Solo Guitar - Level 3 - Digital Download SKU: A0.1374708 Composed by Alan Menken and Howard Ashman. Arranged by Brad Powell. Broadway,Classical,Film/TV,Musical/Show,Pop,Wedding. Individual part. 5 pages. Geofonica Artistworks #959262. Published by Geofonica Artistworks (A0.1374708). This is an instrumental solo arrangement of Something There created by Brad Powell for his performances in Disney's Princess Breakfast Adventure at the Disneyland Resort's Grand Californian hotel (Napa Rose restaurant), from 2019 to early 2024. It's an intermediate solo guitar arrangement, mixing jazz and classical techniques and chord voicings. You can hear the full arrangement performed in the YouTube link provided. NOTE: This instrumental arrangement is in standard notation (LYRICS are included for reference). It is also available as standard notation with TAB.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation â?? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Piano Solo - Level 2 - Digital Download SKU: A0.744403 By Rob Asselstine. By Rob Asselstine. Arranged by Rob Asselstine. Film/TV,Pop. Score. 2 pages. RGAMedia Inc. #352528. Published by RGAMedia Inc. (A0.744403). This is a little ditty that I wrote on (wait for it...) a Thursday Morning at 5am. At the time I was writing a lot of Jingles (Radio /TV commercials) for the Studio I was working at. I've always enjoyed playing this tune and the mp3 features a little groove to give you a sense of the feel that was in my head. The track also features a simple repeat of the piece (to extend it to 2-ish minutes). Enjoy! Let me know when you work with it.

Easy Piano - Level 1 - Digital Download SKU: A0.1418252 Composed by Anthony Newley and Leslie Bricusse. Arranged by Piano Rachel. Children,Film/TV,Instructional. Score. 2 pages. Piano Rachel #999808. Published by Piano Rachel (A0.1418252). This arrangement is for the elementary player who is around a level 2B in Piano Adventures piano series. It is also a great tool for piano teachers because it is instructional with fingerings circled when hands need to move. Attached is also an analysis questionaire to help talk through the piece before playing it. The last two systems (staves) have the hands in unison to stretch the student.

Concert Band - Level 3 - Digital Download SKU: A0.998583 Composed by Michael Barrera. Contemporary. 21 pages. Michael Barrera #6860417. Published by Michael Barrera (A0.998583). Https://www.michaelbarreraflute.com/shop/p/coal-and-steam-score Program Notes Coal and Steam is a piece written for middle school band. It features vivid imagery of trains, such as whistles and horns. It begins with a fanfare which expresses the grandeur of steam locomotives, followed by a driving energy once it begins to move. The first version was written in 2019 when Union Pacific’s #4014 Big Boy, the largest operating steam locomotive in the world, finished restoration. Instrumentation Written for symphonic band of any size (Number indicates how many parts - some parts include divisi) 2 Flutes 1 Oboe 1 Bassoon 2 Clarinets (B flat) 1 Bass Clarinet (B flat) 2 Trumpets (B flat) 1 Horn (F) 2 Trombones 1 Euphonium 1 Tuba Timpani Chimes Glockenspiel Snare Drum Bass Drum Triangle Anvil Shaker.

Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspiredâ€� images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€�The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lushâ€� and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€�, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hiddenâ€� from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only.  The parts are available on rental from the publisher

Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Baritone Horn TC,Cello,Piccolo,Soprano voice,Viola,Violin - Level 5 - Digital Download SKU: A0.1404089 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Opera. 49 pages. Barabba Music #987269. Published by Barabba Music (A0.1404089). A Micro-opera by Jason V. BarabbaLibretto by Jason V. Barabba and Annie Jankowski after The Wolf and the Lamb by Aesop for Soprano, Baritone, Flute, Violin, Viola and CelloIt feels like our national political and social discourse has plummeted to new depths of dysfunction. No matter what your opinions are, you cannot fail to notice that we’ve lost something in our nation when our leaders cannot find a way to disagree with one another with civility. It is hard to feel optimistic, or even know what to do in the face of such petty ugliness that passes for political thought in this nation.For Tyrant I turned to the basic lessons found in Aesop’s fables, which are at heart lessons on being a good member of civil society…lessons that unfortunately I believe our nation needs to re-learn. Soon. The Wolf and the Lamb focuses on someone who consciously makes up lies to justify what he wants to do and feels alarmingly relevant today. Only lightly edited to turn the story into a dramatic scene, it is a very old story intended for the people of 2017.

Solo Guitar - Level 2 - Digital Download SKU: A0.1449472 By The Candlelight Guitarist. By Bradley Powell. Classical,Country,Folk,Jazz,New Age. Individual part. 4 pages. Geofonica Artistworks #1029225. Published by Geofonica Artistworks (A0.1449472). A beautiful, soothing and serene fingerstyle guitar solo, in a modern folk-classical style, by Bradley Powell (The Candlelight Guitarist). It is mostly played in 1st position (a few spots higher on neck), using folk-country chord voicings, with some softer jazz major 7th, major 9th, minor 9th chords.  It is a fairly easy intermediate level piece (as far as technical difficulty), but can sound very professional as well. This sheet music is in Standard notation... (a version in Standard notation with TAB is also available).  Hear Brad's recording at the YouTube link below--NOTE: this piece is the FIRST of the two pieces in that video.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.  

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254362 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847934. Published by Regis Bookshar (A0.1254362). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Saxophone Quintet (2 Altos, 3 Tenors) - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and the music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straighforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.This arrangement is for a Saxophone Quintet, consisting of 2 Alto Saxophones and 3 Tenor Saxophones. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.

Piano,Violin - Level 3 - Digital Download SKU: A0.836715 Composed by Brian Joyce. 20th Century,Classical,Romantic Period. 44 pages. Brian Joyce #4887927. Published by Brian Joyce (A0.836715). A Violin Sonata written in 2019, but which sounds more like 1869? There’s a reason for that: apart from the obvious and enjoyable challenge of writing an extended faux-19th century piece, the sonata is dedicated to the memory of my mother who - being a Brahms & Tchaikovsky gal through and through - had little use for music written after 1900. For instance, I remember when I was a lad and my father and I would listen to Stravinsky’s Le Sacre, Mom would always go out for a walk until it blew over. The Sonata has four movements: I. Largo-Moderato (7:10), II. Allegretto (5:00), III. Andante (7:00), IV. Bagatelles. Allegro non troppo (6:00). Total performance time is about 25 to 26 minutes. The audio file accompanying this description gives you a couple of minutes of each movement: most of the exposition of I; the end of the Scherzo and beginning of the Trio (with its curious three-measure phrases) of II; the closing measures of III; and the beginning of IV. (The sonata has been read by professional players and is guaranteed to work, but at this writing it has not been performed or recorded. Therefore the audio file is only a computer playback. Living musicians will be able to make far more sense of it.)

Piano - Digital Download SKU: A0.1066690 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 186. THEMIS KOUTRAS #5012667. Published by THEMIS KOUTRAS (A0.1066690). This is a song story how i was risen to life many times due to been martyred for the word of GOD i insisted in attacking enemy line casting all kinds of evil spirits to hell prediction to defend GOD and creation on the count of it i was killed in this spiritual war Armageddon each time i fell asleep for many years to come JESUS CHRIST insisted to resurrect me each time until he won the war because of it do not be surprised about this the holy bible clearly says when JESUS CHRIST was resurrected found alive many prophets and people of GOD were resurrected with him and they went directly to the the temple to preach the gospel well it is happening to today many reports came my way that some still get raised to life all others will be resurrected in the last days to enter new world heaven well i am one of those resurrected these days thanking GOD for his perfect holy help

Cello,Oboe,Violin - Level 4 - Digital Download SKU: A0.1393758 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977229. Published by Phil Beaman (A0.1393758). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.   Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - bottom space F# to high E above staffOboe - middle C to high A above staffCello - low C below staff to high E above staff.

Organ - Level 3 - Digital Download SKU: A0.909299 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 6 pages. Vidas Pinkevicius #3549771. Published by Vidas Pinkevicius (A0.909299). I hope you'll enjoy this piece which is based on the Gregorian chant Communion for the 2nd Sunday in Advent. It is dedicated to my friend organist and harpsichordist Frank Mento.Although this Communion is written in the 2nd mode, to make it more colorful, I often changed and transposed the mode throughout the piece.It's a free paraphrase of Gregorian chant. I added additional thematic passages freely in different modes as my imagination called. The pedal maintains a dialogue with the hand part.PDF score. 6 pages. Duration - 6 minutes. Intermediate level.When you create, miracles happen!

C Instrument - Level 4 - Digital Download SKU: A0.501355 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #114249. Published by John Fries (A0.501355). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US). This arrangement includes the lyrics.