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Violin Solo - Level 4 - Digital Download SKU: A0.1204044 Composed by Johann Sebastian Bach. Arranged by Lavender Hill. Baroque,Chamber,Classical,Wedding. 2 pages. Lavender Hill #802548. Published by Lavender Hill (A0.1204044). Yes, making music with others is one of the best things about being a violinist, and a string duo, trio or quartet is great for weddings and other private or corporate events.  But sometimes because of constraints of availability / space / budget – or just for the thrill of it – we need to go it alone.  That’s when music for unaccompanied violin (not merely solo violin) comes into its own.Here’s Bach’s celebrated Air (or Aria) for polyphonic violin alone, with the famous bass line baked in – a bit like in his Andante from the solo violin Partita No. 2 in A minor.     Download it now, then light yourself an (imaginary) Hamlet cigar.Because of the double-stopping I’m providing fingering suggestions. Unaccompanied Violin part: 1 pageTime: 3:39.
Air from Suite No. 3 in D (“Air on the G String”)
Violon

$9.99 8.52 € Violon PDF SheetMusicPlus

Voice Duet Soprano voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1518584 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Celtic,Contemporary,Irish,New Age,Pop,Romantic Period. 13 pages. Kevin G. Pace #1092685. Published by Kevin G. Pace (A0.1518584). A lovely, heart-felt vocal duet for soprano and tenor. Music by Kevin G. Pace. Text by Mark R. Fotheringham.Text:BOTHGoodbye love, we sigh at parting.Goodbye love, we hold back the tears.Though our love may tide all weather, ohIt cannot hide our fears.HEI will not be gone forever.No, I’ll not be gone so long.Hold my heart with yours forever, Love,Then our love will ne'er go wrong. SHEYou will not be gone forever.No, you’ll not be gone so long.Hold my heart with yours forever, Love,Then our love will ne'er go wrong.BOTHGoodbye love, we sigh at parting.Goodbye love, we hold back the tears.Though our love may tide all weather, ohIt may not dispel our fears.HEThough my love is far away, her love is a constant.I see her face in ev'ry flower I see.I hear her voice, in ev'ry stream; It flows to my yearning sea.I carry on because she waits for me.SHEWhat would I do without his loveThe shadows would be too deepHis love is like the starry nightThat bids me sle-ep.HEThen in my dreams, when ev'rything seemsSo bright at her ev'ry touch, oh ma-y INe-ver awake to see the morn. In- dreams never can I miss her.SHEThough my love is gone away,His love is ever in my heart.So, I wait for him to come homeWith arms wide open for me.Kisses to assure me of his love.BOTHGoodbye love, we sighed at parting.Goodbye love, we held back the tears.Now our love has weathered ev'ry storm,And conquered all our fears.SHEOh, you were not gone forever.No, you were not gone so long.Hold my heart with yours forever, Love,Then our love will ne'er go wrong. SHEYes, I was not gone forever.No, I was not gone so long.Hold my heart with yours forever, Love,Then our love will ne'er go wrong.BOTHGoodbye love, we sighed at parting.Goodbye love, we held back the tears.Now as love has weathered ev'ry storm,Love will last through all our years.
Parting, a love song for vocal duet

$5.99 5.11 € PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.971693 Composed by Michael E. Ropp. 20th Century. Score and parts. 8 pages. Michael E. Ropp #2034347. Published by Michael E. Ropp (A0.971693). Brass Prelude 2 was designed to be used on those Sunday mornings when a brass quintet is available for the choir anthem, and it is desired to make maximum use of the quintet. There is a corresponding Brass Postlude 2 that goes with it. Brass Prelude 2 is modern in style and might be used on a Sunday with a more modern or aggressive choir anthem, but like all of the Preludes in this series it is designed to start worship on an uplifting note. This piece requires a more advanced quintet because of the tonal structures and the requirement for a piccolo trumpet in A.
Brass Prelude 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$10.00 8.53 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Piano Solo - Level 1 - Digital Download SKU: A0.1404076 By Pitbull Featuring Ke$Ha. By Armando Christian Perez, Breyan Stanley Isaac, Charles Carter, Greg Errico, Henry Walter, Jamie Sanderson, Keri Oskar, Kesha Sebert, Lee Oskar Levitin, Lukasz Gottwald, Priscilla Renea, Roger Parker, Steve Arrington, and Waung Hankerson. Arranged by Fernando Ramos. 21st Century,Contemporary,Hip-Hop,Pop,Rock. Score. 3 pages. Fernando Ramos #987250. Published by Fernando Ramos (A0.1404076). Other Arrangements Available: https://www.sheetmusicplus.com/en/category/arrangeme/426/fernando-ramos/?isPLP=1I make piano solo arrangements for my students of songs that they love! My goal is to create something that sounds beautiful as a standalone piece of music and, most importantly, that it also makes pianistic sense. Each of my arrangements is made for a specific student, so the results will vary in terms of playing level. Most decisions are based on their current skills and abilities, or where I would like for them to be when they complete the piece.This arrangement was made for a late beginner student currently working on Federation class Elementary 2. Some very tricky fingering in the right hand, but worth the trouble. I chose not to transpose to another key with less sharps because its actually easier with the black keys, in my opinion. Sometimes it's good to throw them a good challenge, and it paid off for me. This was actually a more successful performance than his Federation piece at our recital!
Timber
Piano seul
Pitbull Featuring Ke$Ha
$4.99 4.26 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1253991 Composed by Franz Schubert. Arranged by Benzaiten Editions. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 4 pages. Benzaiten Editions #847582. Published by Benzaiten Editions (A0.1253991). Tenor voice sheet music with easy piano accompaniment for Schubert’s Ave Maria in G Major. Arranged by Benzaiten Editions.Hey! Are you a tenor who wants to learn to sing the song Ave Maria from Schubert? Stay with us!Schubert Ave Maria in G Major • tenor voice sheet music with easy piano accompaniment The Benzaiten Editions Arrangement If you're looking for an easy / beginner tenor voice sheet music with piano accompaniment arrangement of the beautiful song “Ave Maria†from Franz Schubert, look no further! I have arranged a simple yet beautiful version of this song that is perfect for beginner musicians / those who like this incredible and timeless song. With this arrangement of Schubert’s Ave Maria, you'll be able to play this emotional melody with ease and grace. The simplified chords and melody make it easy to learn.So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our easy / beginner tenor voice arrangement of Schubert’s Ave Maria is sure to inspire. Schubert Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:→ Soprano voice | easy piano accompaniment→ Alto voice | easy piano accompaniment→ Tenor voice | easy piano accompaniment→ Baritone voice | easy piano accompaniment About the song Ave Maria is one of Franz Schubert's most well-known and revered compositions. Although it is often associated with the Catholic prayer, Schubert's music is actually an adaptation of a work by Walter Scott, a Scottish poet. Schubert composed the melody as part of his piece Ellens Gesang III (Ellen's Song III), which is a series of songs based on Scott's poems.Ave Maria was composed in 1825 and is one of the most popular and beloved pieces in the classical repertoire. The gentle and melancholic melody, combined with the Latin lyrics invoking the Virgin Mary, evokes a sense of serenity and devotion. While it was originally written for voice and piano, the melody has also been adapted for various instruments and choirs.Interestingly, Schubert was unaware that his melody would become widely known as Ave Maria. The original title of the composition is Ellens Gesang III: Hymne an die Jungfrau (Ellen's Song III: Hymn to the Virgin). The fame of Ave Maria came later when different versions of the melody were published and performed with the Latin lyrics.Due to its beauty and emotional appeal, Schubert's Ave Maria has been performed on numerous occasions, from religious ceremonies to concerts and solemn events. The piece continues to move and inspire listeners around the world, highlighting Franz Schubert's genius as a composer.
Schubert Ave Maria in G Major • tenor sheet music with easy piano accompaniment
Piano, Voix

$1.99 1.7 € Piano, Voix PDF SheetMusicPlus

Guitar - Level 2 - Digital Download SKU: A0.1258751 By Ron k Wiggins. By Charles Crozat Converse - 1868. Arranged by Ron k Wiggins. Christian,Classical,Country,Religious. Guitar Tab. 2 pages. WigMusic #852011. Published by WigMusic (A0.1258751). The poem for this was originally written in 1855 by Joseph M Scriven. The poem was then set to music in 1868 by Converse.This arrangement makes use of the alternating bass technique made popular by Chet Atkins. This makes it a fun piece to play.  If you are already competent with this technique this is an easy piece to play. It is also a good arrangement to apply the technique to when just learning it.
What A Friend We Have In Jesus - Classical Guitar
Guitare notes et tablatures
Ron k Wiggins
$1.99 1.7 € Guitare notes et tablatures PDF SheetMusicPlus

Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1499958 Composed by Various. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 1122 pages. Müller Publishing company #1076029. Published by Müller Publishing company (A0.1499958). 50 Hymns for Beginner Orchestra with Chord Symbols: Complete Collection of Traditional ArrangementsUnlock the full potential of your beginner orchestra with this complete collection of 50 hymn arrangements, now available with chord symbols. Arranged by L. Müller, this book provides a unique blend of traditional hymn melodies and chord notations, making it perfect for orchestras and ensembles looking to enhance their rehearsals and performances with additional instrumental support. The inclusion of chord symbols allows for flexibility, enabling guitarists, keyboardists, and other accompanying musicians to join in seamlessly.Included Hymns:1. A Mighty Fortress2. Abide With Me3. All Hail The Power of Jesus' Name4. All Hail to the Power5. Belmont Hymn6. Christ Arose7. Count Your Blessings8. Fairest Lord Jesus9. Glorious Things of Thee Are Spoken10. God Be With You11. God of Our Fathers12. God Reveals His Presence13. Great Is Thy Faithfulness14. Holy, Holy, Holy15. How Great Thou Art16. I Surrender All17. Is Your All on the Altar18. It Is Well with My Soul19. Jesus Christ is Risen Today20. Jesus is Passing This Way21. Joyful, Joyful, We Adore Thee22. Lead me, Lord23. Let us praise God24. Majesty25. Master, the Tempest is Raging26. Mine Eyes Have Seen the Glory27. Moment by Moment28. Nearer my God to Thee29. Nearer, still nearer30. Now the Day Is Over31. O Love That Will Not Let Me Go32. O the Deep, Deep Love of Jesus33. Onward, Christian Soldiers34. Praise Ye the Father35. Showers of Blessing36. Standing on the Promises37. Tell Me the Old, Old Story38. The Banner of the Cross39. The Fight Is On40. The Gospel Bells41. The King's Business42. The Lord Bless You and Keep You43. The Old Rugged Cross44. To God Be The Glory45. Tollite Hostias46. True-hearted, Whole-hearted47. Trust and Obey48. We Plow the Fields49. When I Survey The Wondrous Cross50. Wonderful Grace of Jesus**Instrumentation:*** Flute* Clarinet in Bb I & II* Soprano Saxophone* Alto Saxophone I & II* Horn in F* Trumpet in Bb I, II & III* Trombone I & II* Tuba* Violin I, II & III* Viola* Cello I & II* Contrabass* Piano**Key Features:**- **Chord Symbols**: Enhance rehearsals and performances by allowing guitar, keyboard, and other accompanying instruments to join the orchestra easily.- **Accessibility**: The simplified arrangements are designed for beginner orchestras, making it easy for young musicians to play alongside experienced accompanists.- **Versatility**: Perfect for worship services, educational settings, or community performances, these arrangements offer a dynamic and engaging musical experience.Bring the rich heritage of these beloved hymns to life in your orchestra with added versatility and depth. This collection with chord symbols opens up new possibilities for accompaniment, providing a fuller, more harmonious sound that both performers and listeners will enjoy.Add this valuable resource to your music library and inspire your orchestra with these timeless melodies!
50 Hymns for Beginner Orchestra with Chord Symbols: Complete Collection of Traditional Arrangements

$50.00 42.65 € PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.749344 Composed by James-Michael Sellers. Contemporary. Score and parts. 108 pages. JMS Composer #546029. Published by JMS Composer (A0.749344). Storm and Calm is a piece that I composed after hearing that two of my friends were fighting and I was being pulled both ways in the conversation. I felt very conflicted about the whole situation, and I tried my best to vent those confused feelings through the music that I was hearing during all of it. I was amazed at what transpired when they both heard the piece, as it seemed to bring them to a new understanding of sorts, getting them to see how their conflict had begun to damage those around them. While I try not to dwell on what the piece evolved from, it's a constant reminder that even the biggest problems can result in the most miraculous of solutions.
Storm and Calm
Orchestre d'harmonie

$19.99 17.05 € Orchestre d'harmonie PDF SheetMusicPlus

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.891202 Composed by Laurie Betts Hughes. Contemporary. Octavo. 11 pages. Dandelion Music Press #3104027. Published by Dandelion Music Press (A0.891202). If you are looking to highlight your women's group and feature soloists from within the ensemble, this women's-choir-friendly piece is a harmonically interesting and pianistically supported way to explore those textures.The composer writes: I often find it difficult to find music for grown women: much treble repertoire is written for children's ranges and feature children's themes, and the remainder seems to be about romantic relationships.  When searching for a text that speaks to the nature of a woman, I found Emily Dickinson's little-known For largest Woman's Heart I knew.  It seemed to pair naturally with Heart! We will forget him! and provide context rooted in personal strength.While Dickinson was a prolific private poet, fewer than a dozen of her nearly 1,800 poems were published during her lifetime, usually altered significantly to fit the conventional poetic rules of the time.  A complete, and mostly unaltered, scholarly collection of her poetry first became available five full years after Aaron Copland's musical settings of her poetry.  Laurie Betts Hughes explores what Copland never had the chance to: Emily Dickinson's poem as the poet had conceived it, unedited, and with the punctuation she intended.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
Heart [SSA]
Chorale 3 parties

$2.10 1.79 € Chorale 3 parties PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.936691 Composed by Alison Jackson, Jonathan Eno BEM. Arranged by Alison Jackson, Jonathan Eno BEM. Instructional,Standards. 20 pages. Jonathan Eno #6037341. Published by Jonathan Eno (A0.936691). This contemporary tutor book is part of the amazing Hot House BOOX series. Featuring input from the international award-winning team at Hot House, the woodwind BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist.  Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument or… even better your friends around the world on different instruments.  Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you: https://www.facebook.com/bigbangsheethttps://twitter.com/bigbangsheet #joinourtribe #bbmusic #boox #eboox #hhmusic Need help??? Tel: 03303 200 880Email: info@bigbangsheetmusic.co.ukWeb: www.bbmusic.co.ukIf you enjoy this tutor boox, why not check out some of the other titles from the Big Bang Music including:Don't Stop Me Now - QueenHold My Hand - Jess GlynneSuper Mario Theme - Nintendo You can listen to the world famous Hot House Saxophonix perform on all streaming platforms including: https://open.spotify.com/artist/0yJpRZxHG1GA38gv43QM5d?si=Bz9kCSaGRam4AsA1mOk_wQhttps://music.apple.com/gb/album/get-lucky/1518278864?i=1518278866This is perfect for schools and students!www.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.uk
Saxophone Tutor Boox - Level 1 (Debut)
Quatuor de Saxophones: 4 saxophones

$9.99 8.52 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.1436507 Composed by David Owen. Arranged by David Warin Solomons. Classical,Contemporary,Traditional. Score and part. 3 pages. David Warin Solomons #1016620. Published by David Warin Solomons (A0.1436507). Based on a song by the Welsh harpist David OwenThe pdf contains score and separate cello part.David the bard on his bed of death liesPale are his features and dim are his eyesYet all around him his glance wildly rovesTill it alights on the harp that he loves.Give me my harp, my companion so longLet it once more add its voice to my songThough my old fingers are palsied and weakStill my good harp for its master will speak.Often the hearts of our chiefs it has stirredWhen its loud summons to battle was heardHarp of my country, dear harp of the braveLet thy last notes hover over my grave.
Variations on David of the White Rock (Daffyd Y Garreg Wen) for cello and piano
Violoncelle, Piano

$5.00 4.26 € Violoncelle, Piano PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
Missa Solemnis, op. 27 - Score Only
Orchestre

$100.00 85.3 € Orchestre PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.1383453 Composed by Graham Boag. 21st Century,Classical,New Age. 329 pages. Graham Boag #967895. Published by Graham Boag (A0.1383453). When I started writing this piece, I didn’t have a title in mind but as it developed, I began to think that it sounded like a mixture of different bird song in one place. The only thing I was sure about was, I wanted it to be minimalist in style with ideas morphing into each other and letting that process shape the music.   “The Menagerie†is written for String Orchestra and is around 8’ 25†in duration. From the initial one note pedal tone, the piece evolves providing melodic and rhythmic nuances which create the music and direction.
The Menagerie for String Orchestra
Orchestre à Cordes

$45.00 38.38 € Orchestre à Cordes PDF SheetMusicPlus






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