Level 2 - Digital Download SKU: A0.1435617 Composed by Gasparo Zanetti. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 11 pages. Wold Meridian #1015707. Published by Wold Meridian (A0.1435617). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort,  this individual piece is presented in full score and with separate parts for each of the lines.  Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment.  Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at   https://www.youtube.com/watch?v=dNqOmaXPsJMAs a help for players who are not so familiar with playing harmony and inner lines each line is featured in its own video.Line 2  is featured at   https://www.youtube.com/watch?v=TfnWVPiIlvgLine 3 is featured at  https://www.youtube.com/watch?v=lD6qjYuE_RoLine 4 is featured at  https://www.youtube.com/watch?v=SRFeINffN6w

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.749239 By Justin Bieber Duet With Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary. 39 pages. Helen Marple-Horvat #6196305. Published by Helen Marple-Horvat (A0.749239). https://www.youtube.com/watch?v=GSx1esb0D0wMariah Carey released this critically acclaimed song in 1994 and it has remained a popular snowy-season Christmas standard ever since. I originally arranged it for Voice with Quartet accompaniment in F, with my daughter, Alice Rose Wild, who sings on the live recording. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. More recently I have created this version for String Quartet in the key of G.  At the moment I have only the Sibelius computer score, and hope to record it with Capriccio Quartet once the covid pandemic is at an end. Suspend your disbelief!Why choose my Arrangement?The arrangement is in a great key for strings and most of the double stopping includes an open string. In one or two places the double stopping is a bit more tricky, so for younger players it would be better perhaps to miss out one of the notes, or to play them consecutively.The Intro.For the first violinist I include two versions of the intro and recommend that the quartet listen to the original, or to Alice’s recording for speed and performance tips. It is quite difficult to get the computer to do it musically, so the video intro is only intended as a rough guide. One of the enclosed options is intended as a rehearsal version, and has the lyrics to help. I have bowed it to include lots of downbows, and recovery of bows, which will help the other members to follow. The tricky sextuplet and triplet ornament at bar 10 can be omitted altogether. Simply pause on the ‘C’ and then recover the downbow for the next bar.I also include two versions of the violin two and viola parts. One is on two pages as a smaller font, and one on three pages with a larger font.For cellists who are a bit daunted by the solo at letter A , simply  play the fourth position semi breve Gs at bar 12 and at bars 13 and 14 too, and revert to the original score at bar 15. ie Six semibreve Gs. Perhaps a harmonic D at bar 15 would be easier than a shift at this point, and then join in unison with the rest of the band.The song moves between a straight crotchet pulse and lots of syncopated lines. This will be difficult to read on paper, but I always recommend listening to the song many times and then doing it by ear, using the notes on the page as a guide. Try not to play them too literally.PrintoutsPages 1 - 10 are for Look Inside Options only.Pages 11 - 28 includes all PartsPage 29 onwards is the optional Score for rehearsals. The vocal version is proving popular, but for a standard quartet Wedding and Events repertoire I hope that people will enjoy this arrangement. Send me recordings on facebook, even if they are phone rehearsals. I love to hear them, and to make contact with quartets around the world!

Level 2 - Digital Download SKU: A0.1424979 Composed by John Dowland. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 12 pages. Wold Meridian #1005901. Published by Wold Meridian (A0.1424979). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort,  this individual piece is presented in full score and with separate parts for each of the lines.  Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment.  Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at   https://www.youtube.com/watch?v=ztuFpZNlK-4As a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at   https://www.youtube.com/watch?v=1S0Om_bdlzALine 3 is featured at  https://www.youtube.com/watch?v=byc5wdl3um4Line 4 is featured at  https://www.youtube.com/watch?v=fe8qCbf4E2M

Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King.   Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound   Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes.   Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.

Jazz Combo - Level 2 - Digital Download SKU: A0.708636 By E. A. Mario / Edoardo Nicolardi. By E. A. Mario / Edoardo Nicolardi. Arranged by Gianluca Marano. Country,Folk,Multicultural,Pop,Traditional,World. Score and parts. 39 pages. By Gianluca Marano #317205. Published by by Gianluca Marano (A0.708636). Black Tammurriata tells the story of a woman who gives birth to a black child, conceived by a soldier during the American occupation . The woman, however, accepts her child, strengthened by her own maternal love. The whole story is told by a kind of Greek choir , which ironizes that although the woman turns the point of view of the fact ( Seh, vote and spin, seh seh, spin and vote, seh ) , or affibbi Italian names such as Ciccio, Antonio, Peppe or Ciro ( ca tu 'or call me Ciccio or' Ntuono, ca tu 'or call me Peppe or Giro ), the child who gave birth is still black ( chillo' or fatto è niro niro, niro niro comm'a cche ). Arrangement for: 5 Clarinet Bb 5 Sax Alto Eb 3 Trumpet Bb 2 Trombone 2 Glockenspiel 2 Percussion.

Level 2 - Digital Download SKU: A0.1454133 Composed by Jacotin. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1033309. Published by Wold Meridian (A0.1454133). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort,  this individual piece is presented in full score and with separate parts for each of the lines.  Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment.  Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at  https://www.youtube.com/watch?v=JkeSa7MAVPkAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at https://www.youtube.com/watch?v=iVykuJumOQELine 3 is featured at  https://www.youtube.com/watch?v=9GHWmG5cwloLine 4 is featured at  https://www.youtube.com/watch?v=h_O0LeQep0Q

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158148 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 47 pages. Https://gildedmusicpress.com/ #758453. Published by https://gildedmusicpress.com/ (A0.1158148). From the Shadow's Edge was commissioned by horn player in the US Air Force Bands, SSgt Alena Zidlicky, to honor her grandmother Beluse Urlich Zidlicky (Babi), who escaped the oppressive Nazi occupation of Czechoslovakia during WWII. For brass quintet and percussion, the horn is featured. The music of this composition begins in aural darkness, as if immersed in an inescapable shadow. The tense harmonies and contrapuntal motions of the brass are accompanied by two heartbeat motifs, in the tuba and bass drum, conjuring sentiments of fear and uncertainty. Emotions swell as the solo horn enters with contrasting triplet rhythms that struggle against the complex mixture of duple strains throughout the other parts. This dark introduction serves as a prelude to the above storyline, which transitions quickly (and trepidatiously) out of the shadow. From rehearsal letter B through the remainder of the piece, hope permeates in the brightness, once escaped from the shadow’s ominous edge. The complex nature of the thematic overlapping and polyphonic texture of the quintet as a whole provide feelings of unrest, anticipation, hope, and yes, heroism. Nothing exudes heroism more than a soaring solo horn! This composition celebrates triumph over evil, whether during life or in death, and those who press on with a brightness of hope even in the darkest shadows that life can cast, as exemplified in the life of Beluse Ulrich Zidlicky.

Bass Guitar,Drum Set,Keyboard - Level 3 - Digital Download SKU: A0.1404285 By Deborah Johnson. By Deborah Johnson. Broadway,Comedy,Contemporary,Jazz,Musical/Show,Singer/Songwriter. Accompaniment. Duration 128. Deborah Johnson #987388. Published by Deborah Johnson (A0.1404285). Deborah Johnson's Superwoman is a vibrant tribute to the incredible strength of women worldwide. This is the MP3 accompaniment track without the lead vocal--it includes the backgrounds. This upbeat and energetic song celebrates the everyday feats of ordinary yet extraordinary women. Drawing from her own experiences, Deborah navigates the complexities of managing a household, navigating career changes, raising three children, maintaining a marriage, and all the challenges life throws her way. Through Superwoman, Deborah captures the resilience and determination required to juggle multiple roles and responsibilities, resonating with listeners who understand the struggle of holding everything together. Purchase the single MP3 here: https://amzn.to/3PvNCHK The piano/vocal sheet music with vocal lead sheet is also available for download Note from Deborah: Are you embracing your inner superheroine? I get it—navigating life's hurdles while donning our invisible capes can feel like a whirlwind circus act. To claim the title of Superwoman, you've got to juggle the whole shebang: home life, career acrobatics, kid wrangling, spouse wrangling (or partner wrangling, let's keep it inclusive), and just the general chaos of existence. It's the kind of balancing act that'd make a Cirque du Soleil performer jealous! Speaking from the trenches myself, I've done my fair share of plate-spinning: managing a household, enduring the rollercoaster ride of a career (complete with loop-de-loops), wrangling three sons who seem to have synchronized their mischief, keeping a marriage afloat through the stormy seas and dealing with the curveballs life tosses our way. And let's not forget society's laundry list of expectations: staying fit, maintaining a Pinterest-worthy home, being the rock for our loved ones... and that's not even touching on the culinary escapades! And let's raise a toast to the single moms out there, pulling off the ultimate juggling act—balancing multiple jobs, raising the next generation of superheroes, and keeping the household shipshape. They're the Superwomen on turbocharged overdrive! It's no wonder that the song Superwoman resonates with us—it's our anthem, our battle cry, and our reminder that we're all superheroes in our own right! Written, arranged and performed by Deborah Johnson. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded dozens of albums, written 3 original musicals and has appeared on many stages around the country and world. She also appeared with the headliner piano/vocal duo Double Grande. Her internationally released bookshave garnered great reviews (on Amazon & Barnes & Noble) Deborah’s songs have also been up for multiple Grammy Awards. Music and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Backgrounds by Deborah and David Johnson. Additional production, guitars and bass by Michael Ferenci. Recorded at Ferenci Studios, Silverlake, CA. https://DJWorksMusic.com For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com YouTube Link https://youtu.be/YUOvivxjlsw?si=AGohZrZl1ErdkQTD

Level 2 - Digital Download SKU: A0.1422147 Composed by Pierre Attaignant. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 11 pages. Wold Meridian #1003493. Published by Wold Meridian (A0.1422147). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort,  this individual piece is presented in full score and with separate parts for each of the lines.  Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment.  Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at  https://www.youtube.com/watch?v=BNoW0o0h-bQAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at  https://www.youtube.com/watch?v=xOwmtaTupfELine 3 is featured at  https://www.youtube.com/watch?v=p2O86NHb9UsLine 4 is featured at  https://www.youtube.com/watch?v=BuSEb97ibE8

Level 2 - Digital Download SKU: A0.1438261 Composed by Michael Praetorius. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1018312. Published by Wold Meridian (A0.1438261). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort,  this individual piece is presented in full score and with separate parts for each of the lines.  Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment.  Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at   https://www.youtube.com/watch?v=PhGJud0nOhcAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at  https://www.youtube.com/watch?v=d_-iQ-x6RYALine 3 is featured at  https://www.youtube.com/watch?v=R-2UlvLZSE8Line 4 is featured at  https://www.youtube.com/watch?v=jCqxxlhKD5I

Flute,Piano - Level 1 - Digital Download SKU: A0.1329444 By Rebecca Tharp. By Isaac Watts. Arranged by Rebecca Tharp. Christmas. Score and part. 1 pages. Rebecca Tharp #917426. Published by Rebecca Tharp (A0.1329444). There are many pieces arranged for beginning flute or recorder, but none also have a beginning piano part! This piece is arranged as an evenly-leveled duet for beginning flute or recorder, along with beginning piano. Great for siblings or friends who are just beginning to learn their instruments. Piano part is mostly in C position, but with some RH descending C scales. and LH holding whole notes. Flute/recorder part uses a one-octave range, from middle C to the C above. Some eighth notes and dotted quarter-eighth patterns included, but these rhythms can easily be taught by rote to students who are familiar with the song.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys.  This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.

Level 2 - Digital Download SKU: A0.1437421 Composed by Claude Gervaise. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1017542. Published by Wold Meridian (A0.1437421). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort,  this individual piece is presented in full score and with separate parts for each of the lines.  Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment.  Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at  https://www.youtube.com/watch?v=FWD5COs6I1YAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at   https://www.youtube.com/watch?v=T-cbWrJVP-8Line 3 is featured at  https://www.youtube.com/watch?v=YIdSRRTQS0MLine 4 is featured at  https://www.youtube.com/watch?v=1KBeAu9Jdv4

Level 2 - Digital Download SKU: A0.1454137 Composed by Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1033311. Published by Wold Meridian (A0.1454137). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort,  this individual piece is presented in full score and with separate parts for each of the lines.  Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment.  Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at   https://www.youtube.com/watch?v=udSSCPtTmDAAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at   https://www.youtube.com/watch?v=K6aTL0evXgYLine 3 is featured at  https://www.youtube.com/watch?v=1H1RPHfDAFsLine 4 is featured at  https://www.youtube.com/watch?v=uNETgZeCwZA

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.719042 Composed by Gustav Holst. Arranged by Andrew Emmet. A Cappella,Christian,Folk,Patriotic,Spiritual. 4 pages. Andrew J Emmet #5199833. Published by Andrew J Emmet (A0.719042). SATB A Cappella. Alternative Lyrics. There is another country, a land that I dream of, entire and whole and perfect, a paradise of love. We may not see her mountains, we may not see her plains, her land is a treasure beyond all earthly gains. Love is the perfect answer, each soul is embraced, the way is there through harmony, and innocence and grace. And in this other country, I dreamed of long ago, so dear to those who love her, so sweet to those who know. We may not see her riches, we may not see her queen, her temple a pure heart, where choirs sweetly sing. And soul by soul and silently, her shining bounds increase, her ways are ways of gentleness, and all her paths are peace.