Oboe Solo - Level 1 - Digital Download SKU: A0.1258534 Composed by Stephen Foster. Arranged by Glauco Fernandes. Chamber,Children,Instructional,Traditional. Individual part. 2 pages. Glauco Fernandes #851790. Published by Glauco Fernandes (A0.1258534). Exclusive Sheet Music! Easy Solo Oboe Arrangement of Oh SusannaAre you ready to embark on a musical journey with the beautiful sound of the oboe? We present to you the easy solo oboe arrangement of the beloved melody, Oh Susanna! With this unique sheet music in your hands, you can experience the joy of playing this classic piece on the oboe and showcase the unique timbre of your instrument.This arrangement is designed to be accessible and enjoyable for oboists of all levels. Whether you're a beginner or an experienced player, this sheet music is perfect for you! The carefully selected notes and fingerings ensure a smooth and delightful performance of this captivating melody on the oboe.Imagine the enchanting and expressive tone created when you play Oh Susanna on the oboe. Whether you're performing as a soloist, in an ensemble, or simply playing for your own pleasure, this sheet music will help you create memorable musical moments that resonate with the hearts of your audience.Don't miss the opportunity to add Oh Susanna to your oboe repertoire. Experience the joy of playing this timeless melody, exploring the nuances and expressiveness of your instrument. Get the easy solo oboe arrangement of Oh Susanna now and embark on a delightful musical journey!Enhance your oboe skills, mesmerize your audience, and have fun playing this memorable melody. The music is waiting for you. Get your sheet music today and enjoy hours of musical pleasure!

Piano Solo - Level 4 - Digital Download SKU: A0.565070 By Sharon Wilson. By Howard E. Smith. Arranged by Sharon Wilson. 20th Century,Easter,Praise & Worship,Romantic Period,Sacred. Score. 4 pages. Sharon Wilson #3375403. Published by Sharon Wilson (A0.565070). This uplifting hymn arrangement of Howard E. Smith's powerful Gospel song begins with a gently flowing introduction. The verse continues with the peaceful melody then gradually builds in intensity throughout the chorus. It is easy to unintentionally speed up when you get to the chorus, but it is best to really concentrate on maintaining the unhurried tempo because there are a lot of notes in the chorus (octaves in both hands) which are easy to miss if you are speeding along too fast. Duration 4:45 with the repeat.This arrangement is one of the 16 piano solos in the collection Hymn Favorites, Book 2.Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

Piano Solo - Level 2 - Digital Download SKU: A0.939371 Composed by Adam Grim. 20th Century,Concert,Contemporary. Score. 4 pages. Adam B. Grim #5360043. Published by Adam B. Grim (A0.939371). This piano solo is dedicated to a friend of mine who passed away in a car accident. This piece for solo piano creates a melodic representation of life and frustration with the loss of a friend, and is the result of deep thought when you are far away from those you lose. When the accident happened, I was at home coming back to college after winter break. During all of the services, I was away in Trinidad and Tobago playing steel pan, so I was unable to attend. This piece is meant to be distant and emotional. The YouTube link is from the premiere of this piece, and is much better than the midi audio file. Please watch and enjoy. 

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893830 Composed by David Kai. Christian,Contemporary,Pop,Spiritual. Score. 7 pages. David Kai #5209023. Published by David Kai (A0.893830). A song for those grieving the loss of a pet, especially those whose pets support them through issues such as PTSD and depression. For more information about this song and free downloads, go to: www.sites.google.com/site/davidwkaismusicBeyond The Rainbow Bridge by David Kai ©2019 The day that I first met you, I held you in the palm of my hand And from that moment onward I knew that we would be the best of friends And though you started as a Christmas gift to set beneath the tree You know you really were a gift from God to me. We walked through fields and forests, We’d hit the trail in sun and wind and rain When I was at my lowest, you licked my hand and raised me up again But time passed much too quickly, and you know just what you did You took a piece of my broken heart beyond the rainbow bridge. I’m not sure what heaven’s like , I’m not sure how things will be But if we won’t be together, it won’t feel like heaven to me But if the Lord be willing, I’ll hear your welcome bark again, And see you running to me, through the golden fields of grain Most faithful of companions, you’d been with me in sickness and in health You always loved to see me, even when I couldn’t really love myself And when you licked my hand that one last time Then you know just what you did You took a piece of my broken heart beyond the rainbow bridgeYou took a piece of my broken heart beyond the rainbow bridge.www.sites.google.com/site/davidwkaismusic

Instrumental Duet Clarinet,Instrumental Duet,Vibraphone - Digital Download SKU: A0.980582 Composed by William Grosvenor Neil. Contemporary. Score and parts. 17 pages. TheComposerStudio.Com, LLC #3517735. Published by TheComposerStudio.Com, LLC (A0.980582). Spiritual Adaptation to Higher Altitudes (2018) (score & parts) is a beautiful work. Bursts of excitement and moments of dialogue punctuate the long, seamless phrases, inviting the musicians to explore the remarkably rich palette of colors created by this pairing. William Neil has created a truly unique, much-needed addition to the clarinet and percussion repertoire!- Dr. Corey MackeyProgram NotesI was introduced to rock climbing by chance years ago, allured by the solo adventure of the climb, the management of ropes and the feel of the rock under my feet and fingers. Then, there was the fear of heights that could take your breath away when you were exposed to the vast openness below you and the feeling that you were really not supposed to be this high off the ground. And when the wind blows and you watch an eagle or hawk drift by, perfectly comfortable souring at these heights, you realize the importance of mind control in making your ascent. Over the years, I have gained more mental discipline while climbing and my spirit has been strengthened by the visual experience of these broad and deep horizons.   The poet Diana Syder said it well in her poem The Mountaineer: From this height it’s safe to scan the earth for bigger things. The climbs of life are its meaning. WN   Information on the composer:  www.williamneil.net   Audio Sample:  Corey Mackey, Clarinet, Keith Lienert, Vibraphone

Digital Download SKU: A0.1380692 By Valerie Eve Gregg. By Valerie Eve Gregg. Historic,Instructional,Multicultural,Singer/Songwriter,Traditional,World. Educational Exercises. 40 pages. Valerie Eve Gregg #965473. Published by Valerie Eve Gregg (A0.1380692). The Perfect Pairing occurs when music students study an instrument and are encouraged to compose their own music regularly. They can apply the theory and technique they have been learning in their music lessons to composing. The Perfect Pairing is the perfect tool for teachers to easily integrate simple and short music composition assignments into their students’ lessons. This workbook contains listening sheets and composition exercises. The listening sheets contain a brief introduction to a musical element, an overview of a composer, and a suggested composition to listen to. The composition sheets contain a project for students where they write 4-8 measures of music from a focused story, thought, vision, or idea. They use the musical elements they have been learning to write their composition. When your student composes music, the teaching opportunities will open up as they ask questions regarding music theory, notation, and methodology. You will also gain insight into your student’s level of music comprehension when they show you their composition. Remember that anyone can be a composer! The journey does not need to start with a masterpiece, just a start!

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1095442 By The Allman Brothers Band. By Gregg Allman and Steve Alaimo. Arranged by Classic Hits: Authentic Arrangements. Folk,Rock. Score. 2 pages. Michael Boyd Evans #698645. Published by Michael Boyd Evans (A0.1095442). The delicate guitar chord voicings in Melissa, a beautiful ballad that charted in the Billboard Hot 100 in August 1972, are carefully transferred from strings to piano keys for an authenic vocal accompaniment. Melodic guitar figures placed where they occurd in the studio recording are also present. When you play and sing this song you will fully enjoy yourself.

Instrumental Solo,Keyboard - Level 4 - Digital Download SKU: A0.1278344 By Simon Gilliver. By Simon Gilliver. 21st Century,Classical. Individual part. 4 pages. Simon Gilliver #870062. Published by Simon Gilliver (A0.1278344). Two evocative short miniatures for solo piano, depicting the magical atmosphere from the first and last rays of the sun on a summer's day. Daybreak explores the special, secret land of a cool dawn in summer, when you feel like you have the world to yourself. Its harmonic and melodic language is a homage to Maurice Ravel. Sundown is an intimate miniature,  exploring the colours, unique light and shadows of dusk.

Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015763 By Jay-Z and Justin Timberlake. By Charles Still, James Fauntleroy, Jerome Harmon, Johnny Wilson, Justin Timberlake, Shawn Carter, Terrance Stubbs, and Tim Mosley. Pop/Rock. 11 pages. Alfred Music - Digital Sheet Music #00-PS-0015763. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015763). ISBN 9781470610227. UPC: 038081470382.Piano/Vocal/Guitar arrangements of extremely popular songs like Blown Away (Carrie Underwood), Catch My Breath (Kelly Clarkson) and Suit & Tie (Justin Timberlake) anchor this great collection. A variety of pop, rock, and country megahits are featured, along with memorable songs from blockbuster movies and TV shows. Twenty-three songs in all are arranged for piano and voice, including complete lyrics and basic fingering grids for optional guitar accompaniment. Titles: Anything Could Happen (Ellie Goulding) * Blown Away (Carrie Underwood) * Catch My Breath (Kelly Clarkson) * Downton Abbey---The Suite (Downton Abbey) * Everybody Talks (Neon Trees) * Girl on Fire (Alicia Keys) * Give Your Heart a Break (Demi Lovato) * Good Morning Beautiful (Jim Brickman) * Good Time (Owl City and Carly Rae Jepson) * Hard to Love (Lee Brice) * Home (Phillip Phillips) * Lights (Ellie Goulding) * Misty Mountains (The Hobbit: An Unexpected Journey) * People Like Us (Kelly Clarkson) * Silver Lining (Jessie J from The Silver Linings Playbook) * Thinkin Bout You (Frank Ocean) * Two Hearts Breaking (Jewel) * See You Again (Carrie Underwood) * Suit & Tie (Justin Timberlake) * A Very Respectable Hobbit (The Hobbit: An Unexpected Journey * Wagon Wheel (Darius Rucker) * What Are You Going to Do When You Are Not Saving the World? (Man of Steel) * When I Was Your Man (Bruno Mars).

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015766 By Kelly Clarkson. By Blair Daly, James Michael, and Meghan Kabir. Pop/Rock. 9 pages. Alfred Music - Digital Sheet Music #00-PS-0015766. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015766). ISBN 9781470610227. UPC: 038081470382.Piano/Vocal/Guitar arrangements of extremely popular songs like Blown Away (Carrie Underwood), Catch My Breath (Kelly Clarkson) and Suit & Tie (Justin Timberlake) anchor this great collection. A variety of pop, rock, and country megahits are featured, along with memorable songs from blockbuster movies and TV shows. Twenty-three songs in all are arranged for piano and voice, including complete lyrics and basic fingering grids for optional guitar accompaniment. Titles: Anything Could Happen (Ellie Goulding) * Blown Away (Carrie Underwood) * Catch My Breath (Kelly Clarkson) * Downton Abbey---The Suite (Downton Abbey) * Everybody Talks (Neon Trees) * Girl on Fire (Alicia Keys) * Give Your Heart a Break (Demi Lovato) * Good Morning Beautiful (Jim Brickman) * Good Time (Owl City and Carly Rae Jepson) * Hard to Love (Lee Brice) * Home (Phillip Phillips) * Lights (Ellie Goulding) * Misty Mountains (The Hobbit: An Unexpected Journey) * People Like Us (Kelly Clarkson) * Silver Lining (Jessie J from The Silver Linings Playbook) * Thinkin Bout You (Frank Ocean) * Two Hearts Breaking (Jewel) * See You Again (Carrie Underwood) * Suit & Tie (Justin Timberlake) * A Very Respectable Hobbit (The Hobbit: An Unexpected Journey * Wagon Wheel (Darius Rucker) * What Are You Going to Do When You Are Not Saving the World? (Man of Steel) * When I Was Your Man (Bruno Mars).