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Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
Violoncelle

$5.00 4.29 € Violoncelle PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1243006 Composed by Franz Schubert. Arranged by Benzaiten Editions. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 4 pages. Benzaiten Editions #838050. Published by Benzaiten Editions (A0.1243006). Soprano voice sheet music with easy piano accompaniment for Schubert’s Ave Maria in A Major. Arranged by Benzaiten Editions.Hey! Are you a soprano who wants to learn to sing the song Ave Maria from Schubert? Stay with us!Schubert Ave Maria in A Major • soprano voice sheet music with easy piano accompaniment The Benzaiten Editions Arrangement If you're looking for an easy / beginner soprano voice sheet music with piano accompaniment arrangement of the beautiful song “Ave Maria†from Franz Schubert, look no further! I have arranged a simple yet beautiful version of this song that is perfect for beginner musicians / those who like this incredible and timeless song. With this arrangement of Schubert’s Ave Maria, you'll be able to play this emotional melody with ease and grace. The simplified chords and melody make it easy to learn.So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our easy / beginner soprano voice arrangement of Schubert’s Ave Maria is sure to inspire. Schubert Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:→ Soprano voice | easy piano accompaniment→ Alto voice| easy piano accompaniment→ Tenor voice | easy piano accompaniment→ Baritone voice | easy piano accompaniment About the song Ave Maria is one of Franz Schubert's most well-known and revered compositions. Although it is often associated with the Catholic prayer, Schubert's music is actually an adaptation of a work by Walter Scott, a Scottish poet. Schubert composed the melody as part of his piece Ellens Gesang III (Ellen's Song III), which is a series of songs based on Scott's poems.Ave Maria was composed in 1825 and is one of the most popular and beloved pieces in the classical repertoire. The gentle and melancholic melody, combined with the Latin lyrics invoking the Virgin Mary, evokes a sense of serenity and devotion. While it was originally written for voice and piano, the melody has also been adapted for various instruments and choirs.Interestingly, Schubert was unaware that his melody would become widely known as Ave Maria. The original title of the composition is Ellens Gesang III: Hymne an die Jungfrau (Ellen's Song III: Hymn to the Virgin). The fame of Ave Maria came later when different versions of the melody were published and performed with the Latin lyrics.Due to its beauty and emotional appeal, Schubert's Ave Maria has been performed on numerous occasions, from religious ceremonies to concerts and solemn events. The piece continues to move and inspire listeners around the world, highlighting Franz Schubert's genius as a composer.
Schubert Ave Maria in A Major • soprano voice sheet music with easy piano accompaniment
Piano, Voix

$1.99 1.71 € Piano, Voix PDF SheetMusicPlus

Instrumental Duet Clarinet,Instrumental Duet,Synthesizer - Level 5 - Digital Download SKU: A0.1002834 Composed by Kyle Vanderburg. Contemporary. Score and parts. 11 pages. NoteForge #5319515. Published by NoteForge (A0.1002834). Crosswinds represents a melding of the traditional woodwind sound of the clarinet with digital live electronic techniques, and the piece explores the potential for this relationship in three parts.To begin the piece, the stage performer breathes through the clarinet, which serves to inform the electronic elements to come. This initial breath is captured by the computer program and is modified and reduplicated to create the sonic tone of a soft wind always present beneath the piece to come. This is the first step in uniting the digital and woodwind elements, as the same breath which animates the clarinet also activates the electronics.From this most fundamental element, the breath becomes a single sustained note from which the computer will generate all of its subsequent tones. The impression is one of a mentor relationship, where the traditional instrument provides the tools and the support for the electronic elements. The disposition is contemplative, though it alternates between a subdued easiness and a playful mystery, as if to introduce the digital aspects to the range and variety of the clarinet’s moods. The rapport between the two is hesitant in the first part: the electronics contributing a subtle reverb as the performer teaches the computer dexterity through a number of broad leaps, hinting at but never fully embracing the main motif.As the theme becomes more self-assured, the digital element now produces its own tones, parroting the clarinet melody to signal its readiness to be an equal partner in the conversation. As the clarinet begins the second part of the piece, the computer now provides a harmonizing undercurrent each time it is invited to do so by the performer.In the third part, the electronics play counterpoint to the skill of the clarinetist, the two elements intricately entwined. From the elemental sound of wind first produced by the performer and perpetuated by the computer, the piece concludes in a celebration of the relationship built between the two, and the main theme is fully expressed as the two take it in variations.Crosswinds is, in many ways, an experience of the history of our music through the relationship between traditional clarinet and modern digital techniques: the common elements they share, the singularity of their own particular strengths, and the beauty that can be experienced when they collaborate.Patch for live electronics available from https://bitbucket.org/kylevanderburg/crosswinds/downloads/
Crosswinds

$7.99 6.86 € PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068912 Composed by Lars Ek. Folk,World. Full Performance. Duration 138. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1924313. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068912). My first acquaintance with Lars Ek Hot Trio refers to the autumn of 1982. It took place in Bergen during the annual enrollment of accordionist by the name TREKKSPILLGALLA In Grieghallen where Lars Ek until now been unknown. It has become a tradition with a Swedish touch during these autumn hits. Strong names Ebbe Jularbo, Roland Cedermark, Norwegian-Swede Olaf Wernersen to name a few. But no one has so far been stormed the audience as Lars Ek Hot Trio did. To experience the original Frosini, Nisse Lind, Ragnar Sundquist represents something new and good in the Accordion music. Genuine original accordion music that we remember so dearly good from the 1930-40's and which had been lying idle since then. The above-mentioned debut has caused several national border crossings for the trio. The last is the spring tour in western Norway this year (1985), where I had the honor to accompany the ensemble from Nor fjord Bergen. An experience for both the audience and the musicians. Yet we feel the turbulence after Lasses bellows murmur down the valley-society’s country. At Voss reached climax when history's first Trekkspill-fan-club became a fact of Lars Ek Fan Club. In alternating western country natural emanation from our flower at the fjord to the mountain huge snowstorm where we stood firm on the Vika Mountain on our way to Voss. After waiting up to a snow plow and colon driving, Lars Ek experience a new Norway. These strong impression of the natural contrasts mixed with the local population intimacy and spontaneity and contact Lasse put on the idea of a Norway-LP, which therefore now been completed in record time. Finally, I would quote one of Norway's largest newspapers to: Lars Ek is the best we have heard - and seen - on the accordion. Do not let it go three more years before he is in Bergen again. Welcome back, Lasse, Bengt and Kalle. Bergen in May 1985 Kind regards from John Mandelid.
THE HAPPY NORRLANDS MATADOR

$1.99 1.71 € PDF SheetMusicPlus

Guitar - Level 2 - Digital Download SKU: A0.1449474 By The Candlelight Guitarist. By Bradley Powell. Classical,Country,Folk,Jazz,New Age. Guitar Tab. 6 pages. Geofonica Artistworks #1029230. Published by Geofonica Artistworks (A0.1449474). A beautiful, soothing and serene fingerstyle guitar solo, in a modern folk-classical style, by Bradley Powell (The Candlelight Guitarist). It is mostly played in 1st position (a few spots higher on neck), using folk-country chord voicings, with some softer jazz major 7th, major 9th, minor 9th chords.  It is a fairly easy intermediate level piece (as far as technical difficulty), but can sound very professional as well. This sheet music is in Standard notation with TAB... (a version in Standard notation without TAB is also available).  Hear Brad's recording at the YouTube link below--NOTE: this piece is the FIRST of the two pieces in that video.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
Tranquil Tonight
The Candlelight Guitarist
$4.99 4.28 € PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1460862 By Ost (original Soundtrack). By Charles Bernstein. Arranged by Patrick Jillett. 20th Century,Contemporary,Film/TV,Halloween,Holiday. 35 pages. Patrick Jillett #1039765. Published by Patrick Jillett (A0.1460862). A Haunting Ode to Terror: The Theme from A Nightmare on Elm Street”The iconic theme from A Nightmare on Elm Street, composed by Charles Bernstein, is a masterclass in building tension and suspense. This eerie melody has become synonymous with the horror genre and the terror that Freddy Krueger embodies. The moment the notes begin to play, you know you're in for a ride into your nightmares. The theme's foundation is a slow, pulsing rhythm that conjures an unsettling sense of unease. As the melody unfolds, it becomes increasingly dissonant and unsettling, creating an otherworldly atmosphere that's both mesmerizing and terrifying. The way the texture weaves together creates a sense of chaos and disorder. It’s an audible representation of the chaos and panic that ensues when Freddy invades your dreams. The notes seem to shatter and reform into a soundscape of terror. This theme has become an integral part of horror movie history, evoking fear and dread in listeners worldwide. It's a testament to Bernstein's mastery of atmosphere and tension that this music can still send shivers down your spine even decades after its release.Rating: 9/10 - A must-listen for horror fans and anyone who loves a good scare!
Nightmare On Elm Street - Main Title
Orchestre d'harmonie
Ost (original Soundtrack)
$49.99 42.91 € Orchestre d'harmonie PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.983265 Composed by Pierre Massie. 20th Century,Christmas. Octavo. 2 pages. Pierre Massie #2864721. Published by Pierre Massie (A0.983265). This is an original composition I wrote in 1998 based on words from the fifteen century Ritson's manuscript. The composition placed first in the Amadeus Choir International Carol Competition and premiered Dec. 5, 1999, at the Ford Center for the Performing Arts in Toronto. It was also broadcast across Canada on CBC radio on Christmas day. When I did it with my choir, I chose to use the Olde English pronunciation but it can also be sung in standard.Visit my choir's YouTube channel for videos of this and some other of my works: https://www.youtube.com/user/StairwellCarollersContact info@stairwellcarollers.com
I Saw a Swete Semly Syght (winner of Amadeus Carol Competition 1999)
Chorale SATB

$3.00 2.58 € Chorale SATB PDF SheetMusicPlus

Flute, clarinet & piano - Digital Download SKU: IZ.CMS1814 Composed by Daniel Baldwin. Score and Parts. 15 pages. Imagine Music - Digital #CMS1814. Published by Imagine Music - Digital (IZ.CMS1814). 9 x 12 in inches.Western Serenade for Oboe, Clarinet, and Piano was a project that percolated for a few years. I began this piece when I was a student with the intention of sending it to a composition competition. I composed the first 29 measures and then left it to do another project. The sketch sat in a pile for a few years until I came in contact with KarlWentzel. Karl requested a piece for the same instrumentation; a piece perform himself and to have for his students to perform. On getting this request, I dug out that sketch and completed the piece. I think it is a fine example of my progressionfrom a student to a more honed composer.Western Serenade begins with a nice pastoral melody tossed back and forth between the two soloists. The piece then alternates between pastoral and dramatic moods and closes with an exciting and surprising presto coda.This version of Western Serenade was written for flute, clarinet, and piano.
Western Serenade

$16.00 13.73 € PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1294499 Composed by David Ahrens. 21st Century,Classical,Contest,Festival,Folk,Historic. 119 pages. Baseline Music Publishing #884874. Published by Baseline Music Publishing (A0.1294499). A setting of three classic American folk songs for Wind Band. Transport your audience back to the “Old West†as you cross the nation by covered wagon to join the California Gold Rush, move a herd of cattle over the plains to new grasing lands, and be a part of the adventure of early rail commerce.Price discounted on my website “Sweet Betsy from Pike†is a comic folk ballad chronicling the trials and successes of Betsy, a mid-19th century pioneer woman, as she migrates from (perhaps) Pike County, Missouri (or Illinois) to the California Gold Rush town of Placerville (known colloquially as ‘Hangtown’). The journey across the Wild West was full of hardship, peril, and loss This song battles the very real struggles with levity and humor. It was first published in 1858.“Git Along, Little Dogies†is a cowboy ballad, also known as “Whoopie Ti Yi Yoâ€. While likely older, the first mention of the song was in author Owen Wister’s 1893 journal. It was first published in 1910. “Dogies†is a reference to small or orphaned calves. The narrative of the song quotes a cowboy singing to the slow or stray dogies as they move along the cattle drive to Wyoming.“Rock Island Line†refers the Rock Island and La Salle Railroad company (established 1947) which soon after became the Chicago and Rock Island Railroad. When construction of the railroad arrived at Rock Island in 1854, it became the first to connect Chicago with the Mississippi River. This folk song references an encounter between an operator of a toll gate and a train engineer who is let through without paying by lying about his payload. Once safely through, he yells back his confession as the train speeds onward. The earliest known version of the song was published in 1929.Grade 3.5 Performance time: 10:00.
American West Folk Suite
Orchestre d'harmonie

$95.00 81.55 € Orchestre d'harmonie PDF SheetMusicPlus

Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.1133564 Composed by Traditional. Arranged by Rick Hirsch. Classical,Hanukkah,Holiday,Jazz,Jewish. Individual part. 4 pages. HirschMusic #733705. Published by HirschMusic (A0.1133564). Ma’oz Tzur (Rock of Ages) is traditionally sung when lighting the menorah. It's presented here in a flowing 3/4. || Ma’oz Tzu is creatively reimagined and meticulously arranged for unaccompanied saxophone by world renowned composer Rick Hirsch || And, it’s playable by every type of saxophone (SOPRANO, ALTO, TENOR or BARITONE). || This Yuletide Single is excerpted from the 15-song collection YULETIDE IMPROVISATIONS: Holiday Music Reimagined for Saxophone, by Rick Hirsch. You can play it year after year at recitals, holiday concerts, synagogue services, family gatherings, and much more.
Ma'oz Tzur (Chanukah song, solo saxophone, jazz waltz)
Saxophone Alto

$3.00 2.58 € Saxophone Alto PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1315417 Composed by Hymn. Arranged by Masakazu YAMAMOTO. Christmas,Holiday,Pop,Sacred,Traditional. Score. 7 pages. Motch Music #904141. Published by Motch Music (A0.1315417). Arrangement for advanced level. I've put together a medley of various Christmas carols. It may be a bit challenging, but it's highly effective when performed, so please give it a try! The medley includes the following songs (in order of performance). We Wish You A Merry Christmas Angels We Have Heard on High O Little Town of Bethlehem Silent Night The First Noel Joy To The World O Come All Ye Faithful We Wish You A Merry Christmas (Epilogue) Duration : 6' 00(arr. Masakazu YAMAMOTO)Here is also recommended.Christmas Songs Collection Vol.1 [Piano solo / beginner or intermediate] (Sheet Music Plus / Sheet Music Direct)Christmas Songs Collection Vol.2 [Piano solo / intermediate or advanced] (Sheet Music Plus / Sheet Music Direct)All Christmas Arrangement [Piano solo] (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english  
Christmas Carol Medley [Piano Solo / advanced]
Piano seul

$9.00 7.73 € Piano seul PDF SheetMusicPlus

C Instrument - Level 2 - Digital Download SKU: A0.1097054 Composed by Frank Meyer. A Cappella,Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Frank Meyer #701008. Published by Frank Meyer (A0.1097054). Since the year 1984 many people meet at the end of the year in Obermarchtal at the Danube/Donau to sing and make music together. Towards the end of the year 2020 it became very clear that the Corona virus would make it impossible to meet first time since more than 35 years. When I realized that, some words an a melody came to my mind and I wrote this canon for the participants of the Neustifter Musikwoche (www.neustifter-musikwochen.de). We met in some video conferences, talked and had fun in spite of the situation. And I gave this song to the participants to sing it and record the own singing. You can hear and see the result in the youtube channel form the Neustifter Musikwochen. Faith, hope an love are the them of the song, according to 1Kor 13,13. Its intention is not to lose hope and confidence, not even in times like these. Also in 2021 we could not meet singing together in Obermarchtal. But were looking forward hopefully. Note: The edition from 2021 published her contains a few small changes compared to the recording from 2020. ...... Seit 1984 treffen sich jährlich zum Jahreswechsel musikbegeisterte Menschen aller Altersstufen im Bildungshaus Kloster Obermarchtal. direkt oberhalb der schönen Donau gelegen, um gemeinsam zu musizieren. Als gegen Ende des Jahres 2020 klar wurde, dass aufgrund der Corona-Pandemie die Musikwoche zum Jahreswechsel erstmals seit über 35 Jahren nicht würde stattfinden können, kamen mir in Anlehnung an die Worte des Paulus im ersten Korintherbrief (1Kor 13,13) die Worte und die Melodie dieses Liedes in den Sinn, und ich schrieb diesen Kanon. Statt in Obermarchtal trafen wir uns einige Tage lang immer wieder in Videokonferenzen, feierten sogar eine kleine Andacht zu Silvester. Ich schickte Noten und die Aufnahme einer Klavierbegleitung an die Teilnehmer, und einige sangen das Lied und schickten mir ihre Aufnahmen. Es entstand eine virtuelle Choraufnahme, die im Youtube-Kanal der Neustifter Musikwochen zu sehen und zu hören ist. Auch im vergangenen Jahr 2021 konnten wir uns nicht zum gemeinsamen Singen treffen. Aber wir blicken weiterhin hoffnungsvoll nach vorne, glauben an die Zukunft, an das Leben und an die Liebe. Anmerkung: Die hier veröffentlichte Notenausgabe von 2021 enthält gegenüber der Aufnahme von 2020 am Ende ein paar kleine Änderungen. Informationen zu unseren Musikwochen unter http://neustifter-musikwochen.de.
Glaube, Hoffnung, Liebe - Glaube an die Zukunft
Instruments en Do

$1.99 1.71 € Instruments en Do PDF SheetMusicPlus






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