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Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes.  Website: www.kotekan.com
Heavy Metal for Balinese gamelan and chamber ensemble

$25.00 21.27 € PDF SheetMusicPlus

Horn & piano - Digital Download SKU: IZ.IMS156 Composed by Daniel Baldwin. Score and Parts. 11 pages. Imagine Music - Digital #IMS156. Published by Imagine Music - Digital (IZ.IMS156). 9 x 12 in inches.In the fall of 2014, my friend Steven Cohen approached me about doing a project. Around the same time, Idiscovered a Facebook post by Karen Jones (wife of my friend and owner of Imagine Music, Ric Jones) expressinga poetic message about hope, faith, and community. This piece is inspired by a small quote from that posting:....(when) you see children comforting one another, something inside loosens just a little. And the clouds break for amoment, and faith is found in the light.This piece is dedicated to Steven's unborn child, soon to be the light of his life. I hope it will serve as a reminder that,though there will be struggles (there always are when raising children), the clouds will alwaysbreak and the light is always present.
And the Clouds Break
Cor et Piano

$12.00 10.21 € Cor et Piano PDF SheetMusicPlus

Handbell - Level 1 - Interactive Download SKU: A0.1356776 Composed by Text: William C. Dix.Music: Rowland H. Prichard. This edition: Interactive Download. Christian,Praise & Worship. 7 pages. Duration 104. Diana reinhardt #7e4qsFQ2SXtNSZ0Ho5tQwj. Published by diana reinhardt (A0.1356776). Key: C major.The Easter hymn, “Alleluia, Sing to Jesusâ€, is arranged in simple hymn form for a beginning handbell choir and uses sixteen handbells, C4 - D6. Two options are included: one with only handbell pitches and the other with pitches and text. It can be helpful for a handbell choir to have the words included when learning a hymn. When used as an anthem, our choir sometimes alternates playing with singing and sometimes rings and sings simultaneously.
Alleluia! Sing to Jesus
Cloches

$7.99 6.8 € Cloches PDF SheetMusicPlus

Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. Published by Boothe Publishing (A0.1069977). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
If You Could Go Back Piano Vocal Performance

$1.99 1.69 € PDF SheetMusicPlus

Piano Solo - Level 1 - Digital Download SKU: A0.1466590 By John Nichols Wilder. By Henry Tucker. Arranged by Manuela Rosa. 19th Century,Folk,Instructional,Patriotic,Traditional. Score. 6 pages. Manuela #1045196. Published by Manuela (A0.1466590). Ein weiteres patriotisches Lied des Komponisten von  Weeping, sad and lonely (When this cruel war is over)transponiert nach C Dur; leicht gesetzt für KlavierAudiobeispiel wurde computergeneriertgesetzt mit LilypondWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.a patriotic song by the composer of Weeping, sad and lonely (When this cruel war is over)transposed to C major; easy piano versionaudio sample generated by computerWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.
Stand by the Flag (easy piano version; C Major)
Piano seul
John Nichols Wilder
$2.00 1.7 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.828261 Composed by Anonymous. Arranged by Paul Thurmond. Christian,Gospel,Sacred,Spiritual. Score. 4 pages. Paul Thurmond #4969095. Published by Paul Thurmond (A0.828261). Tune: LET US BREAK BREADUse: Prelude, Offertory, CommunionThis song is an African-American spiritual. Some of the text may date back as far as the 18th century. Although it has been used in communion since at least the Civil War, that may not have been its original intent.I have heard lectures given by researchers who claim that many African-American spirituals contain coded messages, intended for slaves, about secret meetings, clandestine worship services, and escape plans. Some songs are even said to contain maps.The texts are innocuous on the surface, so as to not alert the slave owners. Some of the double meanings seem obvious in retrospect:When Israel was in Egypt land,Let My people go.Oppressed so hard they could not stand,Let My people go.And:Steal away, steal away, steal away to Jesus!Steal away, steal away home. I ain’t got long to stay here.In Let Us Break Bread Together, this curious line may have a double meaning:When I fall on my knees, with my face to the rising sunCommunion needn’t take place at daybreak, nor while facing east. The lyrics could be a pointer to a specific time and place for a prohibited meeting.Whatever its original meaning, this and many other African-American spirituals are now an important part of many worship traditions.
Let Us Break Bread Together
Piano seul

$4.99 4.24 € Piano seul PDF SheetMusicPlus

Clarinet Choir,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1375438 Composed by John Wilbye. Arranged by Alan Edgar. Early Music,Renaissance. 40 pages. Alan Edgar Ted Moon #960011. Published by Alan Edgar Ted Moon (A0.1375438). John Wilbye (c 1574 – 1638) was an English madrigal composer. He was employed for decades at Hengrave Hall, near Bury St Edmunds. His style is characterized by the use of false relations between the major and minor modes. ‘Draw on Sweet Night’ comes from John Wilbye’s Second Set of Madrigals of 1609, published when the composer was 35. It has become one of Wilbye’s most cherished works and has been recorded by the likes of I Fagiolini, The Tallis Scholars and The Consort of Musicke. Wilbye labelled his score apt both for viols and voices so I feel justified in making this instrumental arrangement. When adding expressive markings, I had in mind the lyrics and their emotions. INSTRUMENTATION: Essential: Eb, Bb 1-4, Bass and either Bb5 or Alto. Optional: Contra-alto and Contrabass 6 minutes.
DRAW ON, SWEET NIGHT for Clarinet Choir
Ensemble de Clarinettes

$28.00 23.82 € Ensemble de Clarinettes PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1161789 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Blues,Christian,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #762162. Published by Andrew Mc Donald (Macka Records) (A0.1161789). A Little Bit Of That is a song about having everything in moderation. Too much of anything is not good and could result in problems for our health. Just have a little bit of cake or wine and it will go well for us and then we will feel satisfied. When we have too much wine we become drunk and abusive. When we have too much cake we feel bloated and sick, put on weight or even drop dead of a heart attack. This is a blues song for piano and vocals and electric guitar.
A Little Bit Of That!
Piano, Voix et Guitare
Andrew McDonald
$4.99 4.24 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1225761 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #821814. Published by Timothy Stapay (A0.1225761). Smoke Gets In Your Eyes is arranged as played by piano artist, Liberace.This version is from the rare early album Liberace At Home.  Smoke Gets in Your Eyes is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical Roberta. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin,[1] on October 13, 1933. On October 30, 1946, Nat King Cole recorded the song in his trio with Oscar Moore on guitar and Johnny Miller on double bass, during a live broadcast from New York City.[10] Cole performed it on television in 1957 for The Nat King Cole Show.  Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics below:They asked me how I knewMy true love was trueI of course repliedSomething here inside cannot be deniedThey said someday you'll find all who love are blindWhen your heart's on fire,You must realize, smoke gets in your eyesSo I chaffed them and I gaily laughedTo think they could doubt my loveYet today my love has flown away,I am without my love (without my love)Now laughing friends derideTears I cannot hideSo I smile and sayWhen a lovely flame dies, smoke gets in your eyes(Smoke gets in your eyes, smoke gets in your eyes)Smoke gets in your eyes
Smoke Gets In Your Eyes
Piano seul
The Platters
$8.99 7.65 € Piano seul PDF SheetMusicPlus

Alto Recorder,Alto Saxophone,Alto Voice,Banjo,Baritone Horn TC,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bass Voice,Bassoon,Cello,Clarinet,Double Bass,Drums,English Horn,Euphonium,Flute,Harmonica,Oboe,Piano,Soprano Recorder,Soprano Saxophone,Soprano voice,Tenor Recorder,Tenor Saxophone,Tenor Voice,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Xylophone - Digital Download SKU: A0.1072163 Composed by Ramon Fernandes. Instructional,Jazz,Standards. Accompaniment. Duration 270. Ramon Fernandes #6093197. Published by Ramon Fernandes (A0.1072163). Purpúrea is a portuguese word for a similar color to purple. I choice this name and color, because when i wrote and when i listened this backing track i felt that color in my mind.This is a simple Slow Jazz Ballad play along for you pratice your improvise at a determine progression. At the score i suggest some scales that you can use on that part whit that chord etc. You can the score of this play along at: https://www.sheetmusicplus.com/title/purpurea-backing-track-slow-ballad-jazz-digital-sheet-music/218...So, I hope you enjoy it and have a good pratice!
Purpurea - Play Along, Slow Ballad Jazz

$1.99 1.69 € PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1397433 By Dean Martin. By Luis Demetrio Traconis Molina, Norman Gimbel, and Pablo Beltran Ruiz. Arranged by Timothy Stapay. Film/TV,Jazz,Latin,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #980759. Published by Timothy Stapay (A0.1397433). Sway is arranged in a bolero-mambo song style.  The song was written by Mexican composers Luis Demetrio and Pablo Beltrán Ruiz.  Beltrán recorded the song for the first time with his orchestra in 1953. Pedro Infante, for whom the song was written, recorded it in 1954.Norman Gimbel took the song, removed the somewhat melancholy Spanish lyrics about a man wondering if he shall ever love again, and wrote brand-new English lyrics about a man praising his dancing partner's ability to affect his heart with how she sways when they dance. This new song, titled Sway, has become a standard in the pop repertoire. The first version to achieve considerable success in the United States was recorded by singer Dean Martin with the Dick Stabile orchestra in 1954.This song is about dancing, and being infatuated with your dance partner - Martin sings that when they sway together on the dance floor she is all he sees.
Sway (Quien Sera)
Piano seul
Dean Martin
$6.99 5.95 € Piano seul PDF SheetMusicPlus






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