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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.594201 Composed by William J Kirkpatrick. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6560259. Published by David McKeown (A0.594201). Away in a Manger is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Trumpet and one Clarinet. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Away in a Manger, Cradle Song was written by William J Kirkpatrick, an Irish born American composer. The origins of the lyrics are less certain. Throughout the nineteenth century they were attributed to Martin Luther, but this version of events has since been discredited. With a performance time of around two and a half minutes, this version of Away in a Manger is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Away in a Manger is arranged in a key and range best suited to the instruments. The original 3/4 meter has been altered to 4/4. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with intros and outros. This arrangement is suitable for players at an intermediate or early advanced level.
Away in a Manger, Jazz Style, for Trumpet and Clarinet Duet
Clarinette, Trompette (duo)

$3.99 3.82 € Clarinette, Trompette (duo) PDF SheetMusicPlus

Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.594181 Composed by William J Kirkpatrick. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6560217. Published by David McKeown (A0.594181). Away in a Manger is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Flute and one Clarinet. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Away in a Manger, Cradle Song was written by William J Kirkpatrick, an Irish born American composer. The origins of the lyrics are less certain. Throughout the nineteenth century they were attributed to Martin Luther, but this version of events has since been discredited. With a performance time of around two and a half minutes, this version of Away in a Manger is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Away in a Manger is arranged in a key and range best suited to the instruments. The original 3/4 meter has been altered to 4/4. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with intros and outros. This arrangement is suitable for players at an intermediate or early advanced level.
Away in a Manger, Jazz Style, for Flute and Clarinet Duet
Flûte, Clarinette (duo)

$3.99 3.82 € Flûte, Clarinette (duo) PDF SheetMusicPlus

Small Ensemble Hand Drum,Handpan,Steel Pan,Ukulele - Level 1 - Digital Download SKU: A0.659353 By Sharon Wilson. By Anna B. Warner, Asa B. Everett, Daniel W. Whittle, Elisha Albright Hoffman, James McGranahan, James Montgomery, John H. Stockton, Mary A. Lathbury, Mary Slade, William B. Bradbury, William F. Sherwin, William H. Doane, William J. Kirkpatrick, and etc. Arranged by Sharon Wilson. Children,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 77 pages. Sharon Wilson #267654. Published by Sharon Wilson (A0.659353). This collection contains 10 hymns notated for C major diatonic scale Tongue Drums (suitable for 8, 11, or 13-note drums in the key of C). These hymns can be performed as solos, as rhythmic chord accompaniment for singing, or as duets. Four separate scores are provided for each song to allow maximum flexibility. These scores can be used in numerous ways from solo playing to playing with a partner or as a group. Each song also has an accompanying note and chord reference chart as well as a rhythm pattern chart. Descriptions of each score and chart are detailed on the introduction page and summarized below: Melody Score This score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics are provided below the staff for sing along enjoyment Harmony Score This score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment while someone plays or sings the melody. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments. Grand Staff The Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director using this set of scores in a group setting. If playing with a partner, this score may be easier to use since both players can see what the other person is playing. This score includes Tongue Drum note numbers above the melody staff and below the harmony staff; chord names above the harmony staff for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo Score This score includes both harmony and melody notes to create a fuller sounding solo. Numbers corresponding to the numbers on the Tongue Drum are included above the staff. Note and Chord Chart This chart consists of two separate staff rows. The first staff shows the notes used for the melody and harmony. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm Chart This chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns. Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection: Break Thou the Bread of LifeFootsteps of Jesus Glory to His Name (Down at the Cross)Go to Dark GethsemaneHow Firm a FoundationI Know Whom I Have Believed Jesus Loves MeLead Me to Calvary Only Trust HimTake the Name of Jesus withYouVisit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
Hymns of Faith for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets)
Sharon Wilson
$15.00 14.38 € PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.1486752 By ... By Priscilla J. Owens and William J. Kirkpatrick. Arranged by J. Randolph Hall. This edition: Interactive Download. Christian,Classical,Pop,Praise & Worship,Standards,World. 9 pages. Duration 71. J. Randolph Hall #6NuvshgfyKgeSG6ddu07Z5. Published by J. Randolph Hall (A0.1486752). Key: Eb major.Kirkpatrick was a 19th century carpenter, director, and hymnist from Pennsylvannia. Owens was a 19th centuryteacher, writer,and hymnist from Maryland. A modulation to a new key occurs towards the end of section B with the help of a French augmented sixth chord. A descant by yours truly is added at the beginning of section C. This work should be played with great joy (Con gioia).
Jesus Saves!

$4.00 3.83 € PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes

$9.99 9.57 € Orchestre à Cordes PDF SheetMusicPlus

Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1138519 Composed by William J. Kirkpatrick. Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Folk,Holiday,Praise & Worship,Standards,World. Score and parts. 9 pages. Duration 86. J. Randolph Hall #2l4nBHxWnwK1QLk5hXQYLi. Published by J. Randolph Hall (A0.1138519). Key: Bb major.Kirkpatrick was an Irish-American hymnist. He lived from the 19th to the early 20th Century. This hymn is great for Good Friday or Communion services. Sections A and C are the verses. Section B and D are the refrain. Between section B and C is a modulation to a new key with the help of an augmented sixth chord (German 6th). A descant is added by yours truly.
Lead Me To Calvary

$4.00 3.83 € PDF SheetMusicPlus






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