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Piano Solo - Level 1 - Digital Download SKU: A0.996530 Composed by Ryan Blakemore. 20th Century,Contemporary. Score. 2 pages. Blakemore School of Music #5805889. Published by Blakemore School of Music (A0.996530). Here's another piece for a student. She likes improvising and composing with ostinato patterns and minimalism-type stuff, so I included repeating broken 3rds throughout the piece. She also asked for the hustle and bustle of downtown, so I tried to express that through honking horns and other sudden accented sounds caused by delivery trucks, subway, police whistles, etc. I wrote it in 5/4 because she wanted more of a challenge than in previous pieces and I mixed in a little Mixolydian and Aeolian into the melody. Enjoy!
In the Big City
Piano seul

$3.00 2.52 € Piano seul PDF SheetMusicPlus

Piano,Trombone - Level 5 - Digital Download SKU: A0.792309 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 3 pages. Gordon Cherry #4804499. Published by Gordon Cherry (A0.792309). Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saën's incidental music for the play, Parysatis written in 1902. This 4-5 minute work is all about mood. Mr. Sauer uses the original key of B-flat, which lays perfectly for all of the bird-like calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.
The Nightingale (Le Rossignol) for Trombone & Piano
Trombone et Piano

$10.00 8.39 € Trombone et Piano PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.11036 Composed by Alfred Solman. Portraits, Social classes, Ethics. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11036). Clean Hands Tainted Gold. Written by Monroe H. Rosenfeld. Composed by Alfred Solman. Published 1904 by Jos. W. Stern & Co., 34 East 21st St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Social classes, Ethics. First line reads 'Twas six o'clock one ev'ning, as the fact'ry whistles blew.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Clean Hands Tainted Gold
Piano, Voix

$5.99 5.03 € Piano, Voix PDF SheetMusicPlus

Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.727685 Composed by Carol Troutman Wiggins. Children,Contemporary,Instructional. Octavo. 53 pages. Carol Troutman Wiggins #6699881. Published by Carol Troutman Wiggins (A0.727685). OVER THE OCEAN, UNDER THE SEA was written to celebrate God’s creation. The music appeals to the imagination of the elementary child who loves going to the beach, looking for seashells, watching playful dolphins jump in and out of the waves, and dreaming that a mermaid will actually appear! This book includes songs about going to the beach, wearing flip flops, seashells, seals, mermaids, mighty sailing ships and a pop-eyed pirate!   As a part of the Instant Concert Series, the songs are easy to teach and easy to learn, and most can be learned during one class period. A quick Spring concert can be planned by using any of these songs. Percussion instruments, Wood blocks, two-tone blocks, triangles, slide whistles, and body movements were added to help bring the ocean to life! Most of the work has been done to make the teacher’s job a little easier. I sincerely hope you – the teacher – enjoy teaching these songs and my wish is that the children to have fun singing about the sea!Piano Accompaniment Track available on this site.
Over the Ocean, Under the Sea (12 Quick & Easy Action Songs for Elementary Students)
Chorale Unison

$12.95 10.87 € Chorale Unison PDF SheetMusicPlus

Choir,Hand Percussion,Multi-Percussion,Piano,Ukulele - Digital Download SKU: A0.1065542 Composed by Carol Troutman Wiggins. Children,Instructional,Latin,Standards. Accompaniment. Duration 69. Carol Troutman Wiggins #3469930. Published by Carol Troutman Wiggins (A0.1065542). It's Hot Hot Hot (But We're Cool Cool Cool!) Piano TrackUnison Action Song w/Maracas, Shakers, Other PercussionThis happy summertime song has all the bells and whistles - actions, instruments, high fives, and fun-fun-fun!Excellent for any age elementary and younger middle school studentsUpbeat, Latino-style beatMaracas & shakers throughoutAdd tambourines, rhythm sticks, or trianglesAction cues included in scoreChords included for ukulele.
It's Hot Hot Hot (But We're Cool Cool Cool!) Piano Accompaniment Track
Accompagnement Piano

$5.99 5.03 € Accompagnement Piano PDF SheetMusicPlus

String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1296046 Composed by Trad, Alan Edgar, Euripides. Early Music,Folk,Historic,Traditional. 24 pages. Alan Edgar Ted Moon #886315. Published by Alan Edgar Ted Moon (A0.1296046). ΕΠΤΑ ΑΡΧΑΙΑ ΕΛΛΗÎΙΚΑ ΜΟΥΡΗ ΣΕ ΕΠΤΑ ΜΟÎΤΕΣ για ΚουαÏτέτο ΕγχόÏδων. The Seikilos epitaph. While you live, shine!. It is engraved on a pillar from the 1st or 2nd century CE. The melody Dorian: the harmony, as in all of these pieces, is mine. Garifolia (Carnation) Do you love me, my Carnation, or are you laughing at me?†“I love you, my Basil, I don’t laugh at youâ€. This song is Phrygian with characteristic 7/8 metre. KαÏπαθιωτικος. Karpathiotikos. About supplying olives. Aeolian.  ΓεÌννηση (Génnisi, Nativity)--a Greek Orthodox chant which may date back to the 4th Century Christ is born today. Mixolydian.Â Î‘Ï€Î¿Ì Ï„Î·Î½ ποÌÏτα (I walk past your door) so you can see me and be glad. I have made this traditional tune Lydian. Orestes  408 BC in Egypt. it is part of a chorus of Euripides’ tragedy. Locrian.  I weep, I weep. Kali chronia (Happy New Year) Beautiful girls have come to bring us a Happy New Year. One sweetly whistles, another sings. Ionian. 10 minutes.
SEVEN ANCIENT GREEK TUNES IN SEVEN MODES ΕΠΤΑ ΑΡΧΑΙΑ ΕΛΛΗΝΙΚΑ ΜΟΥΡΗ ΣΕ ΕΠΤΑ ΜΟΝ&T
Quatuor à cordes: 2 violons, alto, violoncelle

$21.00 17.62 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
Cowboy Songs of the American Southwest [TTBB]
Chorale TTBB

$4.20 3.52 € Chorale TTBB PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
1917: The Halifax Disaster
Orchestre d'harmonie

$22.99 19.29 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1407903 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 127 pages. Lorenzo Bocci #990504. Published by Lorenzo Bocci (A0.1407903). GIÙ LA TESTA (Duck, You Sucker!)for Concert Band (with Fanfare Band parts) - with Soprano and Choir (SATB) optional - Grade 3 - Digital Download Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With Soprano and Choir (SATB) optional. Score and parts. With Fanfare Band parts. Duration 4'19''. Published by Lorenzo Bocci.Instrumentation:Full Score, Soprano, Piccolo, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone 1, 2, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Electric Bass, Mallets Percussion (Vibraphone, Glockenspiel) Drum Set, Percussion (Triangle, Sus. Cymb.), Keyboard, Choir (SATB).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Giù la testa (Duck, You Sucker!), also known as A Fistful of Dynamite and Once Upon a Time...the Revolution, is a 1971 epic Zapata Western film directed and co-written by Sergio Leone and starring Rod Steiger, James Coburn, and Romolo Valli. It is the second film of Leone's unofficial Once Upon a Time Trilogy, which includes the previous Once Upon a Time in the West (1968) and the subsequent Once Upon a Time in America (1984). The musical score for Giù la testa (Duck, You Sucker!) was composed by Ennio Morricone, who collaborated with Leone in all his previous projects as a director with the exception of his debut, The Colossus of Rhodes. The insistent repetition of the vocal theme Sean Sean with the addition of the melodic vocalization of Edda Dell'Orso make the song unmistakable and well known, with Morricone mixing whistles, unusual instruments, ethereal female voices, objects and noises to enrich the possibilities of cinema music.Subscribe to my YouTube Channel to stay updated on new releases.
Duck You Sucker (Cues)
Orchestre d'harmonie

$99.00 83.06 € Orchestre d'harmonie PDF SheetMusicPlus

B-Flat Bass Clarinet,B-Flat Clarinet - Level 5 - Digital Download SKU: A0.1331931 By Budapest Scoring Clarinet Ensemble. By Traditional. Arranged by David Warin Solomons. 21st Century,Contemporary,Traditional. Full Performance. Duration 227. David Warin Solomons #918702. Published by David Warin Solomons (A0.1331931). This arrangement of Railway Song is one of a series of jolly and descriptive quartets (and a septet) all based on the Swabian folksong Auf de schwäb'sche Eisebahne (= on the Swabian railway) from the Tübinger Kommersbuch 1853. The music in this arrangement also mimics the speeding up and slowing down of the train and its whistles.Performed by The Budapest Scoring Clarinet Ensemble.
Railway song (Auf de schwäb'sche Eisebahne) for clarinet quartet (mp3)
Quatuor de Clarinettes: 4 clarinettes
Budapest Scoring Clarinet Ensemble
$6.50 5.45 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Small Ensemble Clarinet,Piano - Level 3 - Digital Download SKU: A0.995681 Composed by Jamie K. Auberg. Contemporary. Score and parts. 26 pages. Auberg Instructional Innovations #4611081. Published by Auberg Instructional Innovations (A0.995681). Fun and goofy, The Noise Maker Concerto involves noise makers (party favors, kazoos, spin whistles... really any noise maker!) interrupting an otherwise serious piece.  The clarinet part is very impressive sounding, but not actually all that difficult.  Great for using kids in your performance: give the kids noise makers (you can get them at a dollar store) and have a leader (someone who can follow the sheet music) cue them as to when to play.  To make it even more interesting, change noise makers between each movement (there are four movements).  Fun composing fact: the piece was originally written for the Noise Makers with just a piano part accompanying.  The clarinet solo was later written on top of the existing music!
The Wacky Musician's Noise Maker Concerto
Clarinette et Piano

$4.95 4.15 € Clarinette et Piano PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. Score and parts. 51 pages. Michael Pilley Music #3535709. Published by Michael Pilley Music (A0.746167). Written specifically for Swing Punks, the amazing London big band who play punk tunes in a jazz style, this vocal arrangement has all the bells and whistles. Starting in a bluesy swing style, see if you can pick up all the quotes as you progress through the chart. When it kicks into double time, it'll get your audiences toes tapping just enough for you to snap them back to a languid blues atmosphere. With an open solo section this chart comes alive, allowing for soloists to take the tune where they want to. Double time ensues after that, with a big ending to finish this cracking chart.THE SONGReleased in 1981, Should I Stay became The Clash's only UK number 1 single, albeit 10 years after in a reissued single. It made 228 in Rolling Stones Top 500 and features Spanish backing vocals, in a strange twist.THE BANDSwing Punks (www.swingpunks.com) are an exciting big band based in London, UK who take the best punk music and turn it into swinging big band music. Featuring 3 vocalists and a full complement of horns, their shows are full of energy and pizzazz. I've been lucky enough to play with them a few times since moving closer to London, and I always enjoy mixing it up with such great musicians.PRINTING TIPSBeautifully laid out, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
Should I Stay Or Should I Go
Ensemble Jazz
The Clash
$50.00 41.95 € Ensemble Jazz PDF SheetMusicPlus

Bassoon,Piano - Level 3 - Digital Download SKU: A0.1316569 Composed by Angela Salvaggione. Classical,Contest,Festival,Instructional. Score and part. 8 pages. Angela Salvaggione #905294. Published by Angela Salvaggione (A0.1316569). This piece should be fast and exciting, with very precise counting and rhythm. Imagine an old-time steam locomotive chugging down the tracks. Listen for the train whistles in the piano part. By the very end, the ride is over and the train is pulling into its final stop at the station.This piece is very much influenced by the piano piece Le Chemin de Fer, by Charles-Valentin Alkan. I highly recommend you find a recording of this piano piece to listen to. Don’t try to play Train Ride that fast though! My recording of the bassoon piece is at quarter note at 164. You need not play it that fast. So long as your playing has energy, very solid steady beat, and tongued notes are clear, that will carry the feel of the piece. Time: ca. 2:00-3:00, depending on tempo choiceKey: D minorRange: D2-Eb4I would use this piece with my second or third year students. Younger students should play it on the slower side. More advances students can aim for a faster tempo and use this as a great opportunity to work on keeping fast eighth note passages even.Once the student has purchased this piece, an adjudicator’s copy may be made. Teachers may purchase individual copies for each student’s use. Studio licensing is not available.
Train Ride
Basson, Piano (duo)
the very end, the ride is over and the train is pulling into its final stop at the station

This piece is very much influenced by the piano piece Le Chemin de Fer, by Charles-Valentin Alkan

$10.00 8.39 € Basson, Piano (duo) PDF SheetMusicPlus






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