Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival                 Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  .

Piano Solo - Level 3 - Digital Download SKU: A0.999010 Composed by Antonio Tudurí. Baroque,Classical,Contemporary,Instructional,Standards. Score. 4 pages. Antonio Tuduri #6139293. Published by Antonio Tuduri (A0.999010). This suite has been composed in baroque style.This suite is a piano version of the original composed for violin solo.When I composed the violin version my brain imagined the bass voice thinking the armony strucuture in a natural way.It has been an exercise to demonstrate that, in general, all music can be adapted to other instrment formations.The adaptation of piano version from the violin version has been made separating the armonic elements and creating the left hand voices.The piano player can add slurs, digitation numbers and articulations in order to create its own version.Their movements can be used also as a training studies.Enjoy it !!!.If you play it, please send me an audio file of how it sounds !!!.Tanks in advance !!.

Concert Band - Level 3 - Digital Download SKU: A0.1475505 Composed by Alexander Courage, Gene Roddenberry, and Jerry Goldsmith. Arranged by Lorenzo Bocci. Film/TV. 68 pages. Lorenzo Bocci #1053055. Published by Lorenzo Bocci (A0.1475505). STAR TREK®: The Next Generation - Theme From The Paramount Television Series Star Trek: The Next Generationfor Concert Band - Grade 3 - Digital Download - More Star Trek MusicComposed by A. Courage, G. Roddenberry, J. Goldsmith. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 1'56''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone 1, 2, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Star Trek: The Next Generation (TNG) is an American science fiction television series created by Gene Roddenberry. It originally aired from September 28, 1987, to May 23, 1994, in syndication, spanning 178 episodes over seven seasons. Set in the latter third of the 24th century, when Earth is part of the United Federation of Planets, it follows the adventures of a Starfleet starship, the USS Enterprise (NCC-1701-D), in its exploration of the Alpha quadrant and Beta quadrant in the Milky Way galaxy.Patrick Stewart's voice-over introduction during each episode's opening credits stated the starship's purpose:    Space: The final frontier. These are the voyages of the starship Enterprise. Its continuing mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before.It received many accolades, including 19 Emmy Awards, two Hugo Awards, one Peabody Award, and six Saturn Awards, including a Lifetime Achievement Award for the entire cast in 2024. In 2013, the Writers Guild of America ranked Star Trek: The Next Generation #79 on their list of the 101 Best Written TV Series, tying it with Upstairs, Downstairs, Monty Python's Flying Circus and Alfred Hitchcock Presents. Subscribe to my YouTube Channel to stay updated on new releases.

Small Ensemble B-Flat Trumpet,Drums,E-Flat Alto Saxophone,E-Flat Baritone Saxophone,Tenor Saxophone,Trombone,Tuba - Level 4 - Digital Download SKU: A0.1039375 Composed by Cindy Wilson, Fred Schneider, Kate Pierson, Keith Strickland, and Ricky Wilson. Arranged by Blake LaBarge. Rock. Score and parts. 39 pages. Blake LaBarge #644324. Published by Blake LaBarge (A0.1039375). Rock Lobster is a song written by Fred Schneider and Ricky Wilson from the band The B-52's. This song became one of their most iconic, launching the band's career. Rock Lobster is a fun, quirky, and energetic party song with a repeated driving guitar riff, a catchy melody, and even aquatic animal calls. My arrangement for brass band is inspired by the style of Lucky Chops, so even though this is a brass band, saxophones are involved. This type of brass band originated in New Orleans. Program Notes: -Drumset player, even though I've written a full part for you, the idea is that you play whatever you want, as long as it fits the style of the piece. Treat my part for you as a base, build off from it however you please. -Optional 8vas are HIGHLY recommended. These really enhance the arrangement. -Trumpet and Alto Saxophone, in your parts starting at J, it says to make aquatic animal noises with your instrument. Each time you make a noise, do something wildly different from before. Use any techniques such as growling, rapid tounging, enharmonics, etc. to achieve such sounds. -It's more fun when you memorize the music!

Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.   Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.   Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands            Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival                Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.

Organ - Level 3 - Digital Download SKU: A0.1463307 Composed by Phil Lehenbauer. Classical,Contemporary,Sacred,Traditional,Wedding. Score. 6 pages. Phil Lehenbauer #1042001. Published by Phil Lehenbauer (A0.1463307). This original work is intended to sound a bit regal and ceremonial.  With a slower tempo, it would work as a prelude or a fanfare.  With a faster tempo, it would easily be a postlude or at a moment when a celebratory feeling is needed!  It was written and recorded on a two manual instrument, and will give you the chance to feature a trumpet stop or two, along with fuller organ sounds!  I hope you enjoy playing it!

Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1183997 Composed by Richard Wagner. Arranged by Langanho. Classical,Opera,Romantic Period,Wedding. 6 pages. Avery Lynn Jordan #783695. Published by Avery Lynn Jordan (A0.1183997). This reduction was made for saxophone quartet and piano with chords, with the intention of being totally practical for musicians of small groups who wish to use it especially at weddings, and not only, can be used for academic or performance purposes, because in it were extracted all the essence of the original work, however, being adapted to be easy to play, serving professional musicians or beginners. The Bridal Chorus by Richard Wagner was composed in 1850 as a prelude to the third act of the opera Lohengrin. It is played when Elsa and Lohengrin enter the bridal chamber to consummate their marriage. The wedding night turns tragic, and Wagner is said to have found it amusing that the piece was used at weddings.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming.  When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™­ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™­)-all is reconciled in a final Amen!

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.817328 By Crosby Stills Nash and Young. By Graham Nash. Arranged by Vicky Jacobs. Pop,Rock. Octavo. 5 pages. Victoria Jacobs #5733253. Published by Victoria Jacobs (A0.817328). This is a fun and easy-to-learn SAB arrangement. I've put it together for my choir to learn over zoom as everyone has a tuneful part so it's fun even when you can't hear the other parts that well. And it's got a great message! It would work equally well with piano or guitar accompaniment. .

Full Orchestra - Level 4 - Digital Download SKU: A0.1077397 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. Score and parts. 8 pages. Chris Siddall Music Publishing #681583. Published by Chris Siddall Music Publishing (A0.1077397). After Phillip Lambro’s original score for Chinatown was rejected at the last minute, composer Jerry Goldsmith was brought in to “save the day�. It’s amazing to think that what is now considered a classic score, and a template for the film noir sound, was written in only ten days. In a meeting with producer Robert Evans, it was suggested that they wanted a contemporary 1930s feel to the music, but Jerry pushed back on this idea saying that this was already displayed on the screen, and that the underscore should enhance the emotion, and emotions are timeless. Jerry hadn’t yet considered what he was going to write, when asked what he envisiged in terms of orchestration, so he quickly replied “four pianos, four harps, strings, solo trumpet and two percussion� which Evans liked the idea of. Having spoken himself into this “trap�, Jerry then had to go home and write it, and it turned out to be an interesting combination of instruments to write for Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!

C Instrument - Level 3 - Digital Download SKU: A0.1513168 By The Pointer Sisters. By Gary Skardina, Marti Sharron, and Stephen Mitchell. Arranged by Emiliano Petronilli. Disco,Pop. Lead Sheet / Fake Book. 5 pages. Emiliano Petronilli #1088037. Published by Emiliano Petronilli (A0.1513168). This is a transcription in leadsheet format for keyboard in a cover band: it is designed as an aid for performing the song in a live setting, using keyboards to reproduce as much as possible of the original recording.Sound cues are indicated in the score as well as the main melodic lines which the keyboard player would be required to perform.Chord symbols and rhythmic ostinatos when present are also indicated.I hope you find my leadsheets as useful as I do when out gigging with the band.Enjoy.

Piano Solo - Level 2 - Digital Download SKU: A0.511391 Composed by J.S. Bach, Johann Pachelbel. Arranged by Jon Sarta. Baroque,Classical,Wedding. Score. 4 pages. Jon Sarta / MLJ Music #3892581. Published by Jon Sarta / MLJ Music (A0.511391). Jesu Canon is a marriage of Jesu, Joy of Man's Desiring and Pachelbel's Canon in D. In almost 30 years of Church Music Ministry, these two songs are among my most requested for weddings. This is a perfect choice for the Processional; the Bridesmaids walk to Jesu and when the Bride enters the most familiar part of the Canon in D is played. Finally, when all are at the altar the song ends with the closing theme of Jesu. The piece is simple and elegant and can easily be mastered by an early intermediate student or sight read for a last minute addition to a wedding. Give it a try, your bride will thank you!

Brass Ensemble - Digital Download SKU: A0.1024971 Composed by Simon M. Sperl. Contemporary. Score and parts. 28 pages. Sperl Publishing #3912935. Published by Sperl Publishing (A0.1024971). This piece, Fables, Fiction and Folklore, is built on a mode and musical figure that can be transposed by a tritone while maintaining every note in the scale.  In other words, whether it’s played in G or C#, the exact same notes are used.  This mirroring of the musical figure is meant to symbolize how we see ourselves.  We look in the mirror and see something that may look like us but is, in fact, as far away from reality as possible. We look past all the good and beautiful things in ourselves and our worlds while only seeing our faults and blemishes. On the other hand, when we look at others, we see idealized versions.  We think about them as if they are fictionalized characters in a story.  Let’s focus on the positive when we look at ourselves and our lives and forgive the imperfections.  We’re the heroes of our personal folktale.

C Instrument - Level 4 - Digital Download SKU: A0.1387350 Composed by Lee Greenwood. Arranged by John Fries. 20th Century,Film/TV,Historic,Praise & Worship,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #971201. Published by John Fries (A0.1387350). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. God Bless the U.S.A. (also known as Proud to Be an Americanis an American patriotic song written and recorded by American country music artist Lee Greenwood, and is considered to be his signature song. It reached No. 7 on the Billboard magazine Hot Country Singles chart when originally released in the spring of 1984. That summer, the song was included in a film about President Ronald Reagan, the Republican presidential nominee, that was shown at the 1984 Republican National Convention. God Bless the U.S.A. gained prominence during the 1988 United States presidential election campaign, when Greenwood performed the song at the 1988 Republican National Convention and at rallies for the Republican nominee, George H.W. Bush. The song became popular again during the Gulf War in 1990 and 1991. As a result of its newfound popularity, Greenwood re-recorded the track for his 1992 album American Patriot.The popularity of the song rose again sharply after the September 11 attacks and during the 2003 invasion of Iraq, and the song was re-released as a single, re-entering the country music charts at No. 16 and peaking at No. 16 on the Billboard Hot 100 pop chart in 2001. The song has sold over a million copies in the United States by July 2015.

Easy Piano - Level 1 - Digital Download SKU: A0.1466682 By John Nichols Wilder. By Henry Tucker. Arranged by Manuela Rosa. 19th Century,Folk,Instructional,Patriotic,Traditional. Score. 7 pages. Manuela #1045220. Published by Manuela (A0.1466682). Ein weiteres patriotisches Lied des Komponisten von  Weeping, sad and lonely (When this cruel war is over)transponiert nach C Dur; leicht gesetzt für KlavierAudiobeispiel wurde computergeneriertgesetzt mit LilypondWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.a patriotic song by the composer of Weeping, sad and lonely (When this cruel war is over)transposed to C major; easy piano versionaudio sample generated by computerWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.