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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation.  Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and Bâ™­ Clarinet. The key signature of the anthem is Bâ™­ Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major).  The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune. 
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
Chorale SATB

$2.99 2.55 € Chorale SATB PDF SheetMusicPlus

Piano,Trumpet - Level 4 - Digital Download SKU: A0.898010 Composed by Manuel de Falla. Arranged by Ken Saul. 20th Century,World. Score and part. 19 pages. Ken Saul #3380021. Published by Ken Saul (A0.898010). This is a showcase arrangement of the exciting Ritual Fire Dance, by Manuel de Falla.  It comes with a complete piano score and instrument parts for Bb Trumpet, or optionally C trumpet, Bb Piccolo Trumpet, and Flugelhorn.  If you perform the version with the brass instrument changes, it adds excitement and tone colors not normally heard from the Bb trumpet alone.  If played entirely on the Bb trumpet, it is suitable for an advanced intermediate player.  When you add the piccolo trumpet and flugelhorn, it is more suited to an advanced player.
Ritual Fire Dance for Trumpet and Piano
Trompette

$8.99 7.67 € Trompette PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1184009 Composed by Richard Wagner. Arranged by Langanho. Classical,Opera,Romantic Period,Wedding. 7 pages. Avery Lynn Jordan #783709. Published by Avery Lynn Jordan (A0.1184009). This reduction was made for saxophone quintet, with the intention of being totally practical for musicians of small groups who wish to use it especially at weddings, and not only, can be used for academic or performance purposes, because in it were extracted all the essence of the original work, however, being adapted to be easy to play, serving professional musicians or beginners. The Bridal Chorus by Richard Wagner was composed in 1850 as a prelude to the third act of the opera Lohengrin. It is played when Elsa and Lohengrin enter the bridal chamber to consummate their marriage. The wedding night turns tragic, and Wagner is said to have found it amusing that the piece was used at weddings.
Bridal Chorus by Wagner for Sax Quintet
Quintette de Saxophone: 5 saxophones

$15.99 13.64 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1477548 Composed by Hal Sharper and Jerry Goldsmith. Arranged by Timothy Stapay. Film/TV,Jazz,Pop,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #1054944. Published by Timothy Stapay (A0.1477548). Free As The Wind was composed by Jerry Goldsmith, a very prolific composer of film scores.  This is the main theme from the movie Papillon starring Steve McQueen and Dustin Hoffman.Yesterday's world is a dream like a river that runs through my mind Made of fields and the white pebbled stream that I knew as a child Butterfly wings in the sun taught me all that I needed to see For they sang sang to my heart oh look at me look at me Free as the wind free as the wind that is the way you should be. Love was the dream of my life And I gave it the best I knew how So it always brings tears to my eyes when I think of it now Gone like the butterfly days And the boy that I once used to be But my heart still hears a voice Telling me look , look and you will see There's no regret that I feel For the bitter sweet taste of it all If you love there's a chance you may fly If you fall, well you fall.
Free As The Wind
Piano seul

$6.99 5.96 € Piano seul PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1460793 Composed by Jerry Ross and Richard Adler. Arranged by Will Corbin. Broadway,Musical/Show,Pop. 20 pages. Will Corbin #1039692. Published by Will Corbin (A0.1460793). With the lyrics and accomanying goofy acting on stage and in the movie, this tune from 1954's The Pajama Game is just silly. It actually charted in the '50s by artists you've never heard of. Weirdly, it has been recorded in 15 different Finnish versions under the title Hernandon salaisuus. (The Finns possess an overabundance of vowels.) And it was the theme for the gangstger character Brick Top in the wonderfully weird 200 flick Snatch.But it's a wonderful tango by Jerry Ross when you take away the words.If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
Hernando's Hideaway
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$15.00 12.79 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977256. Published by www.studio-orchestrations.com (A0.1393785). This classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy.  This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra.  In this version we have the original Rita Coolidge performancxe key (starting in E major) which is dusky and mellow but is also available on this website a semitone/half-step higher (strarting in F major) which might suit some female performers ranges better.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
All Time High
Orchestre
Rita Coolidge
$120.00 102.35 € Orchestre PDF SheetMusicPlus

Flute,Vibraphone,Voice - Level 4 - Digital Download SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Stem (A0.1089176). Pavel Friedmann wrote the poem “The Butterfly†in 1942 in the Terezin Ghetto when he was 21. He was murdered in the Auschwitz extermination camp in 1944. Pavel was born in 1921 in Prague, Czechoslovakia (now the Czech Republic) to a Jewish father and a Christian mother. The Butterfly is a living symbol of the beauty of freedom. Such a free spirit could never have survived the confines of the Warsaw ghetto. But while the butterfly did fly away, the spirit and love of freedom it represented never left the souls of the Jews of the ghetto. They always prayed that one day the barbed wire would come down and the butterfly would reappear. The butterfly flutters there today, but many of the Jews who prayed for its return did not live to welcome it back. The first performance of The Butterfly was given on May 8, 1988 at JASA in New York City. The performers were: Andrew Bolotowsky, flute Glenn Rhian, vibraphone Mimi Stern-Wolfe, reciter There are at least two versions of the poem The Butterfly due to different translations.This work uses VERSION 2 as translated here: The last, the very last, So richly, brightly, dazzlingly yellow. Perhaps if the sun's tears would sing against a white stone... Such, such a yellow carried lightly way up high. It went away I'm sure because it wished to kiss the world goodbye. For seven weeks I've lived in here, penned up inside this ghetto, but I have found my people here. The dandelions call to me and the white chestnut candles in the court. Only I never saw another butterfly. That butterfly was the last one. Butterflies don't live in here, In the ghetto.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
The Butterfly

$12.00 10.24 € PDF SheetMusicPlus

Flute,Piano - Level 1 - Digital Download SKU: A0.548707 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411715. Published by jmsgu3 (A0.548707). Out of the Depths I Cry to You by Martin Luther arranged for alto flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms.Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Alto Flute & Piano
Flûte traversière et Piano

$24.95 21.28 € Flûte traversière et Piano PDF SheetMusicPlus

Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411723. Published by jmsgu3 (A0.552829). Out of the Depths I Cry to You by Martin Luther arranged for baritone horn & piano. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Baritone Horn & Piano

$24.95 21.28 € PDF SheetMusicPlus

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.774733 By Midnight Oil. By James Moginie, Peter Garrett, and Robert Hirst. Arranged by Sandra Milliken. Contemporary. Octavo. 13 pages. Sandra Milliken #4368262. Published by Sandra Milliken (A0.774733). Beds are Burning is a powerful and immediately recognisable song by the Australian band Midnight Oil. It was written by band members Peter Garrett, Jim Moginie and Rob Hirst in 1987 following the band’s Blackfella-Whitefella tour of indigenous communities in outback Australia during 1986.Following its release, the song peaked at No. 1 in Canada, New Zealand and South Africa, at No. 6 in Australia and the UK, and reached the top 20 in America.in 1988 Beds are Burning was named ARIA Song of the Year and remains a powerful and recognisable anthem three decades after its release. Its enduring appeal was also recognised when the Australian Performing Rights Association (APRA) placed it third in their Top 30 Australian Songs of all time poll, revealed in 2001 to celebrate the copyright agency’s 75th anniversary.Beds are Burning focused on the issue of Aboriginal land rights. The words it belongs to them, let’s give it back put reconciliation front and centre on the domestic agenda as Australia prepared to mark its Bicentenary in 1988.This arrangement of Beds are Burning, features piano accompaniment, guitar chords and body percussion
Beds Are Burning
Chorale 3 parties
Midnight Oil
$2.30 1.96 € Chorale 3 parties PDF SheetMusicPlus

B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
Bach: Wachet auf for Trumpet & Piano
Trompette

$24.95 21.28 € Trompette PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.1183980 Composed by Richard Wagner. Arranged by Langanho. Classical,Opera,Romantic Period,Wedding. 7 pages. Avery Lynn Jordan #783677. Published by Avery Lynn Jordan (A0.1183980). This reduction was made for woodwind quintet, with the intention of being totally practical for musicians of small groups who wish to use it especially at weddings, and not only, can be used for academic or performance purposes, because in it were extracted all the essence of the original work, however, being adapted to be easy to play, serving professional musicians or beginners. The Bridal Chorus by Richard Wagner was composed in 1850 as a prelude to the third act of the opera Lohengrin. It is played when Elsa and Lohengrin enter the bridal chamber to consummate their marriage. The wedding night turns tragic, and Wagner is said to have found it amusing that the piece was used at weddings.
Bridal Chorus by Wagner for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$15.99 13.64 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.1293499 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Christmas,Classical,Holiday,Wedding. 2 scores. 15 pages. Grant Horsley #883985. Published by Grant Horsley (A0.1293499). I wanted this piece to convey the feeling of the shared warmth of having family and friends meeting over the festive season when everything is done, and now it’s time to enjoy! Written in Concert B flat major the introduction begins with a bell- like Christmas chime settling into the main theme which is almost like a verse and chorus. The piece has two of these sections with a link between the two. The second section is a different treatment to the first as some of the bell like figurations of the opening are incorporated. There is also a mix of staccato and legato phrasing to give contrast. The Chorus part is repeated before a short quiet reflective ending. The range is two octaves at most and there is nothing more complicated than an eighth note although it is moderately high- hence it has been set at intermediate level. I wanted 2 equal instrumental parts so there is no number 1 and 2! The whole piece is on the youtube link for you to assess suitability.Ideal to be added to a Christmas concert list! It is 3 minutes 15 in length. Price is for score and parts.
"Christmas Waltz" Original for For Clarinet Duet and Piano. Intermediate level
2 Clarinettes (duo)
Grant Horsley
$6.50 5.54 € 2 Clarinettes (duo) PDF SheetMusicPlus

Choral Choir,Choral (Unison) - Level 1 - Digital Download SKU: A0.762351 Composed by Lori Cummings. Children,Comedy,Instructional,Pop,Traditional. 12 pages. Lori Cummings #4627699. Published by Lori Cummings (A0.762351). The Wiggly Tooth is a song for Unison Children's Choir with Piano Accompaniment that talks about a child who discovers they have a wiggly tooth and how they wiggle, wiggle, wiggle, wiggle that tooth to get it to come out.  The words and melody are fun and catchy, with a surprise ending for the audience when the tooth finally comes out.  There are two verses and a really fun, catchy chorus.  The accompaniment carries the melody, so this song is suitable for small or young choirs as well.  It also can be used as a solo, and would be great for concerts and music festivals.  I currently do not have it recorded with a choir, but hope to have one of my local music teacher friends record it for me with their choir in the fall after they return to school.  
The Wiggly Tooth
Chorale Unison

$3.25 2.77 € Chorale Unison PDF SheetMusicPlus






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