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Piano Solo - Level 3 - Digital Download SKU: A0.1010030 Composed by David O´Farrill. Contemporary. Score. 7 pages. David OFarrill #34267. Published by David OFarrill (A0.1010030). -- Intermediate piano piece in C major composed by David O´Farrill. - -- First part of the compilation Moments Vol. 1 - EP. - -- Piece available to watch on Youtube, listen to Soundcloud or Spotify and buy on iTunes or Googleplay. - -- Decisions come and go. They are quick. Sudden. Subtle. Critic. The choices we take define us. Taking one might turn your life around, or it might ruin it. But you can always start anew. - -- To all who have met a hard choice eye to eye, don´t forget to wink and smile. To my family, for being there for me, even when I don´t deserve it. And as always, to my piano teacher. - -- Website: davidofarrillmusic.weebly.com.
Part One: Choices
Piano seul

$2.49 2.11 € Piano seul PDF SheetMusicPlus

Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
A Night In Tunisia
Dizzy Gillespie
$8.99 7.61 € PDF SheetMusicPlus

Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.1297340 Composed by Gioachino Rossini. Arranged by David Mathie. 19th Century,Classical. Score. 16 pages. Gordon Cherry #887420. Published by Gordon Cherry (A0.1297340). Here is what arranger David Mathie writes about the 5 Duos by Rossini.Gioachino Rossini was an Italian composer, born in 1792 and died in 1868. He was known primarily for his thirty-nine operas, although he did compose some chamber pieces and a few orchestral works. His 5 Duos for 2 Horns in E♭ were probably written in 1806 when Rossini was fourteen and living in Bologna, although they weren’t published until 1861. While it may seem unusual for a fourteen-year-old to be composing, by then Rossini had already written his String Sonatas at the age of twelve, and those works are still performed today. An explanation for why Rossini would write a set of duets for horn may be that his father was a professional trumpet player, and taught his son Gioachino to play the horn at a very young age.These five pieces were written for the natural (valveless) horns of the time, and like the horn writing of Mozart some very technical passages can be found in the lower part, especially in duets four and five. We can also hear the future opera composer’s arias in number three. The duos will work quite well on recitals and also for casual duet playing. Because trombonists can never have enough practice in clefs, I have transcribed the duets into three versions each using bass, tenor and alto clefs.The 5 Duos in 3 Clefs by Rossini arranged by David Mathie are perfect studies for any aged performer to begin learning Tenor and Alto Clefs. The duet format allows the teacher to play alongside the student, which is always so valuable for learning. They are of moderate difficulty making them well-suited for the Clef Novice to begin adding these necessary tools to their technique.
5 Duos in 3 Clefs for Trombones
2 Trombones (duo)

$17.50 14.81 € 2 Trombones (duo) PDF SheetMusicPlus

Instrumental Duet Harp,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1098484 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702340. Published by jmsgu3 (A0.1098484). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Tenor Sax & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
Pachelbel: Canon in D for Tenor Sax & Harp

$32.95 27.88 € PDF SheetMusicPlus

Piano Solo - Intermediate - Digital Download SKU: A0.509991 By Bruno Mars. By Bruno Mars, Chris Brown, and Philip Lawrence. Arranged by Andrea La Rose. Pop,R & B. Score. 43 pages. Published by Andrea La Rose (A0.509991). • Melody and four-part harmony parts for piano, accordion, mallet instruments, drum set. • Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!  Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
24K Magic
Piano seul
Bruno Mars
$12.99 10.99 € Piano seul PDF SheetMusicPlus

3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB607 Composed by Anna Laura Page. Christmas. With 3, 4, or 5 octaves handchimes. Score. 8 pages. Chorister's Guild - Digital #CGB607. Published by Chorister's Guild - Digital (C7.CGB607). UPC: 749193014417.Level 5 * We travel to New Orleans for the fourth of Cathy's jazz hymn arrangements. The opening two stanzas are reminiscent of a Dixieland jazz funeral procession, as the handbell choir enters slowly and the clarinet and tuba players follow. When the players are all in place, faster, joyous rhythms break out with the addition of the drum set. Solos that mimic improvisation are written out for the instrumentalists and the bells, but the bell solos may be omitted if desired.
Behold the Star
Cloches

$4.50 3.81 € Cloches PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1140026 By Sharon Wilson. By African-American Spiritual, Ira David Sankey, Traditional Spiritual, and William Orcutt Cushing. Arranged by Sharon Wilson and Sharon Wilson Music. 19th Century,Christian,Folk,Sacred,Spiritual. Score. 6 pages. Sharon Wilson #740288. Published by Sharon Wilson (A0.1140026). This intermediate piano solo medley combines 2 hymns associated with lyrics adapted from Psalm 3:4 and Revelation 21:4. Titles included in this medley: We Shall Walk Through the Valley in Peace and There'll Be No Dark Valley When Jesus Comes by Ira David Sankey and William Orcutt Cushing.Relaxed and expressive, this medley encourages thoughtful reflection making it a treasured addition to the church pianist's sacred repertoire.This arrangement is one of the 10 songs in the collection Sacred Medleys: Hymns and Spirituals, Book 1 (A Collection of 10 Medleys for Solo Piano). Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.comKeywords: praise music, worship service, meditation, devotion, devotional music, invitation, prelude, offertory, Gospel songs, communion, altar call, postlude, key of F major
Walk Through the Valley in Peace Medley
Piano seul
Sharon Wilson
$4.99 4.22 € Piano seul PDF SheetMusicPlus

Small Ensemble Flute,Oboe,Recorder,Viola,Violin - Intermediate - Digital Download SKU: A0.509986 By Bruno Mars. By Bruno Mars, Chris Brown, and Philip Lawrence. Arranged by Andrea La Rose. Pop,R & B. Score and parts. 22 pages. Published by Andrea La Rose (A0.509986). • Melody and four-part harmony parts for flute, recorder, oboe, violin, viola. • Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
24K Magic
Bruno Mars
$12.99 10.99 € PDF SheetMusicPlus

Piano,Violin - Digital Download SKU: A0.981188 Composed by Judith Cloud (b. 1954). 20th Century,Contemporary,World. 32 pages. Judith Cloud #4621701. Published by Judith Cloud (A0.981188). <!-- /* Font Definitions */ @font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Times New Roman; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> Program notes: Three Impressions of Northern Arizona for flute (or violin) and piano  The three movements of this piece were composed in the summer of 2007 for Emily McKay, flute and Rita Borden, piano. I chose places and themes that were compelling for me for a variety of reasons. The first movement, Wupatki, is based on the feeling of expanse and solitude I experience when I am visiting this ancient pueblo and the stunning vistas of the Painted Desert. The Song of Friendship, a charming and simple tune was introduced to me by Gary Gorman, a Native American student of mine in the early 1990’s. I fashioned a simple arrangement and composed some original tunes to accompany it. This movement is dedicated to my colleague, clarinetist Michael Sullivan, who was dying from a rare form of cancer during the days I was finishing this movement. The day I finished the piece, I realized that it needed to end as if it never had a chance to finish, much like Michael’s life that was so tragically cut short. Quite by chance, the music ends at bar 43-the exact number of years of Michael’s brief life. Wind, title of the third movement, was composed to give musical interpretation to this element of relentless fury we experience during several months out of the year in this region. It springs up then dies down, only to resurface with more force and resilience.
Three Impressions of Northern Arizona Violin Version
Violon et Piano

$15.00 12.69 € Violon et Piano PDF SheetMusicPlus

Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.588643 Composed by David McKeown. Concert,Latin,Standards,World. Score and parts. 7 pages. David McKeown #5741719. Published by David McKeown (A0.588643). Mambo de Maya is an exciting original composition by David McKeown, arranged as a duet for one Clarinet and one Violin.This duet is based on the fast, traditional Latin style of Mambo that emerged in Cuba in the 1930s. Later, when Mambo and its dance steps spread to Mexico and New York, hugely successful band leaders like Perez Prado and Tito Puente borrowed ideas from Big-Band Jazz and produced the bold and brassy sound we associate with Mambo today.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The steady Mambo bell rhythm is implied throughout, and following the precise articulation in the score will help convey the style. Melodies are clearly articulated and played with passion. Mambo de Maya has a performance time of around two and a half minutes at full tempo. You can listen to a full performance the Clarinet version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
Mambo de Maya, for Clarinet and Violin Duet
Clarinette, Violon (duo)

$3.99 3.38 € Clarinette, Violon (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869318 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 3 pages. Thomas Oboe Lee #2032475. Published by Thomas Oboe Lee (A0.869318). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card.  And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 05 L'Imperato
2 Pianos, 4 mains

$9.99 8.45 € 2 Pianos, 4 mains PDF SheetMusicPlus

Choral Choir (SA) - Level 2 - Digital Download SKU: A0.969159 Composed by Martha Hill Duncan. Children,Contemporary. Octavo. 7 pages. Martha Hill Duncan #6132985. Published by Martha Hill Duncan (A0.969159). Under the Painted Sky All is calm, the night is falling down the sun the moon is climbing slowly in the sky the slarlight's curtain rising. Blue, the sky of daytime deepens, Yellow sun burns gold, then red, then slips away when the moon shines white as snow. The sky's a colored canvas, all a-glow. As we end another busy day of time and dreams to fill Under the painted sky all safe and warm and sleepy and still. © 2013 Janet Windeler Ryan From Searching the Painted Sky, The Opera
Under the Painted Sky for SA and piano by Martha Hill Duncan, Poetry by Janet Windeler Ryan
Chorale 2 parties

$2.14 1.81 € Chorale 2 parties PDF SheetMusicPlus

Small Ensemble Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.746197 By Wilson Pickett. By Steve Cropper and Wilson Pickett. Arranged by Michael Pilley. Hip-Hop,R & B. Score and parts. 4 pages. Michael Pilley Music #4319885. Published by Michael Pilley Music (A0.746197). This is a 3 Horn arrangement, designed for use with cover bands. Written for Trumpet, Tenor Sax and Trombone, this is a faithful recreation of the Wilson Pickett horns, in the original key.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
In The Midnight Hour
Wilson Pickett
$15.00 12.69 € PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.588401 Composed by David McKeown. Concert,Latin,Standards,World. Score and parts. 7 pages. David McKeown #5741745. Published by David McKeown (A0.588401). Mambo de Maya is an exciting original composition by David McKeown, arranged as a duet for one Soprano and one Alto Saxophone.This duet is based on the fast, traditional Latin style of Mambo that emerged in Cuba in the 1930s. Later, when Mambo and its dance steps spread to Mexico and New York, hugely successful band leaders like Perez Prado and Tito Puente borrowed ideas from Big-Band Jazz and produced the bold and brassy sound we associate with Mambo today.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The steady Mambo bell rhythm is implied throughout, and following the precise articulation in the score will help convey the style. Melodies are clearly articulated and played with passion. Mambo de Maya has a performance time of around two and a half minutes at full tempo. You can listen to a full performance the Clarinet version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
Mambo de Maya, for Soprano and Alto Saxophone Duet
2 Saxophones (duo)

$3.99 3.38 € 2 Saxophones (duo) PDF SheetMusicPlus






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