through all this.Finally got my life in shape, it had been so amiss.I repaid my folks’ advice, as I promised that I would,Became the son they hoped for, the man they knew I could.We often go to see them, and they visit the wife and me,Now they’re contented grandfolks, with babies on each knee!Once upon a time, when I was really stuck, I went back home to see the folks, which became a day of luck.Military service, I’m glad I took it up.Life changed for me, when I stopped sleeping in that ol’ truck.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939038 Composed by Christopher M. Leonard. Contemporary. Octavo. 8 pages. Christopher M. Leonard #1920379. Published by Christopher M. Leonard (A0.939038). #newfor2016 I first heard the poem Weep You No More when singing an art song written by Ivor Gurney entitled Tears. Since then I have always wanted to place it in a choral setting. There are different emotions that this song explores, but I wrote it envisioning someone comforting someone. To me it represents that death is not the end, with hints to the resurrection. Doth not the sun rise smiling When fair at even he sets?.

Mixed choir (SSSAAATTTBBB) - difficult - Digital Download SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 23 minutes. Schott Music - Digital #Q19671. Published by Schott Music - Digital (S9.Q19671). English.Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with the earlier piece, Martland made use of to the library of the English Folk Song and Dance Society at Cecil Sharp House in north London. I wanted specifically to find texts that were not just the usual nautical heave-ho sort of thing, but instead explored the dangers and hardships still being experienced by sailors as recently as the early 19th century. I was also very happy to see in these texts the sense of camaraderie and mutual support that existed between the sailors. (Steve Martland) Dance to your Daddy sets the scene of a sailor's wife at home, dandling her baby son and singing to him about his daddy away fishing, and about the future. Both the tune and the words come from the Northumberland area around Newcastle. This song is very well known in the UK and gave the title to a famous television series When the boat comes in. Fire Down Below is about the effects of fire - a constant danger on board wooden ships. At the end of this song the words take on an extended meaning: Fire in our hearts for the friends that we love. The Dead Horse is about the initial month of work without pay in which all seamen had to take part. They referred to it as the dead horse - hence the expression to flog a dead horse when something is a waste of time. The seamen resented this unpaid time, and the text expresses their frustrations metaphorically by listing what they would do to the horse! The music's frantic gallop alludes to the horse's desperation. Although The Sea Martyrs presents itself as a ballad, this text has a more literary feel, and unlike the other songs it doesn't include a chorus refrain. It concerns the sailors' lack of pay, the consequences of asking for pay (being hanged!), and the poverty of their families at home. The poem portrays the sailors' deaths as an almost religious sacrifice to help future seamen. At the end of the work, the opening of Dance to your Daddy returns as a kind of descant, sung by an angel calling to the hanged men. © Paul Hillier, 2012.

Piano Solo - Digital Download SKU: A0.1028073 Composed by Renji Mao. Contemporary. Score. 6 pages. The Letter Wynn #6052595. Published by The Letter Wynn (A0.1028073). The first in a series of Romances to be compiled into one opus in the future. This waltz-style Romance can be described by the quote below:When I see a potential love interest, sometimes I wonder what it'd be like to dance with them. In a world where the lines between fantasy and reality blur, it's hard not to reminisce on a dance that never actually happened, as if we had been happily married for fifty years or so and are thinking back to when we first met. Eventually, I wake from the dream, get up, have my morning coffee, then go about my day, wondering if I'll ever meet her in my dreams again.Duration: approx. 10 minutesListen to it here: https://soundcloud.com/scarlet_nocturne/slow-motion-waltz

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.799645 Composed by D. M. Gardner. Contemporary. Octavo. 9 pages. D. M. Gardner Music #51883. Published by D. M. Gardner Music (A0.799645). Worse than any fear is being alone when experiencing it. But in love, there is an awareness that transcends scientific explanation. ...A connection so strong that it permeates seemingly impossible barriers. So, when we know someone we love is afraid, we long to comfort them in any way we can. We hope and pray that even in their hour of greatest difficulty or isolation, we can somehow reach out to them...If only to say, My Love, you are not alone.The male and female voices of the choir tell the story from their own points of view, but gradually emerge together in each other's comforting presence. From moments of despair to the final moments of peace, the rich warmth of the 8-part chorus beautifully reveals the tenderness of love and the power of hope and peace it can provide.Approx. 5'18 in length.To learn more about the composer, please visit https://www.dmgardner.com

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.559956 By Michael W. Smith. By Deborah D. Smith and Michael W. Smith. Arranged by Lisa Ochoco. 20th Century,Contemporary. 20 pages. Lisa L Ochoco #5983455. Published by Lisa L Ochoco (A0.559956). Michael W. Smith said in an interview, I've gotten tons of response from that song. And it's a song that relates to kids who have lost friends in car accidents, in death, or even going to summer camp and having to leave new friends. The chorus says, 'friends are friends forever.' When I sing it in concert, everybody cries - I still get choked up when I sing it.

Piano Solo - Level 3 - Digital Download SKU: A0.828255 Composed by Lowell Mason. Arranged by Paul Thurmond. Christian,Sacred. Score. 5 pages. Paul Thurmond #4969069. Published by Paul Thurmond (A0.828255). Tune: OLIVETUse: Prelude, Offertory, CommunionA polyrhythm is when two or more conflicting rhythms are performed simultaneously. The simplest example is three beats against two beats, as pictured above. When a composer uses this effect for an extended section of music, it’s called a cross-rhythm. In this piece, your right hand plays the solid duple rhythm of My Faith Looks Up to Thee, while your left hand plays an accompaniment pattern in a triple rhythm. It makes it interesting to play and, I hope, interesting to listen to.

Marching Band - Level 1 - Digital Download SKU: A0.886865 Composed by Traditional. Arranged by Justin M. Ryan. Children. Score and parts. 1 pages. Justin M. Ryan #3001355. Published by Justin M. Ryan (A0.886865). This song is based on the Traditional Song Here We Go Around the Mulberry Bush. A perfect song to teacher your children about different percussion instruments and how they work. It also works well when you are teaching kids how to stay in line or march single file. It is broken up into 2 sections. The first section is for teaching and more relaxed rhythmically. The second section is used for the marching portion. Each child should have a chance using the instruments notated in the music. This song also encourages good listening skills. When the teacher says play the drum, only children with a drum should play. It also increases use of motor skills with the different actions such as shake, scrape etc.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842313 Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 7 pages. Andrew Mc Donald (Macka Records) #6612221. Published by Andrew Mc Donald (Macka Records) (A0.842313). Dive In Worker is a song about diving in and giving it a go. We should be diligent and work as unto the Lord even when no eyes are watching us. When we do our job we should do it with a good attitude even if it is hard. This is a country song for piano and vocals.

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.800439 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 24 pages. Novel Soundtrax #6332761. Published by Novel Soundtrax (A0.800439). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.

Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - Digital Download SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Enigma Music #4984881. Published by Enigma Music (A0.816703). Entrainment (2009)Written for New Noise​Oboe & PercussionEntrainment is the process by which two oscillating systems, which have different periods when they function independently, assume the same period when interacting. The principle of entrainment is universal, appearing in chemistry, pharmacology, biology, medicine, psychology, sociology, astronomy, architecture to name but a few.This piece explores the entrainment of tempo with two initially diverse tempo structures synchronising after a period of four minutes. At the start of the score the oboe begins at 137 bpm and the percussionist at 63 bpm. Over the course of the four minutes the percussionist speeds up whilst the oboist slows down resulting in the tempi synchronising at four minutes. After four minutes the two instruments begin a discourse in unison (rhythmically, melodically, and dynamically): the musical equivalent of total synchronisation. In the final section of the piece the parts diverge with the percussionist slowing down and the oboe part maintaining its speed.As with many of my pieces, the starting point for Entrainment was an external source, in this case the song Time by Pink Floyd. The rhythmic lines throughout Entrainment are based on the rhythm to the bass line of the first part of Time. This can be clearly seen in the opening in which the oboe part employs this rhythm.Harmonically Entrainment consists of a series of key centres whose period is determined by points within the four minutes where either of the two independent parts briefly synchronise at the semiquaver level with the unit of a second. At each of these points (which become more frequent as the piece progresses), the harmonic centre changes. The harmonic centres relate directly to the chord structure of Pink Floyd's Time: at each point where either part synchronises with seconds the harmonic centre in both parts moves one chord through Time's chord sequence. At 2' 19'' the percussion and oboe part synchronise (albeit briefly) for the first time. This event was used to mark the start of more polytonal harmony as both instruments from this point forward begin their own cycles through the Time chords. Throughout the piece, points of synchronisation are highlighted musically.Performance mp3 recordings that contain a dual click track for the first four minutes of the piece can be obtained by contacting guybunce@hotmail.com. The click track is arranged so that the oboe click is on the left channel and the percussion click is on the right. An alternative click track (track 3) is also provided using a different sound (a beep). The performers should wear the headphone in one ear which corresponds to the track of their part. The dual click track can then be played on a single CD player (or mp3 player) with the output going to both sets of headphones using a headphone splitter or other device. Alternatively, files can be put on either two iPods or Mp3 players. The players will then have to synchronize the beginnings of each track.It is possible to play the piece without the use of the click track(s). If this is the case, performers should use the metronome markings and general layout of the score to aid performance. It is advisable that one player (possibly the oboist) sets the tempo and tempo changes, and the other player follows.It was not always possible to represent accurately the relationship between the two parts in the score. Arrows have been added on the score to show points of synchronisation where the score layout differs.

Guitar - Level 2 - Digital Download SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Published by John Murphy (A0.841182). You can close your eyes     James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.comTags :    Sheet music, Tab,  Pop/Rock, Folk , Country, Acoustic Guitar,  Easy  Intermediate

Small Ensemble Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265333. Published by Call of the Wild Publishing (A0.978194). THREE LABE SONNETS for mezzo-soprano and piano is a collection of settings by Louise Labé, (1520-1566), a female French Renaissance poet. Labé was fluent in Latin and Italian, and a trained musician. She wrote twenty-four sonnets.  TRANSLATION Sonnet VIII - I Live, I Die I live, I die, I burn with fire, I drown. It matters very little what I feel; All life is now too real, now too surreal; Joy comes and endless boredom weighs me down, And suddenly I laugh and then I cry; With grief and bliss I’m weeping for the past; Good feelings go away and yet they last, And suddenly I bleed and then I sigh. That’s how it goes. Strange, ever changing love Has worn me out. I wish I were removed From such a star-crossed fate! I need a truce With Lady Luck. Again and yet again, Her wheel is spinning madly to produce This wanton, wild, intense, exquisite pain.     Sonnet XVIII - O Kiss Me O kiss me, kiss me, re-kiss me, and kiss! Be reckless, impudent, hot-headed, bold! O woo me! Pursue me! Kiss me like this: And I’ll give back fifty as hot as red coals. There, is it hurting? Come, let’s soothe the pain. I’ll give you sixty others just like these. And so we’ll kiss again and then again, While we enjoy each other at our ease. I know there’s fire within your unshaped clay, And so, allow me, love, to share my happiness: O let’s make burning passion rule today. I’m fond of doing what I love to do, Yet cannot feel supreme delight unless I have my other wild encounters, too.     Sonnet XIV - As Long As Tears As long as tears can well up in my eyes I’m saddened that our nights are marked by pain. And now my voice expresses once again A plaintive melody I’ve improvised. As long as I can pluck the lute, I try To sing about your charms in my refrain. As long as I can think, my fevered brain Is burning with an ardent zeal. I cry And cry a hundred thousand times for you. But when I feel my whirling thoughts grow still, And when both hand and voice won’t work their will, Because your treachery is piercing through My heart, I’ll know there’s just one final way. I’ll ask for Death to darken that bleak day.