Easy Piano - Level 1 - Digital Download SKU: A0.835186 Composed by Antonio Vivaldi. Arranged by Cody Weinmann. Baroque,Concert. Score. 1 pages. Cody Weinmann #6515283. Published by Cody Weinmann (A0.835186). This arrangement of Vivaldi's spring from his Four Seasons is perfect for that easy piano recital piece that piano students would love to play. It features legato (smooth) playing with some independence in the left hand until toward the end when the right and left hand come together in the second to last measure. Then, in the last measure, chord tones in the left hand and melody in the right hand finish it off. It is great for a performance piece for those who are level one piano students.

Organ - Level 3 - Digital Download SKU: A0.909303 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 3 pages. Vidas Pinkevicius #3553443. Published by Vidas Pinkevicius (A0.909303). This morning I decided to create a piece for solo organ Excita Domine, Op. 55. It is dedicated to an American organist and composer Carson Cooman.The theme for this piece is taken from the Gregorian chant Alleluia for the 3rd Sunday in Advent.It's a free paraphrase of the chant. I hope it will sound nice with the colorful Cornet 8' stop on your organ with the dialogue between the pedals and soprano.PDF score. 3 pages. Duration - 3 minutes. Intermediate level.When you create, miracles happen!

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068913 Composed by Lars Ek. Folk,World. Full Performance. Duration 161. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1924317. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068913). My first acquaintance with Lars Ek Hot Trio refers to the autumn of 1982. It took place in Bergen during the annual enrollment of accordionist by the name TREKKSPILLGALLA In Grieghallen where Lars Ek until now been unknown. It has become a tradition with a Swedish touch during these autumn hits. Strong names Ebbe Jularbo, Roland Cedermark, Norwegian-Swede Olaf Wernersen to name a few. But no one has so far been stormed the audience as Lars Ek Hot Trio did. To experience the original Frosini, Nisse Lind, Ragnar Sundquist represents something new and good in the Accordion music. Genuine original accordion music that we remember so dearly good from the 1930-40's and which had been lying idle since then. The above-mentioned debut has caused several national border crossings for the trio. The last is the spring tour in western Norway this year (1985), where I had the honor to accompany the ensemble from Nor fjord Bergen. An experience for both the audience and the musicians. Yet we feel the turbulence after Lasses bellows murmur down the valley-society’s country. At Voss reached climax when history's first Trekkspill-fan-club became a fact of Lars Ek Fan Club. In alternating western country natural emanation from our flower at the fjord to the mountain huge snowstorm where we stood firm on the Vika Mountain on our way to Voss. After waiting up to a snow plow and colon driving, Lars Ek experience a new Norway. These strong impression of the natural contrasts mixed with the local population intimacy and spontaneity and contact Lasse put on the idea of a Norway-LP, which therefore now been completed in record time. Finally, I would quote one of Norway's largest newspapers to: Lars Ek is the best we have heard - and seen - on the accordion. Do not let it go three more years before he is in Bergen again. Welcome back, Lasse, Bengt and Kalle. Bergen in May 1985 Kind regards from John Mandelid.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1300120 Composed by John W. Fisher. 21st Century,Country,Instructional,Praise & Worship,Sacred. Score. 6 pages. John Fisher #889861. Published by John Fisher (A0.1300120). This sermon song is based on part of a sermon preached by Dr. Paul de Jong at First Presbyterian Church, Fort Myers, Florida on September 24, 2023 based on the text of Mark 5: 21-6:6.  It tells the story in an old Gospel style of the woman who had an uncurable flow of blood for 12 years with no help from doctors forcing her to sell all that she had.  But when Jesus came to town, she touched his garment, admitted it was she and by her faith she was healed.  Pastor Paul told of an experience he had with a perisioner who was very ill, but who clutched the sheets of her bed be imagining it was her savior's garment's hem.  This sermon song is meant to be both educational and inspirational.

Instrumental Solo - Level 5 - Digital Download SKU: A0.1349669 Composed by Michael Davis. 21st Century,Classical,Contemporary,Video Game. Individual part. 14 pages. Michael Davis Music #934434. Published by Michael Davis Music (A0.1349669). Bankstanding: OSRS Lo-Fi Jams No. 1Bankstanding is for flexible instrumentation and flexible performance, allowing for variable difficulty. Notes from the composer:The OSRS Lo-Fi Jams series is inspired by my favorite game: Old School RuneScape. Each jam is inspired by something specific from OSRS. Lo-fi music aesthetics correspond to many of my favorite things about OSRS. It is filled with repetitive or meditative patterns, enjoyment can be experienced without perfection, there is ample opportunity for creative freedom, and there is far more depth to be discovered than the casual observer likely imagines is possible. The jams are meant to be fun for the performer and allow for creative freedom within the composition’s given restrictions. Imperfections are accepted. Prioritize enjoying your instrument and the music.Bankstanding is for flexible instrumentation but was composed with the solo alto saxophone in mind as the performing force. It may be performed on any instrument or instruments. Octave transposition to play in a comfortable range is encouraged. Repeats are performed as many times as desired by the performer. When performed by multiple musicians, each musician chooses their own repeat structure. Minimums and maximums for duration and instrumentation can be seen below, but it is highly recommended to stay close to either the minimum or suggested duration and instrumentation rather than the maximum. Articulations are performed at the discretion of the individual performer. Suggested articulations are provided by dashed slur lines. If desired, a performer may insert quarter rests to breathe. Rhythmic flexibility within the beat is encouraged but avoid disrupting the pulse.Possible Duration: 1 minute 19 seconds – 6 hoursSuggested Duration: 3 minutesPossible Instrumentation: 1 musician – 2000 musiciansSuggested Instrumentation: 1 musician.

C Instrument - Level 4 - Digital Download SKU: A0.1444683 By The Candlelight Guitarist. By Bradley Powell. Jazz,Latin,Multicultural,World. Lead Sheet / Fake Book. 4 pages. Geofonica Artistworks #1024573. Published by Geofonica Artistworks (A0.1444683). A relaxed Bossa-Nova (about 120 bpm), great for solo guitar, piano, or jazz combos in any combination, with a fresh chord progression combining Great American Songbook style chord sequences with Brazilian and even modern rock and fusion chord combinations! This is a guitar lead sheet (written in guitar register-sounding down an octave, also good for flute). Listen to it and check out the video link! Great for JAZZ IMPROVISATION! (intermediate to advanced level). Recorded by The Candlelight Guitar (aka Brad Powell, who composed it).  NOTE: the musicians featured in the video made the audio recording, but the video images are from a prior live performance.)ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.  

Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803857 Composed by Traditional Welsh Melody. Arranged by Serena O’Meara. Celtic,Folk,Irish,Sacred,Standards,Traditional. 5 pages. O'Meara Music #5026315. Published by O'Meara Music (A0.803857). The Ash Grove melody has been used as a hymn tune. This arrangement joyfully travels with the breeze as it intertwines the two lines. It travels from the key of G, through the key of C to the key of F. The melody is equally divided between parts. Dynamics are clearly marked. The Multi-level pieces were initially arranged in an A Version. When that was completed, it was then simplified to form the B Version.  The B Version has thinner lines and allows more time for placing the fingers. The purpose is to permit harpists of various playing levels to enjoy performing together.

Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Level 5 - Digital Download SKU: A0.508209 Arranged by Eric Burger Music. Baroque. Score and parts. 40 pages. Eric Burger Music #3514925. Published by Eric Burger Music (A0.508209). Come, Jesus, Come - BWV 229, Liepzig (1731) It was composed in Leipzig, and received its first performance by 1731–1732. Bach scored the motet for double choir. It was probably composed for a funeral, as others of his motets but exact dates of composition and performance are not known. It is his only motet without biblical text. He set a poem by Paul Thymich, which Johann Schelle set as a funeral aria in 1684. Also unusually, the motet is not closed by a chorale, but by an aria which is harmonized like a chorale. The work has been described as having a confident, intimate and tender character, and making more use of polychorality (interplay of the two choirs) than polyphony (interplay of the voices), containing no fugue. The theme of the text is death as the happy moment when man, tired of earthly life, can confide in Jesus, who is seen as Truth and Life and the only way to eternal life. (From Wikipedia) View the score with playback at:https://youtu.be/iOjStrr-vO8 This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my works, write me directly for a replacement.

Brass Quintet Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1249436 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 31 pages. Regis Bookshar #841720. Published by Regis Bookshar (A0.1249436). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Brass Quintet (2 Trps, 2 Trbs, 1 Tuba) - Advanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in th middle of his Cantata No.   4.This arrangement is for a Brass Quintet, consisting of 2 Bb Trumpets, 2 Trombones and 1 Tuba. Included are a score and a complete set of parts (31 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.

Woodwind Ensemble Double Reed Quintet,Oboe - Level 4 - Digital Download SKU: A0.1253791 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847417. Published by Regis Bookshar (A0.1253791). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Oboe Quintet - Advanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Chris lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen') (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.This arrangement is for an Oboe Quintet. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you wil be pleased with what you may find.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1369484 By James Taylor. By James Taylor. Arranged by Connie Boss. Folk,Pop,Rock. Score. 2 pages. Connie Boss #953849. Published by Connie Boss (A0.1369484). This is a great resource for guitar and lead singer. A Keyboard player could also use the guitar chords to play their own style. I do have full sheet music on sale here as well.It has all the melody for the lyrics as it was originally sung so when you sing it, you can sing the whole song following the music.To hear the complete song, click on the YouTube link.questions or requests email cdboss@cvalley.net.

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1240327 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Baroque,Pop,Rock,Wedding. 9 pages. RayThompsonMusic #835697. Published by RayThompsonMusic (A0.1240327). Arranged wind quartet: fl, ob, clt and bsnIn My Life is a song by the English rock band the Beatles. It appeared on their 1965 album Rubber Soul. Its lyrics were written primarily by John Lennon, credited to Lennon–McCartney. George Martin contributed the  solo bridge passage.The song was recorded on 18 October 1965, and was complete except for the instrumental bridge. At that time, Lennon had not decided what instrument to use, but he subsequently asked George Martin to play a piano solo, suggesting something Baroque-sounding. Martin wrote a Bach-influenced piece that he found he could not play at the song's tempo. On 22 October, the solo was recorded with the tape running at half speed, so when played back at normal pace the piano was twice as fast and an octave higher, solving the performance challenge and also giving the solo a unique timbre, reminiscent of a harpsichord.According to Lennon, In My Life was his first real major piece of work because it was the first time he wrote about his own life.In 2000, Mojo named In My Life the best song of all time. Rolling Stone ranked it number 23 on its 2004 list of The 500 Greatest Songs of All Time, and number 98 on the 2021 revised list, as well as fifth on its list of the Beatles' 100 Greatest Songs.i have given 1st verse to oboe, and the 2nd verse to the clrinet.The mp3 excerpt is the end of the clarinet verse going into the bridge.

Violoncello & Piano - Digital Download SKU: IZ.CMF202 Composed by Kenneth Piotrowski. Score and Parts. 26 pages. Imagine Music - Digital #CMF202. Published by Imagine Music - Digital (IZ.CMF202). 9 x 12 inches.These five compositions can be performed individually or as a set of five. From a technical standpoint, the pieces run the gamut from a difficulty level of intermediate to advanced. The musician is expected to be able to play not only throughout the third octave but into the lower half of the fourth octave as well.The performer must pay strict attention to the tempi, never making changes to it unless it is explicitly marked either with a new tempo or a ritard. When there is a rest, do not play through it either partially or fully. The performer is allowed to utilize their own bowings except were they indicated and then adhered to faithfully.

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!