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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1305028 Composed by Traditional. Arranged by Michelle Willis. A Cappella,Advent,Chamber,Christmas. 7 pages. Teton Music #894458. Published by Teton Music (A0.1305028). Lucious harmonies make this familiar, 15th century Christmas carol fresh again. The piece begins with percussive 'dings' and 'dongs' as they mimic the ringing of church bells. The remainder of the piece splits into four part women's harmony with flowing, moving lines in each vocal part. Excellent selection for church, school or professional ensembles. May be sung in English or French. English TextBring a torch, Jeanette, Isabella!Bring a torch, to Bethlehem come!Christ is born. Tell the folk of the villageMary has laid him in a manger.Ah! Ah! beautiful  is the Mother!Ah! Ah! beautiful is her child!Who is that, knocking on the door?Who is it, knocking like that?Open up, we've arranged on a platterLovely cakes that we have brought hereKnock! Knock! Knock! Open the door for us!Knock! Knock! Knock! Let's celebrate!It is wrong when the Baby is sleeping,It is wrong to speak so loud.Silence, now as you gather around,Lest your noise should waken Jesus.Hush! Hush! see how the Baby slumbers;Hush! Hush! see how the Baby sleeps!Softly now unto the stable,Softly for a moment come!Look and see how charming is Jesus,Look at him there, His cheeks are rosy!Hush! Hush! see how the Child is sleeping;Hush! Hush! see how he smiles in dreams!  
Un Flambeau, Jeanette Isabella (Bring a Torch, Jeanette Isabella)
Chorale SATB

$2.89 2.5 € Chorale SATB PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute - Level 4 - Digital Download SKU: A0.1394139 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977600. Published by Phil Beaman (A0.1394139). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.   Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute -  second space A# to high E above staffClarinet - bottom line E# to high B above staffBassoon - low B below staff to high E above staff.
Corant - trio- flute/clarinet/bassoon
Flûte, Clarinette et Basson

$7.99 6.91 € Flûte, Clarinette et Basson PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801556 Composed by Connie Boss. Children,Christmas,Country,Folk. Score. 4 pages. Connie Boss #6140931. Published by Connie Boss (A0.801556). I decided to make a collection of my favorite Christmas memories as a child and then as a parent. This is the 3rd song in the collection. It is for solo and piano. In every song, the refrain uses the same lyrics but has a different melody. There are 4 songs in the collection. It is about going for a drive one Christmas Eve when we saw a blinking light in the sky. We convinced ourselves it was Rudolph pulling Santa's sleigh. What a fun memory. cdboss@cvalley.net for any questions.
Christmas Memories - One Christmas Eve #3 - from Christmas Memories Collection
Piano, Voix et Guitare

$5.00 4.32 € Piano, Voix et Guitare PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise.  4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com  
The Joyce Cycle, for voice and orchestra
Orchestre de chambre
the turbulent sea, the loved one has disappeared

8
$54.00 46.71 € Orchestre de chambre PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 4 - Digital Download SKU: A0.1245666 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 30 pages. Regis Bookshar #840503. Published by Regis Bookshar (A0.1245666). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Alto Saxophone Quintet - Advanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one.. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.This arrangement is for an Alto Saxophone Quintet. Included are a score and a complete set of parts (30 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
Three selections based on "Christ lag in Todesbanden" (Alto Saxophone Quintet)
Quintette de Saxophone: 5 saxophones

$30.00 25.95 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel

$9.99 8.64 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1252377 Composed by Franz Schubert. Arranged by Benzaiten Editions. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 4 pages. Benzaiten Editions #846347. Published by Benzaiten Editions (A0.1252377). Tenor voice sheet music with easy piano accompaniment for Schubert’s Ave Maria in C Major. Arranged by Benzaiten Editions.Hey! Are you a tenor who wants to learn to sing the song Ave Maria from Schubert? Stay with us!Schubert Ave Maria in C Major • tenor voice sheet music with easy piano accompaniment The Benzaiten Editions Arrangement If you're looking for an easy / beginner tenor voice sheet music with piano accompaniment arrangement of the beautiful song “Ave Maria†from Franz Schubert, look no further! I have arranged a simple yet beautiful version of this song that is perfect for beginner musicians / those who like this incredible and timeless song. With this arrangement of Schubert’s Ave Maria, you'll be able to play this emotional melody with ease and grace. The simplified chords and melody make it easy to learn.So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our easy / beginner tenor voice arrangement of Schubert’s Ave Maria is sure to inspire. Schubert Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:→ Soprano voice | easy piano accompaniment→ Alto voice | easy piano accompaniment→ Tenor voice | easy piano accompaniment→ Baritone voice | easy piano accompaniment About the song Ave Maria is one of Franz Schubert's most well-known and revered compositions. Although it is often associated with the Catholic prayer, Schubert's music is actually an adaptation of a work by Walter Scott, a Scottish poet. Schubert composed the melody as part of his piece Ellens Gesang III (Ellen's Song III), which is a series of songs based on Scott's poems.Ave Maria was composed in 1825 and is one of the most popular and beloved pieces in the classical repertoire. The gentle and melancholic melody, combined with the Latin lyrics invoking the Virgin Mary, evokes a sense of serenity and devotion. While it was originally written for voice and piano, the melody has also been adapted for various instruments and choirs.Interestingly, Schubert was unaware that his melody would become widely known as Ave Maria. The original title of the composition is Ellens Gesang III: Hymne an die Jungfrau (Ellen's Song III: Hymn to the Virgin). The fame of Ave Maria came later when different versions of the melody were published and performed with the Latin lyrics.Due to its beauty and emotional appeal, Schubert's Ave Maria has been performed on numerous occasions, from religious ceremonies to concerts and solemn events. The piece continues to move and inspire listeners around the world, highlighting Franz Schubert's genius as a composer.
Schubert Ave Maria in C Major • tenor sheet music with easy piano accompaniment
Piano, Voix

$1.99 1.72 € Piano, Voix PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1374708 Composed by Alan Menken and Howard Ashman. Arranged by Brad Powell. Broadway,Classical,Film/TV,Musical/Show,Pop,Wedding. Individual part. 5 pages. Geofonica Artistworks #959262. Published by Geofonica Artistworks (A0.1374708). This is an instrumental solo arrangement of Something There created by Brad Powell for his performances in Disney's Princess Breakfast Adventure at the Disneyland Resort's Grand Californian hotel (Napa Rose restaurant), from 2019 to early 2024. It's an intermediate solo guitar arrangement, mixing jazz and classical techniques and chord voicings. You can hear the full arrangement performed in the YouTube link provided. NOTE: This instrumental arrangement is in standard notation (LYRICS are included for reference). It is also available as standard notation with TAB.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation â?? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
Something There
Guitare

$4.99 4.32 € Guitare PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
Orchestre d'harmonie

$45.00 38.92 € Orchestre d'harmonie PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1047345 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score. 9 pages. Blaze Scheuerman #651903. Published by Blaze Scheuerman (A0.1047345). Voices In My Head is meant to convey a feeling of being overwhelmed. I got the idea for the piece after having composed for 2 hours and finding my stomach screaming from hunger, my throat screaming from thirst, my head screaming from fatigue, and my mind screaming from unsatisfied work. It was a very overwhelming feeling at once and caused me to come up with the idea for the piece and subject for the fugue. The prelude is supposed to be setting up the fugue, as it depicts multiple voices getting along but just barely. The C major section shows the initial clarity from satisfying one of their needs, but it quickly returns to a struggle. The fugue slowly and slowly gets more intense, leading up until the end when the main character becomes completely overwhelmed.
Voices In My Head
Piano seul
Blaze Scheuerman
$4.99 4.32 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 1 - Digital Download SKU: A0.1104888 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredriksson, and Wayne Sermon. Arranged by Fernando Ramos. Pop,Rock. Score. 3 pages. Fernando Ramos #708127. Published by Fernando Ramos (A0.1104888). YouTube Link: https://youtu.be/4DonQJ8FIk4 Other Arrangements Available: https://www.sheetmusicplus.com/publishers/fernando-ramos-sheet-music/3016426?isPLP=1 I make piano solo arrangements for my students of songs that they love! My goal is to create something that sounds beautiful as a standalone piece of music and, most importantly, that it also makes pianistic sense. Each of my arrangements is made for a specific student, so the results will vary in terms of playing level. Most decisions are based on their current skills and abilities, or where I would like for them to be when they complete the piece. This arrangement was made for a mid/late beginner student working in Level 3 of Alfred's Masterwork Classics, Primary IV Class. There is a lot of jumping around, but a good student will handle it just fine and actually LOVE it. Get that initial right hand position with a 3rd between 2 and 3, and you'll be just fine. The triplet section can be tricky. Might be a great opportunity for practicing repeated notes with different fingers. Use the pedal for greatest effect, as notated. Pedal and fingering suggestions are included.
Believer
Piano seul
Imagine Dragons
$4.99 4.32 € Piano seul PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1081984 Composed by Johannes Brahms. Arranged by Richard E Brown. Contest,Festival,Romantic Period,Standards. Score and parts. 12 pages. Dacker Music #686118. Published by Dacker Music (A0.1081984). The Waltz in Ab, Op. 39, No. 15 is one of the best-known piano pieces by the great German Romantic composer Johannes Brahms (1833-1897). Although just one in a set of 16 short waltzes for piano that Brahms penned in 1865, it has long taken on a life of its own, eclipsing all of the others in popularity. The set was originally written for piano 4-hands, where this waltz was in the key of A. When Brahms arranged it for solo piano later that same year, he lowered it a semitone to Ab. This arrangement restores the original key. Level: M - Duration 1:45.
Brahms' Waltz - String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$5.50 4.76 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano Accompaniment - Level 1 - Digital Download SKU: A0.1253576 Composed by Connie Boss. Children,Instructional. Accompaniment. Duration 125. Connie Boss #847227. Published by Connie Boss (A0.1253576). This mp3 is piano accompaniment for the musical/play I have on SMP or SMD if you don't have a pianist.This Aesop's fable always teaches children a good lesson. Don't lie - people won't believe you when you are telling the truth. I have arranged it into a musical/play. It has a simple melody and is repetitive. It is best for PreK - 2nd grade. Older kids can help with the narration if needed or the teacher can. For any questions or requests, email cdboss@cvalley.net.
The Boy Who Cried Wolf Musical/Play piano accompaniment
Accompagnement Piano

$1.99 1.72 € Accompagnement Piano PDF SheetMusicPlus

Accordion - Level 1 - Digital Download SKU: A0.1078012 Composed by N Roubanis. Arranged by Assi Rose. Film/TV,Folk,Jewish,Multicultural,Traditional,World. Score. 6 pages. Assi Rose Methods #682214. Published by Assi Rose Methods (A0.1078012). Misirlou is a greek pronunciation that means in Turkish: ‘Egyptian girl’. This song was known before the 20th centuty, in those days many Arabic influences where mixed with the greek culture, around the time of the Ottoman (Old turkish) Empire. The copyright for this song was registered by Nicholas Roubanis but it is known that this melody already existed years before. But Roubanis probably re-composed the song in July 1927, when he released it as a record in USA. This song became widely famous in modern times once it featured in the movie: Pulp Fiction.
Misirlou (instr & Original Greek Lyr Version)
Accordéon

$5.55 4.8 € Accordéon PDF SheetMusicPlus






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