Piano,Violin - Level 3 - Digital Download SKU: A0.587635 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. 24 pages. David McKeown #4594713. Published by David McKeown (A0.587635). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Violin with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop.  Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 

Piano Solo - Level 4 - Digital Download SKU: A0.1317988 By Marlowe Haws. By Marlowe Haws. Arranged by Marlowe Haws. 21st Century,Classical,Contemporary,Halloween,New Age. Score. 6 pages. Marlowe Music Productions #906680. Published by Marlowe Music Productions (A0.1317988). This is one of my earliest original compositions. It is a solo piano piece in a classical style with a dark, somber feel, and a dynamic, changing meter. Not exactly a true rhapsody, more of a theme with variations; I was in high school when I composed it and I thought the title sounded cool. I've polished it up since then and I think it's a great solo piece and an enjoyable listen. I recommend playing using the pedal and crescendoing and decrescendoing with the melody as it goes up and down. The notes are the fundamental structure of the song, but I'd expect you to add dynamics and embellishments as feels best to you as a performer. The difficulty might be intermediate to advanced. There's lots of arpeggios which makes it not too hard to follow, but some of the fingering while jumping up and down with chords and the varying meter could make it difficult. Enjoy.

Small Ensemble E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.587627 Composed by Various. Arranged by David McKeown. Baroque,Romantic Period,Standards,Wedding. Score and individual part. 24 pages. David McKeown #4594693. Published by David McKeown (A0.587627). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Horn in Eb with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop.  Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1040537 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 36 pages. Alan Wagstaff #645329. Published by Alan Wagstaff (A0.1040537). This haunting, new song, in the mixolydian mode (Bb), is in the Irish tradition. It is written for a female choir (SSAA) with an additional solo part; the accompaniment is for harp, accordion, flute, fiddle, and bass. This song was inspired by J.M. Synge's 1904 play 'Riders of the Storm' and quotes a line from it. The chorus quotes from the Irish version of 'Fhir a Bhartain' a song written in the late 19th century by Sìne NicFhionnlaigh of Tong, Lewis, Scotland. Fear A Bháta The Boatman A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. Mo shoraid slán leat gach áit a dtéid thú. My safe blessing with you everywhere you go. Lyrics O, Bryan McCauley the boats are still moored. and down in Kilronan only ghosts are aboard. The calico is furled and the tide is still low, so rest a while longer, till the time comes to go. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The herring are sleeping and safe from the net. So rest my fisher lad - do not rise yet. The hillcrests of Galway are scarce tinged with red. O, sleep a while longer and keep to your bed. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The cold-hearted Ocean knows nothing of men; it takes them or leaves them, with no heed where or when. The candles are out in the homes round the Bay, so stay in my arms, love, till the first light of day. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu.

Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company.   At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc.   At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process.   The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral.   In the premiere, the Robinson Ballet will dance in the orchestral movements.  The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man.   It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor.   God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.

Piano Solo - Level 3 - Digital Download SKU: A0.1303997 By Johann Strauss II. By Johann Strauss II. Arranged by pfkaori. Classical. Score. 10 pages. Pfkaorimusic #893582. Published by pfkaorimusic (A0.1303997). Music by Johann Strauss II.Song: Frühlingsstimmen Arrangement: piano solo Level: Intermediate This song is light and classy even among classical music, and I think it would be perfect to play as background music. However, in the original work, it was difficult to adjust the volume because the accompaniment would skip, so we arranged it so that it is easy to play even at a low volume for BGM, and the accompaniment does not skip much. This does not matter to those who play on an iPad, but for those who use the printed version, it is created in a place where it is easy to turn the pages (fermata, right hand only, etc.), so the performance may not be correct when turning the pages. We have created a layout that avoids this. Spring Voice is a light and cute song that can be played regardless of the season♪ Would you like to add it to your repertoire?

Double Bass,Drum Set - Level 3 - Interactive Download SKU: A0.1297026 By Joe Henderson. By Horace Silver. Arranged by Horace Silver. This edition: Interactive Download. Jazz. 37 pages. Duration 355. George Kaplan #C5SAErxqDpwnfFE1mI7uF. Published by George Kaplan (A0.1297026). Key: Db major.This is a note-for-note transcription of the October 31, 1963 trio recording of Horace Silver’s tune Que Pasa. It is notated for piano, bass and drums, although the bass is a three-note figure that hardly ever varies. For his improvisations, Horace employed a call-and-response pattern between his two hands, with little overlap. This means that the solo pianist can play the string bass part with her left hand while handling both piano staves with her right. Horace observed, “We never used this trio version but I really like this earlier version. I approached it differently in that I didn’t always resolve it when I was improvising. It’s different and I like it.� See bar 67 for an example of his reluctance to resolve. To create Que Pasa, Horace took the first line of Gershwin's Nice Work If You Can Get It (“Holding hands at midnight�) and put a samba bassline underneath. It is written in the theoretical key of Db minor, together with the non-diatonic chords G13 and F13. The tune stayed in his bandbook for the next three years and has become something of a mini-standard over the years.

Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - Digital Download SKU: A0.581936 Composed by John Gibson. Contemporary. 19 pages. JB Linear #3457481. Published by JB Linear (A0.581936). Extinction Events (3rd movement - Walrus Jump by John Gibson was written as a submission to the International Clarinet Association's 2018 Composition Competition. Written for 3 Bb clarinets and 1 bass clarinet, it is a four movement work for very advanced players. This is the third movement only...the others may be purchased separately: Buzzy Delights, It Isn't Easy Being a Cuckoo, and Yaguarete Surprise (Argentine Jaguar). The entire set of 4 movements may also be purchased. Simply type extinction events Gibson in the search bar at the top.You can watch a You Tube video at https://youtu.be/zdxKbnvD6iI Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved. Walruses are huge aquatic animals who are powerful and swift in the water, but when they jump onto sea ice to rest, they are anything but graceful. They are a bit comical, really. Subsistence hunters in the Bering Strait of Alaska are having trouble with their Spring hunts due to gradual warming of the arctic waters. Sea ice is getting thinner and the Walruses they rely upon to live are getting too far away. This Walrus Jump music is a pretty happy sounding boogie woogie that shows signs of musical distress as it goes on.

Flute,Piano - Level 3 - Digital Download SKU: A0.587625 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594685. Published by David McKeown (A0.587625). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Flute with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop.  Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 

Flute Solo - Level 3 - Digital Download SKU: A0.1083310 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultural,World. Individual part. 2 pages. Idalmo Santos #687512. Published by Idalmo Santos (A0.1083310). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, Turíbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.

Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.915679 Composed by Traditional. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred. Score and parts. 11 pages. Barber Music Company #3556955. Published by Barber Music Company (A0.915679).    I started this piece back in the 80's for flute with piano accompaniment. My youngest daughter recently asked me to write some more things she could play in church, and being too busy to do something from scratch, it occurred to me that this piece would work fine for violin. It is about six minutes long with some nice mood changes. It would make a fine prelude, offertory or special. It would also be a good concert or recital piece.    It is challenging -- not a good selection for anyone less than advanced intermediate. The piano accompaniment also has its challenges. However, people who have heard this piece have found it quite enjoyable and have said so.   I wish a had a recording of a live performance to share with you, but this Finale version is really not to bad, especially when you consider that I am not very good yet at using the human playback feature that Finale offers. Some people really no how to make it sound fantastic. Not me.   If you have any comments or questions about this piece, please contact me at aspiringtunerrjb@sbcglobal.net. I would be delighted to hear from you.

Piano Solo - Level 1 - Digital Download SKU: A0.1354833 Composed by Alex Gibson, Hans Florian Zimmer, and Ryan Romeyn Rubin. Arranged by Fernando Ramos. 21st Century,Children,Classical,Film/TV,New Age. Score. 5 pages. Fernando Ramos #939536. Published by Fernando Ramos (A0.1354833). Other Arrangements Available: https://www.sheetmusicplus.com/en/category/arrangeme/426/fernando-ramos/?isPLP=1I make piano solo arrangements for my students of songs that they love! My goal is to create something that sounds beautiful as a standalone piece of music and, most importantly, that it also makes pianistic sense. Each of my arrangements is made for a specific student, so the results will vary in terms of playing level. Most decisions are based on their current skills and abilities, or where I would like for them to be when they complete the piece.  This arrangement was made for a late beginner. It is way easier than it looks, but beware of the octaves. Make sure your student's hand can reach. Believe it or not, my student was only in Federation Class Primary III! But she was able to learn this piece with no issues. It helped that she was obsessed with this music! It was one of the highlights at our recital. She totally nailed it.  Pedaling and fingering suggestions are included.

Easy Piano - Level 2 - Digital Download SKU: A0.596592 Composed by Juan María Solare. 20th Century,Contemporary,Sacred,Standards. Score. 8 pages. Juan Maria Solare #5799759. Published by Juan Maria Solare (A0.596592). About the music Both pieces of this diptych are miniatures with a structure quite similar to each of the pieces of the Album für die Jugend Opus 68 by Robert Schumann. The melodies are strongly rooted in Japanese music (particularly obvious in the second piece). Aesthetically, this is neoclassical music (a quite broad concept nowadays). Fans of Erik Satie, Ludovico Einaudi or Joep Beving will possibly feel at home. Both pieces were composed on 6 June 2020 (the first one with my daughter Laura sleeping on my breast). Find this music soon on Spotify, Apple Music, YouTube or any other streaming platform (either under my name or performed by other pianists, possibly Iannis Eralos). Total duration: ca. 5:15.https://open.spotify.com/album/27MbJnfPjcolbQZAmNs8tKWeep Because Its Over: https://www.youtube.com/watch?v=SWflYuEoLy8Smile Because It Happened: https://www.youtube.com/watch?v=7SQFUlb7lFgAbout the titlesIn a poem by the German Romantic poet Ludwig Jacobowski titled Leuchtende Tage (Radiant Days) and published in August 1899, he writes:Nicht weinen, weil sie vorüber!Lächeln, weil sie gewesen!Literally:Don't cry because they are over (they: the radiant days)Smile because they happened.Usually it is quoted this way:Don't cry because it’s overSmile because it happened. For my piece, I adapted this idea und -not quite humbly- think that is better now: Do weep because it’s overBut also smile because it happened Why is it better now? Because… where is the issue with weeping? The first step is to accept that pain exists. Nobody has the moral authority to deny you the possibility of crying. Weeping is not a shame or a disgrace. Besides, only he who weeps is credible when he laughs.  By the way, these words are sometimes attributed to Confucius. I leave to you the task of determining whether Jacobowski borrowed this thought from him.

Solo Guitar - Level 4 - Digital Download SKU: A0.1042421 Composed by Frank Zappa. Arranged by Andrew Pattinson. Classical,Contemporary. Individual part. 1 pages. Andrew Pattinson #647206. Published by Andrew Pattinson (A0.1042421). Zappa Quote: This is a 12-tone crab canon written when I was 18. There's actually another version for two guitars, so it's a double crab canon. I don't know where it is though. I'd been doing 12-tone music for quite some time before I did this, but it was the first time I'd tried to write something for the guitar. I couldn't play it, and I never got to hear it until I got the Synclavier. And because it's printed on the Synclavier, that also means I got to push the button and listen to it..

Brass Ensemble - Level 5 - Digital Download SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cherry #4804655. Published by Gordon Cherry (A0.792338). As an adult I occasionally try to remember and or capture child-like experiences-maybe not so much the actual event, but the emotive atmosphere left from impressions long ago embedded in the psyche.Each movement of this work is based on spontaneous and uncalculated musical imagery of dreams and childhood reflections. I have deliberately avoided the professional composer’s bag of developmental tricks and worked for a more free flow of simple melodic ideas: they go wherever they want.Movement IInspired by the feelings I had growing up on Merritt Island Florida with my older sister Barbara. This music was a gift to her on the occasion of her 2004 marriage in Flemington New Jersey. It was originally scored for a brass quartet with which I performed. I have written three other brass quintets, and when I started thinking about this one (my fourth) this seemed like a logical choice for a first movement.Movement IIBased on a tune that came to me in a dream. It is dedicated to my wife Lois (we also married in 2004) and has a formal title of Wake Up To A Melody. I originally scored it for jazz band-more specifically for the excellent Salt Lake Alternative Jazz Orchestra, and it has recently been recorded by that group. I like the simplicity of this melody, and felt it would make a natural second movement for this brass quintet.Movement IIIThe third and most difficult movement is Tangoragrondo. It is literally a rondo with a turn-of-the century (19th-20th) ragtime melody/gallop occupying the A theme followed by a Tango (inspired by trips to Santiago Chile) for the B theme. The return to the rag (A theme) is then followed by a fantasy development (C area) with a return to to the rag (A theme) followed by a coda that recalls material from the first movement. The form is quite simple- ABACA-Coda.The material was originally developed as a movement for my double concerto Letting Midnight Out On Bail written for the Duehlmeier-Gritton piano duo and orchestra. It was recorded by the Warsaw Philharmonic and has been released on CD. A second version for two pianos has also been recorded and released by the Duehlmeier-Gritton piano duo. This orchestration for brass quintet will be the final resting place for this chaotic rondo.