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Violin Duet Violin - Level 5 - Digital Download SKU: A0.799489 Composed by Drake Mabry. Contemporary. 57 pages. Drake Mabry #3241901. Published by Drake Mabry (A0.799489). Négysey's Gallery (2001) for two violins is based on computer paintings created by the violin virtuoso János Négysey. During a return visit to my Alma Mater, the University of California, San Diego I heard the sounds of a far-off violin and followed them, finding myself in front of the door of János Négysey, the violin professor at the university. We hadn't seen each other in over 20 years. While catching up on our lives since my graduation, János took out several stunning computer paintings he had recently completed. I immediately suggested that I do a new work for two violins based on his art. I asked to see more and soon when I left his office I had a collection of paintings from which to choose. A year later the piece was completed and he programmed it for a recital at the University. They were premiered on April 10, 2001 by János and Päivikki Nykter, also a virtuoso violinist. The images were projected on several screens across the width of the stage. Afterwards, János and I would meet on Skype to keep up to date and there was always a healthy amount of laughter. When he passed away suddenly in 2013 I was shocked and saddened. I still miss his insights, sense of humor and encyclopedic knowledge. The duration is approximately 33 minutes and there are 12 color paintings included with the score. Many thanks to Päivikki for giving me permission to include the paintings.Négyesy's Gallery was premiered by János Négyesy and Päivikki Nykter at the University of California, San Diego on April 10, 2001  
Négyesy's Gallery
2 Violons (duo)

$9.99 8.69 € 2 Violons (duo) PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1490641 By Sembenuqk Antoniin. By Sembenuqk Antoniin. Arranged by Sembenuqk Antoniin. 21st Century,Classical,Film/TV. Score. 3 pages. Stefan L. #1067444. Published by Stefan L. (A0.1490641). A timepiece of a composition; 'Journals' also has that BBC-esque historical drama. It also carries some traits of Joe Hisaishi's music featured on Hayao Miyazaki's films. When you listen to the mp3, you can instantly think of rain pouring down on the window sill as the writer collects his thoughts on a single empty page. You can grasp a sort of sentiment filled with loneliness. Its tonically somber, but characteristically its presenting this enigmatic drift. Theres a shift in time you can visualize mentally when you learn this piece.
Journals
Piano, Voix et Guitare
Sembenuqk Antoniin
$6.99 6.08 € Piano, Voix et Guitare PDF SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One  performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble  staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos  doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that  begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself  exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral  tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and  vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words  sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped  by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak  of  standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the  devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms,  the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well  as percussive polyrhythms.
Sonata Hymnica No. 6
2 Pianos, 4 mains

$10.00 8.7 € 2 Pianos, 4 mains PDF SheetMusicPlus

Celtic Harp,Folk Harp,Instrumental Solo,Lever Harp - Level 3 - Digital Download SKU: A0.1493978 By Beka Wilson. By Beka Wilson. Contemporary,Folk,Multicultural,World. Individual part. 3 pages. Beka Wilson #1070588. Published by Beka Wilson (A0.1493978). I started writing this song in 2020, around when I began playing the harp more often and when I first started writing my own original pieces. It went through several iterations, but what started out as an experiment in mixolydian mode turned out to be a calming piece that celebrates just being still. So often we pack our schedules to the brim, and burn out trying to do all the things. Lately I've come to appreciate the value of just stopping to breathe, to pray, to just be in the moment. Sometimes the best music happens in the space between notes.   Length: approximately 3.5 minutes, 3 pagesLevel: late intermediate as written, early intermediate if you edit out the mordents and other ornamentations
In the Still and the Quiet--harp solo
Beka Wilson
$7.99 6.95 € PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.540710 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 39 pages. Musik Fabrik Music Publishing #62093. Published by Musik Fabrik Music Publishing (A0.540710). The composer writes : This work was premièred on April 27, 2003 at the Eglise Saint-Roch in Paris with the prestigious Orchestre de la Musique de L’Armée de L’Air, under the direction of my friend and colleague, Claude Picheraureau. I have always been fascinated by the beauty of the Cosmos, which has inspired many of my works. Feelings of infinite movement can be expressed musically and it seemed to me that one of the ways to do this was to end this work on a repeated phrase played in a long perdendosi, to give the impression that one is hearing the echoes of the finished phrase as the instruments stop playing. I had just started to write this work when I received a note for the Paris Observatory which gave me the news that the astronomical community had decided to name a newly discovered asteroid for Jean-Pierre Luminet. When I wrote to Jean-Pierre to congratulate him on this honour, reminding him with the Petit Prince that not everyone has their own star, I asked him if he would accept that I name this work for concert band with the full name of his asteroid: 5523 Luminet 1991 PH8. Jean-Pierre accepted my proposition by return letter : ..., not only do I not have any objection, but I would be very honoured. To be in the celestial spheres in the form of a rock and also in the form of music, what more could one ask for? The work is scored for : Piccolo 2 Flûtes/2 Flutes 2 Hautbois/2 Oboes Cor Anglais/English Horn 2 Bassons/2 Bassoons Contrebasson/Contrabassoon Petite Clarinette en Mib/Eb Clarinet 1ers Clarinettes en Sib/1st Bb Clarinets : 2mes Clarinettes en Sib/2nd Bb Clarinets Clarinette Basse/Bass Clarinet 1er Saxophone Alto en Mib/1st Eb Alto Saxophone 2me Saxophone Alto en Mib/2nd Eb Alto Saxophone Saxophone Ténor en Sib/Bb Tenor Saxophone Saxophone Baryton en Mib/Eb Baritone Saxophone 4 Cors en fa/4 F Horns 2 trompettes en Sib/2 Bb Trumpets 2 cornets en Sib/2 Bb Cornets 2 Trombones Ténors/2 Tenor Trombones Trombone Basse/Bass Trombone Euphonium Tuba en Ut/Tuba in C Contrebasse à cordes/String Bass Harpe/Harp Timbales/Tympani Percussion I : Marimba Cloches en Tube/Tubular Bells &wRt Grosse Caisse/Bass Drum = G.C Tambour/Field Drum = Tamb. Percussion II : Jeu de timbres/Glockenspeil = JdT Caisse Claire/Snare Drum = c. cl. Percussion III : Gong 3 cymbales suspendues (aigu, medium, grave)/3 suspended cymbales (high, medium, low) = CSa, CSm, CSg 3 Tamtams (aigu, medium, grave/high, medium, low) = TTA, TTM, TTG Duration : aprox 12 minutes. This item is the full score. The parts are available in three sets (wind parts/brass part/percussion + harp and double bass) and each individual part is also available.
Thérèse Brenet: (5523) Luminet 1991 PH8 for concert band, score
Orchestre d'harmonie

$19.95 17.35 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.540712 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 92 pages. Musik Fabrik Music Publishing #62097. Published by Musik Fabrik Music Publishing (A0.540712). The composer writes : This work was premièred on April 27, 2003 at the Eglise Saint-Roch in Paris with the prestigious Orchestre de la Musique de L’Armée de L’Air, under the direction of my friend and colleague, Claude Picheraureau. I have always been fascinated by the beauty of the Cosmos, which has inspired many of my works. Feelings of infinite movement can be expressed musically and it seemed to me that one of the ways to do this was to end this work on a repeated phrase played in a long perdendosi, to give the impression that one is hearing the echoes of the finished phrase as the instruments stop playing. I had just started to write this work when I received a note for the Paris Observatory which gave me the news that the astronomical community had decided to name a newly discovered asteroid for Jean-Pierre Luminet. When I wrote to Jean-Pierre to congratulate him on this honour, reminding him with the Petit Prince that not everyone has their own star, I asked him if he would accept that I name this work for concert band with the full name of his asteroid: 5523 Luminet 1991 PH8. Jean-Pierre accepted my proposition by return letter : ..., not only do I not have any objection, but I would be very honoured. To be in the celestial spheres in the form of a rock and also in the form of music, what more could one ask for? The work is scored for : Piccolo 2 Flûtes/2 Flutes 2 Hautbois/2 Oboes Cor Anglais/English Horn 2 Bassons/2 Bassoons Contrebasson/Contrabassoon Petite Clarinette en Mib/Eb Clarinet 1ers Clarinettes en Sib/1st Bb Clarinets : 2mes Clarinettes en Sib/2nd Bb Clarinets Clarinette Basse/Bass Clarinet 1er Saxophone Alto en Mib/1st Eb Alto Saxophone 2me Saxophone Alto en Mib/2nd Eb Alto Saxophone Saxophone Ténor en Sib/Bb Tenor Saxophone Saxophone Baryton en Mib/Eb Baritone Saxophone 4 Cors en fa/4 F Horns 2 trompettes en Sib/2 Bb Trumpets 2 cornets en Sib/2 Bb Cornets 2 Trombones Ténors/2 Tenor Trombones Trombone Basse/Bass Trombone Euphonium Tuba en Ut/Tuba in C Contrebasse à cordes/String Bass Harpe/Harp Timbales/Tympani Percussion I : Marimba Cloches en Tube/Tubular Bells &wRt Grosse Caisse/Bass Drum = G.C Tambour/Field Drum = Tamb. Percussion II : Jeu de timbres/Glockenspeil = JdT Caisse Claire/Snare Drum = c. cl. Percussion III : Gong 3 cymbales suspendues (aigu, medium, grave)/3 suspended cymbales (high, medium, low) = CSa, CSm, CSg 3 Tamtams (aigu, medium, grave/high, medium, low) = TTA, TTM, TTG Duration : aprox 12 minutes. This item contains all of the woodwind parts The parts are available in three sets (wind parts/brass part/percussion + harp and double bass) and each individual part is also available. The full score is available as a seperate item.
Thérèse Brenet: (5523) Luminet 1991 PH8 for concert band, woodwind parts
Orchestre d'harmonie

$59.95 52.13 € Orchestre d'harmonie PDF SheetMusicPlus

Piano,Violin - Level 5 - Digital Download SKU: A0.1446374 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Friedrich Fritz Kreisler. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Romantic Period. 12 pages. Keith Terrett #1026182. Published by Keith Terrett (A0.1446374). Alt-Wiener Tanzweisen (Old Viennese Melodies in German) is a set of three short pieces for violin and piano composed by Austrian-American violinist Fritz Kreisler. The three pieces are titled Liebesfreud (Love's Joy), Liebesleid (Love's Sorrow), and Schön Rosmarin (Lovely Rosemary).It is not known when the pieces are written, but they were published in 1905, deliberately misattributed to Joseph Lanner.[citation needed] The pieces had become parts of Kreisler's repertoire well before September 1910, when he copyrighted them under his own name.Kreisler often played these pieces as encores at his concerts, though the pieces are usually performed separately.In 1911, he published solo piano arrangements of the pieces as Alt-Wiener Tanzweisen. The pieces have since appeared in numerous settings for other instruments, or orchestrated.Two of the pieces, Liebesfreud and Liebesleid, were the subject of virtuoso transcriptions for solo piano by Kreisler's friend Sergei Rachmaninoff (1931), who also recorded these transcriptions.
Schön Rosmarin (Lovely Rosemary) for Violin & Pianoforte
Violon et Piano
Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962)
$8.00 6.96 € Violon et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549730 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531411. Published by jmsgu3 (A0.549730). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
Fauré: Élégie Op. 24 for Tenor Sax & Piano
Saxophone Tenor et Piano

$32.95 28.65 € Saxophone Tenor et Piano PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1317933 Composed by Various. Arranged by César Madeira. A Cappella,Christian,Praise & Worship,Religious,Sacred. 47 pages. Sheet Music To Play Editions #906622. Published by Sheet Music To Play Editions (A0.1317933). 25 Easy Worship Anthems for SATB Choir. Full Score with Chords. Enjoy it!Song List:All Creatures of our god and king. All Hail The Power of Jesus’ Name. A mighty fortress is our God. Be Thou My Vision. Christ Is Risen Today. God will take care of you. Great Is Thy Faithfulness. He hideth my soul. His Eye Is On The Sparrow. How Great Thou Art. Lift Every Voice and Sing. March of Three Kings. My jesus I love thee. My Lord, What A Morning! O Come, O come, Emmanuel. O Little Town of Bethlehem. Rock of ages. Softly and Tenderly, Jesus Is Calling. Tell me the story of Jesus. Turn your eyes upon jesus. What a friend we have in jesus. When I survey the wondrous cross. When We All Get to Heaven. Whispering Hope. Wonderful Words of LifeFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
25 Easy Worship Anthems for SATB Choir - W/Chords (Book 1)
Chorale SATB

$4.99 4.34 € Chorale SATB PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1417360 By Artemas. By Artemas Diamandis, Jesse Fink, Kevin White, and Toby Daintree. Arranged by Cristian Ordoñez. 21st Century,Contemporary,Funk,Pop,Rock. 8 pages. Cristian Ordonez #998907. Published by Cristian Ordonez (A0.1417360). The best way to play a song is with these arrangements. I take care of reviewing each note and that it sounds excellent when you play.You can subscribe to my YouTube Channel. Cristian OrdonezYou can also get access to my Patreon-only feed supporting my work and be the first to find out when I post new arrangements.https://www.patreon.com/CristianDavid.
I Like The Way You Kiss Me
Quatuor à cordes: 2 violons, alto, violoncelle
Artemas
$14.99 13.03 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1499753 Composed by Gerald W. Gabbard. 20th Century. 13 pages. Gerald W. Gabbard #1075819. Published by Gerald W. Gabbard (A0.1499753). Back when I was a music major in college, I composed these two songs for solo voice and piano using two of the famous sonnets by Keats, When I Have  Fears and Bright Star! Would I Were Steadfast as Thou Art. The first is in b-flat minor and the second is in g minor. The MP3 recording is a Finale file export and has digital vocalise instead of words. Hopefully it'll give you a feel for the two songs. The first song is for high voice and the second is for low voice. A mezzo or baritone with a wide range possibly could sing both songs. I hope you enjoy them.
Two Keats Sonnets for Solo Voice and Piano, Op. 9 (1988)

$9.00 7.83 € PDF SheetMusicPlus

Choir Sacred (Women's Choir) - Digital Download SKU: JX.00-VG360 Composed by Oscar Peterson. Arranged by Seppo Hovi. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Jubilate Archive Edition. 4th of July; Gospel; Patriotic; Sacred; Summer. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-VG360. Published by Jubilate Music Group - Digital (JX.00-VG360). English. Words by Harriette Hamilton.The powerful lyrics 'When ev'ry man joins in our song and together singing harmony, that's when we'll be free' are the focal point of this gospel-flavored Oscar Peterson work. It's a wonderful song of brotherhood and universal love and sharing. The SSA edition is arranged by Seppo Hovi, and the SATB edition is arranged by Paul Read. Don't overlook this exceptional work!
Hymn to Freedom

$2.25 1.96 € PDF SheetMusicPlus

Handbell - Level 3 - Digital Download SKU: A0.1307886 Composed by Johann Sebastian Bach. Arranged by Cheryl (Sutton) Baker - Bronze:FX. Baroque,Chamber,Classical,Wedding. Score. 6 pages. Bronze:FX #897148. Published by Bronze:FX (A0.1307886). “Jesu, Joy of Man’s Desiring†is an audience pleaser, both in the sacred setting and as secular meditation or wedding music. This setting combines the melody and the popular eighth-note counter-melody together, all in only two octaves of handbells. The effect is simplistic without being simple, and truly joyous when performed flowingly.The arrangement is for 4, 5, 6, or 7 ringers using two octaves of handbells, and the piece is Level 3 when played with seven ringers. Assignments are included for each quantity of ringers.This piece may also be performed by four- or six-in-hand ensembles without tables, although it should be noted that there are seven accidental bells required (six of them infrequently).Performance time:• 3 minutes, 15 seconds with repeat but without optional DC al Fine• 6 minutes with repeat and optional DC al Fine.
Jesu, Joy of Man's Desiring
Cloches

$2.50 2.17 € Cloches PDF SheetMusicPlus

Vocal Solo,Voice - Digital Download SKU: A0.793368 Composed by Minni K. Ang. Christian,Sacred,Spiritual. 3 pages. Dr Minni Ang #4758347. Published by Dr Minni Ang (A0.793368). Scripture Union Malaysia, camp theme song for 1991. Suitable for Christian prayer and exhortation.There are times dear Lord when I’ve promised you all that I haveStrived so hard to fill my vows, when failed I felt so very badBut now I know dear Lord I can’t depend on meAll my strength comes from You and You aloneI need to learn to lean on Jesus Christ my LordCHORUSAbide, abide in Christ, help me Lord to abide in YouAbide, abide in Christ, help me Lord to depend on YouHelp me Lord to abide in You (x2)Now I know dear Lord I’ve got to learn to spend more time with YouAt Your Feet, in Your Presence, help me Lord to commune with YouTo learn to love You Lord and rest in Your PeaceFill me now with Your Spirit Lord, I prayHelp me to abide in Jesus Christ each day(repeat chorus)Feed me now dear Lord with Your Word the Bread of LifeGrant me the wisdom to understand O LordGive me the thirst to seek for You each dayTo want to know You Lord, please draw me nearI can’t do it on my own, for You’re the VineHelp me cling to You Lord Jesus all the time(Repeat chorus)
Abide in Christ
Voix seule

$1.99 1.73 € Voix seule PDF SheetMusicPlus






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