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Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.    Register for free lifetime revisions and updates at www.jamesguthrie.com
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Flûte traversière et Piano

$24.95 21.11 € Flûte traversière et Piano PDF SheetMusicPlus

Unison chorus - Digital Download SKU: C7.CGA378 Composed by Sally Logee. Christmas. With Flute. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA378. Published by Chorister's Guild - Digital (C7.CGA378). UPC: 749193017913.Though originally conceived as a wedding song, for which it will find much use, the text of this anthem from Colossians 3: 12-15 has a universal appeal because of its message of love and peace. Its timeliness at this moment in our history, adds impetus and hope that we may live our lives in love and peace, with God and our fellow human beings. The short phrases make for easy earning by children. The optional flute part enhances the repeat of the opening phrases when it appears in the recapitulation. Composer: Wagner, Douglas E. Text Author: Wagner, Douglas E.
'Twas in the Moon of Wintertime
Chorale Unison

$2.10 1.78 € Chorale Unison PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1456672 Composed by Traditional. Arranged by Myrick Crampton. Celtic,Classical,Irish,Traditional. 25 pages. MDC Music LLC #1035740. Published by MDC Music LLC (A0.1456672). Over the Hills and Far Away is a traditional British song, dating back to at least the late 17th century.  This arrangement features the piccolo.  I first enjoyed this song when watching the BBC television Sharpe. Lyrics from John Tam’s recorded version:O'er the hills and o'er the mainThrough Flanders, Portugal and Spain.King George commands and we obeyOver the hills and far away.Arranged for (P, F1-5, AF 5, BF 6, Contra 7)Time: 2’ 10”.
Over the Hills and Far Away
Ensemble de Flûtes

$15.99 13.53 € Ensemble de Flûtes PDF SheetMusicPlus

Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
The Flying Dutchman

$42.99 36.37 € PDF SheetMusicPlus

Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
Schubert: Moment Musicaux for Baritone Horn & Piano

$32.95 27.88 € PDF SheetMusicPlus

Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,English Horn,Euphonium,Flute,Oboe,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.720748 Composed by Rev. George Bennard. Arranged by Ralph Raymond Hays. Concert,Easter,Sacred,Spiritual. Score and parts. 20 pages. Ralph Raymond Hays #6302263. Published by Ralph Raymond Hays (A0.720748). Deftly arranged by one of SMP's top arrangers, this captivating setting will highlight a recital or Worship Service during Lent, on Easter, or throughout the year. Masterful counterpoint, exquisite harmonies, and innovative rhythmic nuances bring a contemporary perspective to one of Christendom's most beloved masterworks.The Old Rugged Cross was my Papa's favorite hymn. Although it was played and sung at his funeral, my most vivid memories of it are from summer Friday nights when three generations of my family would convene around the piano in my grandparents' living room. My Nana would play through the Reader's Digest Songbook of Family Faith and Joy from cover to cover as the rest of sang -- improvising harmonies and blending our voices as only family can. We each had our favorites (it will surprise no one that mine was Climb Ev'ry Mountain) and it was obvious by how he sang a bit stronger and more fervently each time, that this was Papa's. With cherished recollections to guide me, I strove to embody the joy and warmth of those gatherings in this arrangement.
The Old Rugged Cross (for solo instrument and piano)

$6.99 5.91 € PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.995884 Composed by Annie L. Coghill, Augustus M. Toplady, Charles C. Converse, Charles H. Gabriel, Erastus Johnson, Johnson Oatman Jr., Joseph M. Scriven, Thomas Hastings, William G. Fischer, and and Philip Bliss. Arranged by Tanya L. Vance. Sacred. Score. 6 pages. Tanya Vance #5733029. Published by Tanya Vance (A0.995884). This is a medium level piano arrangement of some classic hymns: Higher Ground, Rock of Ages, Work for the Night is Coming, What a Friend We Have in Jesus, The Rock that is Higher than I, and Jesus Loves Even Me.  These were my grandfather's favorite hymns.  I dedicated this arrangement in his memory.  He taught me all of these hymns when I was a young girl, learning to play piano.  This makes a nice piece to play as a prelude to a church service.
Higher Ground Medley
Piano seul

$4.25 3.6 € Piano seul PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.588735 Composed by David McKeown. Concert,Latin,Standards,World. Score and parts. 7 pages. David McKeown #5741727. Published by David McKeown (A0.588735). Mambo de Maya is an exciting original composition by David McKeown, arranged as a duet for one Flute and one Alto Saxophone.This duet is based on the fast, traditional Latin style of Mambo that emerged in Cuba in the 1930s. Later, when Mambo and its dance steps spread to Mexico and New York, hugely successful band leaders like Perez Prado and Tito Puente borrowed ideas from Big-Band Jazz and produced the bold and brassy sound we associate with Mambo today.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The steady Mambo bell rhythm is implied throughout, and following the precise articulation in the score will help convey the style. Melodies are clearly articulated and played with passion. Mambo de Maya has a performance time of around two and a half minutes at full tempo. You can listen to a full performance the Clarinet version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
Mambo de Maya, for Flute and Alto Saxophone Duet
Flûte, Saxophone (duo)

$3.99 3.38 € Flûte, Saxophone (duo) PDF SheetMusicPlus

Small Ensemble Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.746243 Composed by David Nichtern. Arranged by Michael Pilley. Pop. Score and parts. 4 pages. Michael Pilley Music #6048167. Published by Michael Pilley Music (A0.746243). The Brand New Heavies version of a classic 70's tune was a staple of the UK acid jazz movement in the 90's, with an infectious bass line, a smooth groove and subtle, yet distinct horn lines. This is a direct transcription of the recording, arranged for 3 horns, and engraved professionally to easily read down in a session. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
Midnight At The Oasis

$15.00 12.69 € PDF SheetMusicPlus

Small Ensemble Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.746208 By Otis Redding. By Harry Woods, Jimmy Campbell, and Reg Connelly. Arranged by Michael Pilley. Hip-Hop,Pop,R & B. Score and parts. 4 pages. Michael Pilley Music #4320181. Published by Michael Pilley Music (A0.746208). This is a 3 Horn arrangement, designed for use with cover bands. Written for Trumpet, Tenor Sax and Trombone, this is a faithful recreation of the Otis Redding horns, in the original key.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
Try A Little Tenderness
Otis Redding
$15.00 12.69 € PDF SheetMusicPlus






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