Cello,Flute,Guitar,Medium Voice - Level 4 - Digital Download SKU: A0.1396707 By Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo García (cello). By Traditional. Arranged by David Warin Solomons. Folk,Multicultural,Traditional,World. Full Performance. Duration 177. David Warin Solomons #980048. Published by David Warin Solomons (A0.1396707). Based on a traditional Yiddish folk song[Lyrics - English version below]Ale vasserlech flisn avek, di gribelech blaybn leydik.   Nito aza mentsh oyf gor der velt, vos zol farsteyn mayn veytik. Di yorelech tsien, di yorelech flien, di tsayt geyt avek vi roych, un az ich dermon zich on dir, mayn zis lebn, geyt mir oys der ko'ech.Un aza meydele shpilt a libe, shpilt in ir alle farbn un az zi shpilt ir libe nit oys, ken zi cholile noch shtarbn. Un az de tepelech trinkenen oys blaybn zey ale leydik un az a meydele firt ir libe nit oys vert zi farfalln oyf eybik. All the little waters flow awayThe little ditches remain dryThere is nobody on this whole earthwho can understand my painThe years drag on, the years fleeTime goes away like smokeand when I think of you, my sweet lifeI lose my strengthAnd when a young girl plays at loveall the colours play in herand if she doesn't play her love for realshe can - God forbid - still die.And when the water jars run outthey all remain dryand when a young girl doesn't play her love for realshe will pine away for ever.

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.991697 Composed by MICHAEL. RICCIARDI. Arranged by TIMOTHY C. DORAN. Broadway,Musical/Show. Score and parts. 3 pages. Creative Horizons Music Publishers (ASCAP) #3062363. Published by Creative Horizons Music Publishers (ASCAP) (A0.991697). A BEAUTIFUL SOARING BALLAD FOR THE TENOR VOICE. PART OF THE SCORE FROM THE BROADWAY BOUND MUSICAL FANTASY THE GHOST WHO SAVED BROADWAY IN THIS SONG, A YOUNG MAN HAS JUST BEEN DUMPED BY THE GIRL HE ADORED. HIS WHOLE WORLD HAS CRUMBLED ALL AROUND HIM. SUNG AND RECORDED HERE BY SINGER TERRY SNYDER. ASCAP TITLE.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747215 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pages. Christopher Brown #4756805. Published by Christopher Brown (A0.747215). About the song: In Psalm 22:22, David writes, I will praise You to all my brothers; I will stand up before the congregation and testify to the wonderful things You have done. Again, in Psalm 66:16, the psalmist says, Come and listen, all you who fear God, and I will tell you what He did for me. Jesus, after healing a man with a demon, commands the man to go home... and report the great things the Lord has done for you, and how He had mercy on you. The testimony of a life changed by God's love and His great mercy is a powerful tool for both spreading the Good News and resisting temptation. It is good for us to remember and proclaim, both personally and collectively, the great things the Lord has done.Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.Please Note:You can purchase individual copies of the vocal part separately on Sheet Music Plus. Performance of this piece requires the purchase of one vocal score per singer.*Full orchestration and parts also available on Sheet Music Plus.Included in your Purchase:Piano AccompanimentLyrics:Verse 1Let me tell you a story of grace,How the Son of Man died in my place.Raised to life, all my sin was erased.Praise the Name of the Lord.Verse 2Many times I have asked of the Lord,On my knees I have prayed and implored.In the waiting my soul is restored,Praise the Name of the Lord.Chorus 1This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Verse 3When I’m tempted to fear the unknown,I’m reminded I don’t walk alone.Christ is with me and He’ll lead me home,Praise the Name of the Lord.Chorus 2This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.BridgeOpened these blind eyes to see,Softened this heart to believe,Pardoned my sin on a tree,Now I stand redeemed.Key Change (up whole tone)Chorus 3This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Chorus 4This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.This is what the Lord has done for me.

Choir Sacred (SATB choir) - Grade 3 - Digital Download SKU: JX.00-4254 Composed by Jay Althouse and Sally K. Albrecht. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Holy Week; Lent; Sacred; Spring; Stewardship. Choral Octavo. 8 pages. Jubilate Music Group - Digital #00-4254. Published by Jubilate Music Group - Digital (JX.00-4254). English. Matthew 4:12-23; Mark 1:16-20.Come, follow the Lord who died to make us whole. Perfect for Stewardship, Lent, or more general occasions, this lovely anthem effectively employs call and response as God's people invite one another to give their lives to God. Available in three voicings for mixed and treble voices, large and small choirs. Easy to prepare.

String Ensemble Cello,Violin - Level 3 - Digital Download SKU: A0.1033994 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Madeline J Stratford. Children,Film/TV,Pop. Score and parts. 28 pages. Madeline Stratford #639318. Published by Madeline Stratford (A0.1033994). This very upbeat and energetic pop classic has been arranged for 4 Violins and a Cello. Some of the Violins have a call and response with the main melody. The Cello has a bass rhythm that stays fairly constant throughout for accompaniment. Coldplay sheet music for String Ensemble. Coldplay sheet music for Violin. Coldplay sheet music for Cello. This download includes the whole score, as well as individual parts separately for every Violin and the Cello. Each Violin part is for beginner/intermediate Violinists, with Violin 1 and 4 having slightly harder parts as a challenge. The Cello part is fairly easy for beginners who can hold a steady beat. There is a section for the Cello to double stop, but you can always just play the bass note if you're not confident in double stopping. This is a really really fun piece to play with your ensemble, we performed this at a concert and had toes tapping!

String Ensemble Viola - Level 5 - Digital Download SKU: A0.876544 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 65 pages. JoeCopio Music LLC #2101581. Published by JoeCopio Music LLC (A0.876544). THE BEETHOVEN DUETS FOR VIOLA By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Viola I and Viola II and as a Viola ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Viola are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.

Piano,Trombone - Level 4 - Digital Download SKU: A0.796704 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCAP). Rock. Score and part. 16 pages. DR GARY D BELSHAW #3663715. Published by DR GARY D BELSHAW (A0.796704). 2018 Holiday Contest Entry.What could be more in the holiday spirit than this Coldplay song about someone who can't believe she's gone? Get yourself into the true holiday spirit, celebrating those Christmas lights. Bring this music to any holiday social or civic event, recital, or concert. Explore the whole range of the instrument, and of the season. Good breath control and solid articulation will help folks stay with you. Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.510529 Composed by Blaise Smith, Derek Drym, Derek Drymon, Mark Harrison, Stephen Hillenburg, and Steve Hillenburg. Arranged by Mario Stallbaumer. Contemporary. Score. 2 pages. Mario Stallbaumer #4303373. Published by Mario Stallbaumer (A0.510529). “Are ya' ready, kids?Aye, aye Captain!�Here’s how to play the famous “SpongeBob SquarePants� Theme Song on piano!With this sheet music, you can play the SpongeBob Theme on piano, accompany singers, or sing along yourself. However, the whole melody is included in the piano arrangement - so it sounds great when it’s just played on an instrument, too!The theme music for the American animated television series SpongeBob SquarePants was composed by Hank Smith Music, consisting of Derek Drymon, Mark Harrison, Stephen Hillenburg and Blaise Smith, and is primarily based on the sea shanty, Blow the Man Down.Listen to the full arrangement here: https://youtu.be/Q6jiVwzW0DcHere are the full lyrics to the SpongeBob SquarePants Intro Theme Song:“Who lives in a pineapple under the sea?SpongeBob SquarePants!Absorbent and yellow and porous is heSpongeBob SquarePants!If nautical nonsense be something you wish!SpongeBob SquarePants!Then drop on the deck and flop like a fish!SpongeBob SquarePants!SpongeBob SquarePants!SpongeBob SquarePants!SpongeBob SquarePants!SpongeBob SquarePants!�

A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - Digital Download SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!

Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute - Level 3 - Digital Download SKU: A0.1083639 By Vanessa Williams. By Alan Menken and Stephen Schwartz. Arranged by Catriona Melville-Mason. Children,Film/TV. 11 pages. C Melville-Mason #687846. Published by C Melville-Mason (A0.1083639). A charming arrangement of Academy Award-winning song ‘Colors of the Wind’, for woodwind trio of flute, clarinet and bassoon. Although the parts are, for the most part, not technically challenging, the piece has been classed as ‘intermediate’ in standard. It requires three players who are confident about holding their own line, while being sensitive to how this fits within the ensemble as a whole. ‘Colors of the Wind’ was the first song written for the Walt Disney film ‘Pocahontas’ and apparently had a significant influence on the way in which the rest of the film developed. Judy Kuhn provided the vocals in the original, although the song has since been covered by various artists, most notably by Vanessa Williams.

Concert Band - Digital Download SKU: AX.00-PC-0016527_PC2 2nd Percussion. Composed by Patrick Roszell. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016527_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016527_PC2). UPC: 038081483429.Are those pesky alternate saxophone fingerings giving you the blues? Wash them away with some Saxophone Stew! Who knew the whole band could have fun learning new fingerings? (2:00)Section Feature.

Concert Band - Digital Download SKU: AX.00-PC-0016527_H1 1st F Horn. Composed by Patrick Roszell. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016527_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016527_H1). UPC: 038081483429.Are those pesky alternate saxophone fingerings giving you the blues? Wash them away with some Saxophone Stew! Who knew the whole band could have fun learning new fingerings? (2:00)Section Feature.

String Ensemble Viola - Level 5 - Digital Download SKU: A0.876540 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 10 pages. JoeCopio Music LLC #2101565. Published by JoeCopio Music LLC (A0.876540). THE BEETHOVEN DUETS FOR VIOLA By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Viola I and Viola II and as a Viola ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Viola are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1363828 Composed by Grant Horsley. Classical,Comedy,Contest,Festival. 42 pages. Grant Horsley #948226. Published by Grant Horsley (A0.1363828). The Court Jester is intended as a descriptive piece. The Jester was a member of the household of a nobleman or a monarch employed to entertain guests during royal court. Jesters were also traveling performers who entertained common folk at fairs and town markets, and the discipline continues into the modern day, where jesters perform at historical-themed events. This piece is in ternary form.The outer sections are to represent the general clowning around and playing pranks as a mischievous Jester does. The middle section by contrast is more lyrical to demonstrate a softer side to the personality, however this quickly transcends back to the final section where jokes, pranks and laughs have their way!It should be performed very briskly and lightly to capture the overall feel of the piece. The range in total is two and a half octaves and it is 4.00 minutes in length- Set at Intermediate level, but lots of areas are less so. The whole score is on here for you to assess suitability Price is for the full score and all parts.A great addition to the repertoire.

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1456619 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 20th Century,21st Century,Chamber,Classical,Contemporary. Score and part. 33 pages. Marcos Fernandez-Barrero #1035694. Published by Marcos Fernandez-Barrero (A0.1456619). Work commissioned by the Rose-Gibbs Duo (Benita Rose and Tony Gibbs) – Prescott (Arizona, USA). This is a work ideal for both,  professional performers as well as students of the year before College level (ie. 17 years old)In the past, I had the chance to experience how performing with a musician who is also your personal partner (wife, girlfriend, etc.) can ease the process of merging together, enhancing the performance as if it were by a single musician rather than two separate individuals. So, when I was asked to write a piece for a duo in such circumstances, like the Rose-Gibbs Duo, I saw it as a great opportunity to explore the possibilities of blending, fusing, and merging musical content, sound, and other parameters into a cohesive whole.Therefore, this work explores the concept of musical discourse produced by the interaction of both instruments, which often have to align their accents, timbre, or dynamics to become one entity; as if melting together, as if two solids became liquid and fused to form a new alloy. The form and structure of the work are also influenced by this constant idea of blending, integrating the various sections into a single, unified movement.Written in Barcelona on July 2023______________________________________Obra encargada por el Rose-Gibbs Duo (Benita Rose y Tony Gibbs) – Prescott (Arizona, EE. UU.). Ideal para tanto músicos profesionales así como tamién para alumnos del curso antes del nivel Universitario de Superior (17 años aproximadamente)En el pasado, tuve la oportunidad de experimentar cómo el hecho de tocar con un músico que también es tu pareja personal (esposa, novia, etc.) puede facilitar el proceso de fusionarse, mejorando la actuación como si fuera realizada por un solo músico en lugar de dos individuos. Así que, cuando me pidieron componer para un dúo en tales circunstancias, como el Rose-Gibbs Duo, lo vi como una gran oportunidad para explorar las posibilidades de mezclar, fusionar e integrar el contenido musical, el sonido y otros parámetros en un todo cohesivo.Por lo tanto, esta obra explora el concepto del discurso musical producido por la interacción de ambos instrumentos, que a menudo deben alinear sus acentos, timbre o dinámicas para convertirse en una sola entidad; como si se fundieran juntos, como si dos sólidos se convirtieran en líquido y se fusionaran para formar una nueva aleación. La forma y la estructura de la obra también están influenciadas por esta idea constante de mezcla, integrando las diversas secciones en un solo movimiento unificado.Escrita en Barcelona en Julio 2023