Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.1183840 Composed by Richard Wagner. Arranged by Langanho. Classical,Opera,Romantic Period,Wedding. 6 pages. Avery Lynn Jordan #783533. Published by Avery Lynn Jordan (A0.1183840). This reduction was made for string quartet with chords, with the intention of being totally practical for musicians of small groups who wish to use it especially at weddings, and not only, can be used for academic or performance purposes, because in it were extracted all the essence of the original work, however, being adapted to be easy to play, serving professional musicians or beginners. The Bridal Chorus by Richard Wagner was composed in 1850 as a prelude to the third act of the opera Lohengrin. It is played when Elsa and Lohengrin enter the bridal chamber to consummate their marriage. The wedding night turns tragic, and Wagner is said to have found it amusing that the piece was used at weddings.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1151823 Composed by Frank Loesser. Arranged by James Pybus. Christmas,Holiday,Pop,Standards. 9 pages. James Pybus #752026. Published by James Pybus (A0.1151823). What Are You Doing New Year's Eve? is a popular song written in 1947 by Frank Loesser as an independent song. It was first recorded by Margaret Whiting in 1947 and first charted for The Orioles, peaking at No. 9 on Billboard's Best-Selling Retail Rhythm & Blues chart in December 1949. Although it is typically performed in December, that was not the composer's intent. In A Most Remarkable Fella: Frank Loesser and the Guys and Dolls in His Life, his daughter Susan Loesser explains that the singer, madly in love, is making a (possibly rash) commitment far into the future. (Maybe it's much too early in the game. Ah, but I thought I'd ask you just the same – What are you doing New Year's, New Year's Eve?) It always annoyed my father when the song was sung during the holidays. This SATB Saxophone Quartet arrangement begins with a quote from Dvorak's New World Symphony before proceeding into the rarely included verse of the song and ends with a quote from the popular song Auld Lang Syne written by Robert Burns, which is often heard on New Year's Eve. The saxophone quartet sound is sure to engage audiences in the spirit and sentiment of the song itself. The duration is 4:21. Contact me at james.pybus56@gmail.com.

Ukulele - Level 2 - Digital Download SKU: A0.1184669 Composed by Gabrielle Liriano. Children. Score (Chords/Lyrics). 10 pages. Art Haus Music Publishing #784355. Published by Art Haus Music Publishing (A0.1184669). Lyrics:I found a cookie in my pocket and I know it's gonna be a good day! Hey! Hey!Yummy peanut nougat swizzle with a drizzle and a chocolate glazeWhat a present for my tummy, 'cause I'm such a slacker.I woke up late for school- an insomniac.See this cookie in my pocket gonna munch on it along the wayI found a cookie in my pocket and i know iit's gonna be a good day!oo oo oo!I'm gonna snack through all my classes, too fuzzy to hear what teachers say.When I stumble through the door late- ten minutes past. UghHeads roll around to stare, What a panic attackBut I got this cookie in my pocket and a dream to keep the grumbles away I found a cookie in my pocket and I see you eyein' me for a chewI must look something like a parrot if you think I'm gonna share it with youLookI gotta last all day with my eyes barely cracked. UghAnd if you try to snatch it I'll turn quarterbackSee this cookie in my pocket is what's keeping me from a snoozeSee this cookie in my pocket is what's keeping me from the blues!

Instrumental Duet Flute,Instrumental Duet,Recorder - Level 3 - Digital Download SKU: A0.596499 Composed by Juan María Solare. 20th Century,Contemporary,Standards,World. Score and parts. 9 pages. Juan Maria Solare #3213415. Published by Juan Maria Solare (A0.596499). Tagoriana  three pieces for recorder (or flute, or any melodic instrument) December 2016 - February 2017 I - Kailash, the witty cashier (2:45) II - We read the world wrong and say that it deceives us (3:15) III - Friendship is like fluorescence (1:20) Total Duration: 7:20   The titles are references to the life and writings of Rabindranath Tagore (1861-1941) I We had an old cashier, Kailash by name, who was like one of the family. He was a great wit, and would be constantly cracking jokes with everybody, old and young; recently married sons-in-law, new comers into the family circle, being his special butts. There was room for the suspicion that his humour had not deserted him even after death. Once my elders were engaged in an attempt to start a postal service with the other world by means of a planchette. At one of the sittings the pencil scrawled out the name of Kailash. He was asked as to the sort of life one led where he was. Not a bit of it, was the reply. Why should you get so cheap what I had to die to learn? Rabindranath Tagore: My Reminiscences | Chapter 2: Teaching Begins (1912)  II  We read the world wrong and say that it deceives us. Rabindranath Tagore: Stray Birds (1916) III The real friendship is like fluorescence, it shines better when everything has darken. Rabindranath Tagore (source unknown to the composer).Find the teaser of a piccolo version by Cecilia Piehl on YouTube:https://youtu.be/jCKO6WREb38If you prefer a hard copy (on paper) of these three pieces, head for Edition Tre Fontane, Münster (ETF 3085), 2020.https://edition-tre-fontane.de/produkt/solare-juan-maria-1966-tagoriana-etf-3085/#flute #Tagore #piccolo #sheetmusic #LatinAmericanMusic #flutemusic #flauta

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation.  Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and Bâ™­ Clarinet. The key signature of the anthem is Bâ™­ Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major).  The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune. 

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.549861 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 18 pages. Jmsgu3 #3557469. Published by jmsgu3 (A0.549861). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore. Instrumentation: 2 Bb clarinets, 1 alto clarinet, 1 bass clarinet.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbrevia.

Piano Solo - Level 3 - Digital Download SKU: A0.999012 Composed by Antonio Tudurí. Baroque,Contemporary,Instructional,Standards. Score. 3 pages. Antonio Tuduri #6139299. Published by Antonio Tuduri (A0.999012). This suite has been composed in baroque style.This suite is a piano version of the original composed for violin solo.When I composed the violin version my brain imagined the bass voice thinking the armony strucuture in a natural way.It has been an exercise to demonstrate that, in general, all music can be adapted to other instrment formations.The adaptation of piano version from the violin version has been made separating the armonic elements and creating the left hand voices.The piano player can add slurs, digitation numbers and articulations in order to create its own version.Their movements can be used also as a training studies.Enjoy it !!!.If you play it, please send me an audio file of how it sounds !!!.Tanks in advance !!.

Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1183994 Composed by Richard Wagner. Arranged by Langanho. Classical,Opera,Romantic Period,Wedding. 6 pages. Avery Lynn Jordan #783692. Published by Avery Lynn Jordan (A0.1183994). This reduction was made for saxophone quartet, with the intention of being totally practical for musicians of small groups who wish to use it especially at weddings, and not only, can be used for academic or performance purposes, because in it were extracted all the essence of the original work, however, being adapted to be easy to play, serving professional musicians or beginners. The Bridal Chorus by Richard Wagner was composed in 1850 as a prelude to the third act of the opera Lohengrin. It is played when Elsa and Lohengrin enter the bridal chamber to consummate their marriage. The wedding night turns tragic, and Wagner is said to have found it amusing that the piece was used at weddings.

Brass Ensemble - Level 1 - Digital Download SKU: A0.1183937 Composed by Richard Wagner. Arranged by Langanho. Classical,Opera,Romantic Period,Wedding. Score and parts. 6 pages. Avery Lynn Jordan #783632. Published by Avery Lynn Jordan (A0.1183937). This reduction was made for brass quartet with chords, with the intention of being totally practical for musicians of small groups who wish to use it especially at weddings, and not only, can be used for academic or performance purposes, because in it were extracted all the essence of the original work, however, being adapted to be easy to play, serving professional musicians or beginners. The Bridal Chorus by Richard Wagner was composed in 1850 as a prelude to the third act of the opera Lohengrin. It is played when Elsa and Lohengrin enter the bridal chamber to consummate their marriage. The wedding night turns tragic, and Wagner is said to have found it amusing that the piece was used at weddings.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.559776 Composed by Greg Jasperse. Arranged by Lisa Ochoco. Contemporary. 17 pages. Lisa L Ochoco #4776251. Published by Lisa L Ochoco (A0.559776). This beautiful and rhythmic piece was written by vocal jazz composer and singer, Greg Jasperse. While he wrote this for the voice, it translates well to an instrumental piece.This arrangement is scored for 5 C flutes, alto, and bass.The rhythms may seem a little scary at first, but most of them are repetitive in each part. Therefore, once the correct rhythms are achieved at the beginning of the song, it will not take much more to perfect the rest of it. It is said that VoiceDane was written for a friend's wedding as a processional piece. Jasperse said, I kept coming back to the word 'joy' when writing the piece and wanted that to come through in the writing.

Brass Ensemble - Level 3 - Digital Download SKU: A0.780061 By The Beatles. By John Lennon and Paul McCartney. Arranged by Graham Boag. Rock. Score and parts. 12 pages. Graham Boag #5867675. Published by Graham Boag (A0.780061). The Long and Winding Road is a song by the Beatles from their 1970 album Let It Be. It was written by Paul McCartney and credited to Lennon–McCartney. When issued as a single in May 1970, a month after the Beatles' break-up, it became the group's 20th and last number-one hit on the Billboard Hot 100 chart in the United States. It was the final single released by the quartet.This arrangement is for Brass Band Quartet and includes alternative parts to allow for social distancing rehearsals as Bands start to return in groups no bigger than six at a time. The parts are:1. Cornet 1/Soprano Cornet2. Cornet 23. Tenor Horn/Baritone/Euphonium/Trombone 4. Euphonium/ EEb & BBb Bass Thank you and enjoy! 

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1278078 By Vanessa Mae. By David La Flamme and Linda La Flamme. Arranged by Jeff Tincher. Folk,Rock,Singer/Songwriter. 30 pages. Jeff Tincher #869768. Published by Jeff Tincher (A0.1278078). When you think of the music of the 60s and the Love And Peace Generation, this one comes at the top of the list. It is still one of my favorite songs of all time. Written by the husband and wife team (sidenote, David's second wife was also named Linda), this song will put you at ease just listening to it. I decided to do this piece in tribute to David La Flamme, co-writer and leader of It's A Beautiful Day band, who passed away 8/10/23. In the original key from It's A Beautiful Day's self-titled LP. Duration = 6:42. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1500130 Composed by Michael Giacchino. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 33 pages. Demetrio Bonvecchio (Db Music) #1076198. Published by Demetrio Bonvecchio (Db Music) (A0.1500130). Bundle of Joy, here arranged for Chamber Orchestra, creates with it's relaxed harmonies and simple phrases a world of it's own. Very delicate and emotional.I hope you will enjoy playing this piece as much as I loved arranging it.Demetrio BonvecchioOther Chamber Orchestra scores available: A Dream Is A Wish Your Heart Makes (from Cinderella) (with Vocal Soloist) When I Am Older (from Frozen 2) (with Vocal Soloist) Mary Poppins “A Symphonic Fantasy” Let It Go (from Frozen) (with Vocal Soloist) Go The Distance (from Hercules) (with Vocal Soloist) Beauty and the Beast (Duet) (with 2 Vocal Soloists) 

Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - Digital Download SKU: A0.844571 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. 17 pages. Phil Beaman #3904129. Published by Phil Beaman (A0.844571). In 1853 Charles Czerny composed a set of 20 easy piano pieces which he called Amusement des Jeunes Amateurs (Amusement for Young Amateurs); they were subtitled Petites et Brillantes Recreations (Small and Brilliant Recreations).   Let's just say they are easy fun little pieces! All of the pieces were loosely based on a folk song or a popular theme from a classical composer. One of them was based on a popular folk Russian polka, so he called it Polka Russe.I have taken Polka Russe and freely arranged it for Instrumental Trio, using some of Czerny's themes, re-arranging them into parts, and also re-ordering them into my own Rondo. Form is Intro-ABACADA-Coda. I have broken up his melodies and spread them across all three parts; each part is of equal importance and each part independently adds to the stunning melodic weaving. Parts are mostly scales and arpeggios. It requires careful counting and close attention to rhythmic interplay, but sounds quite advanced and dramatic when all details are observed.    This piece is really quite Easy, I have just marked it Early Intermediate because of the Allegretto vivace tempo, the note range (two octaves), and the necessary counting. A fun piece to show your technique and musicianship as a group in any concert.  1:45 minutes, 8 pages score, 3 pages @ part(Temporary recording of piano reduction of parts)