Guitar - Digital Download SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by John Murphy (A0.841180). You Can Close Your Eyes     James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :) Contact me at info@guitarlessonsdundrum.com

Guitar - Level 3 - Digital Download SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Published by John Murphy (A0.841181). You can close your eyes     James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics  For GuitarTab Chords Lyrics  For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.com

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842154 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #5000227. Published by Andrew Mc Donald (Macka Records) (A0.842154). Jesus I'm Yours is a song about when we become a Christian God claims us as His own. We belong to Jesus and I am His because I have been bought at a price because He died on the cross for me!

Easy Piano - Level 2 - Digital Download SKU: A0.778465 By The Weeknd. By Abel Makkonen Tesfaye, Abel Tesfaye, Ahmad Balshe, Jason Matthew Quenneville, Jason Quenneville, Martin Karl Sandberg, Martin Max, Max Martin, Oscar Holter, and Oscar Thomas Holter. Arranged by Matt Dorland. Pop,R & B. Score. 4 pages. Matt Dorland Music #6258735. Published by Matt Dorland Music (A0.778465). Play your favorite pop songs with easy-to-learn piano arrangements by Matt Dorland Music! All arrangements include lyrics, chord symbols (when applicable), helpful fingering, pedaling, tempo and dynamic marks, and are 5 pages or less in length. These arrangements are perfect for late beginner to intermediate players, and make great recital pieces for students! Visit my YouTube channel for the latest tutorial videos of my easy piano arrangements: https://www.youtube.com/channel/UCevvpsVh2449KL8j48xzCYw

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindrift Pages (A0.1027467). Do You Hear How Many You Are? for SATB choir was written in April and May of 2010. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes -Winner, 2010 Ars Nova Singers Colorado Composers Competition (Professional Division) -1st Prize, Warren County Summer Music School's Promising Young Composers Competition, 2014 Premiered June 3, 2011 in Boulder, CO by the Ars Nova Singers, Thomas Morgan-conductor PROJECT : ENCOREâ„¢ has found this work to be of exceptional merit. Its panel of internationally known conductors has selected this work for inclusion in its catalog of recommended choral music. Website: keanesouthard.instantencore.com.

C Instrument - Level 1 - Digital Download SKU: A0.1514153 By Dennis L. Jernigan. By Dennis L. Jernigan. Arranged by Dennis L. Jernigan. Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Steven See #1088617. Published by Steven See (A0.1514153). You are my strength when I am weakYou are the treasure that I seekYou are my all in allSeeking You as a precious jewelLord, to give up I'd be a foolYou are my all in allJesus, Lamb of GodWorthy is Your nameJesus, Lamb of GodWorthy is Your nameTaking my sin, my cross, my shameRising again I bless Your nameYou are my all in allWhen I fall down You pick me upWhen I am dry You fill my cupYou are my all in all???????????????? ?????????????????????? ??????????? ?????????? ????????????????????? ?????????????????????? ??????????? ?????????? ?????.

Easy Piano - Level 1 - Digital Download SKU: A0.1266085 Composed by Traditional Celtic Folk Songs. Arranged by SilverTonalities. Celtic,Film/TV,Instructional,Irish. Score. 33 pages. SilverTonalities #858827. Published by SilverTonalities (A0.1266085). Has Sorrow Thy Young Day’s Shaded for Easy PianoCeltic Mists Series for Novice Pianists by SilverTonalities Featuring the popular “Has Sorrow Thy Young Day’s Shaded�, and also Including 10 Traditional Irish Folk Songs, with Letter Names Embedded in Noteheads to increase the ability to recognize Musical Pitch and Read Music Quickly and AccuratelyPREVIEW, pages 1-2GREEN SHADY BOWERS, pages 3-4LONELY I’LL BE LOVE WITHOUT YOU, pages 5-7THE CROPPY BOY, pages 8-9MY HEART’S FULL OF JOY, pages 10-12LOUGH CARA FISHERMAN, pages 13-15MY OWN YOUNG DEAR, pages 16-17THE NEW APRON, pages 18-20THE OLD LANGOLEE, pages 21-23HAS SORROW THY YOUNG DAY’S SHADED, pages 24-26WHEN FIRST I MET THEE, pages 27-28THE BANKS OF BANNA, pages 29-31.

Choral 2-Part Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1412114 By Vicky Jacobs. By Vicky Jacobs. Arranged by Vicky Jacobs. Contemporary,Pop. 4 pages. Vicky Jacobs (Glee Club) #994351. Published by Vicky Jacobs (Glee Club) (A0.1412114). This is a fabulous song that celebrates the joy of singing. Perfect for a young ensemble or as a quick win for your adult choir, we know singers and audiences alike will love it - we recommend it as a fabulous opening number to get your performance off on the right foot.

Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1116039 Composed by David Warin Solomons. Classical,Singer/Songwriter. 6 pages. David Warin Solomons #717738. Published by David Warin Solomons (A0.1116039). Poem by Mark Haviland, et to music, with permission, by David W Solomons Tonight when I got your letter I went for a walk in the woods Where a full moon baled by a flume of cloud and glowing ghostly through the trees and glistened on a glimmering stream while the wind as it coasts through the branches hissed like escaping steam. And I sat on the bridge that crosses the stream and settled down to dream a night dream I dreamed of you somewhere in the sun As I sat alone in the moon And I thought of the night when I will set out To bring you home to me To a house that looks onto this scene I thought of the night when I will set out To bring you home to me To a house that looks onto this scene And there where the dark forest path leads down To the dappled moonlit glade Two trees stand silent like watchers all a-grey And in my night-dream I saw you there smiling a smile of the brae.

Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565363 By Sharon Wilson. By George Frederick Root. Arranged by Sharon Wilson. Children,Folk,Romantic Period,Sacred,Standards. 12 pages. Sharon Wilson #4268951. Published by Sharon Wilson (A0.565363). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment (first verse only).  For the first verse, Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. For the second verse, the Boomwhackers® play the melody while the Handbells play single note harmony. If you want to learn (practice) only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure.Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match). The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.541668 Composed by Chauncey Olcott. Arranged by Cindy Blevins. Folk. 7 pages. Cindy Blevins #3120573. Published by Cindy Blevins (A0.541668). This is beautifully arranged for harp (or piano) and flute. With this download, you receive the score (so you can see how the parts go together), the harp part and the flute part. The harp part is for lever harp, and of course can also be played on pedal harp. There is no levering or pedaling within the piece. The flute adds a delightful voice, adding melody, harmony, and counter-melody to the harp part. The harp part is two pages long. The flute part is one page. The sound sample was digitally produced and gives you an idea of what the arrangement is like. It will sound even better played by actual instruments.For harp music (originals and arrangements), harp learning materials, harp with other instruments (clarinet, Native American flute, mandolin, flute), Native American flute learning materials, piano music (originals and arrangements) and much more, visit my website.My website: https://www.cindyblevinsmusic.comMy YouTube Channel: https://www.youtube.com/channel/UCuTv5LTRQW-uI_pIxg94IkQ?

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.726817 By Adele. By Adele Adkins and Tobias Jesso Jr. Arranged by Ben Bram. Pop,R & B. Octavo. 11 pages. Ben Bram Music #3560913. Published by Ben Bram Music (A0.726817). The price is high because it's a FLAT FEE per ensemble/organization, not a per copy fee. Please only make copies as needed within your ensemble/organization.Arranged for BU Treblemakers

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.928368 By Adele. By Adele Adkins and Tobias Jesso Jr. Arranged by Thomas J. West. A Cappella,Hip-Hop,Pop,R & B. Octavo. 16 pages. Thomas J. West #5896795. Published by Thomas J. West (A0.928368). This arrangement of one of Adele's chart-topping hits was originally commissioned by a treble voices barbershop chorus. It features a soprano lead vocal over a full SSAA chorus. The choral parts are written with a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. Parts are labeled in traditional barbershop style (tenor, lead, baritone, bass) but apply to the SSAA vocal ranges using the standard barbershop clefs (bass clef for alto parts). The bass part range is from Eb3 to Eb4. Tenor part range is from Eb4 to D5. www.thomasjwestmusic.com

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1380573 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 6 pages. Anastace #965350. Published by Anastace (A0.1380573). Here is the full piano and vocal version of Were You There When They Crucified My Lord? as heard on my YouTube channel. This version is in G major to match a lower vocal range for a deep and powerful sound. I hope you enjoy this arrangement of such a beautiful Good Friday hymn, a perfect pairing of this classic, contemplative melody with a subdued, richly voiced piano accompaniment to showcase the deep meaning and solemnity of this Holy Week hymn. This arrangement works well as a solo or choral anthem for any Easter service, particularly for Good Friday or Maundy Thursday. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Full piano and vocal arrangement in C major to match the original recording Full piano and vocal arrangement in G Major for a very high vocal rangeFull piano and vocal arrangement in E Flat Major for a classic soprano rangeLead sheet versionSolo piano version for a prelude/postlude, or communion interludeFor other formats including large print, guitar, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!