Solo Guitar - Level 3 - Digital Download SKU: A0.1364851 By Keith Gehle. By Keith W. Gehle. Arranged by Keith W. Gehle. Christmas,Holiday,Religious,Sacred. Individual part. 28 pages. Keith Gehle #949147. Published by Keith Gehle (A0.1364851). The 11 compositions and arrangements in this collection for the Christmas season in standard notation were recorded as part of Keith’s 2006 album entitled Songs of December. The intermediate level pieces in this folio feature detailed fingerings and are perfect for the professional performer or amateur player looking for thoughtful renderings of Christmas/seasonal tunes for gigs, church services or sharing at home with family and friends. Additionally, all of the pieces presented in this folio are available for individual purchase and the accompanying full length MP3’s on this site will help players get a feel for the flow of the music prior to purchase. While the individual titles are reasonably priced, buyers will save substantially when purchasing the Songs of December, Volume 1 folio. Thank you so much for your interest and consideration and please check back soon for additional volumes of the Songs of December series. PLEASE NOTE: There’s also a version available with TAB on this site. Songs of December, Volume 1 includes the following 11 pieces:- Prelude/Thanksgiving Day - Keith Gehle- Jesu, Joy of Man’s Desiring - J. S. Bach- What Child is This?- O Little Town of Bethlehem- It Came Upon a Midnight Clear- Lavender Sky - Keith Gehle- O Holy Night- We Three Kings- O Come, O Come Emmanuel- God Rest Ye Merry Gentlemen- Silent Night.

Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Oboe,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.977466 Composed by Ken Hartfield. Arranged by Ken Hartfield. Pop,Rock. Score and parts. 11 pages. Ken Hartfield - Freeze Tracks Music #4287917. Published by Ken Hartfield - Freeze Tracks Music (A0.977466). One-of-a-kind duet series. Play along with professional musicians. Pro-Play Duets for beginner brass and woodwind students.This duet series helps the student for role modelling, improves intonation, reading abilities and makes practicing fun! The students can also use the piano accompaniment for an acoustic performance, which is ideal for music festivals since all of the duets are key compatible for 10 different instruments, example trumpet and flute. Recommended by The Canadian Music Educators' Association. Voice command compatible for: Siri, Google and Alexa.  When you have purchased the Duet Book, email us at freezetracks3@gmail.com and we will email you the download links for the mp3's and piano accompaniment book at no charge. Watch our video at https://youtu.be/pZYiap1uBio  

3, 4, 5, 6, or 7 octaves handbells - Level 4+ - Digital Download SKU: C7.CGB1040 Composed by Alex Guebert. General. Master Ringer. With Bass, 5, 6 or 7 octaves handchimes. Score. 12 pages. Chorister's Guild - Digital #CGB1040. Published by Chorister's Guild - Digital (C7.CGB1040). UPC: 749193026793.From Joshua 1:9: …Be strong and courageous. Do not be afraid; do not be discouraged, for the Lord your God will be with you wherever you go. Resilience is a musical painting of the journey of life, and of a resilient soul. We hear the serenity of sure comfort at the beginning, and then a melody appears--it emanates peacefulness, but also challenge. Major seventh and minor seventh chords are used back-to-back to portray the juxtaposition of light and darkness. When the minor chords take over and the melody begins to fall, a contemplative, tearful section begins, only to be interrupted by a confident rhythm. The 11/8 time signature conveys unsteadiness, but as it continues and grows, it becomes steady and powerful. Finally, the main theme returns in exuberance--the true form of a resilient spirit. As the music comes to a close, the final chord is a major seventh, not minor--good has triumphed over evil--and the notes float up heavenward to the final resting place--it is finished; having persevered, the soul has earned its peaceful rest.

Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1149105 Composed by Australian composer, Rebecca Summers. Children,Contest,Festival,Holiday,Multicultural,World. Octavo. 8 pages. Rebecca Summers #749231. Published by Rebecca Summers (A0.1149105). Perfect for ANZAC Day this year, this 2-part choral work for Primary School children is a real show-stopper, with easy parts that build to a mighty refrain, a beginner trumpet addition in the close and relatable lyrics that tell the story of a young person's ANZAC Day experience and thanks our returned service people for their sacrifice. Piano backing track, Vocal Part 1 and Vocal Part 2, plus the Bb Trumpet parts available for download. This piece was originally written for a school on the Sunshine Coast, Queensland, Australia. I hope you can feel the ANZAC spirit when you perform it. We did.

Concert Band - Digital Download SKU: AX.00-PC-0014550_T1 1st B-flat Trumpet. Composed by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014550_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014550_T1). UPC: 038081394732.This gentle piece reminds us of the wistful and whimsical feelings we have when looking into a snow globe. The soaring melodies and colorful accompaniments recall the warm memories of friends and family during the holiday season. Snow Globe is sure to provide a special moment for your audience on your young band's next holiday program. (2:09) This title is available in SmartMusic. Correlates to Sound Innovations for Concert Band, Book 1 Level 6.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.746219 By Judy Garland. By Harold Arlen. Arranged by Michael Pilley. Film/TV. Score. 7 pages. Michael Pilley Music #4796637. Published by Michael Pilley Music (A0.746219). One of the most iconic movie songs of all time, Over The Rainbow is a must have arrangement if you are a vocalist. The tough part of arranging this number was that there are so many good arrangements out there already! Instead of reinventing the wheel, I decided to do a little mashup and bring together so many different aspects of all the great recordings of this timeless tune. So keep an ear out for Judy Garland, Frank Sinatra and your favourite version, they're all in here in some shape or form. Special thanks to The Idea of North, as their intro is my favourite and I just had to borrow it!Originally written for Tredegar Town Band and vocalist Siwan Henderson, this arrangement is at an intermediate level due to some extreme chromaticism and melodic lines that require a skillful accompanist, although the vocal part is simple to allow for any ad libs and should be comfortable for all voice types.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic

1(pic).1(ca).1.bcl.2(2.cbsn)-2.2(1.Dtpt).1.1-timp.2perc(mar, vib, cym, s.d, b.d, chimes, wind machine, lion's roar, flex, large hammer, white dinner plates, telephone, jackboots, gun)-pno(cel)-str(1.1.1.1.1) - difficult - Digital Download SKU: S9.Q17486 Opera in 3 acts based on the text by Oscar Wilde. Composed by Gerald Barry. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 90 minutes. Schott Music - Digital #Q17486. Published by Schott Music - Digital (S9.Q17486). English.When asked what the theme of his play was, Wilde answered “That we should treat all trivial things in life very seriously, and all serious things in life with a sincere and studied triviality. Gerald Barry’s fifth opera based on the play is genuine comic with a dark heart. The previous four have remarkable libretti, but The Importance of Being Earnest, written in 1894, is all but perfect in its construction, and Barry’s audacious approach triumphantly confounds all expectations. As Barry describes it: The play’s bones are unshatterable. My version is an X-ray of it. The musical references range from Beethoven to Schoenberg, all treated with a reckless panache and impish wit, by turns dazzling, startling and charming the audience.

Flute Solo - Level 4 - Digital Download SKU: A0.839704 By Ernie Field's Orchestra. By Joe Garland. Arranged by Bobby Hesch. Jazz. Individual part. 4 pages. Bobby Hesch #6682167. Published by Bobby Hesch (A0.839704). WHEN I PLAYED BIG BAND WE ALWAYS STARTED THE SECOND SET WITH IN THE MOOD TO GET EVERYONE OUT ON THE DANCE FLOOR!!! IT WAS MADE POPULAR BY THE GLENN MILLER ORCHESTRA IN THE 1940S!!!IT IS STILL POPULAR TODAY!!! LET'S PLAY SOME JAZZ!!! KEY OF C!!! LOW C - HIGH G!!!  MP3 FOR JAZZ STYLE IN INTERPRETATION!!!  YOU CAN'T GO WRONG WITH THIS GREAT SONG!!! CONTACT INFORMATION:bobbyhesch@yahoo.com : IG:@bobbyhesch IG :@bobbyhesch E MAIL ME WITH QUESTIONS! I CAN HELP!!! HAVE FUN WITH THIS GREAT TUNE!! I ALWAYS DO!!!

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.746989 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5820835. Published by Keith Terrett (A0.746989). A great sounding arrangement of A Night in Tunisia, your String Orchestra will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Clarinet Ensemble,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1205785 By Masakazu YAMAMOTO. By Traditional / English folk song. Arranged by Masakazu YAMAMOTO. Christian,Folk,Multicultural,Pop,Traditional,World. 14 pages. Motch Music #803967. Published by Motch Music (A0.1205785). This arrangement is for clarinet sextet. When you purchase it, you get full score and each part score.Arrangement of the English folk song Green Sleeves, with an indifferent sense of tempo. Also, the harmony of jazz that matches the song is used abundantly.Please sing the flow of 4 bars carefully and aim for a cool and fashionable performance.(arr. Masakazu YAMAMOTO)[Instrumentation] Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Clarinet in Bb 5Bass Clarinet Works For Ensemble Original Composition (Sheet Music Plus / Sheet Music Direct)​ Arrangement (Sheet Music Plus / Sheet Music Direct)→Christmas Arrangement (Sheet Music Plus / Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english  

Small Ensemble Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.746206 By Stevie Wonder. By Stevie Wonder. Arranged by Michael Pilley. Pop. Score and parts. 4 pages. Michael Pilley Music #4320125. Published by Michael Pilley Music (A0.746206). This is a 3 Horn arrangement, designed for use with cover bands. Written for Trumpet, Tenor Sax and Trombone, this is a faithful recreation of the Stevie Wonder horns, in the original key.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic

Piano Solo - Level 4 - Digital Download SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Standards. Score. 12 pages. Flavio Regis Cunha #6712473. Published by Flavio Regis Cunha (A0.597602). It probably comes as a surprise to many to know that Beethoven wrote variations on the current British national anthem, as well as on a jingoistic tune sung every year at the BBC Proms. But indeed he did. In 1803 he was approached by George Thomson, a civil servant living in Edinburgh who was passionate about collecting folk songs from his own country. He wanted Beethoven to compose six sonatas on Scottish melodies-a project which never materialized, but which started a business relationship that lasted until 1820. For Thomson, Beethoven completed some 150 arrangements of Scottish, Welsh and Irish folk songs (including Auld lang syne). Towards the end of 1803, he sent him these two sets of variations for piano, saying they weren’t too difficult and hoping they would have much success.Concerning the 7 Variations on ‘God save the King’, WoO78, Beethoven made the comment that he wanted to ‘show the English what a blessing they have’ with that tune. We don’t really know who wrote it, but it became very popular in 1745 when it started being sung at Drury Lane and Covent Garden to celebrate the putting-down of the Jacobite rising. It travelled over to the Continent where in 1795 it became the royal anthem of Prussia (‘Heil dir im Siegerkranz’).It makes a great theme for variations, and Beethoven has a lot of fun with it. If ever you needed proof of humour in his music, here it is. After some counterpoint in variation 1, he gives us some nimble fingerwork to deal with before an expressive minor-mode variation that can also be played a bit tongue-in-cheek. He changes metre for variation 6, a perky march, and stays in that time signature for variation 7. A lot of the difficulty of this piece depends on the tempo you choose at this point. The coda is inspired: a brief cadenza-like descent of F major broken chords leads us into a solemn return of the theme, but with some piquant and mischievous harmonies. The final allegro brings the work to a bravura conclusion.

Flute Trio,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1202692 By Masakazu YAMAMOTO. By Traditional / English folk song. Arranged by Masakazu YAMAMOTO. Christmas,Folk,Multicultural,Pop,Traditional,World. 9 pages. Motch Music #801456. Published by Motch Music (A0.1202692). This arrangement is for flute trio. When you purchase it, you get full score and each part score.Arrangement of the English folk song Green Sleeves, with an indifferent sense of tempo. Also, the harmony of jazz that matches the song is used abundantly.Please sing the flow of 4 bars carefully and aim for a cool and fashionable performance.(arr. Masakazu YAMAMOTO)[Instrumentation] Flute 1 Flute 2 Flute 3 Works For Ensemble Original Composition (Sheet Music Plus / Sheet Music Direct)​ Arrangement (Sheet Music Plus / Sheet Music Direct)→Christmas Arrangement (Sheet Music Plus / Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english  

Small Ensemble Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.746190 By Rare Earth. By Smokey Robinson. Arranged by Michael Pilley. Hip-Hop,Pop,R & B. Score and parts. 7 pages. Michael Pilley Music #4318703. Published by Michael Pilley Music (A0.746190). This is a 3 Horn arrangement, designed for use with cover bands. Written for Trumpet, Tenor Sax and Trombone, this is a arrangement of The Temptations version, in the original key.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic

Piano,Viola - Level 3 - Digital Download SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027). A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.