String Orchestra - Level 2 - Digital Download SKU: A0.646514 Composed by Christoph Willibald Von Gluck. Arranged by Nick Lacanski. Classical. Score and parts. 7 pages. Theupperstaff #1921371. Published by theupperstaff (A0.646514). Available separately for the first time. I have named this series of publications – Just the Notes, simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to write over the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one.

Organ - Level 2 - Digital Download SKU: A0.1257553 Composed by Bartholomaus Gesius. Arranged by Manuela Rosa. Christian,Praise & Worship,Religious,Sacred. Score. 4 pages. Manuela #850845. Published by Manuela (A0.1257553). Engraved with Lilypondgesetzt mit LilypondWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.When you are satisfied with the sheet music I would appreciate your feedback. If you are not satisfied I would try to improve the sheet according to your criticism.Warum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.Wenn Sie mit den Noten zufrieden sind, würde ich mich über eine Rückmeldung freuen. Wenn Sie nicht zufrieden sind, würde ich mich bemühen, die Noten zu verbessern.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1201342 By Anton Karas. By Anton Karas. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score. 3 pages. John Fries #799996. Published by John Fries (A0.1201342). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. The composition that became famous as The Third Man Theme had long been in Karas's repertoire, but he had not played it in 15 years. When you play in a café, nobody stops to listen, Karas said. This tune takes a lot out of your fingers. I prefer playing 'Wien, Wien', the sort of thing one can play all night while eating sausages at the same time..

String Orchestra - Level 3 - Digital Download SKU: A0.646665 Composed by Arcangelo Corelli. Arranged by theupperstaff.com. Baroque. Score and parts. 24 pages. Theupperstaff #1919687. Published by theupperstaff (A0.646665). I have named this series of publications – Just the Notes, simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is no need to erase from the original, or even worse, try to write over the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one.

Small Ensemble - Level 2 - Digital Download SKU: A0.646503 Composed by Handel, G. F. Arranged by theupperstaff.com. Baroque. Score and parts. 12 pages. Theupperstaff #1985561. Published by theupperstaff (A0.646503). I have named this series of publications – Just the Notes, simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to write over the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one.

Handbell - Level 1 - Digital Download SKU: A0.767671 Composed by John Bacchus Dykes, Spanish Hymn, and and Johann M. Haydn. Arranged by c.e. walz. Sacred. Score. 7 pages. C.E. Walz #4802319. Published by C.E. Walz (A0.767671). Maestro gives his seal of approval for these beginning handbell arrangements of  three traditional worship hymns (Come, Christians, Join to Sing, Holy, Holy, Holy, and O Worship the King.) Created to insure quick success for new ringers, WORSHIP BELLS hymn trio does not include hymn melody or intricate rhythm patterns. Ringers play 'simple to count' chords for the most part. I use the color-coding method of highlighting the ringer's notes in the handbell chart and then highlighting with the same color the notes in the hymn. Each measure is numbered and if your ringer can count and follow the colors, he/she can ring! For those new to reading music, music instruction begins with identifying 1/4, 1/2, whole notes, dotted notes, repeat signs, and practicing specific rhythm patterns for each hymn. Identifying note names comes later. You'll have a great sounding handbell choir in no time, especially when you add in your piano/organ accompaniment of these hymns and a soloist, ensemble, or congregational singing! Seven pages total. The first page of the set gives more helpful information, so as Maestro would say, Go ring those bells!.

String Orchestra - Level 3 - Digital Download SKU: A0.646307 Composed by Handel, G. F. Arranged by theupperstaff.com. Baroque. Score and parts. 9 pages. Theupperstaff #2008601. Published by theupperstaff (A0.646307). I have named this series of publications – Just the Notes, simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to write over the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one.

Small Ensemble - Level 2 - Digital Download SKU: A0.646506 Composed by Handel, G. F. Arranged by theupperstaff.com. Baroque. Score and parts. 17 pages. Theupperstaff #1921387. Published by theupperstaff (A0.646506). I have named this series of publications – Just the Notes, simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to write over the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one.

String Orchestra - Level 3 - Digital Download SKU: A0.646291 Composed by Arcangelo Corelli. Arranged by theupperstaff.com. Baroque. Score and parts. 25 pages. Theupperstaff #2008533. Published by theupperstaff (A0.646291). I have named this series of publications – Just the Notes, simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to write over the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform one.

Oboe,Piano - Level 1 - Digital Download SKU: A0.891260 Composed by Muzio Clementi. Arranged by Nick M Lacanski. Classical. Score and part. 7 pages. Theupperstaff #496935. Published by theupperstaff (A0.891260). This arrangement comes from the piano repertoire. It is the second movement of the first sonatina from a set of six listed as Op. 36 dated from 1797. I have named this series of publications – Just the Notes, simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to write over the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one.

Piano Solo - Level 3 - Digital Download SKU: A0.1465964 By The Beach Boys. By Brian Wilson. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #1044567. Published by Timothy Stapay (A0.1465964). This arrangement of Surfer Girl is sure to get you ready to enjoy the Summer weather.Surfer Girl is a song by American rock band the Beach Boys from their 1963 album Surfer Girl. Written and sung by Brian Wilson, it was released as a single, backed with Little Deuce Coupe, on July 22, 1963. The single was the first Beach Boys record to have Brian Wilson officially credited as the producer.The song was based on a Dion and the Belmonts version of When You Wish Upon a Star, which has the same AABA form.[Verse 1]Little surfer, little oneMade my heart come all undone[Chorus]Do you love me, do you, surfer girl?(Surfer girl, my little surfer girl)[Verse 2]I have watched you on the shoreStanding by the ocean's roar[Chorus]Do you love me, do you, surfer girl?(Surfer girl, surfer girl)[Bridge]We could ride the surf togetherWhile our love would growIn my Woody I would take you everywhere I go[Verse 3]So I say from me to youI will make your dreams come true[Chorus]Do you love me, do you, surfer girl?Surfer girl, my little surfer girl[Outro]Little one (Girl, surfer girl, my little surfer girl)Little one (Girl, surfer girl, my little surfer girl)Little one (Girl, surfer girl, my little surfer girl).

About Digital Downloads Digital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play! PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students)

Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Violin Solo - Level 3 - Digital Download SKU: A0.784340 Composed by Joshua Hauser. Instructional. 38 pages. Slide Ride #5288679. Published by Slide Ride (A0.784340). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!