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Guitar - Level 4 - Digital Download SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,Romantic Period. Guitar Tab. 2 pages. Brian Streckfus #781456. Published by Brian Streckfus (A0.1181680). Disclaimer: This is a two page excerpt with mostly only the beginning and end of the original piece. This is still a work in progress, the middle section is going to be difficult, if not impossible on guitar. Some may see this as more of an homage to Chopin rather than a historically accurate version. That being said, both this arrangement and the original are incredible pieces of music, and it may be my favorite piece of all time, and I think jaws would drop if the average person hears a guitarist effortlessly playing Chopin as if it was meant for guitar. 1. Arranged for guitar. 2. Guitar Tablature added. 3. Key changed 4. Notes removed and and inverted chords changed to be idiomatic for guitar.5. Slurs added. 6. Chord nomenclature added. 7. Piano pedal and phrase markings are a bit unnecessary for a guitarist so they are not included. Slurs and ties are more important for a guitarist, so I don't want a ton of swoops symbols obscuring slurs and ties. As with the other Chopin arrangement I made, I want super romantic music while making sure it isn't super difficult to play. If I wanted a super hard version, I would just find the public domain version and read treble and bass clef in a difficult key for free. There could also be a lot more mantaining of historical accuracy if this was arranged for a 7 or 8 string guitar. Having a low E and Eb would really changed the trajectory of the arrangement. Sure a guitar can play an Eb chord, but it always sounds too high pitched, when really the original has a low powerful bass note as the music inflects a different key. So that's why I took some liberty with the bass notes for guitar. It's incredibly grimy sounding even though A minor isn't typically seen as a dark and low key.Tips:1. A Bb chord in the key of a minor is an example of a Neopolitan chord, named after a city in Italy. This is one main essence of Chopin, and constantly using them allows him to really toy around with the key and suspense. To Do:1. Measure 10 is glitched out. Sorry. It is correct in a way but it is strangely spaced. It is a challenge because at times it looks like measures have the incorrect amount of beats, but I think Chopin's freedom of rhythm is the reason why, and bizarre triplets and quintuplets are being forced into the measure. 2. Combination version without tab?3. The full piece?4. Add rhythm to tab?
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
Guitare notes et tablatures
Frederic Chopin
$1.99 1.75 € Guitare notes et tablatures PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.749754 Composed by Felix Bartholdy Mendelssohn. Arranged by Stephen M. Taylor. Classical,Concert,Instructional,Wedding. Score and parts. 44 pages. SMT Music #5971157. Published by SMT Music (A0.749754). Mendelssohn was a musical genius and it's obvious when you consider he penned this astounding composition by the age of 16. He wrote the octet as a birthday gift for his friend and violin teacher Eduard Rietz who was 23 at the time. This arrangement makes it possible for a string quartet to play the 1st movement. It's not always easy to get eight accomplished string players to sit down and read through music and this might make it more accessible and practical to play. The 1st violin part is the same as it was penned by Mendelssohn. The other parts are condensed. It takes some practicing even to read the music as it's somewhat difficult. And since the parts are condensed it's difficult to manuever page turns. I'll leave that up to the players. Still, it's fun to play and can be performed if you can work out the page turns.Probably work great on an I pad for that. I'm old school so my generation does cutting and pasting as needed ! Have fun. Great for parties, background music, wedding reception and general string quartet gigs.. .
Mendelssohn Octet arr. for String Quartet op. 20 in Eb
Quatuor à cordes: 2 violons, alto, violoncelle

$25.00 21.92 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Bass Guitar - Level 3 - Digital Download SKU: A0.942005 By Danny Gokey. By Ben Glover, Benjamin Glover, Colby Wedgeworth, Danny Gokey, Jeff Sojka, and Riley Clemmons. Arranged by Daniel Roberts. Contemporary. Score. 3 pages. Daniel P Roberts #6888537. Published by Daniel P Roberts (A0.942005). Synth Bass arranged for 5 string electric bass. LYRICS: I’ve been running in circles Jumping the hurdles Getting caught in that rush of doing so much I’m feeling kinda worn out All this checking the boxes Trying to be flawless Has me spinning my head, catching my breath Too afraid to slow down I tell myself to keep this up That God wants more than just my love But I’ve been complicating things It’s just like me to overthink Gotta keep it real simple Keep it real simple Bring everything right back to ground zero ‘Cause it all comes down to this Love God and love people We’re living in a world that keeps breakin’ But if we want to find a way to change it It all comes down to this Love God and love people Oh this is freedom The keys to the Kingdom Knowing life will be found when love can be loud ‘Cause love is what it’s all about I tell myself to keep this up That all God wants is just my love No more complicating things No more need to overthink Love is patient Love is kind Rescues hearts and changes lives Love is all we need to make things right Gotta keep it real simple It’s really so simple.
Love God Love People
Basse electrique
Danny Gokey
$4.99 4.38 € Basse electrique PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.976849 Composed by Monica Bergo. Children,Contemporary. Score. 10 pages. Monica Bergo #3236735. Published by Monica Bergo (A0.976849). 2017 Holiday Contest EntryGYPSY DANCE And it is another day that passes and goes I know that one the same will not return I feel restless, I lose my colors Invaded by the gray of the outside world   Need love And that sense of emptiness Suspended in limbo, I move in slow motion invent a fairy tale that time which was I miss the affection of my tribe   I wear a dress from 1000 colors Weave hair with grass and flowers Again gypsy in this other my life It is not just a fairy tale, it is a never ending story Between the elves, the fairies and gypsy violins In the woods near to ancient kingdoms I feel beautiful too, happy and accepted here's the trivial woman who has transformer   dance gypsy cries inside of me It is a fire that melts this cold there is freedom it is desire to live It is  dances gypsy and I’m the queen   Again this decomposes my identity Nemesis goes crazy and unleash My spirit Which is young and free I mud and Diamond Matte and shining   I alpha female of a group of witches Unleashed storms, threats suspended Then a rainbow of many colors Here the rain is over, wake up the flowers   We dance happy in this my kingdom In a circle, spell of a beautiful dream Another my world I will not return If I’m not anyone Leave me alone   I will not return In this tale, I will hide A still picture On the surface I will be Turn the page and I animet   and the end will be Disappearance Monica, in the world here But in this my kingdom forever I will live From a cover I will smile   I’m  not gypsy, not even Queen but inside me I remained a child Gypsy violins do not sound I miss the affection of my tribe   and I go back to that time when everything was empty dream and fly was my only game I'm not so bad in the world here in the shoes I wear in my reality   dance gypsy cries inside of me It is a fire that melts this cold there is freedom it is desire to live It is  dances gypsy and I’m the queen I tread with joy my but and my if The inadequacy I do not know what And yet I know that thrill try The apparent death, far and distant   The dance gypsy , here,under the moon Ancient ritual that brings good luck You will be welcome in my tribe In this my book, the end  can  write to you ...                                                                 Monica Bergo
Danza gitana
Piano seul

$3.99 3.5 € Piano seul PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1518460 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Historic,Standards,Traditional. 25 pages. Jmsgu3 #1092559. Published by jmsgu3 (A0.1518460). BWV 531, the Prelude and Fugue in C major, is an essential early organ work by Johann Sebastian Bach. Here are some key points about this composition:Composition and ContextIt was written around 1707 when Bach was in Arnstadt, making it one of his earlier organ works. It was composed during Bach's time as a church organist at the Neue Kirche (now called Bachkirche) in Arnstadt.Musical StructurePreludeIt opens with nine measures of solo pedals, featuring a recurring sixteenth-note figure and an unusual pedal trill. The manuals enter with a sixteenth-note figure in measure 10. It contains a 5-measure phrase of diatonic parallel sixths in the manuals with a pedal tone. It concludes with a fast, fantasia-like passage in the right hand, ending in a loud C major chord.FugueThe subject is introduced in the soprano voice and is two measures long, consisting entirely of sixteenth notes. It is also presented in the alto voice (transposed down a fifth) and tenor voice (down a fourth). Notably, the pedals never play the complete subject as initially introduced, only fragments of it.SignificanceThis piece is essential as an early example of Bach's organ writing. It showcases his developing counterpoint skill and ability to create complex, multi-layered compositions. The unusual features, such as the intro's pedal trill and the subject's treatment in the fugue, demonstrate Bach's innovative approach to organ composition even at this early stage in his career.
Bach: Prelude and Fugue BWV 531 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$34.95 30.65 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1033890 Composed by Jaromir Vejvoda. Arranged by F. Leslie Smith. Holiday,Pop,Wedding. Score and parts. 41 pages. Sweetwater Brass Press #639202. Published by Sweetwater Brass Press (A0.1033890).      Jaromir Vejvoda, born in 1902 in the Czech city of Zbraslav, was a fiddler and flugelhorn player. As a young man, he began writing music while working as a bartender. In 1927 he composed a particularly rollicking, toe-tapping tune. He persuaded the Czech-American composer Eduard Ingriš to write an arrangement for the piece, and the result was titled "ModÅ™anská polka" (ModÅ™any being the Prague suburb in which it was first performed). In 1934 Václav Zeman added lyrics, and the title changed to "Škoda lásky," Czech for “Wasted Love.” It also became known as “Rosamunde.” The public loved it. It was so successful that Vejvoda was able to quit tending bar and turn full time to music. The polka soon spread to other countries. Lew Brown and Wladimir Timm added English lyrics, and when the Andrews Sisters recorded it in 1939 as “Beer Barrel Polka,” it became one of their biggest hits. During World War II it was the favorite song of the Western Allies and has since been played and recorded by literally dozens of artists.      Suggested tempo for this brass quintet “Škoda lásky” is 120 BPM. It opens in C major, changes to F major, then back to C. All five instruments get a chance to shine. There are no really tricky rhythmic patterns, and the notes are, for the most part, within the normal playing range of each instrument. Some possible exceptions: Trombone’s highest notes are F above the staff; it’s lowest, G at the bottom; Tuba’s highest notes are F in the staff; Trumpet 2’s highest are its G at the top of its staff.      Completed in 2022, performance time runs about 3 minutes. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
Škoda lásky (Rosamunde, Beer Barrel Polka)
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$7.95 6.97 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Choral Choir,Choral - Level 3 - Digital Download SKU: A0.1390698 By Ibukun Bakare. By Ibukun Bakare. Arranged by Ibukun Bakare. 20th Century,Chamber,Christian,Classical,Traditional. 9 pages. Ibukun Bakare #974250. Published by Ibukun Bakare (A0.1390698). WA GBO PE WA ELEDUA is one of Yoruba Art Music composed by Ibukun Bakare. It is a song used as a thanks offering to GodIt tells the story of some unfortunate people whose lives almost ended up being tragedies but were shown mercy by GodThe Solo part of the song symbolizes a grateful soul whose happiness is clothed with tears due to the miraculous and wonderous intervention of the Almighty God even when they gave up and were rejectedIt is written for Solo,  Chorus including strings trio, although it can also be accompanied with piano including flute, but it not necessary to add horns to it in further not to change the mood and Form  that it representDespite the fact that it is a song to offer thanks to God, it still falls under threnody form, this shows how down and pained these people have been. Thanks be to God for his mercy and interventions.
WA GBO PE WA ELEDUA
Ibukun Bakare
$20.99 18.41 € PDF SheetMusicPlus

Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan María Solare. 20th Century,Celtic,Instructional,Irish. 5 pages. Juan Maria Solare #6208589. Published by Juan Maria Solare (A0.596615). Highlands for two violins About the genesis of my work Highlands: There was a composition competition in Scotland (The Gordon Stewart Memorial Competition), they asked to write a short march for Scottish bagpipes. I said to myself: I don't know anything about the bagpipes, this could be an opportunity to get to know the instrument better. So I began to investigate and discovered that there is a huge literature, many works. Of course: all the works are impressively similar, because it is a relatively limited instrument (with forgiveness of the pipers). But this is an unimportant detail for our story. So, with a collection of bagpipe sheet music at hand, I began to investigate the possibilities of the instrument. And I made a huge mistake: Bagpipe scores are written without accidentals, but they are actually in A major. Sharps are not written simply because there is NO alternative. They can't play anything else (at least the traditional bagpipes), so the sheet music ommits the superfluous sharps. In short: then I composed my melody for that contest in A minor ... which is impossible to play on bagpipes. The fact of having written the melody on board a train prevented me from listening to dozens of works for bagpipes as a reference (at that time - June 2015 - I did not have a mobile internet connection). When I realized the mistake (in time) I rewrote that melody in major mode (well, Mixolydian ...), added some typical bagpipe ornamentation and retitled it: Ballone Castle (the name of the castle of the organizers of the contest, the Stewart Society). And now what do I do with the original melody, in minor mode? Instead of throwing it away (which I never do) I titled it Highlands, and it is the work that you are about to hear, or whose score you are holding. I didn't win that contest in Scotland. But I recorded Ballone Castle and posted it on Spotify: Ballone Castle (for bagpipes) - on Spotify (there is a version with drums and another without them). As for Highlands, the saxophone version was recorded by my Chinese friend Yu Han for the album Images of Elsewhere (Images of Elsewhere (saxophone)). In this case, there are also two versions: solo saxophone and sax with electronic sounds. The electronic sounds here actually simulate the typical bagpipe pedal (drone) note. A version of Highands for oboe Solo was recorded by John Winstead (Highlands (oboe solo)) Comparing both pieces (Highlands and Ballone Castle) it is verified how the simple change of mode (major / minor), in addition to the change of instrument, can work wonders for musical perception. They are two related but independent works, each with its own defined character - like two twins. But the story continues. In October 2020 I began an intense dialogue with the violinist Miguel Ãngel Cotignola, from Mendoza (Argentina). I suggested him to film Highlands. He suggestd me to write a second violin part. I did it. He filmed it on the shore of Lake Potrerillos, in Mendoza (Argentina). This video can be seen here: Highlands (for two violins)Juan María Solare
Highlands [2 violins]
2 Violons (duo)
John Winstead and Miguel Angel Cotignola
$2.00 1.75 € 2 Violons (duo) PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1205401 Composed by Ben Clapton. Classical,Contemporary. Score and parts. 103 pages. Ben Clapton #803587. Published by Ben Clapton (A0.1205401). An Orchestral Fanfare, written for the Metropolitan Symphony Orchestra, Perth. 2 Flutes (2nd doubling Piccolo), 2 Oboes, 2 Bb Clarinet, 2 Bassoon, 4 French Horns, 2 Trumpets in Bb, 2 Trombones, 1 Tuba, 4 Percussion (Timpani, Bass Drum, Snare Drum, Cymbals), Harp, StringsComposer's notes:2022 was a year that sparked inspiration for me. I am not talking about just one spark either, but a series that beautifully led me to the creation of my piece. After seeing the 2022 MetSO program it was evident that it lightly using the Brass players, and I knew they were feeling a bit underutilised. Which sparked the first idea in my mind to write a piece that would take full advantage of their skills, and heavily use brass instruments. The program coincided with the 45th Anniversay of the Orchestra which started it life as the Karrinyup Symphony Orchestra. Rekindling the orchestra’s relationship with the City of Stirling and returning to the City of Stirling as a rehearsal venue in 2023, was another spark of inspiration which led me towards the piece’s naming… the ‘Karrinyup Fanfare’. The last spark of inspiration was a query inside my mind. The opening of the piece contrasts two somewhat conflicting meanings of the word Karrinyup. During an Aboriginal Studies unit, I discovered that Karrinyup is a Noongar word that translates to “the place where there are spidersâ€. However, this differs from the City of Stirling official meaning of the name Karrinyup on the website. It states the word means “the place where Kangaroos drinkâ€, possibly because it sounds much more pleasant and doesn’t inspire the fear that spiders often do. It was this contrary interpretation of the word ‘Karrinyup’ which provided the final spark of inspiration I needed for this composition. You see, when you listen to the opening, the theme jumps up and down through the horns, and represents the Kangaroo – Yongka. Whilst as the fanfare continues, you will notice the second theme – the crawling strings represent the spider – Kar. I hope you enjoy it as much as I did creating it. May it, and this new year, spark inspiration for you.
Karrinyup Fanfare
Orchestre

$75.00 65.77 € Orchestre PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1468149 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 4 pages. Damien Gauci #1030402. Published by Damien Gauci (A0.1468149). I always enjoy writing something simple but pretty and this piece is exactly that. As with many of my other piano compositions, I enjoy writing them in the style of “soft piano” pieces which you can listen to while you study, work, relax, or anything else. I initially came up with the original motif at the start of the piece which I really liked and expanded it into a full piece. When coming up to the B section I made it too dramatic and it would probably be too distracting for the listener if they were working or studying so I decided to start over with the B section and write something that expanded upon the original motif in a subtle and sweet way.I am quite pleased with the finished composition, it turned out in a way that I was aiming for from the beginning. As for the title, I sat down after I had finished writing the piece and listened to it a few times and brainstormed some names. I eventually settled on the name that it is now: ‘Some Things Don’t Always Last’ which has a bitter-sweet quality to it. I think it fits quite well with the piece as it’s like a lullaby that comes and goes. A distant memory that is recalled because of an old toy you found or because you drove past your childhood home that you grew up in.
Some Things Don't Always Last
Piano seul
Damien Gauci
$1.99 1.75 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.733415 Composed by Kimberly Steele. Sacred. Score. 1 pages. Kimberly Steele #6619661. Published by Kimberly Steele (A0.733415). As the sole copyright owner of this music, I have a strange favor to ask: I beg that you ADAPT and CHANGE this piece's music to suit your needs. Obviously the words are set in place; they are in worship and service of a specific deity. The music, however, needs to be malleable. Change the rhythm. Change the key. Change the mode. Add sections. Improvise. Here's the thing: when music stays the same and is played exactly the same as it supposedly was in the past, it becomes museum music. Personally, though I've had extensive training in the subject, I can't stand museum music. No matter how pretty or perfectly-played museum music is, it will always have an air of deadness about it. So change this tune, beat it up, deconstruct it, pull it apart and put it together again, because that's what I think the gods would want us to do. In my mind, keeping the tunes alive, flexible, and vital helps us connect with the gods who gave us the ability to create music in the first place. 
Orphic Hymn to Hermes Lead Sheet
Piano, Voix

$2.50 2.19 € Piano, Voix PDF SheetMusicPlus

Instrumental Duet Cello,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.798075 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged by Inacio Saldanha. Pop. Score and parts. 6 pages. Inacio Saldanha #4351207. Published by Inacio Saldanha (A0.798075). Shallow is a song performed by American singer-songwriter Lady Gaga and American actor and filmaker Bradley Cooper. It was released on September 27, 2018, by Interscope Records as the lead single from the soundtrack for the 2018 film, A Star Is Born (2018). Shallow was written by Gaga with Andrew Wyatt, Anthony Rossomando and Mark Ronson, and produced by Gaga with Benjamin Rice. It is heard three times in the film, most prominently during a sequence when Cooper's character Jackson Maine invites Gaga's character Ally to perform it onstage with him. The scene was filmed in front of a live audience at the Greek Theater in Los Angeles.Shallow is a pivotal moment in A Star Is Born, since it speaks about Ally and Jackson's conversations. Gaga wrote it from Ally's point-of-view with the self-aware lyrics asking each other if they are content being who they are. A country and folk pop power ballad, Shallow finds Gaga and Cooper trading verses and gradually moves toward the final chorus with a vocal run by Gaga. The recording is interspersed with the sound of audience noise and applause. Gaga premiered it on DJ Zane Lowe's Beats 1 radio show while giving an interview about the film. An accompanying music video was also released, showing Gaga and Cooper singing Shallow onstage, interspersed with scenes from A Star Is Born.The track received positive reviews from music critics who praised Gaga's vocals, the dramatic nature of the composition and the songwriting, while feeling it worthy of award nominations. Commercially, the song topped the record charts in more than a dozen countries, including the US Billboard Hot 100, and reached the top five in many other nations. It received numerous accolades, including the Academy Award for Best Original Song, the Golden Globe Award for Best Original Song, the Critics' Choice Movie Award for Best Song, as well as four Grammy Award nominations, including Record of the Year and Song of the Year while winning Best Pop Duo/Group Performance and Best Song Written for Visual Media. The song was performed live at the 61st Annual Grammy Awards, the 91st Academy Awards, and serves as the encore to Gaga's Las Vegas residency show, Enigma. (Wikipedia).Arranged for Cello and Guitar. Key of E minor. Intermediate.  Audio file made from midi engine
Shallow
Violoncelle , Guitare (duo)
Lady Gaga
$7.99 7.01 € Violoncelle , Guitare (duo) PDF SheetMusicPlus

Choral Choir,Choral,SSAB Chorus - Level 3 - Digital Download SKU: A0.1455698 Composed by Harmonised by J S Bach (1685 - 1750). Arranged by Andrew Emmet. A Cappella,Baroque,Christian,Praise & Worship,Religious. 4 pages. Andrew J Emmet #1034796. Published by Andrew J Emmet (A0.1455698). SSAB A Cappella arrangement.When I came to make an SAB arrangement of this, It was obvious to me that the bass part was such an important part of the arrangement, that it had to somehow stay there. It just didn't fit for an Alto 2, so I put it in as Sop 2, putting it up an octave, with a couple of minor adjustments. It sounds a bit like a descant in places, but it's always needed for the harmomies. I think it works well!
Sleepers Awake A Cappella SSAB
Chorale SSAB, Piano

$4.00 3.51 € Chorale SSAB, Piano PDF SheetMusicPlus






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