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C Instrument - Level 4 - Digital Download SKU: A0.500158 Composed by Dale Henry Allison. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113341. Published by John Fries (A0.500158). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US).
Alfie
Instruments en Do

$3.99 3.45 € Instruments en Do PDF SheetMusicPlus

Violin Solo - Level 3 - Digital Download SKU: A0.999003 Composed by Antonio Tudurí. Baroque,Contemporary,Instructional,Standards. 2 pages. Antonio Tuduri #6134745. Published by Antonio Tuduri (A0.999003). This movement and other movements of this suite has been composed in baroque style.The Bach violin solo suites are very beautiful but, they are dificult for an intermediate level violin player, specially when uses the double string resources.This suite composed in D minor key signature try to offer to intermediate violin players music in baroque style similar to Bach suites but in a easier level.The violin player can add slurs and articulations in order to create its own version.They can be played using the double strings or not if the violin player needs an easier version.Their movements can be used also as a training studies.Enjoy it !!!.If you play it, please send me an audio file of how it sounds !!!.Tanks in advance !!.
Prelude for violin solo baroque suite nº 32
Violon

$3.99 3.45 € Violon PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1243006 Composed by Franz Schubert. Arranged by Benzaiten Editions. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 4 pages. Benzaiten Editions #838050. Published by Benzaiten Editions (A0.1243006). Soprano voice sheet music with easy piano accompaniment for Schubert’s Ave Maria in A Major. Arranged by Benzaiten Editions.Hey! Are you a soprano who wants to learn to sing the song Ave Maria from Schubert? Stay with us!Schubert Ave Maria in A Major • soprano voice sheet music with easy piano accompaniment The Benzaiten Editions Arrangement If you're looking for an easy / beginner soprano voice sheet music with piano accompaniment arrangement of the beautiful song “Ave Maria†from Franz Schubert, look no further! I have arranged a simple yet beautiful version of this song that is perfect for beginner musicians / those who like this incredible and timeless song. With this arrangement of Schubert’s Ave Maria, you'll be able to play this emotional melody with ease and grace. The simplified chords and melody make it easy to learn.So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our easy / beginner soprano voice arrangement of Schubert’s Ave Maria is sure to inspire. Schubert Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:→ Soprano voice | easy piano accompaniment→ Alto voice| easy piano accompaniment→ Tenor voice | easy piano accompaniment→ Baritone voice | easy piano accompaniment About the song Ave Maria is one of Franz Schubert's most well-known and revered compositions. Although it is often associated with the Catholic prayer, Schubert's music is actually an adaptation of a work by Walter Scott, a Scottish poet. Schubert composed the melody as part of his piece Ellens Gesang III (Ellen's Song III), which is a series of songs based on Scott's poems.Ave Maria was composed in 1825 and is one of the most popular and beloved pieces in the classical repertoire. The gentle and melancholic melody, combined with the Latin lyrics invoking the Virgin Mary, evokes a sense of serenity and devotion. While it was originally written for voice and piano, the melody has also been adapted for various instruments and choirs.Interestingly, Schubert was unaware that his melody would become widely known as Ave Maria. The original title of the composition is Ellens Gesang III: Hymne an die Jungfrau (Ellen's Song III: Hymn to the Virgin). The fame of Ave Maria came later when different versions of the melody were published and performed with the Latin lyrics.Due to its beauty and emotional appeal, Schubert's Ave Maria has been performed on numerous occasions, from religious ceremonies to concerts and solemn events. The piece continues to move and inspire listeners around the world, highlighting Franz Schubert's genius as a composer.
Schubert Ave Maria in A Major • soprano voice sheet music with easy piano accompaniment
Piano, Voix

$1.99 1.72 € Piano, Voix PDF SheetMusicPlus

Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet

$5.00 4.32 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701688 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3245851. Published by Kevin G. Pace (A0.701688). An original hymn with text by Mark Fotheringham below.YouTube video: https://youtu.be/hUjLejbDhXoOh, day by day we battle for souls As the search for true doctrine goes on, goes on Questions fill the mind and the heart will ponder Where we came from and the purpose of life. CHORUS The Spirit whispers unto each heart That God is Father to all, His Son, our Savior, came to help us be whole, And to show us the pathway to joy.   The scriptures hold the answers we seek As the search for true doctrine goes on, goes on. We will know His Word when in truth we seek it With a prayer and with intent to obey. CHORUS   A prophet’s voice is stable and sure As the search for true doctrine goes on, goes on. As a warning voice, he will ne’er mislead us. Through His servant, God will watch o’er the world. CHORUS   The still, small voice, is felt in the heart As the search for true doctrine goes on, goes on. It will pierce the soul with a voice of mildness But with power it will fill us with light. CHORUS
True Doctrine - an original hymn for SATB voices
Chorale SATB

$1.99 1.72 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1187088 Composed by Yann Tiersen. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructional,Wedding. Score. 7 pages. Flavio Regis Cunha #786719. Published by Flavio Regis Cunha (A0.1187088). Yann Tiersen: Sur le fil for Piano SoloThe film tells the story of Amélie, a girl who grows up isolated from other children. This happens because her father thinks that Amélie has an anomaly in her heart, as it beats very fast during the monthly exams that the father does on the girl. In fact, Amélie is nervous about this rare physical contact with her father. Because of that, and because of that alone, her heart beats faster than normal. Her parents then deprive Amélie of attending school and having contact with other children. Her mother, who is a teacher, taught her how to read and write until she died. Her childhood and her mother's premature death end up strongly influencing Amélie's development and the way she relates to people and the world as an adult.After coming of age, she moves from the suburbs to the Parisian district of Montmartre, where she starts working as a waitress. One day, she finds in the bathroom of her apartment a box with toys and figurines belonging to the former resident of the apartment. She decides to look for it and deliver it to its owner, Dominique, anonymously. Upon noticing that he cries with joy when he regains his object, the girl is impressed and remodels her vision of the world.From then on, Amélie engaged in small gestures in order to help and make the people around her happier. There she gains a new meaning for her existence. In one of these small big actions, she meets a man. And then her fate changes forever.Original Soundtrack by Yann Tiersen.Intermediate.Format: Concert, 9 x 12 inches.7 pages.
Sur Le Fil
Piano seul

$4.99 4.32 € Piano seul PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.584444 Composed by Bruce Woolley, Simon Darlow, Steve Lipson, and Trevor Horn. Arranged by Jeff Tincher. Contemporary. 21 pages. Jeff Tincher #5754953. Published by Jeff Tincher (A0.584444). This is the song that turned me onto Grace Jones music. I borrowed the Slave To The Rhythm LP from the library, put it on the turntable, and thought this is different. This track was the last track on the A-side. As I further listened to the LP I realized that the album used the same song in different genres, format, and keys. You wouldn't know it unless you really listened to the LP. This arrangement, however, is in the original key from her Island Life LP. This song has funk all over it. Grace is a strange character but has a great voice. What made me pick this song is I was searching through youtube to find a song to arrange and I found Grace doing this song live. Again, Grace surprised me. You think female stars today has energy. She sang the song while hula hooping. She was 64 when she did this. She still does this on her concerts. Here is the link to amaze you...https://www.youtube.com/watch?v=vSa5EvWqB7g. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
Slave To The Rhythm
Flûte, Hautbois, Clarinette, Basson

$12.99 11.24 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Brass Quintet Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1249437 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 31 pages. Regis Bookshar #841731. Published by Regis Bookshar (A0.1249437). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Brass Quintet (2 Trps, 3 Trbs) - Advanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Banch and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which bothe the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged, which Bach had placed in the middle of his Cantata No.   4.This arrangement is for a Brass Quintet, consisting of 2 Bb Trumpets and 3 Trombones. Included are a score and a complete set of part (31 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased by what you may find.
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 3 Trb)

$30.00 25.95 € PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 4 - Digital Download SKU: A0.1245666 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 30 pages. Regis Bookshar #840503. Published by Regis Bookshar (A0.1245666). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Alto Saxophone Quintet - Advanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one.. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.This arrangement is for an Alto Saxophone Quintet. Included are a score and a complete set of parts (30 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
Three selections based on "Christ lag in Todesbanden" (Alto Saxophone Quintet)
Quintette de Saxophone: 5 saxophones

$30.00 25.95 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Flute Solo - Level 4 - Digital Download SKU: A0.1090022 Composed by Martin J. Van Klompenberg. Classical,Contest,Festival. Individual part. 12 pages. Martin J. Van Klompenberg #694220. Published by Martin J. Van Klompenberg (A0.1090022). The inspiration for MEME Engine began in the same way that all great inspiration happens: By procrastinating ono the internet. Struggling to find a jumping off point, I turned to the internet in hopes for a spark, and instead ended up on Reddit looking at the daily viral internet. For unknown reasons, this was the inspiration I needed, and I turned to old school memes, and decided to write a collection of short character pieces based on the origin of some of my favorites. Success Kid is based upon the internet’s favorite fist-pumping toddler. I imagined my nephew, Georgie when he was three, and once stayed in continuous movement for nearly ten hours. I was exhausted watching him, and his frenetic energy is the driving inspiration. The performer is instructed to play this just “within control,†meaning that one click faster on the metronome could bring it to a crashing halt. Annoyed Picard is based upon a single screenshot of the syndicated classic Star Trek: The Next Generation. Although this meme is shows frustration, the shot in questions is actually famed Shakespearean actor, Patrick Stewart, quoting Shakespeare in a vain attempt to woo one of his crewmates away from an evil alien species. I thought it only fitting to write a simple melodic melody, fitting for the words of Shakespeare, that slowly morphs into an exciting sci-fi riff. This is fine is based on the single panel that is synonymous with the worst possible situations. A dog drinks tea in a room slowly filling with flames. The truth is that all isn’t well, and in the final three panels of the comic strip, the room slowly is engulfed in flames and the dog melts. I wanted to show the chaos and destruction of this comic strip by taking the same melody and distorting it past the point of comfort. Of course, the movement has to end with the joke of the meme. (Sing along the words “This is fine.â€) -.
Meme Engine
Flûte traversière
procrastinating ono the internet Struggling to find a jumping off point, I turned to the internet in hopes for a spark, and instead ended up on Reddit looking at the daily viral internet
$15.00 12.97 € Flûte traversière PDF SheetMusicPlus

Instrumental Duet,Lever Harp - Level 2 - Digital Download SKU: A0.803860 Composed by Traditional Welsh Melody. Arranged by Serena O’Meara. Celtic,Folk,Irish,Sacred,Standards,Traditional. 5 pages. O'Meara Music #5026331. Published by O'Meara Music (A0.803860). The Ash Grove melody has been used as a hymn tune. This arrangement joyfully travels with the breeze as it intertwines the two lines. It travels from the key of G, through the key of C to the key of F. The melody is equally divided between parts. Dynamics are clearly marked. The Multi-level pieces were initially arranged in an A Version. When that was completed, it was then simplified to form the B Version.  The B Version has thinner lines and allows more time for placing the fingers. The purpose is to permit harpists of various playing levels to enjoy performing together.
The Ash Grove, B Version Harp II
2 Harpes (duo)

$4.00 3.46 € 2 Harpes (duo) PDF SheetMusicPlus

Bass Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.1394185 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977658. Published by Phil Beaman (A0.1394185). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.   Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin -  bottom space F# to high E above staffTrumpet - bottom line E# to high B above staffTrombone - low C below staff to high E above staff.
Corant - trio- violin/trumpet/trombone

$7.99 6.91 € PDF SheetMusicPlus

B-Flat Bass Clarinet,B-Flat Clarinet - Level 4 - Digital Download SKU: A0.1330458 By Budapest Scoring Clarinet Ensemble. By Josquin des Prez. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 115. David Warin Solomons #918326. Published by David Warin Solomons (A0.1330458). There is a theory that El grillo refers to Carlo Frillo, a singer who worked for the same patron as Josquin, Cardinal Galeazzo Sforza, and that it was intended to remind the prelate that his musicians’ salaries were overdue. The Sforzas were apparently notoriously mean to their employees, in spite of (or possibly because of) the fact that one of them was happy to pay a large sum of money for a parrot that could recite the Creed. Certainly the words of this little piece, with their reference to the cricket who sings for love, seem to have a good deal more impact in this sardonic light. Although the piece is similar in form to many other frottole, it is really quite unlike most such works, especially the way the repeated notes are used for comic effect.  In this instrumental arrangement I have add several decorations and divisions, to illustrate the words behind it, and also just for fun.El grillo è buon cantoreche tiene lungo verso.Dalle beve grillo canta.Ma non fa come gli altri uccelli,come li han cantato un pocovan' de fatto in altro loco,  sempre el grillo sta pur saldoQuando la maggior è l' caldoalhor canta sol per amore.[suggested English paraphrase]The cricket is a good singerand he sings for a long timeGive him a drink so he can go on singingBut he doesn't do what the other birds doWho after singing a littleJust go elsewhere.  The cricket is always steadfastWhen the weather is hottest,    then he sings just for lovePerformed by The Budapest Scoring Clarinet Ensemble.
El Grillo for clarinet quartet (mp3)
Quatuor de Clarinettes: 4 clarinettes
Budapest Scoring Clarinet Ensemble
$5.00 4.32 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Trombone,Double Bass,Drum Set,Drums,Euphonium,Keyboard,Piano,Tenor Trombone,Trombone/Baritone B.C.,Tuba - Level 3 - Digital Download SKU: A0.961200 Composed by John Rox. Arranged by Bob Coil. 20th Century,Christmas,Contemporary,Jazz,Pop. Score and parts. 33 pages. Polished Brass #4409943. Published by Polished Brass (A0.961200). This arrangement for Trombone quintet with optional rhythm section should be played with swing eighth notes and a feeling that reflects the tongue-in-cheek humor of the lyrics. It can be performed with a vocalist, as well as just instruments. Letter D and E include some fun glissandos, so don't be shy about bringing them out. Whether you include the extra parts or just play it as a quintet, this is bound to be an audience pleaser. When Gayla Peevey recorded this song in 1953 she was just 10. It may have sounded like a strange Christmas wish; she wanted a Hippopotamus for Christmas. However, her recording became a hit that led to the purchase of a hippo for the Oklahoma City Zoo. The Bones of Cincinnatus found a welcome audience in 2018, with the birth a hippopotamus named, Fiona, at the Cincinnati Zoo.    The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble in Cincinnati, OH.
I Want A Hippopotamus For Christmas (Hippo The Hero)

$14.99 12.97 € PDF SheetMusicPlus






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