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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Digital Download SKU: A0.956882 Composed by Antonio Vivaldi. Arranged by Woods Only. Baroque,Christmas,Standards,Wedding,World. 9 pages. Woods Only, Arrangements #6443439. Published by Woods Only, Arrangements (A0.956882). This arrangement was adapted for a wood quintet ensemble, ideal to be performed at weddings and by groups of music beginners, which does not prevent it from being performed by professionals in the area. The piece has approximately 2 minutes and 33 seconds of duration, being in a comfortable time for those performing it, so that there is no difference between this version and the composer's original.The Four Seasons, Italian Le quattro stagioni, group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives a musical expression to a season of the year. Unusually for the time, Vivaldi published the concerti with accompanying poems (possibly written by Vivaldi himself) that elucidated what it was about those seasons that his music was intended to evoke. This movement is illustrated textually in a sonnet with the following description:Standing quietly and contentedly by the fireWhile outside the rain bathes everything;Walk on the ice with slow stepFor fear of falling in the attempt.To feel when going out through the stinging door,Sirocco, Borea, and all the winds at war;That this is winter, but such, that joy door.
Largo from Winter by Vivaldi for Woodwind Quintet - with English Horn and without French Horn
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$9.99 8.64 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1252383 Composed by Franz Schubert. Arranged by Benzaiten Editions. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 4 pages. Benzaiten Editions #846353. Published by Benzaiten Editions (A0.1252383). Tenor voice sheet music with easy piano accompaniment for Schubert’s Ave Maria in E flat major. Arranged by Benzaiten Editions.Hey! Are you a tenor who wants to learn to sing the song Ave Maria from Schubert? Stay with us!Schubert Ave Maria in Eb Major • tenor voice sheet music with easy piano accompaniment The Benzaiten Editions Arrangement If you're looking for an easy / beginner tenor voice sheet music with piano accompaniment arrangement of the beautiful song “Ave Maria†from Franz Schubert, look no further! I have arranged a simple yet beautiful version of this song that is perfect for beginner musicians / those who like this incredible and timeless song. With this arrangement of Schubert’s Ave Maria, you'll be able to play this emotional melody with ease and grace. The simplified chords and melody make it easy to learn.So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our easy / beginner tenor voice arrangement of Schubert’s Ave Maria is sure to inspire. Schubert Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:→ Soprano voice | easy piano accompaniment→ Alto voice | easy piano accompaniment→ Tenor voice | easy piano accompaniment→ Baritone voice | easy piano accompaniment About the song Ave Maria is one of Franz Schubert's most well-known and revered compositions. Although it is often associated with the Catholic prayer, Schubert's music is actually an adaptation of a work by Walter Scott, a Scottish poet. Schubert composed the melody as part of his piece Ellens Gesang III (Ellen's Song III), which is a series of songs based on Scott's poems.Ave Maria was composed in 1825 and is one of the most popular and beloved pieces in the classical repertoire. The gentle and melancholic melody, combined with the Latin lyrics invoking the Virgin Mary, evokes a sense of serenity and devotion. While it was originally written for voice and piano, the melody has also been adapted for various instruments and choirs.Interestingly, Schubert was unaware that his melody would become widely known as Ave Maria. The original title of the composition is Ellens Gesang III: Hymne an die Jungfrau (Ellen's Song III: Hymn to the Virgin). The fame of Ave Maria came later when different versions of the melody were published and performed with the Latin lyrics.Due to its beauty and emotional appeal, Schubert's Ave Maria has been performed on numerous occasions, from religious ceremonies to concerts and solemn events. The piece continues to move and inspire listeners around the world, highlighting Franz Schubert's genius as a composer.
Schubert Ave Maria in E flat major [Eb] • tenor sheet music with easy piano accompaniment
Piano, Voix

$1.99 1.72 € Piano, Voix PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1253572 Composed by Connie Boss. Children,Instructional. Score. 10 pages. Connie Boss #847223. Published by Connie Boss (A0.1253572). This Aesop's fable always teaches children a good lesson. Don't lie - people won't believe you when you are telling the truth. I have arranged it into a musical/play. It has a simple melody and is repetitive. It is best for PreK - 2nd grade. Older kids can help with the narration if needed or the teacher can. This download includes the sheet music as well as a script. For any questions or requests, email cdboss@cvalley.netI have an mp3 of just the piano available on SMP and SMD if you don't have someone to play.
The Boy Who Cried Wolf Musical/Play
Piano, Voix et Guitare

$5.99 5.18 € Piano, Voix et Guitare PDF SheetMusicPlus

English Horn Solo - Level 3 - Digital Download SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slide Ride (A0.784328). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
Cor Anglais

$5.00 4.32 € Cor Anglais PDF SheetMusicPlus

SATB Chorus, Piano, Flute, Trumpet, Shaker - Digital Download SKU: IZ.VMF222 Composed by Robert M. Shearn. Score and Parts. 19 pages. Imagine Music - Digital #VMF222. Published by Imagine Music - Digital (IZ.VMF222). 9 x 12 inches.Easter Morn functions best in a worship setting during the Easter season. However, it has been used, on occasion, in a concert setting as well. Within liturgy or other worship settings, it is best used as a reflection piece: an affirmation song following the proclamation of the Gospel, or as a thanksgiving piece following the communion rite. While a full SATB choir, with piano, flute, percussion, and brass can yield splendid results, Easter Morn is easily adaptable for use during a simple outdoor sunrise service using guitar and vocals, or with light instrumentation. The tenor of the piece is festive and joyful, yet, somewhat subdued. Fear and confusion initially gripped the women disciples who discovered the tomb empty and first heard the angel's question, “why do you seek the living among the dead? It was not until later when the words of Jesus regarding his resurrection sunk in: “just as he said, JUST AS HE SAID, that their joy overflowed in a chorus of alleluias! Navigating this tension, and capturing this dynamic is key to an effective performance of the piece.
Easter Morn
Chorale SATB

$16.00 13.84 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.507406 Composed by Heather Cattanach. 20th Century,Children,Contemporary,Instructional. Score. 3 pages. Published by Heather Cattanach (A0.507406). A fun, bouncy piece reminiscent of Prokofiev, Lynx uses hand crossings and changing time signatures. Intermediate Piano Solo from “88 Constellations†a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Johannes Hevelius was noted for his keen eyesight; when he devised this constellation to fit in the gap between Auriga and Ursa Major he declared one would need the eyes of a lynx to see it, as it is rather faint. On star charts it forms a zig zag line. Performance Time 1 minute. 2 pages. (General Instructional, 20th Century, Modern, Repertoire, Recital).
Lynx
Piano seul

$3.99 3.45 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928572 Composed by Beethoven's Wig, Richard Perlmutter. Children,Classical,Instructional,Romantic Period,Standards. Score. 65 pages. Beethoven's Wig, Inc. #6384013. Published by Beethoven's Wig, Inc. (A0.928572). Inspired and wildly imaginative, Beethoven's Wig Sing Along Piano Classics are zany, stick-in-your-head lyrics set to masterpieces by great composers. The lyrics are filled with fact and fancy about the composers and their music opening a door to serious music that's fun. It’s fun to play and sing along!  The music for each piano piece is presented as it was originally written by the composer.  As a bonus, there is an appendix with pieces transposed into the keys used on Beethoven’s Wig recordings. This allows pianists to play and sing along with the recorded tracks.GREAT FOR PIANO STUDENTS AND TEACHERSPiano teachers often tell their students they should sing the instrumental pieces they play to improve their performance. This helps students to interpret pieces lyrically. The witty and delightful lyrics in this collection are an entertaining means to that end. They are great to sing along with when playing, and are educational and fun!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children...and a classical piece like Beethoven's Fifth Symphony. Not a good bet. But what if that work had words?  - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer.- Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.-Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association. CONTENTS - MUSIC IN THE COMPOSER’S ORIGINAL KEYSBeep, Beep, Beep (Moonlight Sonata, Beethoven), Just For Elise (Für Elise, Beethoven), La De Da Sonata  (Sonata in C, Mozart), A Piano Is Stuck In The Door (The Entertainer, Joplin), My Little Chicken (Chopsticks, de Lulli), Poor Uncle Joe (Funeral March, Chopin), A Fan of Chopin (Prelude Op. 28, No 7, Chopin), Mozart Makes Kids Smart (Alla Turca, Mozart), Minuet For My Pet (Minuet In G, Beethoven), Dvorak The Czechoslovak (Humoresque No. 7, Dvorak), Franz Liszt The Famous Pianist (Hungarian Rhapsody No. 2, Liszt), I Can’t Sleep (Lullaby, Brahms), I Like Art (Promenade From Pictures At An Exhibition, Mussorgsky)APPENDIX - MUSIC IN THE KEYS ON BEETHOVEN’S WIG RECORDINGSJust For Elise - Key of Eb Minor (Für Elise, Beethoven), A Piano Is Stuck In The Door - Key of G (The Entertainer, Joplin), Minuet For My Pet - Key of D (Minuet In G, Beethoven), Dvorak The Czechoslovak - Key of Bb (Humoresque No. 7, Dvorak, Franz Liszt The Famous Pianist - Key of F (Hungarian Rhapsody No. 2, Liszt)
Beethovens Wig Sing Along Piano Classics
Piano, Voix

$17.99 15.56 € Piano, Voix PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1469433 By Usher Featuring Lil Jon & Ludacris. By Christopher Bridges, James Phillips, Jonathan Smith, La Marquis Jefferson, Laurence Smith, and Sean Garrett. Arranged by Levi Comstock. 21st Century,Contemporary,Hip-Hop,Pop,R & B. 11 pages. Viola Fusion #1047455. Published by Viola Fusion (A0.1469433). This 2004 hit by Usher topped the charts for 12 consectutive weeks, during which time that catchy ostinato Burned itself into literally every Millenial brain everywhere, and they will be so excited when you bust this one out at your next gig. They will be scremin Yeah, and you will book five more weddings right then and there.A little known fact is that Usher origionally scored this piece for a consort of viola de gamba, before reconceiving it as a hip hop song, where it found wider appeal. It is that original source material which inspired this work for modern string orchestra. On a one-to-ten, this arrangement is a certified twenty.
Yeah!
Orchestre à Cordes
Usher Featuring Lil Jon & Ludacris
$49.99 43.24 € Orchestre à Cordes PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1291955 Composed by Grant Horsley. Christmas,Classical,Film/TV,Holiday,Standards. 22 pages. Grant Horsley #882562. Published by Grant Horsley (A0.1291955). Christmas Waltz is a short gentle waltz for flute choir scored for 4 C Flutes, Alto and Bass Flute ( A version for 6 C flutes is also available)I wanted this piece to convey the feeling of the shared warmth of having family and friends meeting over the festive season when everything is done, and now it’s time to enjoy!Written in Concert C major the introduction begins with a bell- like Christmas chime settling into the main theme which is almost like a verse and chorus. The piece has two of these sections with a link between the two. The second section is a different treatment to the first as some of the bell like figurations of the opening are incorporated. There is also a mix of staccato and legato phrasing to give contrast. The Chorus part is repeated before a short quiet reflective ending.The range is two octaves at most and there is nothing more complicated than an eighth note- hence it has been set in early intermediate level.The whole piece is on the youtube link for you to assess suitability.Ideal to be added to a Christmas concert list!It is 3 minutes 15 in length.Price is for the full score and all parts.
"Christmas Waltz" Original for Flute Choir. Early Intermediate.
Ensemble de Flûtes

$12.99 11.24 € Ensemble de Flûtes PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
Missa Solemnis, op. 27 - Score Only
Orchestre

$100.00 86.5 € Orchestre PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.583704 By Mungo Jerry. By Ray Dorset. Arranged by Jeff Tincher. Contemporary. 17 pages. Jeff Tincher #4737015. Published by Jeff Tincher (A0.583704). If you want a song that can tell you life in the 60s from a Flower Child's point of view, this song is it. I really liked the song when I heard it way back in those times but really didn't realize how it was a biography of times until putting this arrangement together. In the original key from their Mungo Jerry album, this is another song that depicts summer. Duration = 3:30. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
In The Summertime
Quatuor de Saxophones: 4 saxophones
Mungo Jerry
$12.99 11.24 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Percussion Ensemble - Level 2 - Digital Download SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Published by WallofSound (A0.1028124). En ReÌ‚ve, In Dream, was conceived when I studied composition for Tobias Broström. Every day I was commuting from Skurup to BaÌŠstad and every day I was struck by BaÌŠstads almost continental beauty; I felt like I was in France.  Cobble stone roads, houses with towers and that mountain ridge close to the ocean...One day on the train, I ran into three French girls on holiday.Patiently they listened to my ideas and kindly helped me translate the tempo markings to French. The piece begins with us falling to sleep. The marimbas rocks us slowly In Dream.After sudden movements in the vibraphone we are happily strolling on the cobble stones, sun shining and children riding their bikes across the streets not noticing the rocky ride.Bells chime in the distance and the world – or the dream – vanish. As sudden as it started it is gone.The dissonance of the beginning is now gone and our sleep is peaceful and calm - or is it..? Originally a solo piece for Marimba dedicated to Kasper Grøn.Thanks to Camille, Carole, Raphaëlle for the help with the French.
En Rêve for Percussion Ensemble
Ensemble de Percussions

$10.00 8.65 € Ensemble de Percussions PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.823017 Composed by David Rubinstein. 20th Century,Contemporary. Score. 21 pages. David Rubinstein #5774009. Published by David Rubinstein (A0.823017). CIRCUS MUSIC (full set) The four pieces in this set attempt to capture some of the moods of the circus - spectacle, craziness, nostalgia, humor, etc. The pieces are:  1. THREE-RING CIRCUS2. CIRCUS PANTOMIME 3. CIRCUS FELLINI 4. CIRCUS MEMORY The technical level is mostly intermediate and each piece is about 2 1/2 minutes long. THREE-RING CIRCUS is the first piece in the set. It is about the spectacle and craziness of the circus. The harmonies are conventional, incongruous and dissonant. When performing the entire set, Three-Ring Circus begins the set and can also be played again at the end of the set, following Circus Memory. CIRCUS PANTOMIME: Features conventional but off-beat harmonies and rhythms, reminiscent of the musical humor of Erik Satie. CIRCUS FELLINI: Originally composed as a synthesizer demo for film scoring purposes, it has been transcribed as a piano piece. It is inspired by many Fellini films and their music. CIRCUS MEMORY A dream-like nostalgic atmosphere. 
Circus Music
Piano seul

$12.95 11.2 € Piano seul PDF SheetMusicPlus






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