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Concert Band - Level 1 - Digital Download

SKU: A0.835517

Composed by Vincent Vitale. Latin. Score and parts. 20 pages. Vincent Vitale #31569. Published by Vincent Vitale (A0.835517).

A very simple and delightful cha cha especially written for a young band. This one will really give your percussion section something to do and they will love it. Your band will beg you to play this one every day. As in all my compositions for young band the instrument ranges are written with the beginning player in mind. Complete with full score and parts for flute, oboe, clarinet, bass clarinet, alto sax, tenor sax, f horn, trombone, tuba, bells, percussion 1 & 2. If you like this one also try Bambola for young band. Now let's cha cha!

CHA CHA A LA MODE
Orchestre d'harmonie

$16.00 15.37 € Orchestre d'harmonie PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1173633

Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633).

Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.



While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.



Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.



This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.

Range: Eb4-Bb5 without ornamentation
Tessitura: around Bb4-F5/G5

 

Text:

Belle luci, che accendete
In quest' alma un dolce foco,
Siete voi, e voi sarete
La mia calma, e il mio piacer.

Sì, la calma, e il piacer mio
Tutto, e sempre in voi s'aggira,
Per voi solo il cor respira,
Nè più brama il mio pensier.

About the Arranger behind Accessible Accompaniments Editions:



Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. 
For more information, please visit http://ndipaolo.musicaneo.com .

Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
Piano, Voix

$8.95 8.6 € Piano, Voix PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download

SKU: A0.1450568

Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 4 pages. David Warin Solomons #1030210. Published by David Warin Solomons (A0.1450568).

The pdf file contains the score and separate violin part.


Based on an Irish folksong

I have a bonnet trimmed with blue.
Do you wear it? Yes, I do.
I will wear it when I can,
going to the ball with my young man.

My young man has gone to sea,
but when he comes back he'll play for me.
Tip to the heel and tip to the toe
and that's the way the Polka goes.

My young man is home from sea
he's come back to marry me
Tip to the heel and tip to the toe
and that's the way the Polka goes.


I have a bonnet trimmed with blue.
Do you wear it? Yes, I do.
I will wear it when I can,
going to the ball with my young man.

Variations on I have a bonnet trimmed with blue for violin and piano
Violon et Piano

$5.50 5.28 € Violon et Piano PDF SheetMusicPlus

Cello,Piano - Level 4 - Digital Download

SKU: A0.1436485

Composed by Traditional. Arranged by David Warin Solomons. Classical,Contemporary,Traditional. Score and part. 4 pages. David Warin Solomons #1016598. Published by David Warin Solomons (A0.1436485).

Based on an Irish folksong

The pdf contains score and separate cello part.

I have a bonnet trimmed with blue.
Do you wear it? Yes, I do.
I will wear it when I can,
going to the ball with my young man.

My young man has gone to sea,
but when he comes back he'll play for me.
Tip to the heel and tip to the toe
and that's the way the Polka goes.

My young man is home from sea
he's come back to marry me
Tip to the heel and tip to the toe
and that's the way the Polka goes.


I have a bonnet trimmed with blue.
Do you wear it? Yes, I do.
I will wear it when I can,
going to the ball with my young man.

Variations on I have a bonnet trimmed with blue for cello and piano
Violoncelle, Piano

$5.00 4.8 € Violoncelle, Piano PDF SheetMusicPlus

Guitar,Instrumental Duet,Oboe - Level 3 - Digital Download

SKU: A0.1448098

Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 5 pages. David Warin Solomons #1028036. Published by David Warin Solomons (A0.1448098).

Based on an Irish folksong

I have a bonnet trimmed with blue.
Do you wear it? Yes, I do.
I will wear it when I can,
going to the ball with my young man.

My young man has gone to sea,
but when he comes back he'll play for me.
Tip to the heel and tip to the toe
and that's the way the Polka goes.

My young man is home from sea
he's come back to marry me
Tip to the heel and tip to the toe
and that's the way the Polka goes.


I have a bonnet trimmed with blue.
Do you wear it? Yes, I do.
I will wear it when I can,
going to the ball with my young man.

The pdf contains score and parts.

Variations on I have a bonnet trimmed with blue for Oboe and Guitar
Hautbois, Guitare (duo)

$5.00 4.8 € Hautbois, Guitare (duo) PDF SheetMusicPlus

Cello,Guitar,Instrumental Duet - Level 3 - Digital Download

SKU: A0.1434765

Composed by Traditional. Arranged by David Warin Solomons. Celtic,Contemporary,Irish,Traditional. 5 pages. David Warin Solomons #1014896. Published by David Warin Solomons (A0.1434765).

Based on an Irish folksong

The pdf contains score and parts

I have a bonnet trimmed with blue.
Do you wear it? Yes, I do.
I will wear it when I can,
going to the ball with my young man.

My young man has gone to sea,
but when he comes back he'll play for me.
Tip to the heel and tip to the toe
and that's the way the Polka goes.

My young man is home from sea
he's come back to marry me
Tip to the heel and tip to the toe
and that's the way the Polka goes.


I have a bonnet trimmed with blue.
Do you wear it? Yes, I do.
I will wear it when I can,
going to the ball with my young man.

I have a bonnet trimmed with blue for cello and guitar
Violoncelle , Guitare (duo)

$5.00 4.8 € Violoncelle , Guitare (duo) PDF SheetMusicPlus

Oboe,Piano - Level 3 - Digital Download

SKU: A0.1449237

Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. Score and part. 4 pages. David Warin Solomons #1029033. Published by David Warin Solomons (A0.1449237).

Based on an Irish folksong

I have a bonnet trimmed with blue.
Do you wear it? Yes, I do.
I will wear it when I can,
going to the ball with my young man.

My young man has gone to sea,
but when he comes back he'll play for me.
Tip to the heel and tip to the toe
and that's the way the Polka goes.

My young man is home from sea
he's come back to marry me
Tip to the heel and tip to the toe
and that's the way the Polka goes.


I have a bonnet trimmed with blue.
Do you wear it? Yes, I do.
I will wear it when I can,
going to the ball with my young man.

The pdf file contains score and parts.

Variations on I have a bonnet for oboe and piano
Hautbois, Piano (duo)

$5.00 4.8 € Hautbois, Piano (duo) PDF SheetMusicPlus

Concert Band - Grade 1 - Digital Download

SKU: B0.PDF-BAND397

Composed by Jeffrey Parthun. Z-Fanfare is a compelling choice for Grade 1 level band students. Multicultural. Score and Parts. 25 pages. PDF Band Music #PDF-BAND397. Published by PDF Band Music (B0.PDF-BAND397).

8.5 x 11 inches.

Your band parents will be amazed that their young musicians will be able to perform this very recognizable classical piece. This transcription for young band of the famous theme from 2001: A Space Odyssey will become a crowd and player favorite. Creative percussion writing will keep your percussionists engaged by allowing them to help create this piece while intelligent wind scoring will allow musicians with as little as one year of training the opportunity to sound mature beyond their years.

Z-Fanfare
Orchestre d'harmonie

$38.70 37.17 € Orchestre d'harmonie PDF SheetMusicPlus

Concert band - Grade 1 - Digital Download

SKU: IZ.CBW184-S

Composed by Daniel Jones. Score. 14 pages. Imagine Music - Digital #CBW184-S. Published by Imagine Music - Digital (IZ.CBW184-S).

9 x 12 in inches.

Dorian Blues provides for a wealth of fun, yet educational musical moments for young musicians. Directors will have the opportunity to discuss modes, blues scales, and medieval plainchant. The piece mixes quasi-Dorian and blues scales and is grounded around the pitch concert D; therefore, the piece is largely in d-minor, a highly accessible key for emerging musicians. Students will have the opportunity to perform a variety of articulations, rhythms, accidentals and tempi. In addition, the numerous texture and mood changes will challenge the musicianship skills of the performers. The syncopated rhythms and quarter-note triplets will also provide for excellent teachable moments.

The use of medieval modes in jazz certainly isn't a new concept as artists like Miles Davis utilized Dorian in So What, and John Coltrane as well in Impressions. Traditionally, modes have been found in instrumental music for centuries as seen in Sibelius' 6th Symphony, and more recently employed in wind band examples for students such as Elliot del Borgo's Dorian Rhapsody. Dorian Blues, however, is perhaps the first piece for young band that combines medieval chant on D Dorian with jazz-like rhythms and blue-notes.

Dorian Blues
Orchestre d'harmonie

$10.00 9.6 € Orchestre d'harmonie PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download

SKU: A0.1308560

By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by David Kemp. Broadway,Film/TV,Musical/Show. Score and Parts. 12 pages. David Lloyd Kemp #897801. Published by David Lloyd Kemp (A0.1308560).

Beauty and the Beast is a timeless classic from Disney's Beauty and the Beast, and it can be a wonderful addition to your Grade 2.5 string orchestra repertoire. This enchanting arrangement captures the essence of the tale as old as time, offering a musical journey through the magical world of Belle and the Beast.

In this arrangement, your string orchestra will embark on a musical adventure filled with romance and wonder. The violins will carry the iconic melody, while the cellos and violas provide a warm and supportive harmony. The double basses add depth to the arrangement, creating a balanced and engaging sound that is accessible to intermediate-level players.

The piece begins with a sense of mystery and curiosity, much like Belle's exploration of the enchanted castle. As it progresses, the music takes on a more tender and emotional quality, reflecting the evolving relationship between the two central characters. The arrangement maintains a moderate tempo and offers opportunities for expressive playing, allowing your young musicians to convey the emotions of the song.

Beauty and the Beast is a perfect choice for your string orchestra, offering a beautiful and captivating performance that will transport your audience to the world of love and enchantment. This arrangement will not only showcase the progress and talent of your young musicians but also resonate with listeners of all ages as they are swept away by the timeless magic of this classic Disney song.

Beauty And The Beast
Orchestre à Cordes
Celine Dion & Peabo Bryson
$49.99 48.01 € Orchestre à Cordes PDF SheetMusicPlus

Concert band - Grade 1 - Digital Download

SKU: IZ.CBW184

Composed by Daniel Jones. Score and Parts. 62 pages. Imagine Music - Digital #CBW184. Published by Imagine Music - Digital (IZ.CBW184).

9 x 12 in inches.

Dorian Blues provides for a wealth of fun, yet educational musical moments for young musicians. Directors will have the opportunity to discuss modes, blues scales, and medieval plainchant. The piece mixes quasi-Dorian and blues scales and is grounded around the pitch concert D; therefore, the piece is largely in d-minor, a highly accessible key for emerging musicians. Students will have the opportunity to perform a variety of articulations, rhythms, accidentals and tempi. In addition, the numerous texture and mood changes will challenge the musicianship skills of the performers. The syncopated rhythms and quarter-note triplets will also provide for excellent teachable moments.

The use of medieval modes in jazz certainly isn't a new concept as artists like Miles Davis utilized Dorian in So What, and John Coltrane as well in Impressions. Traditionally, modes have been found in instrumental music for centuries as seen in Sibelius' 6th Symphony, and more recently employed in wind band examples for students such as Elliot del Borgo's Dorian Rhapsody. Dorian Blues, however, is perhaps the first piece for young band that combines medieval chant on D Dorian with jazz-like rhythms and blue-notes.

Dorian Blues
Orchestre d'harmonie

$50.00 48.02 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download

SKU: A0.872438

Composed by James K. Taylor. Folk,Instructional,Standards,World. Score and parts. 48 pages. James K. Taylor #238411. Published by James K. Taylor (A0.872438).

This is a unique young band march. You may perform it at quarter = 120 OR in cut time -half=96. It works either way. The score instrumentation is for beginning band--flute, clarinet, alto sax, tenor sax, trumpet, horn, trombone, baritone, tuba, xylophone, snare/bass drum and cymbals. For bands playing it in cut time, there are parts (but not on score) in the PDF file for oboe (flute double) and bassoon-bass clarinet--bari sax (all trombone double). You will have to listen to the MP3 recording to believe your ears. NOTICE: THE SAMPLE STARTS WITH THE 4/4 VERSION AND WHEN IT IS OVER, THE 2/2 VERSION WILL BE PLAYED. Very few parts exceed one octave in the key of Bb. The flute/oboe part has one C above the high Bb. The rhythms are fairly easy, but in cut time, they sound challenging. There is lots of dynamic contrast, and your students will learn about lip slurs and march style. The clarinet and bass clarinet parts do not go across the break. The biggest challenge will be endurance for your brass players, but since there are no first and second parts, the lead players might can get a little rest time in the big tutti sections. The horn is kept in the middle range with tenor sax doubling.There are a few solos towards the beginning, but the soloists are getting to play the fun melody of this little two in one young band composition. I hope you enjoy this two marches for the price of one.

March of the Martian Caterpillars
Orchestre d'harmonie

$30.00 28.81 € Orchestre d'harmonie PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.995990

Composed by Dave Flippo-music, Marie Yuen - lyrics. Baroque,Jazz. Score. 16 pages. David William Flippo #4775081. Published by David William Flippo (A0.995990).

Three songs sung by three supporting characters in the full length musical Roxane of Bergerac Audio for each can be found at www.flippomusic.com/roxane  . The pieces include Love is Wasted on the Young - sung by Duenna,  The Good Old Days - sung by De Guiche and Almont Tarts - sung by Ragueneau. The first pieces is lyric, flowing ballad in a classical style that is interrupted by a dance section and returns to the original music; the second is a bouncing, humorous , jazzy stride-style piece in which De Guiche complains about the new, polite  rules for love; the last is a humorous musical recipie for almond tarts. 

Roxane is a romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance.

The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.

SUPPORTING CHARACTER SONGS - from "Roxane of Bergerac"
Piano, Voix et Guitare

$12.95 12.44 € Piano, Voix et Guitare PDF SheetMusicPlus






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