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Instrumental Duet,Piano Piano,Xylophone - Level 3 - Digital Download SKU: A0.738034 Composed by Fiona Hickie. Classical,Contemporary,Jazz. 11 pages. Fiona Alice Hickie #4311285. Published by Fiona Alice Hickie (A0.738034). This piece can be played on marimba or xylophone. A transposed xylophone part is also included.The possum is an Australian native animal. It is a nocturnal animal that has adapted well to city life, being quite happy living in the roofs of houses. This piece represents the possum creeping about at night time looking for food. It is inspired by an experience I had with a baby possum one night, when I woke up to the strings on my grand piano being played. The young possum had come down my chimney and was looking for an escape from the rain. It was also fairly unhappy with being placed outside again.
Possum on the Keys

$5.99 5.09 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1300120 Composed by John W. Fisher. 21st Century,Country,Instructional,Praise & Worship,Sacred. Score. 6 pages. John Fisher #889861. Published by John Fisher (A0.1300120). This sermon song is based on part of a sermon preached by Dr. Paul de Jong at First Presbyterian Church, Fort Myers, Florida on September 24, 2023 based on the text of Mark 5: 21-6:6.  It tells the story in an old Gospel style of the woman who had an uncurable flow of blood for 12 years with no help from doctors forcing her to sell all that she had.  But when Jesus came to town, she touched his garment, admitted it was she and by her faith she was healed.  Pastor Paul told of an experience he had with a perisioner who was very ill, but who clutched the sheets of her bed be imagining it was her savior's garment's hem.  This sermon song is meant to be both educational and inspirational.
Touch Our Savior's Garment's Hem
Piano, Voix

$7.00 5.95 € Piano, Voix PDF SheetMusicPlus

Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself.  Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking
$20.00 17 € 2 Pianos, 4 mains PDF SheetMusicPlus

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1428953 Composed by Laura G Cole. Children,Traditional. Score. 7 pages. Laura G. Cole #998889. Published by Laura G. Cole (A0.1428953). I wrote this song for my elementary school students in the spring of 2022. We were so happy to have made it through a successfully (almost) normal year coming out of COVID. We were all ready for a relaxing, fun summer.This song is dedicated to the second grade class at Gouge Elementary School that sang it so sweetly that year. I hope your students enjoy counting down summertime with this song.*The number twenty-one can be replaced by whatever number of days you have left in the school year. I used that number because that’s how many days were left when I wrote it!
Summer Countdown Song
Piano, Voix

$2.99 2.54 € Piano, Voix PDF SheetMusicPlus

Brass Quintet - Level 2 - Digital Download SKU: A0.1351329 Composed by Henry Fielding. Arranged by Jonathan Spencer. Folk,Patriotic. 6 pages. Jonathan Spencer #936181. Published by Jonathan Spencer (A0.1351329). The Roast Beef of Old England is an English patriotic ballad. It was written by Henry Fielding for his play The Grub-Street Opera, which was first performed in 1731. The lyrics were added to over the next twenty years. The song increased in popularity when given a new setting by the composer Richard Leveridge, and it became customary for theatre audiences to sing it before, after, and occasionally during, any new play.Straightforward arrangement for brass quintet that will enable any dinner to start in style.
The Roast Beef of Old England
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$4.99 4.24 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1178202 By Kevin MacLeod. By Kevin MacLeod. Arranged by Lisa Ochoco. Comedy,Contemporary. 18 pages. Lisa L Ochoco #778167. Published by Lisa L Ochoco (A0.1178202). If you’ve ever seen a funny video on YouTube, Facebook, TikTok, etc., chances are that you’ve heard this tune before…many many times. It makes cute and funny videos, well, cuter and funnier.  Kevin Macleod wrote this delightfully sneaky tune, and it's just fantastic stuff when partnered with videos that don't need any dialog. How well would it do without a video? I don't know, but if you have some brave souls in your group, you could put on a funny skit to go along with this piece. This piece is just meant to be entertaining and something that your audience could get a good laugh at.  Scored for flute choir - 3 C, alto, and bass flutes. Optional, but important, parts are the contrabass and cello, as the lower flutes have a chance to play the melody for 8 measures. Duration: 2.5 minutes.
Sneaky Snitch
Ensemble de Flûtes
Kevin MacLeod
$15.00 12.75 € Ensemble de Flûtes PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.976727 Composed by Robert Myers. Christian,Praise & Worship,Sacred. Octavo. 2 pages. WheatMyer Music #5197337. Published by WheatMyer Music (A0.976727). It was one of those accidents where you find something useful when you’re looking for something else. While reading on the nature of worship, a particular blog article ended with Adoniram Judson’s early 19th Century baptismal poem, Come Holy Spirit, Dove Divine. The flowing text called out (at least to me!) for a musical setting. Accordingly, some melodic and harmonic ideas began to percolate in my thoughts. However, before getting very far along in writing a tune, there were two surprises in store. First many others had already set the text to music before (with a multitude of tunes) going back to at least 1833. Second, despite being a Baptist for over forty years, I discovered that this hymn has been in the Baptist Hymnal since 1956 yet I have no recollection of every singing it! Well, chagrined at my ignorance, I carried on writing a new melody and harmony for this deserving text. I sought to make it friendly to congregational singers while still containing rich and sing-able harmonies and so aimed for a four-part hymn-style form. However, as I suspect my ignorance of the hymn is a common condition, a fresh and modern tune which would be at home in varied musical styles and have popular appeal was also pursued. The result is a delightful and uplifting tune, easy to sing, with an optimistic and forward momentum, commensurate with the meaning of believers’ baptism, Buried with Him in baptism; raised to walk in new life. The music is flexible in application to many church music styles: praise team and band, choir and organ, congregation and piano, or mix and match to fit your needs. May you find Come, Holy Spirit, Dove Divine, singing a much needed text, a means for your congregation to joyfully join with new believers in celebration of their baptism!
Come, Holy Spirit, Dove Divine
Chorale SATB

$1.99 1.69 € Chorale SATB PDF SheetMusicPlus

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447439. Published by jmsgu3 (A0.549015). Alto Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
Schubert: Moment Musicaux for Alto Sax & Piano
Saxophone Alto et Piano

$32.95 28 € Saxophone Alto et Piano PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1245371 Composed by Franz Schubert. Arranged by Benzaiten Editions. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 4 pages. Benzaiten Editions #839692. Published by Benzaiten Editions (A0.1245371). Soprano voice sheet music with easy piano accompaniment for Schubert’s Ave Maria in B Major. Arranged by Benzaiten Editions.You, a soprano, want to learn to sing the song Ave Maria from Schubert? Stay with us!Schubert Ave Maria in B Major • soprano voice sheet music with easy piano accompaniment The Benzaiten Editions Arrangement If you're looking for an easy / beginner soprano voice sheet music with piano accompaniment arrangement of the beautiful song “Ave Maria†from Franz Schubert, look no further! I have arranged a simple yet beautiful version of this song that is perfect for beginner musicians / those who like this incredible and timeless song. With this arrangement of Schubert’s Ave Maria, you'll be able to play this emotional melody with ease and grace. The simplified chords and melody make it easy to learn.So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our easy / beginner soprano voice arrangement of Schubert’s Ave Maria is sure to inspire. Schubert Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:→ Soprano voice | easy piano accompaniment→ Alto voice| easy piano accompaniment→ Tenor voice | easy piano accompaniment→ Baritone voice | easy piano accompaniment About the song Ave Maria is one of Franz Schubert's most well-known and revered compositions. Although it is often associated with the Catholic prayer, Schubert's music is actually an adaptation of a work by Walter Scott, a Scottish poet. Schubert composed the melody as part of his piece Ellens Gesang III (Ellen's Song III), which is a series of songs based on Scott's poems.Ave Maria was composed in 1825 and is one of the most popular and beloved pieces in the classical repertoire. The gentle and melancholic melody, combined with the Latin lyrics invoking the Virgin Mary, evokes a sense of serenity and devotion. While it was originally written for voice and piano, the melody has also been adapted for various instruments and choirs.Interestingly, Schubert was unaware that his melody would become widely known as Ave Maria. The original title of the composition is Ellens Gesang III: Hymne an die Jungfrau (Ellen's Song III: Hymn to the Virgin). The fame of Ave Maria came later when different versions of the melody were published and performed with the Latin lyrics.Due to its beauty and emotional appeal, Schubert's Ave Maria has been performed on numerous occasions, from religious ceremonies to concerts and solemn events. The piece continues to move and inspire listeners around the world, highlighting Franz Schubert's genius as a composer.
Schubert Ave Maria in B Major • soprano voice sheet music with easy piano accompaniment
Piano, Voix

$1.99 1.69 € Piano, Voix PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1241260 By Lisa Waites. By Lisa Waites. Christian,Holiday,Praise & Worship,Religious,Sacred. Score. 2 pages. Servant Song Music and Ministry #836654. Published by Servant Song Music and Ministry (A0.1241260). We Believe gives you the opportunity to teach your congregation about the timeless truths of the Christian faith, making this contemporary creed a perfect choice for Trinity Sunday, Confirmation Sundays, Creation, Pentecost, the Baptism of Christ, Christ the King Sunday, or on any other pastoral occasion when you want to celebrate faith in Christ, the power of the Holy Spirit, and emphasize our Triune God. The simple, catchy melody of We Believe is paired with enough rhythmic interest to captivate singers of any level, while remaining highly accessible for beginners. Set in the key of D Major, the score is offered in a Piano/Vocal/Guitar format that your church musicians will appreciate. This three-verse hymn is short enough to be used as a sung congregational response after the confession of the Nicene or Apostle's Creed, or it can function liturgically as a contemporary sung creed as an alternative to the traditional, spoken creeds. Alternatively, this piece can be used as a contemporary hymn for many different pastoral occasions and scriptural themes. It also works well as part of a multi-song worship package.  Many Christians are not reading the Word regularly or attending church often enough to know the core content of the faith; this contemporary creed harnesses the power of music and rhythm to reinforce Trinitarian theology in a compelling and memorable way. Try it out with your congregants, and you'll be helping them to learn more about their faith while simultaneously lifting up their voices in praise to God!
We Believe (A Contemporary Creed)
Piano, Voix et Guitare
Lisa Waites
$2.99 2.54 € Piano, Voix et Guitare PDF SheetMusicPlus

Violin Solo - Level 3 - Digital Download SKU: A0.837262 Composed by Garth M. Williams. 20th Century,Celtic,Folk,Irish,Standards. 7 pages. Garth M. Williams (Socan) #3093633. Published by Garth M. Williams (Socan) (A0.837262). A Winter's Lament was written during our western Canada winter of 2015.  Although British Columbia boasts that it has a very favourable climate with little snow, it also tends, at times, to be very grey and wet during the winter months.  With that in mind, I wrote this fiddles ballad which records, in the opening, my thoughts about the bright, warm, spring and fall months which we have just left.  The middle section however, tends to be somewhat melancholic surrounded by the greyness of our winter, but it, in turn, is followed by a recipe of what lies ahead when winter actually departs; spring with its new beginning.  This is an exceptional piece for fiddler's around the world.
A WINTER'S LAMENT FOR STRING ORCHESTRA
Violon

$20.95 17.81 € Violon PDF SheetMusicPlus

Large Ensemble Bouzouki,Flute,Guitar,Harpsichord,Mandolin,Piano,Violin - Digital Download SKU: A0.1017680 Composed by Gordon Jackson. Celtic,Classical,Folk,World. Score and parts. 1 pages. Gordon Jackson #6440601. Published by Gordon Jackson (A0.1017680). AppledoreThis a little piece I have – rather pretentiously – described as a pastoral. To be frank, unlike most of my compositions (jigs, reels, hornpipes, strathspeys etc), I had no particular dance form in mind when I wrote it.Appledore is scored for octave mandola (or bouzouki tuned GDAE). It could be played on mandolin, I suppose, but it’s a bit fiddley. Performance tip: try picking this with your finger, rather than with a plectrum; the 2-, 3- and 4-note chords can be played as broken chords, which makes the whole tune rather more interesting (and more of a challenge!).Appledore is a very pretty village in Kent, just north of Romney Marsh. I nearly moved there a few years ago but … didn’t.
Appledore

$4.99 4.24 € PDF SheetMusicPlus

Woodwind Ensemble Double Reed Quintet,Oboe - Level 4 - Digital Download SKU: A0.1253791 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847417. Published by Regis Bookshar (A0.1253791). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Oboe Quintet - Advanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Chris lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen') (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.This arrangement is for an Oboe Quintet. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you wil be pleased with what you may find.
Three selections based on "Christ lag in Todesbanden" (Oboe Quintet)

$30.00 25.5 € PDF SheetMusicPlus

Guitar,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.1448145 Composed by David Owen. Arranged by David Warin Solomons. Contemporary,Traditional. 4 pages. David Warin Solomons #1028084. Published by David Warin Solomons (A0.1448145). Based on a song by the Welsh harpist David OwenDavid the bard on his bed of death liesPale are his features and dim are his eyesYet all around him his glance wildly rovesTill it alights on the harp that he loves.Give me my harp, my companion so longLet it once more add its voice to my songThough my old fingers are palsied and weakStill my good harp for its master will speak.Often the hearts of our chiefs it has stirredWhen its loud summons to battle was heardHarp of my country, dear harp of the braveLet thy last notes hover over my grave. The pdf file contains score and parts.
Variations on David of the White Rock (Dafydd Y Garreg Wen) for Oboe and Guitar
Hautbois, Guitare (duo)

$5.00 4.25 € Hautbois, Guitare (duo) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.584062 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. 16 pages. Jeff Tincher #5297183. Published by Jeff Tincher (A0.584062). This is one of the most iconic guitar hooks ever. When you hear the first 4 notes you know what song it is. This song actually did not make it on a U.K. album until Past Masters Vol. 1 & 2. It is a #1 single internationally. In the U.S., this song appeared in Yesterday and Today, Past Masters Vol. 2, 1962 - 1966 and 1. This arrangement includes the live ending from the Nippon Budokan Hall Japan 1966 2nd concert. Duration = 3:02. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
Day Tripper
Quatuor de Saxophones: 4 saxophones
The Beatles
$12.99 11.04 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus






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