Percussion Ensemble Baritone Horn TC,Clarinet,Guitar,Piano,Tenor Voice - Digital Download SKU: A0.1072556 Composed by Nicholas Odondi. African,Christian,Gospel,Pop,Spiritual. Accompaniment. Duration 309. Nicholas Odondi #3511251. Published by Nicholas Odondi (A0.1072556). This is the song that i composed in  the year 2007 when my country went in to post election violence and so the whole country cried for peace to reign for people to stop killing each other and indeed we saw the hand of God

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1185725 Composed by Gabrielle Liriano. 20th Century,Contemporary. 31 pages. Art Haus Music Publishing #785387. Published by Art Haus Music Publishing (A0.1185725). The architect ponders, calculates, and designs monumental structures larger than themselves. They build and they figure how to fit every corner with every square. What the architect does we all do with are lives.Creating and computing skyscrapers, masterpieces out of lifetimes with limitless minds carefully crafting rooms with windows that let in our energy source of light from the sun.The architect blueprints the impossible, but with encouragement from the divine, the architect makes those blueprints a reality. Their creation will take up space in the world and reach for the sun higher than the birds fly in the sky. The architect will look up when it is done and wonder how they did it. The architect is a maker. They make what they are meant to make.

String Orchestra - Level 3 - Digital Download SKU: A0.799513 Composed by Drake Mabry. 20th Century,Jazz,Latin,World. Score and parts. 27 pages. Drake Mabry #3534831. Published by Drake Mabry (A0.799513). C. S. Chaconne was written for a very dear friend of mine when I was playing with a jazz group in Paris in the late 1980's. It's based on what we then called a Spanish jazz progression. Over the years I have made several arrangements of the piece for different ensembles. In this recent string orchestra version I've written solos for all the members of the string family, each with a different mood or character. The duration is 5'. This piece can be played separately or preceded by a companion piece, Meditation for string orchestra.

Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.    

Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888). Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble – one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).

Soprano Saxophone Duet Soprano Saxophone - Level 3 - Digital Download SKU: A0.590246 Composed by Traditional. Arranged by David McKeown. Jazz,Praise & Worship,Sacred,Spiritual. Score. 34 pages. David McKeown #6201273. Published by David McKeown (A0.590246). 10 Gospel Duets is an exciting collection of traditional Spirituals and Gospel favorites arranged by David McKeown as duets for two Soprano Saxophones. These Duets explore different styles and flavours of Gospel music, with imaginative arrangements in various contemporary styles. Click the link above to watch and listen to samples of all 10 duets (clarinet version) on YouTube.Most of these duets are ideal for players of an Intermediate standard, with two or three more suitable for Advanced Intermediate.10 Gospel Duets areperfect for concert performances large and small; each piece lasts between three and four minutes.fully articulated to help develop that Gospel style.great for helping with complex rhythms.road tested with scores of students and performed all over the world.fun to play.an exciting introduction to the world of Gospel music.32 pages adding up to more than half an hour of quality music.The ten titles are, Amazing Grace, Down By the Riverside, Go Down Moses, Go Tell It on the Mountain, He’s Got the Whole World in His Hands, Just a Closer Walk with Thee, Shall We Gather at the River, Steal Away to Jesus, Swing Low, Sweet Chariot and When the Saints Go Marching In.There are many more top quality arrangements and compositions by David McKeown for you to browse at https://www.sheetmusicplus.com/publishers/david-mckeown/6203

Flute,Piano - Level 3 - Digital Download SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386271. Published by jmsgu3 (A0.548462). Pachelbel's Canon arranged for alto flute & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works. 

Flute,Piano - Level 3 - Digital Download SKU: A0.736263 Composed by Phyllis Avidan Louke. Contest,Festival,Folk,Holiday. Score and part. 15 pages. Louke Publishing #3479837. Published by Louke Publishing (A0.736263). PROGRAM NOTESReflections of Water for Flute & Pianoby Phyllis Avidan Louke 1.  A Cool Mountain Streamhttp://www.phyllislouke.com/wp-content/uploads/2015/08/1.-Reflections-of-Water-mvmt-1.mp3 2.  A Quiet Morning on the Lakehttp://www.phyllislouke.com/wp-content/uploads/2015/08/2.-Reflections-of-Water-mvmt-2.mp3 3.  Frolic in the Surfhttp://www.phyllislouke.com/wp-content/uploads/2015/08/3.-Reflections-of-Water-mvmt-3.mp3 This piece was written in memory of my father. So many childhood memories of Dad revolved around water-summer vacations spent with my family camping by a mountain stream, fishing in a lake and outings to ocean beaches near my childhood home in Southern California. This programmatic work is in three movements. A Cool Mountain Stream utilizes the pentatonic scale to depict a stream as it meanders along, frequently bouncing over rocks and sometimes heading down a slope, eventually ending in a small waterfall that empties into a deep pool. During a summer vacation, my family camped by a stream that was a natural waterslide. We spent many happy hours sliding down the waterslide into the pool below.A Quiet Morning on the Lake uses the repetitive rocking motion of the piano to represent the soothing motion of the rowboat as I spent summer vacations fishing for trout with my dad on a quiet lake in the San Bernardino Mountains.Frolic in the Surf brings out the playfulness felt at the ocean beach, while getting used to the water temperature and trying to predict when the waves will hit the shore. Many summer days were spent on Southern California beaches with family and friends, body surfing, tanning and simply playing in the waves. Scored for flute and piano.  5:00    Level 3 Phyllis Avidan Louke (b. 1954), a flutist, teacher, and award-winning composer, living in Portland, Oregon, has been arranging and composing since 1990, with over 70 pieces published.  Many of her works have received recognition in the annual National Flute Association Newly Published Music Competition and other composition competitions.  Ms. Louke has also been the recipient of annual ASCAP awards since 2004.  Her compositions and arrangements have been much-performed nationally and internationally and many have been recorded.  She is also the co-author of an award-winning series of pedagogical publications for the flute published by Theodore Presser Company.  Her music is published by Theodore Presser Company, ALRY Publications, Falls House Publications, Fabulous Flute Music Company, Nourse Wind Publications, and SMP Publications.  For more information on compositions by Phyllis Avidan Louke, go to http://www.phyllislouke.com/compositions/

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.821624 Composed by Everall A. Peele. Christian,Praise & Worship,Sacred. Score. 1 pages. Everall Aiken Peele #4776029. Published by Everall Aiken Peele (A0.821624). As a missionary in Haiti, I wore many hats and one was teaching a music class to some of the missionary kids in our compound. I have always believed that an effective way to memorize scripture is to set it to music. That was the assignment one time when one of the students came up with the beginnings of the tune for this song. We worked together to complete it, but I give much credit to him. Enjoy! Lively, upbeat and easy to sing - minor key - good for general worship.

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1366668 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 17 pages. RayThompsonMusic #950991. Published by RayThompsonMusic (A0.1366668). Debussy: Piano Preludes Bk.2 No.5 Bruyères (Heather) - symphonic wind dectetArranged double wind quintet/bassDebussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres.This is from the 2nd Book.I have arranged all of these preludes from both books:Book 1Danseuses de DelphesVoilesLes sons et le parfums…..Des pas sur le neige La fille aux cheveux de linLa Cathédral engloutieMinstrelsBk.2BruyèresGeneral LevineHommage à S.Pickwick EsqCanopeAs if by magic, we are transported to heather covered V it shows that this shepherd is a distant cousin of ‘la fille heathland with a piece much reminiscent of la Fille aux cheveux de lin’. The same calm, the same purityaux Cheveux de Lin from book one. Nature and innocence demand a spontaneous and laidback approach to those delicate and poetic riffs to match the colour and aroma of fragrant purple shrubs. Birds may be heard calling, accompanied by the distant refrain of a shepherd’s flute in this harmonious and homogeneous prelude — an admirable contrast to numbers IV and VI.In direct connection with this prelude, Marguerite Long mentions a Debussy souvenir pairing the scent of sea mist and coastal pines, and if she is correct this would take us to Arcachon in south west France. It is possible that the young composer first went there in 1880 with the baroness Nadejda Von Meck and later in 1904 when he stayed with the uncle of Emma Bardac (ne�e Moyse), his future bride.The pastoral and familiar poetry of a woodland scene where the earth’s pervasive scent mingles with the subdued display of patches in purple.— CortotA peaceful melody on a shepherd's pipe, resonating on the silent moorland. With its Celtic pentatonic structureand the same diatonic transparency, time-signature and tempo provide a clear link.— Harry Halbreich

Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.     www.jamesguthrie.com.

Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1497922 Composed by Traditional. Arranged by Mark A. Craig / Craig Music Publishers (ASCAP). Baroque,Christmas,Holiday,Multicultural,Traditional,World. 28 pages. Mark A. Craig #1074292. Published by Mark A. Craig (A0.1497922). This woodwind quintet arrangement turns the traditional French carol Patapan into a Patapan Fantasy, which also includes quotes from the carols God Rest Ye Merry, Gentlemen, Joy to the World, O Come, O Come, Emmanuel, We Three Kings of Orient Are, and Good King Wenceslas, representing carols from England, France, the Czech Republic, and the United States. It is perfect for all holiday events, gatherings, recitals, or caroling gigs. The arrangement was written for most ensembles, from advanced high school quintets to college ensembles to professional quintets. What appealed to me most about this piece was that it's pitched in a minor key, making it slightly different from most Christmas carols. The lyrics are similar to The Little Drummer Boy: When you hear the fife and drum, dance and make the village hum. I have included an alternate bass clarinet part in lieu of a missing bassoon. Originally scored for piano, I hope you enjoy this unique setting for winds. If you like this arrangement, you might also like my woodwind quintet arrangement of the 16thC Spanish carol Riu Riu Chiu. Although not as well known as some American carols, it's a lively and dynamic arrangement that brings a taste of Europe to your holiday celebrations. It's available on:Sheet Music DirectSheet Music PlusFor more info about Mark A. Craig / Craig Music Publishers, visit my social media links below. Please like, follow, or subscribe, and feel free to leave questions or comments about my arrangements. Thanks for stopping by! See you soon.  FacebookInstagramLinkIn.BioYouTube

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.1010677 Composed by Zachary C. Daniels. Contemporary. 41 pages. Divisi Labs #6563895. Published by Divisi Labs (A0.1010677). Score and PartsSaxophonic Variability is written with the intent of demonstrating the full set of colors and technical possibilities of a saxophone quartet. The opening movement, slow and sombre, reminds us of the time when saxophones were first brought to the public eye regularly, the late 1800s. The continual flow between harmony, and dissonance is representative of what is to come in the remaining movements. The second movement takes off immediately, and departs on a musical journey of its' own. The rhythmic drive being heavily inspired by bebop jazz, and similar styles of the mid-twentiethcentury. Listen, as moments of solace break out in reverence of the great ballads written for the instrument by many jazz composers of this era. This movement ends as abrubtly as it began as we enter the slow, lyrical third movement. This next movement is incredibly slow, and brings out the lyrical, singing quality of the instrument given the right timbre. The piece concludes with a fiery finale that develops ideas introduced earlier in the piece.This is a great piece to showcase the flexibility of an ensemble, and makes for a good finisher.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1230314 By Gaili Schoen. By Gaili Schoen. Arranged by Gaili Schoen for TheMusicRemedy.com. Blues,Contemporary,Country,Jazz,Soul. Score. 2 pages. UpperHandsPiano.com #826034. Published by UpperHandsPiano.com (A0.1230314). This Train is a Boogie Blues for Piano with Guitar chords and Vocals. It's about those times when you just can't seem to get out of a rat race cycle of anxiety or stress. By the end of the song the player gets ready to make a positive change to find a new calmer, saner way to live!Pianists seem to love playing this boogie bass which is super fun to play after some practice. And everyone loves hearing this driving sound!We create clear, clean arrangements that are easier to read with rich, jazzy chords. This is an intermediate piano/vocal/guitar arrangement that I originally arranged for the book The Music Remedy, No. 2: 12 Passionate Pieces to Move You from Anxiety to Calm, available on Amazon.com.  The Music Remedy, No. 2: 12 Passionate Pieces to Move You from Anxiety to Calm

Violin Solo - Level 1 - Digital Download SKU: A0.796181 Arranged by Christopher Esther. Christmas. 21 pages. Christopher Esther #6129727. Published by Christopher Esther (A0.796181). The Boughs of Holly series features twelve classic Christmas songs and carols perfect for any occasion. Each is arranged in an easy-to-read format including chord symbols, lyrics, and extended song notes. Songs included are Away in a Manger, Deck the Halls, Jingle Bells, Silent Night, Up on the Housetop, Joy to the World, We Wish You a Merry Christmas, O Christmas Tree, The First Noel, God Rest Ye Merry Gentlemen, Hark! The Herald Angels Sing, and The Twelve Days of Christmas. Perfect for beginners and experienced players alike, the lead sheet format makes this series a great starting point for younger players or a detailed improvisational guide for experts. This book is also available in almost twenty more instrumentations, all completely cross compatible with any other book in the series! Pieces can be purchased separately, but you save over 140% when buying the complete collection!