Piano Solo - Level 3 - Digital Download SKU: A0.1411180 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 5 pages. Damien Gauci #993515. Published by Damien Gauci (A0.1411180). This piece definitely has a more sinister feel to it compared to the other pieces from the album, I think that’s just how it started out when I was writing this piece - the title came later. When writing this piece, I wanted to write something mysterious with more of a focus on the ambient side of things rather than the melody. Of course, this piece still has a melody but I don’t think that is the focus of this piece, it’s all about the mood and atmosphere. The beginning of the piece does have a melodic motif which is used throughout the composition and there is also the left hand ostinato that is given to the right hand toward the end of the piece too. Harmonically, this piece doesn’t stick to functional harmony which is another reason why this piece tends to feel more mysterious and ambient.

Piano - Level 3 - Digital Download SKU: A0.1412962 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Full Performance. Duration 214. Damien Gauci #994969. Published by Damien Gauci (A0.1412962). This piece definitely has a more sinister feel to it compared to the other pieces from the album, I think that’s just how it started out when I was writing this piece - the title came later. When writing this piece, I wanted to write something mysterious with more of a focus on the ambient side of things rather than the melody. Of course, this piece still has a melody but I don’t think that is the focus of this piece, it’s all about the mood and atmosphere. The beginning of the piece does have a melodic motif which is used throughout the composition and there is also the left hand ostinato that is given to the right hand toward the end of the piece too. Harmonically, this piece doesn’t stick to functional harmony which is another reason why this piece tends to feel more mysterious and ambient.

Piano Solo - Level 4 - Digital Download SKU: A0.902341 Composed by D.B. Towner (1910). Arranged by J.B. Taylor. 20th Century,Christian,Jazz,New Age,Sacred. Score. 4 pages. J.B. Taylor #5790677. Published by J.B. Taylor (A0.902341). A completely unexpected and darker interpretation of this familiar hymn, the arranger focuses on both the grace of God but also the sin that is in all of us. As human beings, we are always in need of grace and forgiveness and even though it is undeserved, we have it through our Lord, Jesus Christ. As Pastor Timothy Keller once said, ..the more you see your own flaws and sins, the more precious, electrifying, and amazing God’s grace appears to you. This piece opens with a dark and reflective introduction that sets up the presentation of the hymn tune in a minor key. Only when the words Grace, Grace appear is when the tonality changes, but it is soon followed by the intensity of the word sin. The musical personification of grace appears at the end of the piece where a quote of the original hymn tune appears. This piece would be appropriate for worship services, recitals, or personal devotional time at the piano. Duration: 3:34.Appropriate for: Grace, Forgiveness, Repentance, Personal Holiness, LentThis song appears on the album Down in My Heart (Hymns for Rest and Reflection) by J.B. Taylor. Available on Apple Music, Spotify, Amazon, and other retailers.

Piano Solo - Level 3 - Digital Download SKU: A0.1355304 Composed by Powerless. Arranged by Fernando Ramos. 21st Century,Classical,Video Game. Score. 5 pages. Fernando Ramos #940008. Published by Fernando Ramos (A0.1355304). Other Arrangements Available: https://www.sheetmusicplus.com/en/category/arrangeme/426/fernando-ramos/?isPLP=1I make piano solo arrangements for my students of songs that they love! My goal is to create something that sounds beautiful as a standalone piece of music and, most importantly, that it also makes pianistic sense. Each of my arrangements is made for a specific student, so the results will vary in terms of playing level. Most decisions are based on their current skills and abilities, or where I would like for them to be when they complete the piece.This arrangement was made for a late intermediate student currently working on Federation class Moderately Difficult 1. It has a lot of tricky moments, but one of the most important challenges is the pedaling, which should be kept minimal. The tempo can be flexible, but a good rule of thumb is that the faster it is played, the less pedal should be used. Voicing should also be stressed when the texture is thicker. My student had a blast playing this piece.Pedaling and fingering suggestions are included.

Piano Solo - Level 5 - Digital Download SKU: A0.1511846 By Brian Buda. By Charles H. Gabriel. Arranged by Brian Buda. 20th Century,Christian,Classical,Sacred,Traditional. Score. 7 pages. Budaful music #1086969. Published by budaful music (A0.1511846). A special arrangment for a special gospel song. My grandmother played this song often and I've attempted to put it in her 'old-fashioned' style as much as possible. It is advanced, to say the least, but much of it is how I remember her playing this beloved and comforting hymn. When performing this piece, remember that rubato is your friend. Take your time! 'Why should I feel discouraged... When Jesus is my portion, A constant friend is He. His eye is on the sparrow, And I know He watches me.'.

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1488743 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Romantic Period. 20 pages. RayThompsonMusic #1065594. Published by RayThompsonMusic (A0.1488743). The two Serenades, Op. 11 and 16, represent early efforts by Johannes Brahms to write orchestral music. They both date from after the 1856 death of Robert Schumann when Brahms was residing in Detmold and had access to an orchestra.Brahms had a goal of reaching Ludwig van Beethoven's level in writing symphonies, and worked long and hard on his first symphony, completing it only in 1876 when he was 43 years old. As preliminary steps in composing for orchestra, he chose early on to write some lighter orchestral pieces, these Serenades.The second serenade was first sent to Clara Schumann, who was delighted by it. It was written in 1859 and dedicated to her.The first public performance, reportedly for full orchestra (version lost?), was in Hamburg on 10 February 1860.Brahms himself reworked the piece for piano 4 hands in 1875.The same year he revisited the orchestral version, this time for a small chamber orchestra.The new scoring was for :piccolo,2 flutes,2 oboes,2 clarinets (in A for movements I, IV, V; in C for movement II; and in B flat for movement III),2 bassoons, 2 horns, violas, cellos, and double basses.(omitting violins, brass, and percussion)The five movements take approximately thirty minutes to perform.Allegro moderato (A major)Scherzo. Vivace (C major) – Trio (F major) (This arrangement)Adagio non troppo (A minor, ends in A major with a Picardy third)Quasi menuetto (D major) – Trio (F? minor)Rondo. Allegro (A major)Arranged wind dectet/decet/double wind quintet and bass.Horns in C basso ( as in original) but alternative Horn in F parts provided.My clarinet parts are for Bb clarinets.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1000127 Composed by Denny Dlabal. Christian,Praise & Worship,Sacred,Spiritual. Score. 3 pages. Denny Dlabal #6414003. Published by Denny Dlabal (A0.1000127). I came up with this song idea when I was going to the super market. I was humming the melody in my head and then started to think of lyrics to go with it. This song would be a great praise and worship song and it would also be good for retreats. I think this song could be suited for a church service, but It would also be suited for campfire sessions and any event where people are wanting to give praise to Jesus Christ. The song is 3 minutes and 29 seconds in duration when played a little faster. Feel free to contact me if you have any questions or comments.jamesdlabal@kc.rr.com913-424-3256Thank you and may the Holy Spirit be with you,Denny Dlabal.

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015860 By Sheryl Crow. By Bill Bottrell, David Baerwald, David Ricketts, Kevin Gilbert, and Sheryl Crow. Country. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0015860. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015860). ISBN 9781470620028. UPC: 038081497860.This enormous collection of over 40 songs highlights the biggest hits from the start of the 1990s. Piano accompaniment, vocal melodies, lyrics, and guitar chord diagrams are included. Titles: All I Wanna Do (Sheryl Crow) * All the Pretty Little Ponies (Kenny Loggins) * Because You Loved Me (Theme from Up Close and Personal) (Celine Dion) * Better Days (Bruce Springsteen) * Bitter Sweet Symphony (The Verve) * Blame It on the Rain (Milli Vanilli) * A Change Would Do You Good (Sheryl Crow) * Coming Out of the Dark (Gloria Estefan) * Copperline (James Taylor) * The Dance (Garth Brooks) * Every Road Leads Back to You (Bette Midler) * (Everything I Do) I Do It for You (Bryan Adams) * Feels Like Home (Randy Newman) * Go Rest High on That Mountain (Vince Gill) * Gonna Make You Sweat (Everybody Dance Now) (C+C Music Factory) * How Can We Be Lovers? (Michael Bolton) * How Do I Live? (LeAnn Rimes) * Human Touch (Bruce Springsteen) * I Don't Want to Miss a Thing (from Armageddon) (Aerosmith) * I Have Nothing (Whitney Houston) * I Love to See You Smile (Randy Newman) * I Swear (John Michael Montgomery) * I Turn to You (Christina Aguilera) * If I Could Turn Back Time (Cher) * If It Makes You Happy (Sheryl Crow) * If You Asked Me To (Celine Dion) * I'll Stand by You (The Pretenders) * I'm Too Sexy (Right Said Fred) * Just to Hear You Say That You Love Me (Faith Hill and Tim McGraw) * Leaving Las Vegas (Sheryl Crow) * Live for Loving You (Gloria Estefan) * Love Can Move Mountains (Celine Dion) * Love Will Lead You Back (Taylor Dayne) * Maria Maria (Carlos Santana) * My Favorite Mistake (Sheryl Crow) * One (Creed) * Reach (Gloria Estefan) * Streets of Philadelphia (Bruce Springsteen) * Time, Love and Tenderness (Michael Bolton) * Torn (Creed) * Un-Break My Heart (Toni Braxton) * When I See You Smile (Bad English) * When the Night Comes (Bryan Adams) * You've Got a Friend in Me (from Toy Story) (Randy Newman).

Guitar - Digital Download SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by John Murphy (A0.841180). You Can Close Your Eyes     James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :) Contact me at info@guitarlessonsdundrum.com

Small Ensemble Clarinet,Flute,Trombone,Trumpet - Level 3 - Interactive Download SKU: A0.1498189 Composed by Elijah A. Rahman. This edition: Interactive Download. Classical. 17 pages. Duration 108. EAR #2JpBN3AYyXXU2eSK3eXkg2. Published by EAR (A0.1498189). Key: Bb major.You are going through a sensor-less drone, crashing everywhere and breaking bit by bit, will you survive making it out? CONDUCTOR NOTE: When starting, when you are bring your hands up to bring instruments up, do it fast and very sudden, as it is a fast and furious song.

Jazz Combo - Digital Download SKU: A0.979668 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 5 pages. Roger Aldridge #546393. Published by Roger Aldridge (A0.979668). Shifting time funk (for 5 wind instruments and rhythm section)! The title expresses my disdain for contending with monster SUVs when driving on Connecticut Avenue in Washington, DC. As I envision this music, it is funky and adventurous. The piece is a minimalist composition -- the melody is only 16 bars. However, it has expanded improvisation concepts for the soloist and the ensemble. The ensemble's collective improvisation is to sound like music coming out of car windows in traffic. The sounds change quickly. Different kinds of music come, go, and overlap. Radios (or electronics) may be used for additional layers of sound. The soloists use four chord progression patterns. Each soloist determines which patterns to play and their sequence. The patterns can be played in any order. Ideally, the patterns are determined within a performance instead of before. The soloist communicates the patterns, and when to shift to a new pattern, to the ensemble by hand signals. Music styles can also shift within a solo. Performers can take the music in any creative direction they want to go with it. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011.

Guitar - Level 2 - Digital Download SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Published by John Murphy (A0.841182). You can close your eyes     James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.comTags :    Sheet music, Tab,  Pop/Rock, Folk , Country, Acoustic Guitar,  Easy  Intermediate

Concert Band - Level 3 - Digital Download SKU: A0.787312 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Score and parts. 42 pages. Burke & Bagley #50567. Published by Burke & Bagley (A0.787312). Scored for Piccolo, Flute 1 & 2, Oboe, Clarinet in Bb 1, 2 & 3, Bass Clarinet in Bb, Bassoon, Alto Saxophone 1 & 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2 & 3, Horn in F 1 & 2, Trombone 1 & 2, Bass Trombone, Euphonium, Tuba, Timpani, Snare Drum and Marimba. Also available in arrangements for string quartet, string orchestra, clarinet quartet, clarinet choir and flute quartet. My father enjoyed singing, particularly when the family went on road trips. One of our favorite songs that he sang was The Far North Land. Several years ago, my sister recorded our father singing this song for use on the soundtrack of one of her movies. I recently transcribed the song from that recording and used it as the foundation for this piece. My aunts tell me they recall my father singing this song when he was a boy growing up in Minnesota, and that they referred to it as Fletch’s song. It was only while working on this piece that I discovered that Duncan, Clear Water and Bear Skin are actual lakes in the border lakes region where Minnesota meets Canada. A Back to School 2015 feature.

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.800444 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 10 pages. Novel Soundtrax #6357751. Published by Novel Soundtrax (A0.800444). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.

Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period. Score and parts. 19 pages. Bl_music #6643225. Published by bl_music (A0.842571). Theme and Variations by G. Rossini, arr. Brennan for Solo Euphonium/Baritone with Piano accompaniment This edition is the theme and variations from Rossini's Introduction, Theme and Variations originally for clarinet and orchestra.                This version has been performed and recorded by a number of internationally renowned Euphonium soloists. We first published the complete Introduction, Theme and Variations for Euphonium in 1991 and performed it on a 1830s ophicleide and a 1840s square piano in 1993. This edition comes with a shortened introduction,theme and variations. Duration around 8 ½ min. Solo part in treble and bass clef.Message from Sean Brennan:This arrangement, or more correctly transcription, was first published by us in 1991, although its origins go back much further than that. I do remember being transfixed in the 1970s by Richard Stoltzman’s recording of the original form of the work for clarinet and orchestra. I was convinced it would work for Euphonium and that one day there would be players with the technique, and above all musicality, to bring it off. For me, this vision came true in 1994 when we first performed the piece in Birmingham in 2004, and then again 10 years later when David Thornton and the Black Dyke Band recorded the Theme and Variations. Rossini composed the Introduction, Theme and Variations for clarinet and orchestra in 1810 at the request of a fellow student at the Conservatorio di Bologna. Although the autograph score has been lost, and some musicologists have questioned the authenticity of the work, I find no reason for doubt since Rossini recycled some of the material in later works, and apart from that his evervascent musical personality is abundant from beginning to end.