Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.626950 By Whitney Houston. By Hallerin Hilton Hill and Mervyn Warren. Arranged by Stephen DeCesare. Christian,Christmas,Contemporary,Pop. Score. 5 pages. Exultet Music #5867809. Published by Exultet Music (A0.626950). The beautiful Christmas song that was recorded by Whitney Houston for the soundtrack to the 1996 film, The Preacher's Wife has now been freshly arranged for a Vocal Solo with Piano accompaniment. Accessible and appropriate for any church or concert setting.

B-Flat Clarinet Solo - Level 1 - Digital Download SKU: A0.1205469 By Bootstraps. By George Merrill and Shannon Rubicam. Arranged by Wesley S. SIlva. Broadway,Film/TV,Musical/Show,Pop,Rock,Wedding. Individual part. 1 pages. Wesley S. Silva #803665. Published by Wesley S. Silva (A0.1205469).

Piano - Moderately Easy - Digital Download SKU: MQ.15-785-4E Composed by Michael Larkin. 3 pages. MorningStar Music Publishers - Digital Sheet Music #15-785-4E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-785-4E).

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.682315 Composed by Benjamin R. Hanby. Arranged by Gert Th. Walter. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 3 pages. Gert Th. Walter #5775565. Published by Gert Th. Walter (A0.682315). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de

Euphonium,Tuba - Level 5 - Digital Download SKU: A0.1277210 Composed by Ludwig van Beethoven. Arranged by Niels-Ole Bo Johansen. Romantic Period. 9 pages. Gordon Cherry #868901. Published by Gordon Cherry (A0.1277210). Für Elise by Ludwig van Beethoven is one of the composer's most recognizable works for the Piano. Although written in 1810, it was discovered and first published in 1867, forty years after the composer's death.It is uncertain who Elise is.... possibly Therese Malfatti, the woman whom he proposed to (eventually turning him down), but whomever it was, she was a close friend and possibly an important person in his life.This superb arrangement by Niels-Ole Bo Johansen for Euphonium/Tuba Quartet is challenging for the top part and of medium difficulty for the other 3 parts.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.784819 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 27 pages. DF McCorkle Music and eBook Publications #11651. Published by DF McCorkle Music and eBook Publications (A0.784819). ACT ONE: Song 6. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 9:1-2 - Now there was a man of Benjamin, whose name was Kish, the son of Abiel, the son of Zeror, the son of Becorath, the son of Aphiah, the son of a Benjamite, a mighty man of valour. 2 And he had a son, whose name was Saul, young and handsome, and there was not among the children of Israel a more handsome person than he: from his shoulders and upward he was taller than any of the people.] The next day, SAMUEL returns to the town and assembles the people by their clans. The ELDERS, who have already decided who they want as king, go from clan-to-clan making a pretense in their selection. When their pick, SAUL, cannot be found they broaden their search and finally find him asleep in the cart that had arrived in with the caravan. Waking him, he stands up and is ‘a head taller’ than everyone else. They shout, Look whom God has chosen as our king, there is no one else like him here. [A Head Above the Rest – Elders]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.

C Instrument - Digital Download SKU: A0.1273525 By Rick Lee James. By Rick Lee James. Arranged by Rick Lee James. Christian,Contemporary,Praise & Worship,Religious. Lead Sheet / Fake Book. 4 pages. Voices In My Head Productions LLC #865664. Published by Voices In My Head Productions LLC (A0.1273525). Keep Watch, Dear LordBy Rick Lee JamesVerse 1Keep watch, dear Lord, with those who work, or watch, or weep this night.And give your angels charge o’er those who are saving other’s livesLet them be as Christ to the dying ones Who will draw their final breathLet their hands soothe the sufferingAnd bring the weary restKeep watch, dear Lord, with those who work, or watch, or weep this night.Verse 2Keep watch, dear Lord, with those who work, or watch, or weep this dayTheir healing hands bring solace near to grieving ones whose lives have changedLet your compassion give them strength to lift the heavy loadWith willing minds and open hearts that welcome every soulKeep watch, dear Lord, with those who work, or watch, or weep this dayVerse 3Keep watch, dear Lord, with those who work, or watch, or weep in life.May they find you in the broken hearts of those for whom You gave Your lifeGive eyes to see you in the ones who are overlooked each dayAnd ears to hear you in the ones who have never had a sayKeep watch, dear Lord, with those who work, or watch, or weep in life.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926666 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588437. Published by M.A. Morizio (A0.926666). In 1 John, we witness the Apostle (that Jesus loved) writing as the elder statesman of the faith in the last third of the 1st century. In chapter two, verse seven, John refers to the church as beloved and proceeds by telling them of a new commandment. He says (verses 9-11), Whoever loves his brother, abides in the light and there is no cause for stumbling. But whoever hates his brother is in the darkness, and does not know where he is going, because the darkness has blinded his eyes. From this text, John immediately segues into verses 12-14, to affirm for his followers that as far as they are concerned, there is no darkness in them for they are the children of the Light to whom he was earlier referring. John achieves this transition by employing yet another 1st century Hymn to Christ, which I have entitled, Through His Name. This anthem is an affirmation of the faith, first to the little children, then to the fathers, and then to the young men. What is very interesting is that the first stanza is written in the present tense (I am writing to you) but the second stanza, with very similar wording, is written in the past tense (I have written to you). It’s as if to say, you heard the Gospel message before, and you believed, and I am writing it to you again, so that you may continue to believe.  

Voice Duet Alto Voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1305303 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 7 pages. Kevin G. Pace #894741. Published by Kevin G. Pace (A0.1305303). A stunningly beautiful vocal duet for alto and tenor.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.  Text inspired by the the verse in Doctrine and Covenants 29:5 I am your advocate with the Father.Text:I Will Plead Your Cause “. . . (I) am your advocate with the Father; . . .� - Doctrine and Covenants 29:5Alto: I have sinned and cannot be restoredTo Father’s sight, to Father’s heavn’ly door.I am stopped, but there is One whose lifeWas giv’n for me so I would not know strife.Tenor: I am Christ, and I will plead your cause.For this I bled so you would not be lost.I am Christ, who died on CalvaryTo show my love to you explicitly.Tenor: Those who will confess my Name to all,To those will I confess when Father calls.But if they deny my Name to men,They, too, will I deny to Father then.Alto: I have sinned, but I have faith in Thee;To be my advocate, will Thou now be?As I plead for mercy and thy grace,Will Thou help me discover Father’s face?Both sing at the same time:Alto: I have sinned; O will Thou plead my causeBefore my Father’s face, or I’ll be lost?Thou art Christ, who died on CalvaryTo show thy love to me explicitly.Thou art Christ, who died to save my soul.Thou art Christ. Thou died to make me whole.Tenor: I am Christ, and I will plead your causeBefore my Father’s face so you’re not lost.I am Christ, who died on CalvaryTo show my love to you explicitly.I am Christ, who died to save your soul.I am Christ. I died to make you whole.

Soprano, mezzo-soprano, tenor, bass, choir and orchestra - Digital Download SKU: S9.Q21403 Composed by Giuseppe Fortunino Francesco Verdi. This edition: study score. Ernst Eulenburg - Industrial fair - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 85' 0. Ernst Eulenburg & Co. GmbH - Digital #Q21403. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21403). Latin.'A man, a great artist who left his mark on a whole epoch, has died' wrote Verdi in 1868, referring to Rossini whom he had greatly admired. To honour the deceased, Verdi wanted to compose a mass together with the most renowned Italian composers of his time. But the composition initiated by him was never presented to the audience, not least because of wounded vanities. Only the death of the Italian national poet Alessandro Manzoni prompted Verdi to make the mass torso into a complete requiem which was to conquer the whole of Europe with its marvellous temperament and lyrical verve after the resounding success of the world premiere.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!

Digital Download SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael Tippett. This edition: study score. Downloadable, Study score. Duration 125' 0. Schott Music - Digital #Q6264. Published by Schott Music - Digital (S9.Q6264). English â?¢ German.Music of iron and bronze, appropriate to its Trojan War settingâ??of fanfares and percussion tattoos, but with plangent windows of orchestral and vocal beautyâ??Tippettâ??s second opera is unlike his first in every respect except that of the immediacy and fullness with which it portrays the feelings and predicaments of a variety of characters. We understand the warmth and anxiety of Andromache, the majestic command of Hecuba and the erotic charge that runs through Helenâ??the Trojan women who come together at the start of the third act, and who double as the goddesses among whom Paris has to choose at the end of the first. We understand, too, the varieties of blindness and determination inside the male characters who dominate the central act, set on the Trojan plain. Chief among them are Achilles, singing with the vehemence but also the tenderness of a hero, and the troubled Priam, whose tragedy this essentially is, a tragedy multiplied many times over, because it brings about those of so many others.That central, determining tragedy results from Priamâ??s decision to sacrifice his young son Paris and thereby go against his instincts, a decision he takes to forestall a prophesy that Paris will bring about his death. Everything that takes place thereafter unfolds on this battleground between necessity and desire, a battleground on which there can be no conquerors, only casualties.(Paul Griffiths)2 Flutes (doubling 2 piccolos), Oboe, Cor Anglais, Clarinet, Clarinet in Eb, Bass Clarinet, Bassoon, Contrabassoon, 4 Horns in F, 4 Trumpets, 2 Trombones, Tuba, Timpani, Percussion (3 players): Snare Drum, Bass Drum, Cymbal, Wood Block, Tambourine, Triangle, Tam-tam, Xylophone; Harp, PIano (doubling Celesta), Guitar, Strings (6.0.4.4.2 minimum).